Chapter 68: The Realization of Performance

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At the end of the meeting, Zheng Xiao asked Song Yulong to help find the complete collection of "Lausanne Learning" and took it back to the hotel to figure it out.

Chen Jiahao told Zheng Xiao that the program team was going to rehearse at half past seven in the evening in a small studio hall of Satellite TV, and when the time came, he would ask Shi Kai to pick him up.

Zheng Xiao naturally agreed happily.

However, when he left, Chen Jiahao stretched his hands towards Song Yulong and said: "Mr. Song, I think Zheng Xiao doesn't seem to be very concerned about the production of our show, this is still a newcomer, and he is not famous yet, but the shelf is up." ”

"Jiahao, people are talented people, it's normal to be arrogant! What's more, Xiao Zheng is not the kind of person who is rampant when he gets in power, he is more straightforward, and there are not so many vain things for people, let's understand each other more in the future, after all, we have just started to cooperate, and we are considerate of each other and run in, I believe that your cooperation with him will be very pleasant! Anyway, people are very good at acting, and there is no second one in the country in terms of imitation performances! ”

Song Yulong said with a smile.

"Well, maybe I'm too anxious and always worried that the recording of the show will go wrong." Chen Jiahao shrugged and said.

"Director Chen, relax, just the few small scenes that Zheng Xiao performed just now, put them in one episode of the show, which is shocking enough! I have a hunch that our superstar face will definitely become popular again! Wu Tianke said with a smile.

Not to mention what they are talking about Zheng Xiao here.

After Zheng Xiao returned to the hotel room, she sat down first, recalled the book of stand-up comedy "My Troubles", and wrote it out silently on a few sheets of manuscript paper of Fujian Satellite TV.

After writing it, he read it silently himself.

Fortunately, all the jokes are there, just reading it through like this makes people a little unbearable.

Thinking about it again, I use Andy Lau's voice to talk about such a stand-up comedy situation, which will definitely have the due amusing effect.

Maybe after watching this show, people will use Andy Lau's cross talk as a gimmick to post some video and audio materials on the Internet, which will attract more people's attention.

Aren't all Internet celebrities so popular?

After writing this cross talk, Zheng Xiao used a borrowed laptop to play a video of Lausanne learning art.

In such a short period of time, Bolin and Lausanne master and apprentice used their amusing skills, especially Lausanne interspersed with his own miraculous ventriloquism, which made people laugh and applaud Lausanne's wonderful performance.

These programs are already old programs from ten years ago, and the arrangement can show traces of roughness, but they just have a kind of attractive charm, which makes people love to watch it, and feel relaxed and comfortable after watching it.

While watching the show, Zheng Xiao was also seriously figuring out every ventriloquist skill of Lausanne and the humorous and Chaplin-style humorous movements.

He grasped all the key details of Lausanne's ventriloquist with great ease, and he tried to use his tongue and whole body to produce the same ventriloquist sound as Lausanne.

He did it easily.

The sound of the drum, the sound of the trombones, the sound of the accordion, the sound of the piano, the sound of the piccolo, the sound of the violin, the sound of the guitar......

He can do whatever he wants.

His mind was moving, and he wondered, can he use ventriloquism to play a complete song soundtrack?

When he thought of it, he did it, recalling the melody of the song "Chinese", and he played it from the beginning with one of his mouths.

The melodious music of "Chinese" flowed out of his mouth.

From beginning to end, he used one mouth to completely express the soundtrack of "Chinese", which is played by multiple instruments.

"Whew-"

He let out a long breath, and to be honest, it was tiring to do this, and he felt like his mouth was tired after a song.

However, the sense of accomplishment in my heart is unparalleled.

After learning Lausanne's ventriloquism, he set his sights on Lausanne's performance again.

Lausanne's demeanor is typical of a comedian, his performance is very relaxed and joyful, and his every move makes people feel funny.

This sense of lens is really strong.

Zheng Xiao has not systematically studied acting, of course, he has never eaten pork and seen a pig run, he knows some rules about actor training.

He knows that one of the most important trainings for actors is called "natural liberation" training.

That is to say, to deeply develop people's performances, to let them abandon their inner concerns, and to express anything freely, such as: dare to talk to strangers, give up self-esteem or something, and dare to learn all kinds of animal calls and animal behaviors in public without restraint. When can you do these performances naturally and easily, you can be regarded as liberating your nature, and then you can further learn acting, play the role you will play, and shape the role well.

One of the laws of natural liberation is that learners should get rid of shame.

You can't be shy, you can't look ahead, you can't care about other people's eyes and any reactions, you can't put all your heart and soul into expressing yourself, only in this way will your demeanor be natural and smooth, and your performance can achieve the greatest success.

The second rule of natural liberation is: you have to learn to relax yourself, learn to adjust your emotions. Of course, relaxing oneself does not mean that it is loose and has no shape, but a state of looseness on the outside and tightness on the inside, which is very loose on the outside, but always has a string on the inside. Emotions can be adjusted and mobilized at any time, and only when they are put into it can they have passion and move people. This is a very important point.

Why do some people look at the performance very well and there is nothing bad, but it just makes people feel bored and bored?

This is because their performance is a kind of mechanical interpretation, they do not add their own passion to it, and they do not use their emotions to drive their performance.

As a result, the audience can't feel the performer's feelings, and can't form a benign emotional exchange, so it's no wonder that such a performance can be successful!

Zheng Xiao watched Lausanne's humorous actions in the video, and then recalled the classic performances of various characters in the movies he had watched, and he was suddenly enlightened.

He thought that he could actually mix the advantages of these imitation and learning objects and absorb his own things, so that even if he didn't imitate others, he could use his own unique style to interpret every song and every role with ease.

He was very happy that he had lived two lives, and finally realized at this moment.

[It's about to be 515, I hope to continue to hit the 515 red envelope list, and the red envelope rain will be able to give back to readers and promotional works on May 15. A piece is also love, and it must be better! 】