Since you want to talk about movies, since you are talking about movies in anime fandom, it is natural to compare American movies with Japanese movies.

The book is picked up again.

"Die Hard 5".

In fact, there is nothing to say about the plot of this movie, and I can spoil the ending with you right now -- the bad guy was killed by Master Bu.

Yes, he was killed by Master Bu again. To put it more specifically, in the process of killing the boss, a lot of miscellaneous fish were killed, and a number of buildings, vehicles, planes, and so on were blown up・・・・・・

It's not that it doesn't have a plot, it's that we didn't expect it at all.

We've looked at 1234 and we know Joe McLean's urine. This rough guy doesn't care what three-seven-twenty-one, he will pick up a handful of MG covered in blood, and roar "you, want, fxxk, with, me?!" Hunting half the world, and finally in an explosion, the bastard who didn't have long eyes provoked him returned to the West.

At this time, who remembers what this boss did to lack morality?

Who remembers how Master Bu discovered the true purpose of the bad guys?

As a plot controller, the logic control of the chrysanthemum whenever she sees this kind of ending・・・・・・

It's so high that you can't take care of yourself! The whole person is a library!

Plot?

What's the plot?

Let's eat Xiang!!

Don't you see Master Bu here? Director, if you dare to cut the camera again and introduce some irrelevant conspiracy and tricks, the female spy of the F cup, Lao Tzu will die to show you believe it or not?!

See! Mr. Bu is hanging the color again! Rolling on broken glass slag again! Surrounded by a hundred bad guys again!

Old Man Bu leaned against a small bunker, pulled a strip of cloth to bandage his wounds, and replaced the magazine with the only hand that could move, and the bunker behind him was splashed with rubble under the powerful fire of the villains, and it seemed that it was about to be unable to hold on. At this time, Master Bu finally spoke.

"Lao Tzu is here for a vacation!"

The audience is high!

This is the clarion call for a counteroffensive!

As soon as this sentence came out, it meant that the extras could receive a boxed lunch.

Throw the logic or something down the toilet and flush it!

Even if Master Bu just stood up directly, with a hundred AKs, and killed these miscellaneous fish, I don't care! It doesn't matter if I don't change a single magazine on the way!

I just want to see Master Bu swear and them to death!

I'll tell you what I'm looking forward to the most, is the scene where Master Bu is caught by the villains in every episode?

The googgy gets carried away and starts teasing McKellen again.

Another butt smashed into McLean's old face.

But we know that the next thing this rough guy is going to do is to spray his loose teeth with blood foaming on the bad guy's face! Then he burst out laughing.

Come on, come on, go on, scared?

It's so domineering!

The more people who beat people, the more empty their hearts become, and the more they laugh, the more refreshing they are.

Suddenly, Mr. Bu broke free from his bindings, pulled a pistol out of the bad guy's waist, and then it was the standard Hollywood-style "bang bang!" Bang bang bang! bong！ bong！ Rumble!!! ”

The bad guys are dead, and the buildings are torn apart.

In the end, Master Bu dragged one leg and slowly walked out of the smoke.

A group of onlookers hurriedly stepped forward and handed over blankets and hot coffee.

The rough man pushed it away.

While playing, Lao Tzu has to chase and kill the boss.

That's how reassuring McLean is.

Master Bu's rough bald head and the folds on his face are so terrifying to make people's testosterone soar!

That's right, not just adrenaline, but also testosterone, commonly known as the male hormone.

After watching the movie, a group of big men came to the bathroom. After washing my hands and looking up at the mirror, I felt that my facial expression had become a lot more manly, and my chest was hot, as if there was chest hair struggling to break out!

The people around me all look the same.

At this time, if someone raises their arms and shouts, maybe we will kill the Diaoyu Islands directly・・・・・・

At this time, Chrysanthemum had nothing else to think of, but begged the director to give me an AK and two billion rounds of ammunition, and let me follow Master Bu to kill the bad guys.

Justice is the most handsome!

Men who die are teenagers!

Ay? I don't seem to be able to catch it again, and I seem to be off topic again・・・・・・

Ahem, back to topic.

Some Japanese film students may watch a lot and some watch less, so let's give you a few examples that everyone has seen.

"My Girlfriend", "Hot Blooded College", "Guide Dog Little Q"

As for war films・・・・・・

On the one hand, the Japanese market is so large that it is not enough to support astronomical investment in war films. On the other hand, everyone understands that Japan does not dare to shoot very much, and there are too many Asian countries that want to catch him.

"Letter from Iwo Jima"?

It was a Clint Eastwood movie, and it was a one-off film that complemented "Flags of the Fathers", which means that it was actually an American main theme movie・・・・・・

There are no war movies in Japan, so what about action movies?

"Bloody College" is barely a one.

The reason why I say "reluctantly" is that the movie still does not deviate from the comic-style narrative rhythm, and even copies the comic-style storyboard, which is mixed with the Golden Saint Seiya-level beauty Oguri Shun. Of course, it's not his fault that he is handsome, but the director uses a camera movement method of an idol drama to constantly greet the actors' faces・・・・・・

In fact, hot-blooded high school is already the pinnacle of Japanese commercial films, at least the fight is very cool, this is already the coolest Japanese fight scene that Chrysanthemum has ever seen.

Japanese directors are well known, but this has been an obstacle to the commercialization of Japanese films.

Even the emotional depiction of life and death mandarin ducks in "Titanic" is not as delicate as the heart portrayal of a group of big men in hot-blooded colleges, and the director and screenwriter take the trouble to explain to the audience the bonds between men, friendship and so on, which invisibly interrupts the rhythm of the film itself.

Please recall that the initial impulse to click on this movie was to see a group of hot-blooded young people fighting and fighting for territory? Do you want to see a handsome flying roundhouse kick? Do you want to see the young old boy?

In the process of satisfying the audience's initial impulse, the director interspersed too many character descriptions, so the rhythm was broken, and the film became paragraph by paragraph.

For movies, Chrysanthemum is basically not a picky eater, and the hot-blooded college can give me a score of eight in my heart, but I think it could have done better in terms of entertainment.

Speaking of the problem of broken rhythm, I have to mention "Machine Qì Girlfriend".

Chrysanthemum knows the status of this piece in everyone's hearts, and Chrysanthemum herself really likes Da Bo Yao, but ・・・・・・

I still have to say that the rhythm of this film, there are strict, heavy, and problematic!

A story is told in two or three stanzas, which is not caused by the ups and downs of the plot, this is caused by the incompetence of the screenwriter and director!

There is no foreshadowing between the joy and warmth of the first half and the super development of the sadism in the back, and it turns 180 degrees directly!

Yes, we knew that there would be a "great catastrophe" next, and it was mentioned not long after the beginning.

So the stupid male protagonist seemed to have no brain at all, completely ignored this prompt, and happily lived a happy life with Da Bo Yao.

Of course, the audience is also very happy at this time, and they are all concerned about Xiao Yao's cups, and if they open their eyes tomorrow, there will be an extra natural girl at home.

And then all of a sudden, the ground cracked.,And then the male fell down.,And then the girl broke in half・・・・・・

How can you make the audience who hasn't adjusted their feelings embarrassed?

So something went wrong with the plot?

Of course not! Of course, the plot can come like this!

If this little couple continues to be happy, this film will not have such a high score!

The problem is that the director tells this story out of touch, the first half and the second half can't be connected, the rhythm is not right, and it feels awkward to screw it together.

The director can intersperse some tips in the previous plot, and can give the audience some warnings before the ground cracks, so that the audience's adrenal glands can be fully secreted, so that the plot before and after the disaster can be seamlessly connected.

But the director didn't do this, and he focused on the male protagonist's mental journey of returning to his hometown to find his roots・・・・・・

In the end, the future girl who got the memory of the machine qì sister shook crossed back and found the male protagonist.

The male protagonist looked at her with a look of surprise.

I'm surprised, too!

Director, or you're going to give me a complete tragedy! Or you will let the male protagonist's small universe explode to wake up Da Bo Yao, and give me a peak and a loop!

That woman is not Lao Tzu's original machine qì horse at all! Even if they have the same memories, it doesn't work! Even if you look the same, you can't do it!

No! This only makes her even more unforgivable! Why do you have the face of Lao Tzu and Mazi?! Why do you have memories between me and my horse?!

I don't know you at all!

Give me back my big waves!

(Men are such old-fashioned creatures!) Grave eggs! ）

This is a common problem of Japanese directors, who pursue the portrayal of characters too much, but ignore the overall rhythm of the film, or in other words, there is no overall picture.

This also creates a collateral phenomenon.

Do students think that Japanese actors are a little "fake" when performing? Feeling like you're pushing too hard? A little surprised?

But this problem of Japanese directors, if they encounter a suitable film, such as "Little Q" and "Kikujiro's Summer", this kind of movie that describes the inner emotions of the characters and the portrayal of the characters is the theme of the movie, it is out of control, twice the result with half the effort, a blockbuster, and a stroke of genius!

To sum up, I think that Japanese directors are really not suitable for feature films, and this kind of ingenuity for small objects is undoubtedly admirable, but it is a bit too much・・・・・・

It's like the Nine Dragons playing with pearls, you carve the dragon ball beautifully, and the tourists are full of praise for it with a magnifying glass, and the nine dragons are the backbone of the story, who cares about them?

Except, of course, Akira Kurosawa.

The old man deserves to be the Shakespeare of the film festival.

This is really not Chrysanthemum bragging, wanting to show that he is petty bourgeois or something, the reason why Chrysanthemum mentions the old man with such a high standard is that without him, there would be no narrative mode of modern movies.

I know that most of my classmates have heard this name, but they have not necessarily seen his films.

Here, Chrysanthemum does not recommend students who don't have time or hobbies in this area to watch his movies, because I know how I feel when I watch his movies for the first time - mediocre.

Because the narrative rhythm and camera movement of all the films we watch now (except for avant-garde films, except for nonsense films) are directly applied by Akira Kurosawa's films, we have long been accustomed to this set!

But if you look forward and compare it with the Chaplin movies that everyone has seen, the difference is obvious.

The students think back to that mustache, does he always perform in one scene for a long time, and then appear in another scene, and then perform? A shot represents a twist in the plot? The camera stays fixed all the time, right?

Before Akira Kurosawa, this was true of all films. No one thought about getting the camera to follow the actors, and there were a few brilliant directors who tried and failed.

Only Akira Kurosawa! Not only did he succeed, he even managed to be so perfect in the beginning that no one has been able to improve the way he moves the camera until now!

Kurosawa's spirituality in the film is already inhuman.

Just as Shakespeare taught the world (Westerners) how to write stories, the old man taught filmmakers all over the world how to make films. The analogy of Shakespeare in the film industry is not an exaggeration.

The old man, who had nothing to do in his later years, made a few slightly weird (chrysanthemum thinks) avant-garde movies, and finally retired.

As a result, the Japanese movie was stuck there and never moved again・・・・・・

If you want to tell a story in 120 minutes, then Sister Lin's characters are definitely not portrayable, so it's better to simply give us a rough man with a rough chest and save the world with the view.

――――――――――――――――――――――――――――――――――――――――――――――――――――――――――――――

I wanted to talk about domestic movies, but I'm afraid the students are not interested, so I gave up.

Thinking carefully about the construction of the students, Chrysanthemum feels that her skills have increased greatly! It seems that the day of ascension is not far away!

The changes to the plot are progressing smoothly, and Chrysanthemum finally finds a balance between conflict and reasonableness.

The thousand-word long review seems to have formed a certain atmosphere in the book review area. When Chrysanthemum wrote this essay, Zigui Ye also wrote a 1200-word book review for Chrysanthemum. Chrysanthemum forcibly wrote this nonsense.

Aren't you afraid that I'll refine you?!

Okay, the final standard ending.

Guilty Crown!

ps: The next article should be the influence of Japanese idol culture on anime.

When it comes to idol culture, there is really an endless groove・・・・・・