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The thick shade of the green trees renders the meaning of ink on the water surface and the rocks. Pen ~ fun ~ Pavilion www.biquge.info the reflection of the mountains and rocks and trees in the sparkling water of the pond, like clouds in the sky under the water scattered and flowing.

Walking on the curved bridge, you can enjoy the beautiful scenery of the summer mountain, only to see that some of the strange stones on both sides are like jade cranes, and the form is free; Some look like rhinoceros looking at the moon, and they are cute and cute. Looking up, the flying stones on the valley mouth are picked, just like magpies climbing plums, smiling to welcome guests; Looking into the distance, a group of monkeys on the top of the mountain are playing and having fun. It's really a beautiful scenery and a beautiful stone, which makes people dizzy.

When Yunluo and Yan Shenyu entered the cave, they felt a little gloomy at first, but then they got used to the slightest light falling from the stone gap above the slope, and they felt that the cave was spacious. The water in the small pond flows into the cave separately, and the lake stone is blue-gray, so it is even cooler to enjoy the scenery in the cave in summer.

The cave can be walked through, climbed up the stairs, and turned a few times to the top of the mountain. There is a small pavilion isolated on the rockery. There is an ancient pine tree in front of the pavilion, which sticks out of the cliff, adding to the lush atmosphere of the summer mountain.

Yunluo and Yan Shenyu stand in the pavilion, look back and look at the rockery, in the cave stone cracks, the magnolia is intertwined, on both sides of the stone steps, the rain hits the plantain pavilion and stands slim. Walking in the meantime, I saw the thick shade and green shadows, which really made people feel relaxed and happy.

In order to better reflect the softness of the clouds, Xia Shan carefully selected the high-grade Taihu Lake stone with thinness, transparency, leakage and wrinkle shape on the stone to stack. Thin, transparent, leaky, wrinkled is China's traditional stone appreciation standard, thin, refers to the charm of its lines; Transparency and leakage refer to the porous and delicate nature of the stone, while wrinkles describe the texture of its vicissitudes.

Xia Shan not only pays attention to the use of stones, but also makes full use of the landscape painting theory of "building stones for mountains, one stone has a vein, and although tens of millions of stones are also synthesized into a vein". Therefore, although Xia Shan is changing, it has a smooth atmosphere.

The whole mountain is gentle and gentle, divided into east and west peaks. There is an ancient cypress on the top of the mountain, there is a small pavilion wing, there is a stone house built on the water under the mountain, looking at it across the water, it is extremely deep. Summer Mountain mainly adopts the stacked stone technique based on the mountain, and expresses the graceful and soft beauty of the Jiangnan landscape with the exquisite clarity of the lake stone and the superb stacked stone technique. It is also a perfect combination of stacked stone technology and art.

Summer in Jiangnan is "the rain of every family in the Huangmei season." The grass pond is full of frogs. Therefore, the west bank of the pond here is waterfront to dispose of a "frog stone", and the pond shore is surrounded by lake stones, which are tortuous and convex. The water lilies in the pond are dotted, whether it is a faint red or a faint purple, they are dotted with the greenery of summer with the lightest posture. It is commonly known as "lotus pond frog song".

The bridge is curved on the water, and the bridge deck of the bluestone slab reaches the entrance of the cave after three folds and extends and disappears in the belly of the mountain, so that the tail of the water is hidden. It gives people a feeling of infinite depth.

On the side of the curved bridge, there is a lake stone, this stone is slender and elegant, and there are three nearly circular holes from the bottom to the top. Such as a clean fish bone. This slender and elegant lake stone obscures the hole below, and its upper part is very similar to the character "ugly" in Chinese characters.

Although Su Dongpo of the Song Dynasty was the Taishou of Yangzhou, and abolished the "Wanhua Society" that disturbed the people as soon as he took office, he certainly did not see this "ugly stone" that appeared in Yangzhou hundreds of years later.

However, he: "The stone is ugly, and the stone is ugly" seems to be specially said for this stone. The stone can't be said to be the most lovely, or this stone feels like a bosom friend, and it turns to confirm this language to stand silently in the mountains and forests of this city.

Jia Pingwa also said about the "ugliness" of stone: "Stone is beautiful with ugliness, and ugliness is extremely beautiful." "This stone is a fine product that can be encountered but not sought. It's not a good idea to call it the "treasure of the town".

Yunluo and Yan Shenyu look closely and quite like the word "moon", pointing out that Yangzhou is a moon city - the world is three bright moonlit nights. The two scoundrels are Yangzhou.

There is a stone fish behind the ugly stone, opening its mouth and swinging its tail, the expression is vivid, and the goldfish in the pond contrast with each other. On the upper right of the stone fish, there is a Yunnan Huangxin on the lake stone mountain, and the inverted weeping branches are close to the water surface. The breeze swayed everywhere, as if a green waterfall hung in front of the mountain, and a lot of business was increased.

The summer scenery stacked stone is mainly blue-gray Taihu Lake stone, the stacked stone is like a cloud turning mist rolling state, the gardener takes advantage of the unevenness and thinness, transparency, leakage, wrinkle characteristics of Taihu Lake stone. There are many stacked stones but not chaotic, and the distance view is smooth, as clever as a cloud, such as a strange peak; Myopia is exquisite, like peaks and caves.

The fish in the pond frolic between the stone caves, and there is movement in the stillness, which is very interesting. On the right side of the pond, there is a curved bridge leading to the cave of the summer mountain, and the cave is deep and quite cold. Build a crane pavilion on the top of the mountain, and the old pine is bent, and Lingyun wants to go.

Crossing the curved bridge, entering the stone house of Xiashan, at first you will feel bleak and uncomfortable, after a while, you will find that there is a trace of light penetrating from the stone gap, the façade inside the rockery is gradually clear in front of you, the cave wall is varied, the layers are distinct, there are many holes along the mountain and water, from the inside to the outside, each hole is like a picture frame for us to choose the scenery outside the hole.

The pond water, mountain stones, flowers and trees of the summer scene move with the footsteps, and the scenery also changes, which is the technique of "framing the scene" and "changing the scenery step by step" on the garden, and the private garden in the south of the Yangtze River is used more because of the limited space.

It is the principle of aesthetic segmentation that is used to extend and expand the space, so there is a saying in the garden that "the more you demolish, the smaller it is, the bigger the separation". Every summer, the ancient trees are windy, and the water comes, which is refreshing.

There is a four-cornered pavilion on the top of the summer mountain, called "Crane Pavilion". This is the place where the owner raises cranes, which means "cranes dancing in the sky, the blessed land of the gods". The couplet "Standing like snow on the shore, flying like a pond spring" describes the crane. The pines and cypresses are evergreen, and the cranes live long, which means that the pine cranes prolong their lives.

The summer mountains are like clouds, and if there are cranes dancing in the meantime, it is really a blessed land for the gods. The southeast corner of the crane pavilion is the stone gap of the summer mountain stone chamber penetrating the light, and the pavilion corner happens to shelter the stone chamber from the wind and rain, and the details are also so thoughtful. There is an ancient cypress in front of the pavilion, the branches are bent, stretching out to the horizon, adding to the lush atmosphere of the summer mountain.

Standing on the top of the mountain, looking around, you can see the "railing" formed by the lake stone, which not only ensures the safety of visitors, but also increases the height of the mountain, which can be described as ingenuity.

There is a wisteria in the east of the Crane Pavilion, standing on the side of the mountain stone at the exit of the mountain road in Xiashan, the branches and leaves are staggered like a cover, the rattan is intertwined with each other, and the root path has been integrated, as if it has gone through vicissitudes. In late spring, there will be clusters of lilac butterfly-shaped flower spikes, about a foot long, gently hanging low, exuding bursts of fragrance, fluttering with the wind in the early summer sun, particularly charming.

The summer mountains are soft and beautiful, with green trees and green waves, and a Jiangnan style. To the east of Summerhill, you can turn to the imposing promenade, which is called the longest promenade in the world, and the reason why it is so said only because the end of the promenade is equivalent to going from summer to autumn.

This is the mountain building that connects the summer and autumn scenes in the garden, and the long corridor in front of the building is like a long arm to hold the autumn and summer mountains in front of the chest, and the mountain building is named after this. Baoshan Building is a seven-bay building, and there is a plaque of "pot day from spring".

The pot is taken from the "Garden Story", "with the income of the heart of the camp, without leaving the house, the pot is spring, and the dust and horses are resting." It means that although the space of a garden is not as good as the famous mountains and rivers, its scenery is a paradise and a fairyland on earth.

At the junction of the two feet of Autumn Mountain and Summer Mountain, the transition is coordinated by the method of enclosing the compressed volume, the Xiashan Lake Stone extends to the revetment of the flower platform, such as the dispersion of clouds, and the Autumn Mountain Yellowstone tries to use the round and thick longitudinal pattern to enclose the flower bed to minimize the difference.

The corridor of the mountain building is a compound corridor, visitors can stroll the corridor whether they are on or down, and walk from summer to autumn unconsciously, so this corridor is also nicknamed "time and space tunnel".

Standing in the corridor upstairs, it can be seen that there is a hexagonal pavilion in the east of the pool in front of the building, the eaves of the Qingyi Pavilion are warped, the clear and beautiful are upright, and the magnificence of the mountain building has formed a sharp contrast. "Pavilionist, stop. People stop gathering also. "Pavilions, in ancient times, were places for pedestrians to rest, so there were more pavilions on the side of the road.

The pavilion is comfortable in space and flexible in layout. In terms of architectural art, the pavilion concentrates the essence of the richest national form of ancient Chinese architecture. The pavilion in the garden can provide people with shade and shelter from the rain, rest and watch the scenery, and also make the scenery in the garden more beautiful.

It seems that some lake stones are randomly placed around the Qingyi Pavilion, but because of the surrounding water, these lake stones become the bow of the boat that breaks the waves. Hang a plaque "Qingyi" in the west of the pavilion, and there are couplets in front of the pavilion: where is the sound of the flute, drunk and leaning on the spring breeze to make the bright moon; A few traces of faint shadows, obliquely bracing the old tree to protect the pavilion.

If you stand in the pavilion on a moonlit night, the breeze comes slowly, the blue water ripples, and you precipitate your mood in the faint sound of the flute, and you can live up to the bright moon and spring breeze, and the old tree pavilion.

If Spring Mountain is the beginning, Summer Mountain is spreading, then Autumn Mountain is **. Go east along the corridor, cross the overhead compound corridor, and you can go directly to the majestic autumn scenery Huangshi rockery.

Autumn Mountain is stacked with yellow stone, with stone pungent, magnificent, the plant configuration is mainly maple trees, mixed with pines and cypresses, the main face of Autumn Mountain is facing west, whenever the sun sets, the pine is green, the fiery red of the maple and the brown yellow of the mountain stone are clear and clean like makeup in the twilight, very picturesque.

But the most subtle thing is the design of its internal mountain paths, which spiral up and down, criss-cross. Stone houses, stone bridges, stone beams, stone caves, and small buildings in the mountains are blended together, and the valleys are sometimes streamed, and the walls are unpredictable.

Before visiting Autumn Mountain, you should know in advance: "The light is not through the dark, the big is not through the small, and the straight is not through the curve", which will definitely add a lot of fun.

Legend has it that the Huangshi rockery is the famous painter Shi Tao in the late Ming Dynasty and early Qing Dynasty, and the Qing dynasty Wang Quantai wrote to the second son of the garden owner Huang Zheng's poem "If you are young, you are nostalgic for your hometown, and you are very complaining." Self-talk home, the big polyester stone house hole is high. (Da Dizi is Shi Tao's alias).

The autumn scenery is also called the little yellow mountain, the shape is steep and cloudy, stretches endlessly, divides the west, the middle and the south three peaks, the middle is the main peak, and the west and south two peaks are supplemented. Between the three, the guests and hosts take care of each other, and the unevenness is covered, forming an undulating and continuous mountain.

The center is the most precipitous, abrupt and amazing, and the stacked stones on the peak seem to be unfinished, which is even more intriguing. This is the effect of the stone stacker's extensive use of the "picking" technique. "Picking" is a stone sticking out horizontally from the mountain, and "floating" is a technique of a menhir at the top of a stone sticking out. (To be continued.) )

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