After Liao Mo'er finished speaking, she seemed to suddenly unload the burden of a thousand jun, "Okay, the torment is finally over, I have said everything that should be said." Pen, Fun, Pavilion www.biquge.info Thank you for this game! ”

Tang Yi's heart, but because of the word "torment", a burst of emotion suddenly swelled up: Huanting, Wanting, if you go, you may have a last resort, but what can't two people face together? I have suffered many times more than you have told you why! And you, too, will suffer even more!

In fact, why is Liao Moer not painful? The role she plays is even more awkward. In the end, this "one-year period" can be regarded as a helpless choice in the cracks.

Tang Yi extinguished his cigarette, looked at Liao Mo'er, and suddenly said softly, "I've wronged you." ”

"There is nothing wronged, the road is chosen by yourself. The most ridiculous thing is that the period of love for someone is 10,000 years, while the time limit for waiting for love is one year. Liao Mo'er turned around, her eyes already red.

Tang Yi suddenly felt like he was in a dream, and he couldn't move when he stood still.

Suddenly, Liao Mo'er turned around and stretched out her hands, "Hug it, ordinary friend." ”

Tang Yi couldn't refuse.

"it!"

At this time, Wen Jia came out of nowhere, "You two are getting better?" ”

Tang Yi knew Wen Jia too well, let go and said, "If it's really good, can you still come out?" ”

"Iniquity!" Wen Jia's expression was exaggerated, but she changed the topic instead, "Sister Cao's film, it's late, just wait!" ”

As a result, less than ten minutes after the three of them were outside, Cao Xuanqi came out, "It's not scary at all, let's go." ”

"People like you set yourself up as a bystander in advance, and if you can't get into it, you won't be shocked when you see anything." Wen Jia waved her hand, "Today's day is really messy. ”

On the way back, I heard that Tang Yi was going to the antique market tomorrow, Liao Mo'er thought about it and decided to go together. Tang Yi also thought about it, aside from anything else, Liao Mo'er's eyesight is there, and having a knowledgeable person to visit the antique market together will actually add a lot of fun, and it is all said, and it can't be turned away from thousands of miles away.

Cao Xuanqi thought that it was okay, so she also asked to go with her. Wen Jia originally wanted to study the matter of the feather wing pattern jade, but I heard that Cao Xuanqi also went, let alone went.

The next day, the four met at the Shaozhou Antique Market. Tang Yi gave Gao Taiming a brief introduction. Gao Taiming looked at the two girls, and he didn't ask much, so he became a temporary partner.

Shaozhou antique market, just opposite Lu Xun's former residence, not far from Xianheng Hotel, and there is a high gate building, easy to find.

Above the gatehouse, there is the seal word of "Shaozhou antique market", entering the antique market, Tang Yi found that this is an antique building complex, and the outside of the store is also this style. When I went in and asked, I realized that it had not been built for a long time, but there was originally an antique city here.

Although it is an antique building, it is actually similar to the antique market in the whole country, and it is usually only operated by shops, and there are few customers. On weekends, the floor is paved and crowded. Moreover, the place in the antique market in Shaozhou is not very large, and there are many people.

Gao Taiming is naturally an expert, Liao Mo'er is not weak, not to mention Tang Yi, the three of them took a layman like Cao Xuanqi to go shopping.

The focus is naturally on the stalls, but after walking through some stalls, I found that most of them are handicrafts, Hetian jade agate jade, Buddha beads bracelet play, these things account for most of them.

Cao Xuanqi mostly asked Liao Moer questions, Liao Moer was very patient, Tang Yi and Gao Taiming listened to these "elementary scripts" and unconsciously distanced themselves from them.

Finally, Tang Yi squatted down in front of a porcelain stall around the corner.

This stall is full of porcelain, and all of them are small pieces of porcelain, and the largest one is just a teapot during the Republic of China. What Tang Yi reached out to pick up was a small porcelain powder box.

The powder box is naturally filled with powder, but this powder box is really ordinary to the extreme, it is a small round box with a diameter of about seven or eight centimeters and a thickness of about three or four centimeters, with a lid buckle.

But the color of this compact is very special.

Blue and white glaze.

In the Song Dynasty, when monochrome glazed porcelain was prevalent, the north was white and the south was green. And this "green and white" is a unique innovation. It's not just blue-white, it's very bright, a bit bluish. In fact, strictly speaking, this color is more like azure glaze.

Such a small compact with an ordinary shape, no ornamentation, no style, but it suddenly attracted Tang Yi's attention, because of this color.

As soon as you get started, the weight is very light, the lid is opened, and the carcass is very thin.

Tang Yi smiled slightly. That's right! This is Shadow Blue! The famous Song Dynasty shadow youth!

It's just a pity that it's a small compact. Song Dynasty shadow celadon, to this day the largest number of powder boxes. The Song Dynasty was a dynasty with amorous feelings, and the characteristics of pursuing sex were more prominent, and it was expected that women's makeup was more exquisite, and the large amount of powder boxes was also very revealing.

However, after all, this is the shadow green of the Raozhou kiln in the Song Dynasty, the shape is simple, the craftsmanship is very sophisticated, and the color is particularly positive. Supposedly, such a thing will not be placed on a stall casually. The stall owner was an old man, sipping his pipe with ease, and there was nothing unusual in his squinted eyes.

Speaking of Raozhou kiln, many people don't know, but in fact, it is the porcelain kiln of the Song Dynasty. The porcelain capital was built in the Song Dynasty, and at that time, it was natural that the imperial kiln factory would not be set up like the Ming and Qing dynasties, but a lot of private kilns were concentrated.

However, these folk kilns have a resource that the imperial kiln at that time could not match, that is, a kind of porcelain clay produced in Gaoling Village, the porcelain capital.

Kaolin.

The porcelain fired from kaolin is white and delicate, and can be made very thin. Shadow blue, that's it, the thinnest porcelain can transmit light, and with this blue and white glaze, it is really beautiful!

Yingqing, thin, good-looking and practical, in the Song Dynasty, was a huge innovation of porcelain in the porcelain capital.

This kind of innovation even led to the discontinuation of glassware in the Song, Yuan, and Ming dynasties in China!

Why is glassware popular abroad, because they couldn't make porcelain before. But as long as porcelain can be made thin and light enough, the advantages over glass are too obvious.

First of all, porcelain is less likely to break than glass, and glass and porcelain of the same thickness can be thrown on the ground to try. Besides, you pour a glass of boiling water from a glass, pour a glass of boiling water from a porcelain glass, wait a while, do you dare to take the glass directly? Porcelain cups can. Of course, it's hot over time, but it's much slower than a glass.

There is also a cost problem, this is a basic problem, it is expensive, but the cost of porcelain is lower than that of glass.

Glass was not called glass in ancient China. During the Warring States period, there was a name called Xuan (qiu) Lin, and in the Han Dynasty, the name of colored glass appeared, and later there were some medicinal jade, jar jade and the like. It can also be seen from the name that it is either next to the oblique jade, or it is directly called jade, which is regarded as precious.

Putting aside the situation of artworks, from the perspective of practical tools alone, after the appearance of shadow celadon in the Song Dynasty, the glassware from the Warring States period to the Tang Dynasty is over.