On the ground next to her, there was a large suitcase, and there were some clothes that looked like stalls, and the logos on them had not been cut. However, it is all cotton.

At the same time, there are several velvet cotton pockets on the table, styrofoam bags, and scotch tape.

Liao Mo'er was cautious, and she took out the four pieces of jade in the lockbox one by one.

The first thing she took out was a white jade pine crane to prolong her life. The pattern of the pine crane is carved on the head of Ruyi, high relief, a loose crane, a static and a moving, complementing each other.

The handle of this jade Ruyi is not very long, and it is relatively wide, and the ornamentation on the handle is also very rich, with Laneige patterns and peony patterns in the middle, and twig patterns on both sides.

The jade quality of Yu Ruyi is already thick and delicate, and there is already a layer of mellow and natural pulp, which is even more moisturizing.

Jade Ruyi, in the history of the appearance is not very early, is the Wei and Jin period, the current heirlooms, mostly the Ming and Qing dynasties, the Ming Dynasty is less, the Qing Dynasty is the most, greatly prosperous, especially the three generations of Kang Yong Qianqing. Moreover, not only jade Ruyi, but also a large number of Ruyi of various precious materials emerged in the Qing Dynasty, such as agarwood, such as enamel inlaid gemstones.

At this time, "Ruyi" has lost its original function.

Although the word Ruyi is not born in China and comes from Sanskrit, the predecessor of Ruyi should be Tickle.

If you itch and can't reach it, scratch it with an itch, it's comfortable, and you're done. Just like the snake spirit in the gourd baby said: wishful thinking, as I wish.

Think about it, you also know that in the Qing Dynasty, whether it was jade Ruyi or other precious materials, it was a bit too much to say when it was tickled. The Ruyi that arose in the imperial palace of the Qing Dynasty was mainly a kind of plaything and ornament, which took the auspicious and good fortune, and the shape was also very good.

After Liao Mo'er took out this white jade Ruyi, she carefully packed it in a velvet cotton bag, wrapped it in a styrofoam bag, tied it with scotch tape, and put it in a large suitcase.

It turned out that she was packing. If this courier brother used this speed, it is estimated that it would have been opened a long time ago.

The second piece of jade that Liao Mo'er took out was a topaz beast head ring bottle.

This bottle is not small, I am afraid it will take up half of the space of the wooden box, and it is also the most valuable jade in it. Topaz with a real color is rare to see, and this piece is large in size and finely carved.

The shape of this topaz vase is a bit like an appreciation bottle, but with a lot of bronze elements, such as the mouth of the bottle, such as some bas-relief ornamentation.

The most striking thing is the two beast heads, one on the left and one on the right. The head of the beast is in the mouth of the ring, and the ring is alive.

A living ring is a living ring.

If you can go to the jade carving factory to see how the jade carving master works, you will know that carving the ring is a test of skill and effort. The blank shape of the bottle body should leave two pieces of excess jade, and then cut it out little by little, and after picking out the live ring, it has to be trimmed and polished a little bit. The point is that it can't be carved and polished very comfortably, it has to follow the bottle.

And this is not a radish, this is Hetian jade, harder than iron, and now the tools are very advanced, but there are still not many jade carving crafts with live rings on the market, and they are very expensive, and the kung fu money is inside.

These two rings, in the mouth of the delicately carved beast's head, gently flicked, Yingying swayed. The ring is exactly round, and the ring surface is smooth, which shows the height of the carving.

What's even better is that the background color of this topaz bottle is steamed chestnut yellow, but these two rings each have a touch of sugar color, like a halo, which is more charming. On topaz, there is often sugar color, it is rare for such a large piece of topaz material to be so clean, only with such two sugar colors, but it is cleverly used by jade carvers.

Packing this piece of jade is more troublesome than white jade Ruyi. One is because it is large, and the other is to fix the live ring first. After fixing the loops and putting on the velvet cotton bags, Liao Moer put on two layers of foam bags and bundled them before carefully putting them in the suitcase.

The third piece of jade, three pieces to be exact, is a combination.

Jasper Eight Treasure Bowl with Lotus Base. There is a lid, there is a bowl, there is a base.

The eight treasure patterns, whether on jade, porcelain or furniture, often appear, are not fixed, with a variety of patterns, among them, the eight treasures in the hands of the eight immortals are also one of the combinations.

And this jasper bowl body, carved is the eight treasures of Buddhism: treasure wheel, treasure snail, treasure umbrella, treasure vase, lotus, double fish, plate length, victory building. These eight different mascots have different meanings. (I won't go into details, if you are interested, you can check yourself.) ）

Qianlong believed in Buddhism, and many utensils in the Qianlong period had Buddhist patterns. And this set of jasper bowls, the knife work is deep, the lines are delicate, the overall atmosphere is atmospheric, and it has a strong palace atmosphere. In addition, the jade quality of this jasper is slightly moist, which adds a bit of aura.

This is a palace jade from the Qianlong period.

This thing is not easy to pack, Liao Moer simply packed three small pieces separately.

The last piece of jade was the smallest of the four pieces of jade, and it was also the most common piece of jade, the green and white jade gourd pot.

In Hetian jade, green and white jade is the most common, more common than white and white, and under the same jade quality, green and white jade is cheaper than topaz, white jade, and jasper.

However, this one, although it is green and white jade, has a large area of jujube red skin. The skin color of Hetian jade also has certain rules to follow, and the jujube red skin is the easiest to produce on the green and white jade, and the material with the jujube red skin is often of average jade quality. It is precisely because of the general quality of jade that other substances may penetrate and form a skin color.

But this one, the jade quality is very good, and the green is not deep, slightly white, which is also very rare.

The skin color of Hetian jade, before Qianlong, was often rarely used, and many skillful carving works appeared after Qianlong.

This green and white jade jujube red skin skillfully carved melon ridge pot, using the jujube red skin, carved on the body of the pot two bats, a longevity peach. Double blessing longevity, Hong Fu Qi Tian, the end of the ingenious and exquisite.

These four pieces of jade, some of them are wide open, and some of them need to be studied. But if you are a master, it is not difficult to see that these four pieces of jade are not only typical Qianlong workers, but also jade in the Qing Dynasty court!

It's just that it's hard to say how it flows into the people, but it looks like a batch of it flows out.

Liao Moer packed the last jade and put it into the big suitcase, and carefully stuffed the clothes in the big suitcase and covered it, fixed the four pieces of jade, and then pulled the lid of the suitcase.

This big suitcase, the safe configured in the room can't fit in, Liao Mo'er thought about it and put it in the wardrobe.

Then, she picked up her mobile phone and prepared to call Lao A, according to their previous agreement, by tomorrow morning at the latest, Lao A will take the things away.

Before he could dial the number, another mobile phone specially used in Shanzhou rang. When I picked it up, it was Zhou Yunfan's number.