"Good. Tang Yi has always acted steadily, and you don't have to worry too much. He Zhixiang said a word, and went to rest first.

The next morning, He Zhixiang called Tang Yi first, and the two made an appointment to meet in the store.

Tang Yi hadn't seen He Zhixiang for a long time, and as soon as they met, he said, "Uncle He, no matter what you are looking for me, don't leave at noon, let's have a meal together." ”

He Zhixiang smiled rarely, "It depends." ”

Let He Zhixiang into the inner room of the Gebaoduo store, Tang Yi poured tea, and before he could speak, He Zhixiang took out a small box from his pocket, "Do private things first, this is given to you by my old man!" ”

"Alas, the last time I went to Yanjing, I didn't go to see the old man, next time I must bring something to visit." Tang Yi was a little embarrassed for a while, the old man had been thinking about himself!

"If you don't see him, you don't want to communicate too much with Tan Qianqi for the time being, if you see him, I'm afraid Tan Qianqi will know." He Zhixiang likes to hit the nail on the head.

Tang Yi smiled, looked at the open box, and exclaimed, "The old man has started to study porcelain!" ”

"I didn't even see what it was." He Zhixiang also glanced at it, it turned out to be a piece of porcelain, polished, very detailed, rectangular, the size is very handy, and it can be hung and handled.

The white porcelain base, on which is the small italics of rock red color: a Ou Qing Xing Foot, Spring Ann to avoid the light cold.

He Zhixiang has been in the porcelain capital for many years, and has followed Qin Lao for many years, and his eyesight on porcelain is not weak, so he glanced at it and said, "Qianlong official kiln? Why did the old man give you a piece of porcelain? You have no shortage of complete equipment in the Qianlong official kiln here. ”

Tang Yi picked up a small piece of paper at the bottom of the box, "It seems that this is written by the old man." ”

There is a limerick poem written on it: Jia Chu sees the dry evening, the bottom of the tea tray is the word, if it is right, it will send you Xing.

Tang Yi saw it, smiled knowingly, and thought that this old man is really interesting! However, the eyesight is really up.

The beginning of Jiaqing is the early years of Jiaqing, and the late Qianlong period is the late Qianlong period. Old man He said that this is a utensil in the early years of Jiaqing, but it can also be regarded as the late Qianlong period, which is a fragment of a tea tray with words in the center.

Obviously, the old man is already more confident, and he has polished the porcelain tiles and is going to give them to Tang Yi.

He Zhixiang... ↙dǐng… ↙diǎn… ↙Small... ↙ said,.∧.▲os_(); I can't laugh or cry, this old man! It is said that the old naughty boy is the old naughty boy, and it is really true.

"The old man's eyesight is good, and he can see that this fragment is a fragment of the imperial poetry tea tray in the early years of Jiaqing, and he can also say that it can be regarded as the late Qianlong period." Tang Yi smiled, "It's better than the 'Qianlong Official Kiln' you said, Uncle He." ”

Because Qianlong served as the emperor for three years, so the first three years of Jiaqing's reign, not to mention anything else, this imperial kiln porcelain still follows the old Qianlong system, and the quality is much higher than that of the middle and late Jiaqing. Therefore, although it is something in the early years of Jiaqing, it is still the same as the official kiln in the late Qianlong period.

He Zhixiang smiled, "I didn't read the imperial poem above, but after reading this poem, I knew that it was something from the early years of Jiaqing." ”

Indeed, based on these two poems alone, it can be judged that it is something from the Jiaqing period, and combined with porcelain enamel and color materials, it is easier to judge that it is the early years of Jiaqing.

This "a pot of Qingxing is sufficient, and the spring is full of light, and the spring is to avoid the light cold" are the last two sentences of a tea poem written by Jiaqing.

Jia Ming head gang tribute, pouring poetry and moon must be grouped. The bamboo stove adds fire, and the stone cho boils and frightens the turbulence. The eyes of the fish and crab are drifting, and the shadow of the flag and gun is fine. A pot of clear and prosperous, spring to avoid the cold.

The poem depicts Emperor Jiaqing tasting new tea at night. Emperor Jiaqing was particularly fond of drinking tea, and he had to come to Diǎn every morning when he got up.

Tang Yi's brain is not an encyclopedia, and the reason why he knows that this poem was written by Emperor Jiaqing is because the imperial poems used by Emperor Jiaqing on porcelain are only used on tea sets, and there is only this one.

That is to say, different kinds of porcelain tea sets, as long as there are imperial poems, must be this one. How satisfied is Jiaqing with the poem he wrote?

If you want to say that in the Qing Dynasty, the only ones who wrote imperial poems on the porcelain of the official kiln were Qianlong and Jiaqing. Therefore, if someone takes a porcelain with other emperors' imperial poems and tells you that this is an official kiln, then you don't need to look at it directly.

But they are all inscription poems, but Qianlong and Jiaqing are in stark contrast.

Qianlong, as for everyone, likes to write poems, and writes too much. His imperial poems not only appear on various utensils, but also in a large number of poems.

But what about Jiaqing, it is only used for tea sets, and there is only this one. It's much more single-minded than him.

So He Zhixiang said that he knew it after reading the poem, and it was definitely not a casual remark.

Many times, the expert appraisal often takes a glimpse of the whole leopard, which looks like a god, and some laymen may also feel that they are mysterious. But I don't know that behind this "spot", there is a huge amount of knowledge hidden.

After hearing this, Tang Yi waved his hand, "How can you not see everything when you see everything?" Uncle He, you have something on your mind. Okay, I accepted the old man's gift, and after the private matter is over, let's talk about business, right? As he spoke, Tang Yi handed over a cigarette.

"Actually, it's a private matter, but it's not about me." He Zhixiang doesn't like to talk nonsense, this sentence is too much, and this is also about his old man and Tang Yi. But then he got to the point, "Do you know someone from the Liao family?" ”

"You're talking about Baoxuetang?" Tang Yi diǎn smoked, but before he smoked, he paused.

"Yes. Has Liao Moer been here? ”

"Yes, I have been here. At first, I took something, like I came to fight for treasure. Later, I learned about Baoxuetang from Director Kuang of the Solicitation Office, and tested her a few words, but she sued me directly. The second time he came to me and asked me about the cellar of Lijialou, there was something inexplicable. ”

"Just ask you about the cellar. She's here to collect things! ”

"Impossible! When she came, the contents of the cellar had not yet been taken out! He Zhixiang is not an outsider, Tang Yi briefly introduced the process of buying Lao Wang's things.

"It's strange. However, the migrant worker you said who took a box of jade should have sold it to Zhou Yunfan first, and Zhou Yunfan sold it to Liao Moer. Moreover, now Liao Huaisha, the new master of Baoxue Hall, has contacted Tan Qianqi, and wants to give these jade artifacts to Tan Qianqi. ”

Tang Yi listened, good guy! I'm still wondering, who bought that box of jade? It turned out that it took a big turn, and it was all acquaintances!

"So, Liao Mo'er didn't come to Shanzhou for this matter? Later, I happened to encounter this incident, and I did it by the way? Tang Yi looked at He Zhixiang.

"It should be, but what is he looking for you? Could it be that Baoxue Tang wants to cooperate with you? ”

"I think there is such a diǎn meaning, but it's not all, it's complicated to say." Tang Yi groaned.