Chapter 206: Crushing Efficiency
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The secret realm can survive to this day, first of all, because of the special geographical environment of the secret realm, the outside world cannot enter at all, and the inside only needs to control the pole node, and almost all of them can be controlled.
And when the resources of force are also monopolized, the royal family of the White Emperor is no longer the same as others.
It is not so difficult to be able to fly to the sky and have one or two great grandmasters, after all, in the past two thousand years, the secrets of the great grandmaster system cannot be kept secret from the secret realm forever, and compared to those low-level residents who are controlled, they are naturally more like gods.
But isn't that interesting?
It's boring.
Rather than oppressing ignorant peasants in this way, it is better to teach them knowledge, and then open companies and factories, and let them go in to work and exploit them.
Crushing efficiency and returns will be increased by a hundredfold.
At present, the fist products exported by Secret Land to China are still agricultural products.
As a very strange space, the advantage of the secret realm is that there is no autumn and winter, and the temperature is constant, which is very suitable for the growth of the corresponding crops.
Some of the crops produced here are naturally larger and sweeter, and they still have a certain market competitiveness as high-end fruits, Wang Jian recalls, and he has definitely seen them in the supermarket.
Comparative advantage.
If the secret realm is willing to maintain this comparative advantage, it may be able to earn a good income and feed its people, after all, it has its own advantages.
But what Wang Jian can imagine is that there are quite a few secret realms, and there must be more than one that does business with Huaguo.
At the same time, a large number of secret realm products are afraid that this is also the relationship between each other.
Moreover, growing a large number of cash crops is also a burden.
Wang Jian also understands this, but he can't agree with it.
But he knows that in order to maintain its rule, the ruling class has done even more frantic things, and it is even more trivial to deliberately suppress its own internal productive forces.
Back at the embassy, Wang Jian felt bored.
Lu Qingyi didn't know what he was busy with, and he had almost disappeared.
Of course, she didn't come back until evening, and she looked mysterious.
In other words, can you slip out even the layers of defense?
These things are messy.
The mission's visit was divided into three parts.
Economically, the purchase order agreement between the two parties can be further extended.
Culturally, further exchanges are also necessary.
Politically, the forces that want to immigrate to the secret realm must have begun to make secret contacts, and it is estimated that they have also begun to sell the country by the way?
And in these three aspects, Wang Jian can't intervene in the economic aspect, and in the political aspect, people don't tell you who is secretly contacting, which is just the so-called cultural propaganda work.
That's politics.
Culture is the typical superstructure, the commonality of the consciousness and behavior of a group of people, such as common values, aesthetics and worldview. These things cannot be seen or touched, but they can be perceived. There are two basic ways, one is to live directly in the corresponding group of people, just like children who grow up under the care of their parents and naturally perceive and learn the culture of their parents.
This perception is direct and strong, but if a group of people wants to feel the culture of another group of people in this way, it is not easy, you see, not to mention that there are many parents in China who spend sky-high prices to let their children go to bilingual schools or even international schools, even if many Chinese immigrants go abroad, they still live in the circle of Chinese people, and often worry about how to integrate into the mainstream society.
Another way is to perceive indirectly through exposure to the cultural products of that culture. For example, most Chinese people's understanding of the United States comes from Hollywood's NBA, from the legendary stories of Silicon Valley, from McDonald's and Starbucks, and from the rules and regulations and corporate atmosphere of American-funded enterprises in China, which can be called cultural products.
This perception is indirect and slow, but as you come into contact with it, you will gradually form a perception of other cultures. Fundamentally speaking, the appeal of culture, that is, the influence exerted on people in the first way rapidly decays with distance, which is equal to any culture, and there is no possibility of long-distance export; cultural products are not, it can exist independently from the cultural matrix, as long as the carrier is not destroyed, it is possible to spread through the barriers of time and space, just like the ancient Egyptian holy script, although it has been completely lost in the long river of history, no one can identify, but once it is redeciphered, the Egyptian culture recorded in it thousands of years ago can also be perceived by modern people。
Therefore, the cultural output that we usually talk about is actually mainly reflected in the export of cultural products; then, the strength of cultural export, or the strength of soft power, mainly depends on the quality and quantity of cultural product export. What is the difference between cultural products and ordinary products? They have a similarity, that is, they all conform to the marketing laws of ordinary commodities.
For example, the richer the market, the greater the return on excellent goods, the greater the enthusiasm of suppliers to invest in polishing high-quality goods and increasing production; on the other hand, the richer the market, the more resources people have to provide good education for the next generation, the higher the average aesthetic taste of consumers, and it will also promote suppliers to continuously improve the production level of goods, and the combination of the two factors will form a virtuous circle, so that the goods in the richer market are usually better than the poorer markets in terms of quality and quantity。
This is like the potential energy in a water flow, it is much easier to flow from a high altitude to a low altitude than in the opposite direction. China is still a developing country, even after 40 years of crazy GDP growth, there is still a significant gap between the per capita affluence and Japan, not to mention the average education level and aesthetic accumulation of residents, which makes the goods in the Chinese market, in terms of quality, obviously uneven, compared with the Japanese market, the gap is still more obvious, so that when the goods in the Chinese market flow outward, the difficulty is naturally more difficult than that of Japanese goods, which is also applicable to cultural products. But some people will definitely say, no, isn't Huaguo made now invincible all over the world? Why can't cultural products reach the same level?
This is where cultural products are different from ordinary commodities. Ordinary commodities have fewer cultural factors and are oriented to people's daily life needs, so they have the ability to easily standardize, The characteristics of mass production and global production, the place of origin and the place of consumption can be completely separated, all over the world made in China, most of them are specifically for the production of goods in the target country, the Chinese manufacturing in the European and American markets is usually tailored according to the standards of the target market, often marked with European and American brands, and the goods sold in the Chinese market are not the same thing; and now with the rise in the price of labor in China, the production of these goods is further moving to lower-cost countries. On the contrary, cultural products have distinct cultural characteristics, and the cultural orientation and habits of the group are closely related (often there is a language barrier), so that the production and consumption of culture have a distinct regionality, most of the time, the producers and consumers of cultural products should come from the same cultural group; secondly, cultural products usually have excellent reproducibility, the emergence of printing and the Internet, so that the cost of reproduction of cultural products continues to decrease, which means that the proportion of material costs and manufacturing costs in specific cultural products is very small, and there is not the need and motivation for cross-regional production like ordinary commodities。
Finally, it is true that some cultural products can be disseminated across cultural and linguistic barriers, and this kind of diffusion, in addition to the impact of the difference in potential caused by the different levels of development of the cultural market, as mentioned above, often requires the addition of national image and ideology. In this regard, it goes without saying that China's cultural products are in a rather awkward position, and the world, that is, the Western world, which most Chinese people care about, has a negative impression of China.
In short, at this stage, when China's cultural industry is still a considerable distance from meeting the cultural needs of its own people (look at the word-of-mouth gap between domestic dramas and British and American dramas, look at the gap between the Chinese Super League and the Premier League, CBA and NBA), it is really difficult and too early to discuss China's cultural export, which is not a specific strategy or the producer's mistake, but the general trend. The improvement of China's material conditions is too fast, and the development of culture takes time, just like the development of chips, tactically to work hard, strategically urgent, there is a long way to go, for the people of the cultural industry to work hard, for ordinary people, to strengthen learning to enhance the vision and taste, is to contribute to the development of Chinese culture.
It's hard in China.
I am transforming myself, and I spend a lot of effort trying to find my own rhythm.
The meaning of this rhythm is how to channel one's core values, as well as the commercial value of the film and cultural values.
For example, values are preaching, which is bitter and tasteless boiled water.
The commercial value is Coke.
A woman with a gun, all kinds of twists and turns, bare-ass women, and gun kills and spell kills.
But this kind of thing, for shaping qualified people, is useless.
It can even lead people astray.
In the evening, Wang Jian took his share of water and food and ran to the roof of the embassy.
The roof here is well repaired, and under the blue tile roof, you can see the scene in the distance.
In the evening, TV dramas will be shown to people in the secret realm.
Understandably, the secret realm is a system without a power plant to supply electricity to the whole population.
This is not only a lack of ability, but also a deliberate one.
If you give everyone a TV and a computer, it means that they have their own choices for entertainment, and they are gradually out of control.
Of course, according to what Long Yifei said, there have been many crews here.
After all, it is a secret land of the Han Dynasty, and many buildings and utensils of the Han Dynasty are preserved, so it is naturally regarded as a popular era and is liked by the crew.
Of course, if those crews want to enter the secret realm to make films, they have to be screened layer by layer, and even secretly filmed.
In fact, if the people of the secret realm are willing to let go of the borders and become a part of Huaguo, then there is no need to even provide too many benefits, and many things formed by the secret realm itself can become very good profit growth points.
For example, the temperature and climate here.
There is no cold winter, no summer heat, warm and habitable.
If the world can be peaceful, take this place as a tourist resort, a high-end agricultural product production area, and a high-end pension place, it is definitely the best choice, the secret land is perfect, a man-made small world.
I'm afraid but.
People here are not necessarily good.
Wang Jian couldn't help but be more curious about the legend of the secret realm.
According to the previous speculation and theory, in ancient times, Chiyou failed, fled, and took some of his subordinates, with some dangerous magic rituals, to open this path, enter this sanctuary given by the gods, and hide at that moment waiting to be killed.
Of course, these are just some bizarre legends.
But the strange thing is that every time a dynasty falls, there can always be a part of the people who flee to a certain secret realm.
All right.
Today's screening is Long Yifei's film. ,
This is a costume film, Long Yifei's early movie, the big heroine, from beginning to end, it can be said that the plot is a mess, but under the fanatical purchase of die-hard fans, it also became the box office champion of the year.
The secret realm likes to play costume films of Huaguo, which is understandable, especially all kinds of TV series that show that Huaguo is very chaotic and the secret realm is very good.
In the new Chang'an City, there are probably dozens of large projectors, which can start playing movies and TV series at the same time.
That's how they control the population.
Isn't there a joke that family planning in a particular village has always been a problem?
So a reporter went to interview.
Village Chief: "Family planning in the village has always been very difficult. Reporter: "Why?" Village Chief: "Two years ago, a railway was built next to the village, and the train passed by on time at 5 o'clock every morning. As soon as the whistle sounds, the whole village wakes up. At this hour, you can say that it is too early, and then go to bed, the time is too short......
Televisions are a powerful tool for reducing fertility, as are computers.
The Chinese civilization is the only civilization in the world that has never been interrupted. This is something that many of us will be very proud to talk about today.
Indeed, this is a very important feature of Chinese civilization. Today's Chinese use the script that was already used during the Shang Dynasty, and from the font, it has evolved from oracle bone script to kaishu. If we now read Chinese poetry from 3,000 years ago (some of the early Zhou works in the Book of Songs), we will find that they still rhyme. The way Chinese worship their ancestors today is much the same as during the Shang and Zhou dynasties. In fact, if a person from the Han Dynasty wakes up today, he will find that the psychology and habits of this nation are not far from those of the Han Dynasty. In other words, for thousands of years, Chinese civilization has generally developed independently and has always had its own distinctive personality. 、
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