The chrysanthemum is stuck.

Of course, it's not stuck in this chapter, it's stuck in a chapter that is about 100,000 words.

If a certain plot is not over, Chrysanthemum will not upload the previous chapters, just like the legendary Shinjuku Chapter 13. The code is good, I look at it smoothly, and I can seamlessly connect with the plot after that, and then upload it with confidence.

With some plot changes later, the butterfly effect is becoming more and more obvious, and the plot changes are getting bigger and bigger・・・・・・

So this card is not a small card, it is a direct card with a mouthful of old blood, and it vomited on the monitor with a wow!

So, the hormones of chrysanthemums were out of balance, so this time "life is better than death, rolling on the ground and the days can't pass, hurry up and let go of the old lady", half a month in advance, appeared at the beginning of the month, and drank several bottles of Mrs. Blood's blood to no avail・・・・・・・

So Chrysanthemum decided to make a big move, use my favorite way to relieve stress, open my mind, talk nonsense and adjust my endocrine to smooth the transition of this menopausal complication.

Well, the more self-expression you read.

The whole story is the relationship between the author's desire for self-expression and the reader's reading experience.

It's a question I've been thinking about for a long time, and I basically have my own set of ideas, but I haven't talked to anyone until now.

Chrysanthemum felt that she was not qualified enough.

Especially now that I'm an author, the level is there, everyone has seen it, and these words have a bit of a sense of sticking out your face to find a draw・・・・・・

Good.

This issue of Shame Play is just the beginning!

The core idea of chrysanthemum itself when writing is to find the feeling of writing essays in junior high school.

I can't control the flowery rhetoric, I can't put into words the picture in my head, I have to read a sentence that is too long and I have to read it twice, and if there are too many twists in a sentence and there is no comma separation, I have to read it out loud. When there are more than five names on a page, especially foreign names, I immediately get dizzy, and I can't tell who is from whom.

So I decided to completely abandon those flashy and shiny things and put the flow of the article first.

Due to the limitations of the chrysanthemum pen, it is impossible to smoothly transfer the shot to the next scene with a few numbers, so the dividing line is simply used, and in order not to make the scene switch appear abrupt, the timeline of the switch is kept as far as possible to keep up with the sequence time of the corresponding shot.

It adopts the shape of a small theater, one shot, three or four characters, and introduces the plot through guò dialogue, so that it doesn't look too boring.

It's really painful to do these things, and it's very "dehumanizing", because this is not the narrative rhythm that Chrysanthemum is used to, Chrysanthemum is a person with a very jumpy mind, and it is easy to say and say that he will fork in the road 108,000 miles away. But for the sake of smooth expression, I still forced myself to return to the original shot.

In the final analysis, it is still my own skills that are not enough, I can't put it away freely, I have no tricks to win, and I can synchronize with readers.

But it's also a workout process.

Judging from the current feedback from the students, no matter what the characters in the plot are, at least reading fluency is guaranteed. (Okay, typo...)

Chrysanthemum breathed a sigh of relief.

After the completion of this book, your skills should increase dramatically, right?

It's almost time to cross the catastrophe, right?

The above is a self-summary.,The next part is the part that offends people more.,Mainly the article in the same area・・・・・・

First, parentheses.

Parentheses appear in the body.

Add small brackets to the end of a certain sentence in the plot.,Self-complaining sold a cute by the way.。

(Hehe) (Actually, I also like XXX the most, Aru) (Hey, that's what you think, Soul Light!) (I'm a humanoid bulldozer!) ）

These little brackets are undoubtedly very detrimental to the reading experience.

Just watched it well, suddenly came to such a play, the author's personal will suddenly appeared in the plot, and the reader was suddenly taken out of the play.

NG shots, small tidbits, the director's entry into the camera, and the elaboration of the creative concept. These things should be placed in the list of people who produce the film at the end of the film, and they should be placed in the program interview, and they should not appear in the play.

I'm not saying that all the same people should put an end to brackets.,It's like the movie "Vulgar Drama".,The audience knows they're just watching a vulgar drama.,No matter how the director comes to make the audience laugh.,Its posture is very good.,Let's just have fun.,Don't take it seriously.。

This little bracket is kind and I like it.

But if you want to tell a story, and you want to tell a story from the bottom of your heart, then this kind of parentheses mixed in the text are a disaster, a disaster that destroys miè!

Readers love the author, and the audience loves the director.

But their personal will must not appear in the work!

I don't want to show a world in the hands of chrysanthemums, so that every thing the protagonist does will lose its meaning, and the reader's worldview will collapse from the most fundamental place -- isn't this what the author wants?

But I can also understand the feelings of authors who complain about themselves in the text.

1. Lack of self-confidence.

The protagonist did something very illogical, or said something very idiotic, the author himself thinks it's ridiculous, but this affects the plot later, there must be such an event, so he complains and begs the reader to be tactful.

2. Loneliness.

I want to interact with the reader in the text so that the writing is not boring, but I think this is a bit counterproductive.

3. Lao Tzu just wants to add parentheses and say some irrelevant six-character mantras, my world, I call the shots, I speak for myself, what do you want?! (bites me!! ）

This is a spiritual bow although the woman is dry. (I've really seen this ・・・・・・・)

The author is the supreme god of the work.

Once the author's personal will is exposed to the text, then you are blowing the boss to the sky, black and hard, and it is useless if the steel does not fall, and the reader will not be high-blown for the protagonist to kill it.

It's useless, it's the author who killed the big demon king, and basically has nothing to do with the protagonist・・・・・・

This is also the reason why Chrysanthemum would rather use the original protagonist than travel to Leluxiu.

It's just too easy to over-unfold.

No, it should be that you don't overshoot the reader, and the reader is not happy.

You all know the plot! Don't do stupid things, okay! I can Britannia in 100 ways! Don't you have geass?! Suzaku is right in front of you, idiot! One glance at him and you'll be refreshed!

So in order not to let the article finish in 100 words, the author had to give the protagonist all kinds of restrictions and weaken to death!

What about missile planes?

I'm sorry, the protagonist before crossing is a little white.

What about nuclear bombs? Why didn't you take that perverted woman and let her build a nuclear bomb?!

The protagonist doesn't have that kind of charm, and Long Aotian sees one and receives one.

Why don't you just stare at Suzaku to death?!

Wouldn't it be fun to keep him? (That's a bit of a stretch.) ）

I accidentally overwrote, and when I looked back, I was depressed, oh I cǎo, how did it become an abusive text?

In Chrysanthemum's view, as long as the author does not travel to a vegetative person, and encounters an irreversible event such as the explosion of the earth, then the author can rule the galaxy with a wave of his hand.

Knowing the plot is better than any superpower.

Isn't God Z in the later stage only able to infinitely strengthen the movie to maintain the balance of the plot? It's useless to strengthen, so add all kinds of powerful squads, and then don't split your personality and play by yourself.

But when I read it, there is a taste of the author deliberately finding fault with the protagonist, and the author's personal will is faintly emerging, and the reader begins to feel a little depressed.

OBVIOUSLY THE EARLY STAGE IS SO HIGH・・・・・・

What I can't do, I don't think I can do either.

I can't control the protagonist of the crossing, at least at the moment, my skills are far from enough.

Honest storytelling is serious, and Ma Bu first practiced solidly and then rose from a tall building.

So, in order to be able to contain the plot, and it is reasonable to contain the plot, I chose the original protagonist.

Of course, there are downsides to this.

Some classmates have already said that the plot progresses a little slowly, and it seems that nothing has happened after reading so many words.

This is also something that can't be helped, the students know that the plot is good, but the protagonist doesn't know. You have to tell him the background of the incident and let him figure out how to solve it himself. It's impossible to look at the wall calendar like you do through the main character, "Hmph, did Honezel finally do it?" With such a sentence, he took out the goddess of love who had already been prepared to throw it on his handsome face, or quickly packed up and ran away.

It's good to pass the early stage, and after tens of thousands of words, you will enter the plot of chrysanthemums, the rhythm of chrysanthemums.

So what about the original protagonist, the original supporting role?

There will be no original supporting characters in this book.

Well.

No matter how hard you try, the original supporting characters are unlikely to be compatible with the original.

We don't have that character in our heads.

We can't imagine the interaction of that character with the original story.

We can't make up for it.

So I had to do my best to shape the little white hair!

So, since we have talked about abusing the master, let's talk about Long Aotian, who everyone likes to see.

We all love Long Aotian.

In a state of mind that shakes M, I deeply love this domineering man with clear eyebrows and beautiful eyes.

Long Aotian and the abuser are like two sides of the same coin, both of which are the result of the author's compromise with himself.

(Of course, there are people who just like this kind of protagonist.) ）

Don't abuse a hundred words, don't be arrogant and don't kill the boss.

The author can't let an ordinary person with mediocre talent upgrade through guò fighting monsters, completing the tribulation by chance, and leading to the path of supergodhood.

So he directly leaked domineeringly, his chest hair shook, and his tiger eyes widened, and the royal sister Queen Lori only felt that the deer was bumping, her legs were weak, and she knelt down and turned into a toilet.

So one finger to the sky and one finger to the ground, heaven and earth are not benevolent, only I am the only one, Ma Zai was directly frightened, and the five bodies threw themselves to the ground, and they were convinced. The enemy suddenly had an "indescribable" sense of fear in his heart, no, he is so handsome, although I don't understand why, but I just can't win him!

The author surrendered to himself.

I can't figure out a good plot.,I don't know how to make the protagonist turn defeat into victory.,I only have a halo.,Whatever, whatever, whatever.。

But there is an essential difference between Long Aotian and the protagonist of Kenshin.

Kenshin is the strongest, and the appearance is the full level, and all kinds of bunkers are against the sky. His philosophy is even more earthy, in the final analysis, long live justice.

But no one will find him disgusting, even if Zhi Zhixiong is popular, we love that bandage man to death. But when we read the manga, we still cheer for Kenshin. The stronger Zhi Zhixiong is, the worse Kenshin is beaten, and the more various NPCs are killed by him in one slash, the more we want to see Kenshin defeat this boss!

Because Kenshin has a soul, and Long Aotian is a soulless character.

All Long Aotian is such a set of "the weak eat the strong, the fittest survive".

This gives the author endless room to play, anything he does can be rationalized, it should be the law of the jungle is simply no rules, ignoring a qiē -- Lao Tzu is the king's law!

This reduces the burden on the author.

As long as he is made up of a miserable childhood, all of them were destroyed, or he was bullied since he was a child, then the protagonist can be forgiven no matter what he does in the future. Maybe the female No. 1, the female No. 2, or the female No. 17 or something, just saw the fragile heart under the cold appearance, and was willing to turn into a toilet to warm the lonely and cold long night of Aotian・・・・・・

It's a great way to do it! This kind of protagonist is so easy to create! As long as there is Long Aotian, then everything from the plot to the characters to the supporting characters and the tragic death of the boss and so on is all packaged and solved! So Long Aotian emerged one after another, opening the starting point full of the screen of chest hair to show in the wind, and the strong Wang Ba Qi made me a bear face!

What I want is a protagonist like Kenshin.

Powerful and soulful.

The menstrual cramps I had a few days ago have made me understand the source of the problem and know how to deal with it.

Everyone thinks that the little white hair is strong and cute, but they can't feel his core concept and moral code・・・・・・

I don't want to abuse the Lord! I don't want to become a dragon Aotian!

I don't want to surrender to myself!

So Chrysanthemum got stuck in the process of struggling・・・・・・

・・・・・・・・・・・・・・・・・・・・・・・・・

Forget it, let's go to a movie tomorrow to adjust the relationship・・・・・・

Oops?

My wife's Tranquilizer?

―――――――――――――――――――――――――――――――――――――――――――――――――――――――――――――――

Chrysanthemum is an older young man, 23 years old. (at least in the fandom)

It's been a while since I graduated, and I've been doing some small business or something, a little bit of money, and a little bit of time, and I really haven't thought about subsidizing my family or anything by writing guò.

I just wanted to challenge myself.

I want to see how far I can go.

It would be great if the students could post more comments and pull the brothers.

So・・・・・・

Finally together!

Crime! Evil! King! Crown!