Chapter 451: Seventy-two
'Buzz~'
There was a roar. W bookγ»1ka?n
I saw the dust at the end of the road, and a Dongfeng trailer came in the dust. The scattered people on the road avoided one after another, watching the huge steel monster drive away in front of their eyes.
Mo Rongmao also hurriedly gave way, and said with some doubts: "Why is this pillar also golden?" β
"Hey, pretending to be a force."
"What age is it, still believe in this?"
"It thinks that by dyeing everything gold, it can solve this geological problem? Too naΓ―ve, right? β
"I'm going to see what he's going to do."
"Don't make any noise, let the crane driver stop sleeping."
"I don't need a crane yet, I haven't made any holes."
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The Dongfeng trailer only pulled one object, a huge cement pillar. This pillar is several times thicker than the pillar of the bridge, and it takes about four or five people to hold it hand in hand.
The pillar is also very long, about eighteen meters long, and it looks majestic and heavy.
The whole body of the pillar is golden, and it is a stone pillar that Zhang Jue found in contact with the cement factory, and he also specially named it to be painted gold. It looks like a wishful golden hoop stick.
The structure of the column is also designed by Zhang Jue's drawings, not pure cement.
Instead, the steel bar is first tied into the shape of a column, and the steel bar and the steel bar are combined with a unique structure. After the rebar is tied, cement and concrete are filled into the rebar. From an engineering point of view, this pillar is very strong, and this pillar can lift a viaduct about 20 meters long.
Zhang Jue found three large cranes, closed the pillars in a triangular formation, and then suspended them. Cranes with less than three can only lift columns, but cannot suspend them. Only the most stable triangle can support this huge cement column.
'Ang~'
A rough roar rang out, and the hooks of the three cranes hooked onto the cement pillars, dropping them vertically. As soon as the pillar was raised, I saw the east wind dragging upwards with a visible amplitude. The weight of this column can actually press down this trailer with a load of dozens of tons, and the weight can be imagined.
Three cranes hang the pillars vertically, as steady as Mount Tai. Zhang Jue didn't explain much. I found a ladder to set it up, and climbed it up with a large brush with the characteristics of cinnabar prepared in advance.
"What's he going to do?"
"Are you going to paint on the pillar again? Ha ha. β
"Without a little bit of scientific evidence, could it be that making a mural has other effects?"
"It's hard to say, after all, some things in China are still quite mysterious. It seems that there is no scientific basis, but in fact there is a lot of mystery. β
"What's that?"
"It's kind of like a dragon totem."
"What does the dragon look like? Hahaha. β
"This painting is not good, and I have to pretend to be forced."
ββ¦β¦β
Everyone pointed at Zhang Jue's behavior and laughed. c
However, Zhang Jue concentrated on painting on the pillar, and did not pay attention to all the circumstances of the outside world. He didn't dare to be distracted.
Yes, Zhang Jue painted a dragon totem, and this dragon totem is not the kind of dragon that everyone is common at all. The dragon totems that we can see now are all created by the artist.
The dragon totem, thousands of years ago, was actually a special abstract symbol, and it was not at all as complex as it is now.
Today's pictures of dragons are all vivid, fierce and mighty. But it didn't work, it was just a painting. Not a symbol.
For example, there is code in the computer. The code is made up of messy-looking English and numbers and various symbols, and this code is a valid code. The totem drawn by Zhang Jue is similar to this kind of code.
The totem of the dragon drawn in cinnabar is very simple and abstract, and people who are not familiar with it will not even be able to tell that it is a dragon. It's hard to describe what it looks like, anyway, he just saw the crooked lines, not to mention the scales on the dragon's body, etc., he didn't even draw the eyes and mouth, not even the eagle's claws.
Although abstract. What is strange is that Zhang Jue draws exactly the same dragon on each dragon, the bend of the dragon body is the same, and the length and weight of the strokes are the same. It's more like it was printed by a printing press.
Dragon after dragon, each the size of a palm. One after another, the arrangement seems random and messy.
But when Zhang Jue finished drawing a row from top to bottom, someone seemed to have some special rules in this arrangement.
An old man surnamed Xu, who has studied feng shui, frowned and muttered, "This seems to be a trigram." β
"Huh? What the? Hexagram? β
"Are you blind? Where did you see that this was a hexagram? β
"I've never heard of it, this drawing a row of dragons is a hexagram?"
"Where's the gossip? It's not like gossip. β
"Alas, don't say it. When he drew this second row, it really looked like it. β
ββ¦β¦β
Mr. Xu explained: "It's not that he's a hexagram, what I'm saying is that when he draws the dragon, the direction of the arrangement is a hexagram." In the Bagua direction, the Qiangua is three vertical lines, and there is no separation in the middle. You see this arrangement of his, twenty-four dragons are a vertical line, then two squares, twenty-four dragons, and two more space, and twenty-four dragons. Isn't this a trigram? β
"Look, the second row is drawn, and the permutations and combinations of this second row are different, Mr. Xu, what kind of hexagram is this?"
A bald man scoffed.
Mr. Xu's face turned stern: "I know, he is not a certain kind of hexagram, he wants to draw gossip on this pillar." Tsk, why didn't I think of it, I just said why the dragon totem he drew was so small, and it had to be painted vertically. It's going to be gossip. β
"Gossip? Draw gossip on pillars? β
Mr. Xu nodded: "Bagua is eight directions, when there is gossip, not a specific kind of hexagram, then the sum of the gossip becomes a symbolic meaning." The function is difficult to say, but the symbolic meaning is very heavy. From ancient times to the present, whether it is to worship the sky, or to worship, or to carry out some kind of mysterious activity, there must be a gossip totem. This gossip is a meaning, sometimes not a function. β
"So what's the point?"
"I can't tell, you see that the number of dragon totems is not regular, but you can count it. Each hexagram in the Bagua will be replaced by three lines, and sometimes one of the lines will be broken and arranged and combined to form different hexagrams. The dragon in the first column is a trigram with three vertical lines. You count the number of each of the three vertical lines, and the sum of the threes. β
After Mr. Xu finished speaking, someone immediately began to count.
After a while, someone said, "Each vertical line is twenty-four dragons, and the sum of the three is seventy-two." β
"Yes, 72 is a number. In Taoism, this is a remarkable number. β
"What's wrong with a number?"
Mr. Xu explained: "If you read ancient books often, you will see that the most common numbers are three, thirty-six, seventy-two, and eighty-one. β
When everyone thought about it, they suddenly realized: "Yes, these numbers often appear, is there any special significance?" β
"If you think about it carefully, is the Water Margin divided into, thirty-six Tiangang and seventy-two earthly evil? Will Sun Wukong change seventy-two? Did it take the Yellow Emperor to win the battle in 72 battles? Is the famous mountain in China divided into 36 caves and 72 blessed lands? And why are these numbers, not some else, thirty-six and seventy-two? β
"Why?"
"I don't know."
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ps: Recommend a friend's book "National Male God". Introduction: Ten years ago, I had a mobile phone system in my head.
Achieve business wizards in the eyes of the world; Become a ghost horse in the Internet age.
I don't want to be a national male god, I just want to buy a house with floor-to-ceiling windows for my wife. (To be continued.) )
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