Well, in fact, before I started writing, or the creation of the character of Bai Mao, I had some kind of ambition. I wanted to use the character of Guò Bai Mao to show the "violence" I wanted.

I've been talking about "violence" for a long time, but of course, it's not a deep human discussion. I'm a vulgar chrysanthemum, and I just want to show the violence in an entertaining text in a way that can best cheer up the reader.

I have a complete set of ideas, but I haven't said it, mainly because I am worried that my ability to express myself cannot accurately convey my thoughts to my classmates (late clinical symptoms of obsessive-compulsive disorder). And this topic is so easy to diverge, and when I move, I will talk about the darkness of human nature, social injustice, reflection on the world, etc., etc., etc.,

There are several main reasons why Chrysanthemum suddenly raised this question and discussed it with her classmates.

1. A classmate asked me how hellsing was, and I said I liked the TV version.

The violent display of OVA is just too fake, like the difference between a disgusting movie (with eyes across the mountain) and a real horror movie (Midnight Bell).

2. Some classmates said that my latest chapter was a bit excessive, and Xuzi also felt that it was a little too unrestrained suddenly, and the classmates said that the white hair was really vicious (to borrow a classmate's words, "full of malice", we will talk about this later).

3. I need to vent my frustration about learning English・・・・・・

Okay, let's start with hellsing (this target is so perfect), my previous analogy may not be in place, hellsing is not a disgusting film, he is a typical piece that makes you cool, and it is shown in a naked and unrestrained way that makes people see a toothache. But he didn't make me feel good, so for me, this wasteful behavior of not spending my budget to the point is even more unforgivable.

I don't hate violence, on the contrary, I love it very much, especially when it only appears in movies or literature and has nothing to do with my life. As for the pacifists who are ready to despise me, don't pretend, I know you're like me, and your blood is boiling when you look at 300. “this，is，Spartaaaaaaa！！！！！”

We are animals at the top of the law of the jungle, and thousands of years of tempering have made this instinct into our genes, and this violent plot is force majeure.

Hellsing's ova is very, very violent, which is indisputable, and all human beings are as tender and full as a self-propelled tomato, round and juicy, and the juice can shoot out 10,000 meters when you pinch it. In terms of numbers, human beings are dying like locusts, one after another. The total number of deaths in the ten OVAs amazes even the chrysanthemums who have watched countless films.

The first part came like this, it's great, cool and crooked. The second part is great, cool and crooked. In the late stage of the third part・・・・・・ I finally became completely numb -- dear, can you change the tricks?

The tsuò group said of course you can: dear, how much do you want to die, give a number.

No, I mean a different way of playing...

No problem pro! Give a number!

What I want to say is, can you change the play...

Enough!

・・・・・・・・・・・・

It can be felt that the production team is working very hard to please the audience, very "hard", and satisfying the audience's initial impulse to watch this film with a posture that is not bad for money, but there seems to be something wrong with the direction of the force--simply trying to figure out the square increase of guò "quantity" to satisfy the audience, which is quite a bit of director Zhang Da's aesthetic concept of "the number is beautiful".

But this trick doesn't work for me.,I'm a chrysanthemum soaked in the second dimension for more than ten years.,Time flies like a fly, and then looking back on it's a hundred years.,My taste is getting heavier and heavier.,My jerking point is getting higher and higher.。 Don't talk about destroying London, even if you let Uncle A eat everyone in the European Union, eat them one by one, eat with great interest, and the screams of the dead are deafening and break through the sky, you don't want to make my heart ripple with a little water.

It should be because this is not the violent display I wanted.

Let's put it this way, Professor Hannibal in a cage, listening to music, eating steak, wiping his mouth, and then suddenly biting a man to death. The professor went from being an elegant scholar to suddenly becoming a ferocious monster, and my adrenaline was racing, with the phrase "it!" "(Praise) choked in his throat, and tears glistened in his eyes.

This, specially, is called - violence! Force! Unfold! Show!

Why is it so emotional? If you think about it, biting a person to death with your teeth, like a crazy person, this is obviously very frustrating, isn't it? If you change to Uncle A, killing someone is the same as playing, isn't it?

But the bad thing is that "Uncle A kills people like fun", this is not over, the production team has been sparing no effort to remind the audience, Uncle A is not a person, Uncle A kills people easily and casually, you don't believe me I let him kill a London to show you.

Uncle A is the protagonist and the core of the story, and the audience's worldview will naturally be established with the protagonist's perspective. In the play, Uncle A is a monster, so we are all monsters too. From a human point of view, it may be fun to step on dead ants, but why do you make me step on ten ants in a row for 400 minutes, and I will be bored to wither or not?!

Okay, back to the professor's perspective, the professor is a "human". Therefore, when he kills, he takes a life of equal value. (It's a completely different nature, right?) What's even better is that in this play, he's not actually the main character, the real protagonist is the female detective, and our perspective is built from the three-pronged female detective. In other words, when we watch the film, we are in the perspective of victims, ordinary people.

Professor, to use Nietzsche's theory of the superman, he acts superhuman (non-human) as a human being, so he becomes a "superman". Therefore, he is obviously a mortal in the flesh, so he will give people a feeling of invincibility. The contrast between human identity and graceful speech and its inhuman behavior creates a sense of disobedience that terrifies the audience, and a thousand words finally converge into a sentence of "Oooh! Chrysanthemum burst into tears, in short, I was refreshed.

Okay, now the topic has further evolved into how to make the abused person as a living person as much as possible in the work.

In fact, there are many ways to do this, for example, in the text description, as detailed and objective as possible to record the victim's futile struggles, mental activities, physiological reactions, etc. Writers who write delicately (in this case, realistically, not gorgeously) can do this. There is no need to describe the life and character of the victim, the whole family, just create an unlucky guy when needed, and then describe the poor guy's death as delicately as possible, so that the reader can have a strong sense of reality.

Personally, I don't recommend this very much.

First of all, there are very few such authors, and I have only seen a few authors of this kind in the kind of cheap horror novels that I have bought in the past (available at school newsstands). To be honest, those guys are really amazing, they are very calm and unemotional descriptions, and they are extremely realistic to restore the scene of the crime (my father is a doctor, and I swear that the pictures in his autopsy book are not as impactful as the words). After reading it, I will have distorted physiological discomfort in my heart, and I can't get out this month after reading a few more articles.

Readers are still like this, the damage to the author can be imagined, killing a hundred enemies and losing five thousand. A good young man with a good outlook can't write this kind of thing, well.

Secondly, there is a reason why this kind of text only appears in horror novels, quite simply, the flaws of this expression itself make it impossible for it to appear in novels. (Even if it is Zhu Yan and Blood ・・・・・・) as long as there is this kind of description once, the tone of the whole novel can never be screwed back.

Further expanding, the online novels we are reading now, in which the descriptions of war scenes and duel scenes are extremely bloody, in my opinion, are a bit of a lack of strength.

The first time it was fresh, the second time it was numb, and I got a little tired of it any more.

Therefore, I personally recommend "fattening and killing" (kill Yuphimia with one shot!). Or, as I would like to recommend today, meaning! Will! Kill! (Kidding ・・・・・・)

I struggled with the screen for ten minutes・・・・・・

Well・・・・・・ I know what I want, but it's a bit hard to say.

I was actually trying to depict this when I was dying the hair.

Disgust, malice, contempt, murderous intent, these fragmented thoughts of the will through the white hair, finally manifested in the form of verbal violence.

I want to show that there is no compatibility between the characters, and that one of the two wills must disappear in order to form a sense of equivalence between life. At the same time, this kind of mutual killing with strong subjective feelings, no matter who defeats whom, will definitely make these hoarded malice instantly released, and everyone will be happy together.

That's what I'm after---high!

Some students are very happy to watch (full of malice), and some students are not used to it, I think there should be nothing wrong with this kind of thinking. There's a reason for my poor form, but it's more of a fan fiction limit.

Straggy Fur is not a character that can have an explosive reaction with White Fur, the two gears can barely bite together, but only barely. If it weren't for the fact that his abilities were so interesting, they wouldn't have been able to spark at all. So this display of violence seems a bit abrupt.

Did you understand? As a science student, it's really hard for me to articulate this kind of emotional stuff.

Let's give you an example.

When I'm making an outline, sometimes something pops into my head, a conversation, a scene, or something. I'll write them down, whether I'll use them later or not, and I'll forget them when I sleep, and I'll have to write them down before then, anyway.

The first version of the white hair still appears as a complete body, and then it is a process of showing the crazy side step by step. And this version of the white hair... will not tell you・・・・・・

Okay, the original white hair was dry all the way to Pendragon, and found that the egg roll head had slipped. Lelouch became his puppet emperor, and at this time, Bai Mao no longer needed to hide his identity, so he generously stepped forward to the stage and issued a world-wide TV speech.

That's the real malice.

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"Make no mistake, it's not a wanted warrant, you're spectators, not participants, and that's a personal issue between me and Charles. If I find someone trying to hide him, or if I want to take him to me for a reward, I'll kill these uninteresting ones.

Please don't spoil my fun.

Thank you for your cooperation.

Well, Charles, I know you're watching, I have something to say to you.

I want you to be clear about the current situation, and I will tell you what I plan next so that you can cooperate.

You know, it's an interactive relationship between us, and I need your feedback. I need you to worry, to be afraid, to be frightened, to be unable to sleep at night. I hope you can relate to this feeling of helplessness, like a defenseless little girl who has been driven into a dead end.

So, what would a person like you, who once stood at the top of the world, think he saw through human nature, and had great ideals that are higher than one qiē, what else would he fear?

Quite simply, you're afraid of pain.

I've always found it strange, the royal brother too, and so you, there always seems to be a very empty theatrical thinking. The two armies are at war, killing and being killed, like pawns on a chessboard. You seem to have put yourself in this situation. Killing each other, getting a qiē, completing revenge, destroying miè and being reborn, etc., all these gorgeous words seem to have blinded your intellect.

Win or lose seems to you to be so romantic, right? Epic plots, lofty ideas, crazy ambitions, the collision of wills and wills, these things are written into books and sung forever.

Looking back at history today, the Shang kings who burned books and pit Confucianism, Nero who sang and drank and danced to the fire of Rome・・・・・・ people 'know' that they are bad people, but can people really 'feel' them? Do people really hate them?

No, on the contrary, people like them. People are very fond of their 'artistic image'.

In the end, these distinctive characters ended with a brilliant death, leaving only the audience's sigh and melancholy.

Perfection -- from a literary point of view.

As a result, you who grew up with the education of the royal family naturally formed a very floating thinking -- life is like a play, life is like a summer flower, life is like a hero, and death is like a ghost.

But you see, there's a little confusion here, or rather, selective neglect.

In this context, death becomes poetic, detached from its essence and becomes the so-called "ending", a form of escape.

I think you may not be afraid that I will kill you, and you may not be afraid of death. But have you ever thought that when I carry you out under some piece of rubble, I will keep you alive?

And then, like I said earlier, I'm pretty sure・・・・・・

You will be afraid of pain.

All people, no, all living beings are afraid of pain. I promise you'll be given an adequate dose of adrenaline to make sure you don't faint again in the process, and your nervous system becomes extremely sensitive to hormonal stimulation. I will have the best doctors in the world monitor your physiology. At the end of the day, you will get the best treatment, you will get plenty of rest, and the next day, you will repeat the whole process with plenty of energy.

Day after day, year after year, there is no end, no end.

Do you think that's all, no, no, no, it's more than that. I'm very thoughtful for you, and there are no dead ends in all directions. In addition to meeting your physical needs, I have prepared a fulfilling spiritual life for you.

"Charles Pig Food Show", "The Secret of the Private Life of the Royal Family", "The Emperor's Bedtime Story" and so on.

These shows will be free all over the world, ah... no, mandatory broadcast. And you, as the lead actor, will become the dirtiest, disgusting, pig-eating, superstar on the planet. I'll set up a business hotline for you, arrange for you a broker, fivepence at a time, and only take male clients.

Day after day, year after year・・・・・・

All this qiē will be permanently preserved as a historical video for future generations to enjoy. Speaking of which, we have to sigh at modern technology, don't we? No king has ever been recorded in this form, so it's not a romantic curtain call, is it? What kind of mentality will future generations have to look at you, such an emperor who has no one before or after?

Look, you're about to make history.

Charles・Charles・Charles・・・I know that you are a strong person, in fact, the stronger you are, the happier I am, after all, this kind of thing requires interaction, I need you to struggle.

But how long do you think you'll last?

A year? One month? A week?

No, it can't be that long. I bet in less than three hours you'll be kneeling in front of me, crying like a little girl, begging me to kill you.

But I'm not going to do that.

You see, I'm not like you, who has some great ideal of the unification of mankind, and I'm not like the royal brother, who longs for gorgeous revenge. I'm just a crude atheist, so I know better than anyone that when a person dies, there's nothing.

Your savior will be one of my most important amusements in the future, a source of my happiness.

So, I need you to live well.

I want you to live in this human purgatory, unrecognizable, unrecognizable, not human or ghostly, healthy and healthy.

Yes, you will hate me, and you should hate me for not wanting to kill you. And this hatred is exactly what I need, it allows you to keep the last shred of sanity, after all, torturing a madman is boring, isn't it?

Okay, then... Charles, look at me.

Seriously, look me in the eye.

There's just one problem.

Are you scared? ”

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It's still a white-haired monologue.

The reason why this character is designed to be a chatter is that I should have prepared a lot of monologues for him. In order to fully reflect the verbal violence, the "malice" is conveyed to the greatest extent.

(White hair is actually a combination of the male and female protagonists of an original novel that I have been tossing and turning since junior high school.) The male protagonist is talkative and can be nosy, and the female protagonist is full of malice with high IQ, like a super bad version of the battlefield, Cheng Dù is even above the white hair. I swear I'll get this book out in my lifetime! ）

Malice, like a bond, binds the two characters together. Finally, the moment this rubber band breaks, a huge amount of energy will be released.

I love this kind of side display of violence.

After raising the chamber pressure to a critical point, a fierce friendship fist smashed into the opponent's face, releasing all the pressure.

I think it's more realistic, and more real means more pleasure.

This idea first came to me when I was reading a fantasy novel that was very popular at the time.

The protagonist killed his fellow brothers, killed a group of splashers, killed assassins from another world, killed bosses・・・・・・ the protagonist is really boring in the process of killing these people, as boring as refining the aura of heaven and earth, obviously the writing is quite gorgeous, but between the lines it is so boring that it is outrageous.

The real interest of the reader is not the protagonist's battle with these characters, the reader's pleasure is not based on killing each other and defeating a strong man. Instead, he looked forward to the added value after that -- he took out two golden pills from the corpse and a remnant of a certain artifact, and swallowed them on the spot to meditate and practice. Then spend two chapters to tell the reader how much the capacity of the protagonist's dantian has expanded, how to condense the true qi, how many times can a certain skill be used now, and it is almost a little bit closer to being able to "break through" again.

Did the protagonist really kill the "human" just now? Even if you fight in the dark, the sun and the moon are dark, splitting the mountains and reclamation, and turning the clouds and rain, but... Are you sure it's not a humanoid self-propelled experience package?

This has gone sour, and fantasy novels weren't originally like that.

Violent display, except for female frequency, and a few urban novels, this element occupies almost all novel genres. From the original ruler, it gradually gave way to the upgraded practice of brushing monsters and picking up the girl, Long Aotian, opening the Crystal Palace, opening the big Crystal Palace, opening the big Crystal Palace, opening the big Crystal Palace・・・・・ like a cheap undisciplined page game, the mass production speed is getting faster and faster, and the propaganda slogans are getting more and more idiotic, in my opinion, this is even insulting, "The best equipment is blown up in one second", "Girls don't enter", "Warning, please make sure that there is no one around, click on"・・・・・・

Isn't it a bit like the Japanese animation market in recent years?

Annual production, steady increase in market share, storytelling, character formatting - they have finally found the most profitable model, the largest proportion of return on investment.

So everyone poured in.

So the all-metal frenzy 4 no longer moved, and it should make money for this thing without Suzumiya Haruhi.

So I haven't read a domestic mystery novel, (don't tell me suspense), it should be a brain-wrenching thing to write, the audience is small, thankless, and my father doesn't love my mother.

As a result, all the female characters are integrated into two categories - the hot and big-breasted and the pure and big-breasted. (If you subdivide it further, what elves are weird, and there are three no-girl girls, but after reading a few chapters, you will find that there are really only two categories of them.) There is no difference at all between language patterns and behavior patterns. ）

So all enemies are like idiots, all the rich second generation are enemies, to apply the previous formula, the rich second generation is an idiot・・・・・・

These characters have no vitality to speak of, just symbols. As long as he appears on the stage, his appearance is bright, and he does not exceed three sentences, the audience can guess the next fate of this character.

What I'm trying to say is that it's been too long since I've seen the protagonist kill a "human・・・・・・

Okay, world peace.

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1. I've said it all, I'm still here, there's no need to make it like a memorial service・・・・・・

2. The student who is off topic, write an outline, I can't control it, there is an outline to make yourself more restrained. Otherwise, the digression will not be able to be accepted at all, and it should be that there is no "question" in the first place.

3. I don't look like Director Ao at all, I'm sullen, even if I complain, I will use a more affectionate tone, and I won't be so unrestrained.

4. Are you sure I want to spit out XX notebook?

5. I'm joking about the heroine's vote, in fact, the candidate has already been decided, in short, it's not Yucheng・・・・・・

6. Has the revolutionary machine Emerald Star Giant finally become my fixed task・・・・・・ Okay, this show is called Chrysanthemum Grow with You.

Everyone understands the revolutionary machine, once a week, refresh your IQ and give you the courage to live. Any act of predicting its plot is stupid.

Cui Xing, I insist that this is a little fresh! Time proves a qiē! (Okay, Hideaki Anno, I've already misread it once...・・, I shook my face with Q a few days after I just released my words・・・・・・)

Giant, the rhythm of this film is really going terribly wrong. But it's a really good idea, but... I'll talk about it in more detail next time.

7. I do video complaining about the video by a friend, do the students think it is reliable?