About the relationship between the plot and the characters
I love watching cartoons.
Whether it's American, Japanese, or even domestic, I don't refuse to come. It's been fifteen years now. To put it bluntly, I may have been one of the first people in China to come into contact with the concept of "animation".
The original freshness, the frenzy is long gone. But I still maintain the habit of seeing the new must-see.,But if there's no highlight after three words.,Then I'll give up decisively.γ
On the one hand, my taste is indeed raised, but on the other hand, in recent years, the concept of "moe is king" in Japanese animation has caused me a fatal injury.
It's good that the character is beautiful, and the character tsundere is also good, and it's certainly cool to have a few benefits. Chrysanthemum is also a normal physiological man, and I will definitely not refuse these things that I like to see.
But the characters are used to tell the story, and their job is to push the plot forward, not to fall and kick the male protagonist's nakedness with bread and panties exposed!
Shark fin sea cucumber is for enjoyment rather than sustaining life, I need coarse grains, I need a solid story, I need character conflicts, I need a plot that twists and turns!
Anime is just a story in the end, and the plot is our staple food. And now the Japanese animation industry rudely took away the rice from the audience's hands, grabbed the matsutake lotus seed soup and poured it into the audience's mouth.
Don't you guys have a sweet tooth? Come on, come on, it's the freshly baked blue and white panties for this episode! Try them all!
This is undoubtedly an act of killing chickens and eggs, because it has been proven that no one will get tired of listening to stories, and since the birth of mankind, there have been various myths and legends, historical classics, and masterpieces. No one gets tired of these.
Light sound, Bingguo These animations are destined to not live long. Even their most die-hard fans will admit it.
Why?
Please summarize the story of the light sound
Five girls formed an orchestra.
What else?
They're cute.
What else?
I was cute until I graduated.
Even if you really like it, you can't tell your friends about it.
It's not that I hate this kind of anime, but it's good to have one or two of them every season, like a dessert after a full meal, the icing on the cake instead of a disgusting meal.
So when the female characters are finished, let's talk about the male characters.
Form 2.
Needless to say, you've all thought of that word already.
I really don't know how attractive this kind of character is to young audiences, but for viewers over the age of eighteen, Form 2 is a kind of existence that makes people want to strangle him.
That's right, Amuro is the second in the middle, Camuo is in the second middle, and Shinji is the second to break through the sky!
But I love 0079 and I love EVA too.
Because the protagonist grows up in the plot, his personality is maturing, and he gradually changes from a rebellious child to a man who can take charge of himself!
Can you see the moment when Shinji-san rescued the goddess in the new theatrical version? What a cheerful, how domineering, what a man! Anyway, I was wet at that moment.
That's why I don't like the 95TV version very much.
Shinji-san, who changed to the 95 version, I'm afraid he is still holding his head in the corner and sobbing.
To put it simply, Form 2 is okay, but please give the protagonist growth and make him strong and durable in various setbacks. Let the audience feel at ease when they see the protagonist appear, instead of being scared, for fear that he will be in love again.
It's very unfortunate that the current protagonists are not only almost all in the second, but also with the development of the plot more and more two, two to the end, and finally suddenly the small universe erupts to kill the boss, hugging the horse, a two-two turn, deep in the merit and fame.
At such moments, my heart crumpled in pain.
Take a recent example, the Crown of Sin.
Okay, I don't need to say anything more.
If you want to see Sakura Mitsuji die, please raise your hand.
We can clearly feel that the screenwriter suddenly had a nervous breakdown in the middle of the game, and his brain broke away from gravity and flew out of the solar system. So the plot also collapsed, the characters also collapsed, and all of them collapsed.
I instantly became a shake M.,Hungry to catch up with this one.γ
If nothing else, I just want to see where the lower line of human IQ is.
Let's talk about some of my thoughts on character building.
For female characters, let's start with a few examples that I personally like.
Motoko Kusanagi in the shell, all the women in the Black Reef, Nausicaa in the Valley of the Wind, Shan from Princess Mononoke, and Fey Lover in Cowboy.
These characters have an incomparable vitality, giving people a strong sense of "they are alive".
They have their own character shortcomings, have their own clear goals, have the determination and ability to act to achieve their goals, and their behavior logic is reasonable and convincing.
They don't have to rely on men, and they even get in opposition to the protagonist at first.
Only this kind of woman will make people have a strong desire to protect when they show their vulnerable sides, and even make people extremely shocked.
Faye can't stop Spike's suicidal revenge and shoots him behind him with tears in her eyes, and at this moment, no one will suspect that she is deeply in love with Spike.
The moment when Bart hugged Suzi, the tacit understanding between mature men and women, beyond the spiritual dependence of the body, made people have a long aftertaste. I only hate that the shots given by the director are too short.
Shan was so frightened that she stepped aside because of Asidaka's "You are so beautiful", and she was unpretentious.
And this kind of pure natural beauty is by no means comparable to holding a doll, Ernie Sauce Ernie Sauce's Lori can be compared.
is also the only kind of heroine, the moment they finally accept the male lead, the audience will have an unparalleled sense of satisfaction, even a sense of conquest.
Well, I've always been a fan of glass heroines, but Limbo is an exception.
When a certain characteristic of the character is shaped to the peak, I will decisively ignore the other flaws of the character and say convincingly: Anno **, you won.
But how many of these grandmaster-level overseers are there in all of Japan?
Straight to the point.
Such a woman is naturally not worthy of ordinary people.
What kind of male protagonist is worthy of them?
Just look at the male protagonist who is paired with them.
Bart, Spike, Asidaka, and Locke.
Well, there seems to be a vague male protagonist in the Valley of the Wind, but he has been overshadowed by the light of the great god Nausica.
The first three are all full-level appearances, and there is no change in the plot in terms of combat effectiveness, personality, values, and outlook on life.
As for Locke, a typical male protagonist in the growth line, what he has grown up is not his combat effectiveness, but his mouth cannon ability. In the face of all kinds of evils that can subvert ordinary people's values, Locke still did not give up his morality, he struggled in the mud - he could save one by one, never shoot, never kill!
To sum up, regardless of good or evil, these heroes have strong little hearts, firm values, and never give in, even if they seem to give in, they are actually constantly fighting.
And they never, no, medium, two!
Well, Shinji-san, another exception.
Hideaki Anno, you've won again.
In this way, it is much easier to create a male character than a female character.
But today's reality is - you can't find a passable actor in any new film!
It seems that the meaning of the male protagonist's existence is to open ** to push Lori to play with the queen.
It's hard for us to watch an anime a few years later and still have an impression of the male protagonist.
Their personalities are so repetitive that some people may say that they are close to life, but their behavior does not match their own personality.
If Suko had asked Bart to sleep, then he would have happily run to Suko's apartment.
If Faye seduces Spike a little, this merry guy will definitely do it on the spot!
But the protagonists in the new episode, there is an H book hidden under the bed, and when I see a beautiful woman with a nosebleed, I show the normal physiological level of an adolescent man. When the beauty climbed on top of her, it was as if she had suddenly been chemically castrated!
What are you doing? You, don't come here!
The audience's hearts were on fire.
You pushed it! Why don't you push it quickly! Isn't that what you're pointing to! Are you still a man?!
By now, we're almost immune to this kind of plot, and everyone knows that nothing will happen next. It should be the actor's special impotence, and it should be a damn PTA!
Then you just don't have this kind of plot, okay!
is a good machine war movie, and it has become a welfare drama of campus love, selling cuteness, selling meat, and selling **.
Speaking of which, are we going to mention the Witch in Pants?
If we want to see this kind of thing, won't we find it ourselves?! Aren't we going to flip the D disk ourselves?! Aren't we going to go to the group and ask for seeds?!
What flavor can't we find?!
Of course, this is also due to the limits of PTA, release control, etc.
What should you do if you have to join a love complex, or even a control complex?
An excellent heroine, a male protagonist who is not a big problem, and the two stand on the ruins after the war. The heroine bandaged the wounds of the injured hero, saw the man's scars and strong back muscles, recalled what the man had done for herself, and suddenly felt full of spring.
The male protagonist looks back at each other, knowing that the time has come.
The camera pans to a nearby campfire.
The next day, the two looked at each other slightly embarrassed.
Come to an end.
How good? How simple?
Give room for imagination.
Now that we've said that, let me talk about this kind of thing.
**The film appeared for a short time, but it became popular very quickly. The reason is simple, what man doesn't want to have three wives and four concubines?
But in fact, men don't want to have three wives and four concubines! What men hope for is to end from the beginning, to grow old, and finally die peacefully in the arms of women!
Female friends (if you are watching, please contact Chrysanthemum aloneΒ·Β·Β·Β·Β·Β· Probably won't believe that, but that's what it is.
Please think back to the woman you love the most, the heroine, the crush, the goddess who came out of YY.
If you could get each other, would you want other women?
Even if you want to desert once in a while, play game or something, it has nothing to do with love. That's just a man's instinct.
Men will not give each other an equal position with their own women, whether rationally or emotionally!
If only men could really get such a woman.
Then the ** slice, what is really shown is just a table of game, maybe you can pick one of them as a staple, but before you can eat two bites, the chef will remove her, and then go up and down.
Still want to eat? Wait for next week! I also have to take care of other people's tastes!
The saddest thing is that everyone eats means that everyone can't eat!
They won't come to fruition, and this hybridization drama will serve you to the end. Until the end, the actor will not confess to any of them.
It should be that as long as you have a relationship with one of them, it is a denial of the choice of the other audiences! It means a plummeting of ratings! This means that the editor's door panel will be kicked to pieces!
All happy?
It's simply a lonely person!
In this regard, I must express my respect to Mr. Mizuki Kawashita.
Although Strawberry is 100% a typical ** drama, it dares to abuse its heart, it dares to make the male protagonist confess, it dares to break up, he dares to let the male protagonist and the female protagonist go to bed, thus cutting off the last hope of other audiences! It dares to let the male protagonist make the final choice!
In this sense, it is not a ** drama.
Junhei Manaka, the male protagonist of the waste wood, I believe not many people will like him, right? He has been shaken and desperate, he should have been thrown off by the heroine for his own bag, and he has been seduced by three or four big beauties.
But he has never betrayed Tsukasa Nishino, both physically and psychologically!
This is countless grades higher than those ** male protagonists who have colored hearts and no color gall, water-based poplars but are physically incompetent!
Chrysanthemum, as a diehard loyalist of the Western Army, is undoubtedly happy.
For Mr. Kawashita's final choice, I am grateful and I don't know what to do.
It is also easy to see the skill of the author. Chrysanthemum was originally subordinate to the Eastern Army, but with the development of the plot and the in-depth portrayal of the characters, Chrysanthemum finally couldn't resist the temptation of the great beauty of Nishino, broke away from the organization, and became a traitor.
Having said all that, it's time to make a summary of this thing.
**The root of the drama is the product of the castration of the romance drama!
It is based on the lack of supervision and scripting skills, and it is impossible to portray any woman who can hold up the scene and hook the majority of the audience, so it is simply better to be indiscriminate, and the deformity of the light and heavy mouth ** flat-chested queen next door is all the deformities!
It ignores the audience's IQ, tramples on the emotions of male audiences, completely abandons the plot, and most importantly, it maliciously speculates on the hearts of male audiences.
Men are not animals, it is enough to give us a woman who is complete enough, not perfect, but complete!
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Having said so much, in fact, it's just Chrysanthemum's personal feelings. But after all, there is no progress without communication, and I hope that all of you can give advice.
There are many more points that Chrysanthemum wants to share, and this is only a very small part. If the words of the above text offend you, please sue me, and Chrysanthemum will restrain it later.
If Chrysanthemum belittles your favorite anime, I sincerely apologize, you can scold me for being okay, Chrysanthemum will never fight back. But I won't take back my words, after all, these are the heartfelt words that Chrysanthemum has been holding back for many years, please understand.
If you have a different point of view from the chrysanthemum, please write it down, and I am willing to analyze it with you.
Finally, the writing skills of chrysanthemums are limited, so please bear with me.
Above.