Qin Lao didn't say anything more. ???? Net: How many things in this antique shop have been accidentally broken! At that time, Qin's old friend's mood was a hundred times more disturbing than White's!

The three of them continued to look down, the official kiln of the Ming Dynasty and the official kiln of the Qing Dynasty, there are many exquisite and gorgeous porcelain, so concentrated placed, for collectors, it is indeed a great visual impact and enjoyment.

By the time they saw the porcelain of the Republic of China, it was almost evening.

"There is no Hong Xian porcelain here!" Tang Yi said with a smile. Before, together with Wen Jia and Sima Liu, he missed a piece of Hongxian porcelain.

However, in the Tokyo Historical Museum, there is a group of fine porcelain plates from the Republic of China.

There are nine porcelain plates in this group, all of which are square or rectangular in size.

On the porcelain plate, they are all pastel patterns, all of which are different, and on the porcelain plate, there are also paragraphs.

Among the nine porcelain plates, the flower and bird porcelain plates are the most, with a total of three, one is Cheng Yiting, one is Liu Yucen, and one is Bi Botao.

In addition, a character porcelain plate is Wang Qi, a fish algae porcelain plate is Deng Bishan, a landscape porcelain plate is Wang Yeting, a cordyceps porcelain plate is Xu Zhongnan, a plum blossom porcelain plate is Tian Hexian, and a snow scene porcelain plate is who is the person.

"Eight friends of Zhushan!" Qin Lao said, "It's not very easy to collect so completely!" ”

White was a little strange, "Zhushan Bayou, aren't they the eight porcelain masters during the Republic of China?" Why are these porcelain plates the work of nine people? ”

Qin Lao explained, "The Eight Friends of Zhushan, it's not that there are eight people, it's actually a small group, there are more than a dozen representative figures, and there are nine of them, which is not easy." There are also such as Wang Bu, a representative of blue and white porcelain, and Wang Dafan, a representative of calligraphy, none of them. ”

Tang Yi said, "Just like the Eight Monsters of Yangzhou, there are actually more than eight people. ”

Huai Ting nodded, "The things of Zhushan Bayou, the time is relatively short, and I don't pay much attention to it." ”

From the late Qing Dynasty to the Republic of China, porcelain panel painting was more popular, which also made many of the main creations of Zhushan Bayou reflected in porcelain panel paintings. In the past, the works of Zhushan Bayou were not very valued, after all, they were small years, but they also gained momentum in the past few years.

"I really like the things of Zhushan Bayou." Tang Yidao, "In the past, porcelain was in the Ming and Qing dynasties, controlled by the royal kiln, although the glaze is fine, the variety is diverse, but I always feel that it is too regular, less art." ”

Tang Yi is right, the rule of the official kiln, while improving the quality, also stifles the personality.

However, with the fall of the Qing Dynasty, a group of folk porcelain-making masters who were active in the porcelain capital emerged, and although the types of porcelain glaze were fixed, the patterns and decorative forms were fully wielded.

Zhushan Bayou was not called Zhushan Bayou at the beginning, these porcelain-making masters who went to the folk formed a "full moon meeting". In essence, this is a group of painters who pursue Yangzhou Eight Monsters in style, and the name of Zhushan Bayou is more or less related to this.

Therefore, their achievements in porcelain are mainly innovations in painting. For example, portraits of people have not been done before. For example, the technique of splashing ink is applied to porcelain plate paintings, and the effect is also very good.

Among them, Liu Yucen created the "water point" technique. This technique was later applied to the porcelain of "water point peach blossom", which had a great impact.

Before the appearance of Zhushan Bayou, whether it was an official kiln or a private kiln, there was no such thing as a painting school. But after their appearance, it led to the emergence of a similar phenomenon of painting. In Tang Yi's view, the biggest attraction of this group lies in this.

"There is a reason for the intersection of morality and faith, and the Zhushan Association is new. Feathered landscapes, plums and bamboos, flowers, fish, insects, beasts and people. The painting method is only the north and south factions, and the style does not let the east and west neighbors. Talking about this piece of claws, just as a self-portrait. Tang Yi recited a poem written by Wang Dafan.

White didn't quite understand, but nodded repeatedly.

When I got here, I basically saw the porcelain exhibits. Tang Yi is not going to continue to look at it anymore, tomorrow morning, the Tokyo Historical Museum will announce the donation of Sanyang Yuanzun.

Before leaving, White saw a piece of porcelain in an inconspicuous corner, nodded again and again, "This one is more beautiful than the one in my collection!" ”

Tang Yi glanced at it, and the porcelain that White said was a warm plate. Although it is something from the middle and late Qing Dynasty, it is placed after the exhibits of the Republic of China.

This plate is decorated with blue and white patterns, which is relatively simple, the plate is very thick, the middle is empty, and there is a small protruding opening on each side.

These two small mouths are used to pour hot water into them, so they are called warm plates.

There is a certain reason why this exhibit was not placed in the porcelain of the official kiln of the Qing Dynasty, because this kind of plate, which is generally not used by the Chinese people, is exported porcelain, which is specially sold to foreign countries, and the main market is Europe.

In Western food, there is a cream soup, but if the cream is cold, it will clump, and as a result, the Chinese people understand the warm plate and solve the problem of eating Western food. If we use a rough analogy, now let's go to the skewers and put a small charcoal trough on the table, a reason.

Afterwards, Tang Yi said goodbye to Qin Lao and White. It means that tomorrow afternoon or evening will leave early, and there is something to do to Hong Kong Island.

In front of White, Qin Lao didn't ask much, just said, "Then let's go back to China!" ”

Tang Yi then tried his best to find acquaintances in the exhibition hall, and said goodbye to them one by one.

After leaving the Tokyo Historical Museum, before returning to the small courtyard, I received a call from Shizuma Hase.

"Mr. Tang, something went wrong!" After Hase's greetings, he said suddenly.

Tang Yi was stunned, "What, can't you leave tomorrow?" ”

"Not really." "Because the application is urgent, although we try our best to dredge it, we still have to fly at 10 o'clock in the evening at the earliest, and it is estimated that it will be after the early morning, and I am worried that you will be delayed for Christmas Eve." ”

Tang Yi smiled dumbly, "Christmas and Christmas Eve are related to Jesus, this is originally a religious holiday, I have never had it!" ”

"Oh. The main thing is that the young people of your country seem to care a lot about this festival. ”

"It's just a matter of finding a way to play." Tang Yi said, "Then it's set at ten o'clock in the evening, I'll prepare early." ”

"Okay." Naseki replied, "However, Mr. Tang, there is still a problem. Originally, I was going to use a Gulfstream business jet to send you, but something went wrong, I couldn't fly, and I could only call a relatively small big Triumph, do you think it's okay? ”

"It doesn't matter, you can take more than three people, it's enough to trouble you, and I can't be a picky eater, right?" Tang Yi didn't think much about it, the three people he said, in addition to him and Wen Jia, there were also escorts to be arranged by the Tokyo Historical Museum.