The following is the text of the novel (Author: Melody Sunshine Chapter 4 Calligraphy (II)) provided for you, please enjoy!

After listening to Zhang Shaojie's comments, everyone felt that the level was better than Jiang Lao's. However, Jiang Lao's joke about sycophants still caused a lot of laughter. Hearing that Jiang Lao asked this guy to write for himself, it can be seen that Jiang Lao loves and respects this kid.

"Elder Jiang, if you look for me for anything else, I can't write this kind of formal article. But I don't like more than one calligraphy teacher, Mr. Ji, are you right? ”

"Okay, that's exactly what I want, that's what I propose that you and Jiang Lao have a calligraphy exchange, you kid is not stupid, don't hurry up and apprentice!" Master Ji said happily.

"Slow! You kid didn't say anything about the level of poetry, when it comes to calligraphy, I also learn from Master Ji, test your ability in this area, and then decide to accept apprentices, now it's time for you to write! "Jiang Lao is a very serious person, and he is very strict in terms of accepting apprentices.

"That's good, it's time for the kid to sacrifice his ugliness, I hope it doesn't dishonor the teacher's life." People haven't agreed to accept him as an apprentice, but this guy has used a trick of stalking and fighting, and he has relied on it.

Zhang Shaojie ordered two pieces of rice paper to be spread side by side on the bookcase.

Zhang Shaojie stood in front of the bookcase, picked up a tube, thought for a moment, and then wrote, writing the poem "Praise the Beauty". But seeing this goods, sometimes the pen walks the dragon and snake, sometimes it is heavy and slow, the pen is like a flying sword dancing wildly, and the pen is like a sword rattling. After a few strokes, I will enter the state of forgetting things and me, such as madness, like drunkenness, like evil, the pen seems to be completely informal, but it has always been rigorous in the law, and there is a great attitude of 'Zhang Xu is drunk and bookish, and the paper is like a cloud of smoke'. A moment later, a cursive "Praise Beauty" was presented in front of everyone.

Zhang Shaojie wrote the poem "Praise the Beauty", still in a state of unfinished thinking, his footsteps moved two feet to the left, came to the second piece of rice paper, touched the end of the pen into the sea of ink, dipped it in ink, and began to write "Ode to Hibiscus".

Unlike writing cursive, Zhang Shaojie is calm and relaxed, and he writes with ease. But I see that this guy is sometimes dull and slow, sometimes the pen is windy, the pen is unruly, and the pen is not informal; There seems to be a spider silk wall at the place of the pen, and there is a sword aura when it arrives; When the pen is moved, it is like a long sleeve flying, and when it is waved, it is like a thousand troops rushing. As he spoke, the 47-character poem "Ode to Hibiscus" jumped on the four-foot rice paper.

A line of grass and two works are placed on the table. But when I saw the cursive "Praise Beauty", the whole pen gesture was magnificent, continuous flying, undulating, and magnificent. The knot does not seek to work steadily, but the rhyme is vivid, vertical and horizontal, the strokes are more than the sense of its complexity, and the strokes are less than its ugliness. Its shrinkage is also dignified, like the bend of an inchworm, and its vertical is also dangerous, like the detachment of a cunning rabbit. The handsome place is like the wind fluttering, such as the snow dance, the heavy place is like a tiger squatting, such as an elephant step, giving people a sense of simplicity and agility. The dryness and wetness of the ink method, the thickness and thickness of the dot painting, and the subtlety and openness of the brushwork are very in line with the golden mean of "reaching the vast and the subtle". The words are full of momentum, and the rough feet and thin strokes contrast with each other. From time to time, there are strokes interspersed between the words and lines, such as turning all things into feelings, and channeling spiritual energy in one vein. The cursive script is uninhibited, surging, chic and horizontal, imposing, towering, free, and open and close.

Look at the book "Ode to Hibiscus" again, the whole is solemn and astringent without losing the spirit of flying, the gesture is round and majestic, the posture is horizontal, the momentum is unrestrained, it is natural, such as the dragon jumping over the gate of heaven, like the tiger lying in the phoenix pavilion, there is no ridiculous brush. The size of the knots is different, sparse and dense, jagged and staggered, unbridled and strange, long waves and large skimming, Teton ups and downs, like a shock in the air. The glyph is comfortable and elegant, strong and graceful, looking forward to life, such as the breeze, such as the clouds, such as the glow, such as smoke, such as the secluded forest Qudong, delicate and free, vigorous and abundant, like a fairy who does not eat the fireworks of the world. The brushwork is vigorous and vertical, happy and hearty, reckless, magnificent, and has the style of a tiger roaring and a dragon spitting out the desert. The ink color is suitable, such as thirsty Ji running to the spring, the wind god is sprinkled, fresh and rich, graceful, full of rhyme, and thousands of changes, which can be called the fine book of the line.

Zhang Shaojie wrote like crazy, everyone watched as if drunk, and after the two poems were written, everyone was still immersed in the enjoyment of calligraphy art and couldn't extricate themselves.

Throughout the ages, calligraphy appreciators pay more attention to the beauty of the text of the work, and calligraphers pay more attention to the "joy of swaying" in the creative process, looking at Zhang Shaojie's calligraphy is both, his eclectic, both form and spirit, uninhibited style, while you appreciate the beauty of the word, unconsciously bring you into the beauty of the writing of the journey, and the calligrapher advance and retreat, with the joy of sorrow, this is the charm of the connotation of calligraphy.

"Teachers, leaders, in the next ugly, as the saying goes, poetry has no door, books have origins, on poetry, boy, I have no door, no school, on calligraphy, I only copied a few calligraphy when I was a child, so the level is limited, and I also ask Secretary Jiang Lao Ji Lao Lu and other teachers to give teaching."

Everyone was also immersed in the appreciation of the two calligraphy works, and listened to the rare modest words of this guy, only to come back to the taste, people are finished writing, waiting for comments.

"Boy, your calligraphy level is only above me, not below me, and you still come to me to learn from me, you won't deliberately be angry with my old man, right?" Jiang Lao pretended to be angry and said.

As a national treasure of calligraphy, Jiang Lao is familiar with China, Japan, South Korea and thousands of calligraphers at home and abroad, there are not a few who are famous, and there are countless works that have been appreciated.