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In Paris, the Musée d'Orsay houses Monet's most famous paintings, and there is a dedicated Musée de l'Orangerie (more on this place later) that displays only Monet's lotus pond. Pen % fun % Pavilion www.biquge.info

Looking at so many of his paintings up close, I still have a better understanding of this man who tried his best to capture light and shadow. An Qingju was deeply impressed by these paintings.

"Woman in the Garden" is 2.5 meters wide, very large and beautiful. There are almost no lines in the whole painting, which just creates the effect of light and shadow. The woman was talking and resting in the shade of the tree, and the sunlight shining through the branches onto the skirt was particularly dazzling.

"The Poppy" and "Gare Saint-Lazare", the former is only half a meter high, and the latter is only 75 centimeters high, the common feature is that you can't see anything when you get closer, and you can only feel a kind of flowing air when you stand farther away. Or the wind blowing in the countryside, or the fog rising from the station.

If you get a little farther away, things come to life and look good. For example, the painting "Poppy Beauty" looks inconspicuous, but the more you look at it, the more flavorful it becomes, that's what it means.

Edgar. Degas's Ballet Dance Class. He really didn't draw opera houses. The rehearsals of the ballet, the performance of the band, and many of the paintings depict the various characters of this profession in this place. Now makes An Qingju feel that when he mentions the paintings of ballet dancers, he thinks of Edgar? Degas is coming.

However, the dancing girls he painted were really youthful, and the gauze skirts had a foggy effect in all kinds of different lights, which was very beautiful.

Renoir's The Ball at the Mill of Garrette. Does Ann Chuyu particularly like to look at large-scale paintings? The painting is 1.75 meters wide, and the atmosphere of the picture is fantastic. The mill of Galette is located on the Montmartre plateau, which was already a meeting place for artists and entertainment in the late 19th century.

However, the picture is different from the photo, there is a key plot in the picture, and people are chatting easily under the light and shadow. The atmosphere of the open-air café in the shade of the trees, the cheerful young people dancing and dating here, almost sound can be heard in the picture.

There are many Renoir's paintings in the Musée d'Orsay, and this painting has been seen for the longest time and feels the most flavorful.

Three Masters of Post-Impressionism. Works by Cézanne, Gauguin, and Van Gogh are concentrated in rooms 70-72 on the second floor of the Musée d'Orsay. It's so easy to find. When there are many people, the import and exit are planned out in a unified manner, and everyone must enter and visit in one direction, and then come out.

An Qingju and An Churen, when they went to see them on the day when they didn't want money, was this situation. Of course, when I look at it later, the people are much better. Despite this, the exhibition hall of the works of these three great gods of post-impressionism is still the most crowded.

Let's start with Cézanne. Cézanne's paintings are not really easy to understand, and his still life paintings look more like gouache painted by An Qingju and An Chuyu's students in the studio - much better of course.

The landscape painting looks more like a watercolor painting, the color is light, and it seems that there is enough water; He is said to have painted more than 80 paintings called "Mont Sainte-Victoire", which must be praised by the teachers at the school for his "real hard work". It's just that An Chuyu didn't see which one was good, and if An Chuyu was an art teacher, it was estimated that he would mislead people's children and say, "Why don't you progress Nirvana?" ”。

The old and famous "The Woman by the Coffee Pot", no matter how you look at it, you can't see any better.

Let's talk about Gauguin. An Qingju knew about Gauguin from two places. The first is to know that he used to be a friend of Van Gogh, and he once shared a house with Van Gogh to paint, but he was frightened by Van Gogh's schizophrenia.

Gauguin worked as a stockbroker when he was young, he was relatively wealthy, and his paintings were sold while he was alive, and even if he was not too famous, he did not worry about financial resources. This is simply Van Gogh's life example. It was too much of a stimulus for Van Gogh. Hum! All the idols Van Gogh who stimulated me are villains in An Qingju's heart. Overthrow!

Second, An Qingju always saw words similar to depicting women in Yishu Shitai's novels: "She is alive and well as the black pearl of Tahiti written by Gauguin" and so on. How beautiful does this Tahitian girl have to be? This time I went to the Orsay to see it, and Emma was startled. It's really in the eyes of a lover, how can you become a black pearl when you look like this?

Finally Van Gogh. Van Gogh was not French, but he did not spend much time in France, and he struggled in France all his life. The French are also happy to hang the inscription "Van Gogh once painted here" on various attractions. The Musée d'Orsay exhibits a number of Van Gogh works. Among them is the one that An Qingju is well known to.

Van Gogh's Room in Arles and Orwell's Chapel; Arles and this church are both not far from Paris. "Self-Portrait" is one of the more famous self-portraits; The background of the Orsay is very dynamic, and Van Gogh's gaze is very determined. And "Dr. Gachet".

"Starry Night", this one is so good-looking, and it is also relatively large, with a width of almost one meter. An Qingju used this painting for an unknown amount of time on the mobile phone desktop, looking so quiet and dynamic.

Well, count on your fingers, Iris, Iris, at the Getty Center in Los Angeles; "The Cypress Tree in the Rye" was seen at the exhibition at the German National Museum; I watched a large number of them in the Orsay.

There is also the famous "Starry Night" that I didn't see, at the Museum of Modern Art in New York; "Sunflowers" was not seen, at the National Museum in London; You can all go to see it. There's also the famous "Cafe of the Night" in the Netherlands - this one I don't know when to go.

There are many modern works in the Olympiad, so I won't list them one by one, mainly because An Qingju and An first met a layman, don't know how to pretend to understand. The ones listed above are all known before, and now they have run to see the real face.

Let's talk about a few exhibits that were originally exhibited at the Musée d'Orsay but were not seen by An Qingju and An Chuyu. I consulted with the staff, and it was confirmed that I was not in the museum at this time (for example, I borrowed it for exhibition). I haven't seen it, so I feel better, and it's a bit of a pity, and it's also listed here as a miss.

1. Courbet's "The Source of the World". What is it to draw a bare ass, this is in place. Whether it's a name or not, it's really the origin of the world. 2. Manet, "The Boy Who Played the Piccolo". This is a model painting in art class, as soon as the "Impressionists" were introduced, I first took this painting to talk about things, but I didn't see it, but it's a pity.

3. Whistler, "Whistler's Mother". Was this really ruined by Mr. Bean?

From the Musée d'Orsay, cross the Pont des Arts again, and walk a short walk along the south side of the Jardin des Tuileries to the Musée de l'Orangerie. At this time, it was close to noon, and the sky on the Seine was blue, and the white clouds were wild, reflecting the vivid faces of the tourists on the riverbank.

This is the Musée de l'Orangerie. Of course, there are quite a few people who come to visit for free today. Fortunately, everyone was in order, and after waiting for 20 minutes, it was An Qingju's turn to meet An Chuyu.

Don't forget to look around when you're in line, as the statues around these museums are famous. Here! Outside the Musée de l'Orangerie is Rodin's "Kiss".

I went to the orangery to see Monet, to be exact, to see Monet's "lotus pond". Of course, the second floor of the Musée de l'Orangerie also has some works by Gauguin, Cézanne, Renoir, and even Picasso. But the museum's real main exhibit is the "Lotus Pond" – technically known as "Lesnympheas" (Water Lilies).

The entire pavilion on the first floor is actually an oval exhibition hall with skylight, and three of Monet's giant "lotus pond" works are displayed here through the natural sunlight transmitted by frosted glass.

Don't get me wrong, it's not a person here. This is a photo from the Internet, because it is not allowed to take pictures here. And there are staff standing in the corners of the four doors, and whoever takes pictures will shout at whom, which can make you feel sorry for yourself.

The three water lilies here were donated by Monet to the City of Paris, and they depict the different "impressions" of the lotus pond in Giverny in the morning, evening, noon, and with the shadows of the trees. When there are not many people here, just sitting on the stool in the middle and "lookingatthepainting" is a wonderful feeling. ”

It's about having a picnic with a friend who hasn't seen each other for a long time. PIIC, Picknick. The new vernacular poems were ridiculed by many (including Pu Yi). I think it's a limerick, especially on the banks of the Seine in Paris, where a picnic in the Tuilery Gardens is called "Picknick".

Pick a big tree, surround a bench, and pull a few garden chairs that suit you, just like this, aren't adults and children happy?

An Chuyu and An Qingju also found a square courtyard with neatly trimmed paulows on all sides and sat down. It was not too much trouble to find a few chairs, some for sitting and some for stepping on; Then spread out the slightly simple lunch of An Chuyu and An Qingju, which can be picked up by the afternoon sun and the breeze between the shade of the trees.

The noon sun in Paris is like a fire, standing in the sun makes people can't open their eyes and their scalp is numb, but sitting in the shade of the trees still feels a little cool, you have to put on a thin coat!

Having enough to eat, I watched the main road with groups of tour groups hurrying across the Jardin des Tuileries, or rushing to the Louvre, or coming out of the Louvre to the Place de la Concorde. Someone asked. Is this always the case with the Chinese delegation? There are photos below to prove that the level of understanding and tourism thinking of people all over the world is actually about the same, so don't be presumptuous.

Ashamed and ashamed, after the picnic, An Chuyu and An Qingju were sleepy, and they wanted to go home to go back to Smecta. But driven by the motivation of "Free Today", An Chuyu and An Qingju still went to visit the Rodin Museum. Sorry master! An Chuyu and An Qingju are also fake art lovers.

From the Jardin des Tuileries to the Musée de la Rodin, you have to cross the Seine "hard", and then walk south along the street on the quay d'Orsay, first past the headquarters of Air France, the Palais Bourbon, and other tall buildings such as the Council Chamber. Of course, you can also take the subway, but you also have to walk a little way. In fact, the scenery along the way is good, and the street is particularly spacious.

The Musée Rodin is actually Rodin's former residence, where he lived for nearly ten before his death. Before his death, he donated all his works to France, and the French government converted the mansion into the Musée Rodin. ――It can be seen that Rodin was already famous during his lifetime. This mansion, this environment, this location! (To be continued.) )

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