Chapter 186: Who Plays Master Huang? 【Second Update】

In line with the idea of "Han Xin's soldiers, the more the merrier", Xu Ke naturally hopes that Lin Youlun will invest as much as possible in "Huang Feihong".

In recent years, the Hong Kong film market has been booming, and as long as the producer of an ordinary movie proposes a story theme and lists the star lineup, film investors can come up with millions or more of money to buy this plan, commonly known as "buying a film", but Lin Youlun is not an ordinary investor, and wanting to take money from him just by painting a big cake is tantamount to a fool's dream.

Xu Ke has great ambitions, and he plans to use the best action actors and the best action directors to create the movie "Once Upon a Time". When talking about his plan, Xu Ke seemed full of confidence, "Huang Feihong, I want to find Li Lianjie, the martial arts genius of Da Xulu, to play, and I am going to invite Liu Jialiang, the descendant of Huang Feihong, to play it." ”

Liu Jialiang is a famous martial arts film director during the Shaw Brothers period, although he has lost his courage in recent years, he has stepped down from the position of director and is comfortable as a martial arts instructor. Lin Youlun's deepest impression is that Liu Jialiang, who is too old in later generations, won the Lifetime Achievement Award at the Academy Awards, and took the stage to deliver an acceptance speech, and the opening remarks of the speech were: "My father is Liu Zhan, Hong Boxing." His master was Lin Shirong. Lin Shirong's master is Huang Feihong! ”

As for Li Lianjie, Xu Ke fell in love with him entirely because of the popular movie "Shaolin Temple" four years ago.

Before Li Lianjie, Xiangyaogang's action kung fu films have gone through several stages of Guan Dexing, Wang Yu, and Bruce Lee, and "Shaolin Temple" can make Xiangxugang audiences who are used to watching kung fu movies also refreshing, which has a lot to do with the martial arts action style mobilized by Li Lianjie and other martial arts athletes. The kung fu they practiced was a new type of martial art that had been modified. It can also be called performative martial arts, this kind of martial arts pursues beauty and generosity, and the requirements for strength are far inferior to the stretching of posture, and this kind of "flower fist embroidered legs" is very suitable for the performance of the movie, and the film is naturally very popular.

Xu Ke's idea was very beautiful, but he ignored a very serious problem.

In traditional Wong Fei Hung movies, Wong Fei Hung is the spokesperson of justice. In many situations, he constantly endured the intrusion of evil forces and patiently taught him, until he used his superb martial arts to punish evil and promote good when he couldn't bear it anymore, and Xu Ke wanted to make Huang Feihong in his movie more humane. The character is no longer old-fashioned, and he will shoot when it is time to shoot, especially in order to carry the meaning and connotation of the conflict between Eastern and Western cultures. The addition of the female character of Aunt Thirteen not only makes up for the lack of femininity in the original Wong Fei Hung story, but also increases the entertainment details of the story. After that, Huang Feihong not only wore a suit and ate Western food, but also spoke the foreign dialect of "loving tiger oil", boldly married Aunt Thirteen, and challenged the traditional concept that Chinese people cannot be messed up...... These are Xu Ke's reasons for being a director, but he also wants Huang Feihong, a generation of southern kung fu masters, to practice a northern kung fu. If you find Liu Jialiang as an action guide, you will definitely not be able to accept that your grandfather is flying around in the sky.

Xu Ke, who has always been known for his obsession with visual effects, wants a dashing and elegant Huang Feihong, who only cares about whether Huang Feihong plays well, but does not care whether these actions are reasonable. And Liu Jialiang's action design style is inseparable from the characteristics of typical southern kung fu: the strength is more than short, the stretch is not elegant, the ideas of the two are almost opposite, and it is strange that the two can work together.

As soon as Lin Youlun said this, Xu Kecai realized that he was indeed wishful thinking when thinking about this issue. If at this time, Xu Ke still had a trace of fantasy about inviting Liu Jialiang to be the martial arts instructor of the film, then Lin Youlun's next words. directly told him to dispel this idea. …,