The invasion of Hollywood's royal movies has made the European film industry, which was the birthplace of film art, extremely brilliant, squeezed to the point where it can only rely on the encouragement of shooting niche art films. [No pop-up novel network]. しw0。

This makes it clear to people of insight in the film industry of all other countries that if you want to survive, you must not open up a confrontation with the other party on the frontal battlefield, and can only use the method of "guerrilla warfare" to fight, and if you want to survive, you must find a genre film unique to your own country in addition to the royal road movie.

In this world, only a few regional filmmakers have carved out their own unique routes and survived under the pressure of Hollywood's "royal movies".

Hong Kong has created "kung fu films", "gambling films" and "nonsensical comedies", Japan and Thailand have become terrifying "ghost films", and India has vigorously expanded its own "song films".

In Chinese mainland, before the introduction of Hollywood films, the domestic film market was once extremely brilliant, but the entry of "royal blockbusters" has left Chinese films with international awards to support them.

The artistic success is only more of a downfall in the overall industry, and fewer and fewer people are willing to spend money to buy tickets to go to the cinema to watch domestic films......

This situation lasted until 4 years ago, and it was not until Zhang Yimou won the box office championship in China with "Hero" that the situation was reversed.

The success of "Hero" has finally made all domestic film companies find a way out, that is, "costume blockbusters" are a breakthrough in the Chinese film industry.

After "Ambush on All Sides", "The City Full of Golden Armor", "Wuji", "Night Banquet", a number of genre films sprung up like mushrooms after a rain, creating a boom in "costume blockbusters" of Chinese films, and the Chinese film industry began to recover.

However, the "costume blockbuster" genre also has a fatal weakness, that is, the threshold is too high, not only to invest hundreds of millions of dollars at every turn, but also to have big directors and big-name stars......

In addition to the three giants of China Film, Huayi, and New Picture, other film companies can't afford to shoot this theme at all.

But "Chinese Partner" is completely different, this is a youth inspirational movie, there are no big stars, the production is medium, if this youth theme is proven to be on par with Hollywood blades, then Chinese movies have another way out!

There will be countless movies that will follow this genre in the future! This is a combination of millet plus rifles that belongs to China!

Han Sanpin can even imagine that in the next few years, Chinese films will emerge because of the emergence of this new type of film, and countless follow-up works with a box office of more than 10 million will emerge......

All this depends on what kind of height "Chinese Partner" will reach, and the success of this film will rise to a strategic level symbol for the entire Chinese film industry.

Han Sanpin looked at the sky in the distance outside the window, and couldn't help but secretly say in his heart, I hope Gu Xiaofan can move forward more, if the total box office is better than "Soul Chariot", if it can break through the 50 million mark...... What will the Chinese film market look like next year?

And everything happened behind this, Gu Xiaofan didn't know, he just worked with Liu Shishi and Lou Yixiao to pay attention to the trends on the Internet and the media every day.

The entertainment news of various TV stations and major newspapers all took Gu Xiaofan and Yu Minhong's words in the air as a key report, and countless media people and netizens were arguing about who was right and who was wrong.

Many directors in the industry are also innocently affected, such as Feng Xiaogang, a great director who is filming "The Assembly", and the reporter interviewed him to ask relevant questions.

"Director Feng, do you think Gu Xiaofan plagiarized Yu Minhong's story? Have you watched "China Partner"? ”

Feng Xiaogang could only cry and laugh:

"This matter, you should ask the parties, I haven't seen this movie, I don't know Yu Minhong, I don't know Gu Xiaofan, I don't express my opinion, you should care more about our "Assembly", this movie is the best domestic film this year."

A scolding war? Two cultural people openly provoke in the media like street shrews? This is the favorite topic of ordinary people who love gossip, but only these viewers will believe it.

However, people in the film industry like Feng Xiaogang will not be stupid enough to take the initiative to expose this kind of thing, after all, they may all have to "scold" each other for propaganda in the future, exposing them is tantamount to exposing themselves, and whoever has a bad brain will smash everyone's jobs.

Of course, there are still some insiders who can't watch it, which means that the producer who specializes in shooting ** movies revealed in the media:

"This matter was discussed between New Oriental and Shangying, otherwise how could the two make statements at the same time on the same day? How can there be such a quick response? This is pure hype, don't be tricked into going to the theater, then you are really fooled~"

Although what this ** filmmaker said is true, no one cares about the news at all.

Viewers who love gossip are eagerly looking forward to a fight in the ring here to comfort culture, the news media is in great need of such a hot topic, the two companies need to be trained, and the three parties involved in this matter are enthusiastic, what is the truth? Is it that important?

More and more real fans have entered the theater to watch this "Chinese Partner" on the cusp, and the theater is full of popularity.

"Let the audience feel what dignity is." This sentence appears frequently in many film reviews about "Chinese Partner".

The headline of the entertainment edition of Southern Weekly reads: "Never experienced, but resonant." The reporter who wrote the article excitedly described:

"I am a post-80s generation, and when I watched this movie, I thought that this movie was completely not understood by people of our age at all, but halfway through it, I found that many people around me were in tears...... Including myself.

Many of the audience around me are very similar to me, we are far away from the youth in the movie, I never wanted to go to the United States, and I have never touched TOEFL or GRE. During my four years of college, it seemed like I was eating, drinking, and having fun every day, watching my roommates struggling with words on their backs, and snickering silently. Moreover, I have never read New Oriental, even though the New Oriental craze has spread to every corner of the campus......

In my life, there has never been a partner with "common" and "ideals" in mind, and I have never thought of starting a business by myself and breaking out of the sky.

The above is the college time that I can recall, and it is the opposite of what is expressed in the movie.

What is surprising is that from the post-50s to the post-90s on the scene, everyone can find their own shadows or the shadows of the people around them from the movies.

An old man next to him said excitedly: My son was so miserable in the United States back then! was fired, and then walked down the street alone, crying so much that he called home......

A 90-year-old girl said with emotion that the songs about youth in the movie really evoked memories of the campus......

I said that there was a line in the movie that shook me deeply, I can't remember the specifics, but it was roughly: If wrinkles end up on your forehead, don't let it climb into your heart. ”