For ease of reading, the settings of the book are carefully listed here. I hope that all new readers will read this carefully

BY Author: Jun

1. Additional notes on Shirou's fusion and the setting of the traverser (17/01/2014):

Red A part: Because the three lines of the original book don't seem to go to the experience of red A, each has its own inconsistencies (please see the book review area for a detailed explanation), so the setting of this book is the Illya line, and in the end, only he died, and later became a heroic spirit

Emiya Shirou's part: It's still the blackened H-F line, but it's inserted in the middle of the hollowataraxia, and after the four days are over, Bagjet dies, Karen doesn't appear in Fuyuki City, and Emiya Shirou's memories of the four days are all erased, and then the fate plot continues, and he dies at the hands of Black Saber. Memories that were supposed to disappear were restored at the time of the three-in-one

Crossing part: The name is not important, and the experience is basically the same as Soichiro Katsugi, but it actually has the function of neutralizing the character (this is the most important), additional abilities, and knowing the plot other than FATE (this is the second most important) and so on.

First, although the protagonist in this book has the element of a time-traveler, the protagonist's memories are mainly Shirou and Red A. The explanation is as follows:

Originally, the protagonist's memories were made up of three parts.

(1) The original Shirou died > HF line

(2) Red A--> didn't know how to go through that line, but in short, he died in about thirty and became a heroic spirit

(3) The Traveler - > meaningless life, a bit like Soichiro Katsugi, is really only for the sake of killing, just like a machine to survive. But because it's a house, I've seen the type of moon.,I know something other than FATE.。

In the above combination, because from (1) + (2) > (3), and the wonderful life > the life of the killing machine, it will gradually become Shirou as the main body. That's not what the traverser canon.

Second, the Shirou in this book is actually not a pure Shirou, simply put, a Shirou who is very similar to the original Shirou, but has a somewhat different personality. Here, the setting of the time-traveler does not have a sense of zài on the surface, but in fact it plays a crucial role.

It must be known that the original Shirou (in the case of HF) is a hero who has given up on justice, but he is still biased towards the second year of secondary school.

As for Red A, he is extremely efficiency-oriented, calm to the point of being cold-blooded, but still more or less still has a sense of identity with the righteous hero (see UBW).

The personalities of the two are ugly, and if you just merge the personalities of the two, it cannot be ruled out that the contradiction will reach the point where the protagonist goes crazy.

Therefore, by virtue of the third person (the one who crosses), the character of "fame and fortune are meaningless (from experience), wanting a happy and warm peaceful life (from no love), and yearning for good things such as justice (from the house)", the character of the protagonist of this book is formed that is somewhat similar to the original Shirou (originally one-third), but different from the original Shirou.

In a nutshell:

Super hot-blooded brainless youth + calm to the point of being close to cold-blooded + wants a happy and warm peaceful life - > is neither like Red A and can sacrifice important people for efficiency (UBW), nor like Hara-Shirou, who basically wants to save everyone, and will only be unconditionally enthusiastic when the object is a very important person, if the object is not so familiar with the person, not only will the attention decrease, but also when helping the other party, it will be more ruthless and rational.

Give up being a hero of justice (just helplessness to reality) + disdain, but I am a hero of justice + yearn for justice, but I will not sacrifice for the world unconditionally - > will neither talk about saving the world all day long, but will not only want to live in peace, but will only lend a helping hand to the world when necessary (such as UO wants to destroy the miè world, etc.).

As long as it's a living thing, you don't want to kill or hurt + when you need it, you don't blink when you kill + when you need to, you don't blink when you kill people - > basically, as long as it's a guy who threatens the person you value, you can't kill it, and theoretically you don't kill a woman, but at least you will beat her.

The pride of the yearning hero + the pride of the despised shì hero + the pride of the yearning hero - > acknowledges the pride of the hero

Good old guy + good old guy + want to be someone who is meaningful to others - > super old good guy

Low resistance to women + very low resistance to women + never been in contact with women, zero resistance - > super good for women

Dut-sensitive wood + less obtuse, but still dull wood + no experience even talking to girls - > similar to the existence of the sacred wood

All in all, although this book has the setting of a time-traveler, the role of this setting is mainly reflected in the change of personality (in the direction of my ideal), knowing the plot other than FATE, and adding a little ability

Second, about the pseudo-mother

The protagonist in this book is a pseudo-girl.,However,Because it seems that there are many people who have fused the definition of pseudo-niang with something else to avoid unnecessary misunderstanding.,So I'll talk about it here by the way.。

Women's Clothing - Men who are obviously men, but like to wear women's clothes and makeup.

Shemales - not only do they like to wear women's clothes and makeup, but they are likely to like men as well, and they are the kind of YOOOO, and most of them have plastic surgery in reality

Futa - a magical being that has both masculine and feminine characteristics

Pseudo-Niang - born to grow like a girl.,Strictly speaking, it's a variant of beauty.。

Among them, the pseudo-mother can be a female costume or a ladyboy, but a woman's clothing or shemale is not equal to a pseudo-mother, and there are also people who are desperate not to wear women's clothes and have a normal sexual orientation

It's like there is YOOOOO among men, but not all men are YOOO

Please note and rest assured that the protagonist of this book not only has a normal sexual orientation, but also does not have the habit of wearing women's clothes

Third, about the combat power of the Heroic Spirit, the Servant and the Magician

To be honest, I think that the reason why everyone has always had a lot of doubts about the combat effectiveness of the characters in the type moon is that they have misunderstood, and even the reason for the controversy that occurred afterwards is because of the strict self-pumping of mushrooms.

First of all, in the original design of the mushroom (i.e., the main story of FATE), "Heroic Spirit" and "Servant" are two different concepts. The Heroic Spirit is the sublimation of the hero after death, and it is the existence of the elves who usually stay in the Valhalla, and it is the strongest symbol of human beings and even living creatures in the past. As for the cup of heaven you mentioned, it only summons a "Servant", which is similar to the clone or shadow of the "Heroic Spirit", as you said, the Heavenly Cup is just a level of magic, so according to the mushroom, the strength of the "Servant" is only about one-tenth of that of the "Heroic Spirit".

But although there was originally a seemingly careful setting, because it was too cumbersome and trivial to distinguish carefully, in fact, Mushroom immediately forgot about this setting.

Almost as if the "Immortal" is almost equated with the "Servant", a concrete example of which can be seen in many interviews, where Mushroom often confuses the "Immortal" with the "Servant" in response to other people's questions.

For specific examples, see the 2005-08 "FATE Dojo" in "Fate Dojo", the answer to the comparison between the 27 ancestors, Aoko Aosaki and the "servant", and the contradiction in the description of the strength of Kanese and Shirahime.

So after synthesizing various self-pumping examples, I judged that it was impossible to help the mushrooms finish the game. Therefore, in a nutshell, it is said that there is no distinction between "Heroic Spirits" and "Servants", and that all "Heroic Spirits" come in real form, which is later explained by the permission of inhibition power, which can be seen in the relevant and subsequent chapters of the work.

P.S.1: As for the further distribution of power, it can be seen in the strength of Shirakhime in the work

Fourth, about the timeline

To be honest, Shizuki's work is inherently fragmented, and not only is the time between works troublesome (for example, the night of magic and the Fifth Holy Grail War were separated by seven years; When he was in college at the Empty Realm Two Ceremony, Shirou hadn't even reached his second year of high school; The time between the Fifth Holy Grail War and the main story of Tsukihime is only two or three months), and even the mushroom himself said "Actually, these three works can also happen in three different parallel worlds~" and other hateful statements.

Because of these two reasons, it is too difficult for a guy like me to divide the characters into different works without changing the original book (for example, Kanya's strategy for the two rituals began as early as when she was a child, but Shirou had only just been adopted by Kiritsugu at that time, so it was impossible to intervene), so the timeline in this book will be changed for the sake of writing, In particular, the plot about the realm of emptiness and the plot of the magic to make the night (this book actually comes close to the setting of not using magic to make the night at all, for the reasons related to the work.) Please be careful.

P.S.1: Anyway, when I saw the timeline, I actually found the contradiction in the mushroom setting and ignored it

P.S.2: Actually, Tsukihime was just killed early, and according to the timeline, she should have been possessed at the time

P.S.3: It's best to read this book with an open-minded mindset that this is just one of thousands of parallel worlds, so it's understandable that the timelines are different

Fifth, on the dismantling of CP and non-dismantling of CP

To be honest, I actually think that whether it is a person who likes to dismantle CP or someone who doesn't like to dismantle CP, they all like this work, but the way of expression and values are different.

As far as I don't like to dismantle CP, yes, this is indeed to maintain the worldview of the original book as much as possible, but there will be three restrictions on the relative.

First, in the story of the moon world, except for the realm of emptiness, basically other works are multi-heroines. Just like FATE, some people say that King Dumao is the first heroine, and some people say that Rin is the real heroine (let's say it first, I have no position on this issue); is like Yueji, many people say that Bai Ji is the heroine, but there are indeed people who like her sister more and think that she is the heroine. So in general, originally, even the definition of CP varies from person to person, and everyone has their own favorite roles and their own reasons. On the premise of rational discussion, no one can really completely refute the other side's claims. Therefore, if you don't want to dismantle CP, first of all, the definition of who CP is is already vague.

Second, strict restrictions on authors. Continuing from the first point, since it is necessary to avoid demolishing the CP of the original work, the best way is to let the respective protagonists develop according to their respective routes in the original work. However, the question arises, is the main character in the book the main character? Or is the main character in the original book the main character? Moreover, if you are too persistent and don't touch the CP in the original book, even the heroine needs to be original and limited to this, so it's better to simply write a non-homo book. Anyway, the protagonist in the book is a passerby, and if he participates or not, everything else will reach the so-called HAPPYENDING, and the only difference from the original is that it is reflected in the moment of participation. Like a spark, fleeting.

Third, for the sake of the big picture, he completely ignores what others like about the character itself. Let's put it this way, the simplest example, people who like Saber and Rin don't necessarily like Shirou, people who like two ceremonies don't have to like Kanya, and people who like Shirahime don't have to like Shiki. Just like many people also fall in love with the Oriental series because they fall in love with the role of the East, if they just like the character, why do they have to force themselves to give up the protagonist's intervention for the so-called non-dismantling of the CP? I believe that if I have to answer, there are many people who like the characters in the works of the Moon, so they like the Moon.

To sum up, I'm not saying that "not dismantling CP" is a mistake, repeating, I'm not saying that "not dismantling CP" is a mistake. I just want to point out that different people's preferences will be different. If Your Excellency is an unswerving "non-dismantling CP" party, it is regarded as giving you a psychological preparation to evacuate first, and I can frankly admit that this book is the type of dismantling CP.