"I don't have much eyesight, but I think this dragon is a little interesting. The pen %fun %pavilion www.biquge.info "Tang Yi waved his hand, "I brought it myself." With that, he took out his cigarette and lit it.

Wen Jia couldn't see anything, and Diao Qinsan's porcelain skills were not very high, he thought it was an old thing, but he couldn't tell the specific year.

"In addition to the dragon pattern, this blue and white hair color is also rare, elegant, I think it looks like an official kiln without a model in the late Ming Dynasty." The stall owner said.

"This blue and white material is like a soil green material, and the official kiln will not be so unparticular, right? Besides, you see that this fetus is low, and the cultivation is not fine, you say the late Ming Dynasty, how do I look like a folk kiln in the late Qing Dynasty? Tang Yi said with a smile.

This late Ming and late Qing Dynasty, the official kiln and the private kiln, are really different.

Tang Yi said this, and the middle-aged man who was talking about the market before nodded, and whispered to the old man next to him, "Now on this stall, can you still meet the official kiln?" Especially if there is not even a single paragraph. ”

The stall owner couldn't help but look at Tang Yi again, "I also said that I don't have eyesight!" I won't talk to you too much, you say, how much money do you think you can get? ”

Tang Yi didn't expect to encounter such a thing on the stall, he must have wanted to take it.

"How can I bid? You have to call a bite first, how much is the minimum? Tang Yi asked with a smile.

"It's not open today, it's rare that you will fall in love as soon as you come, eight thousand eight, a good luck!" The stall owner took a puff of his cigarette and said slowly.

When Tang Yi heard this, he put down his things, "Okay, I'll take a look at other things, what do you want to buy." ”

"Keep it for you?" The stall owner has a bottle on the tower.

This really has to be asked, because you didn't say dead, but you let it go, and others asked for it, and you can't tell. If you really want it, then you have to stay for the time being, look at something else, and then negotiate the price together.

"No, your price isn't right." Tang Yi smiled.

I want to get away with it. However, this is a bit dangerous on the stalls. But Tang Yi was right, the stall owner picked up the thing and put it beside him, "Whether you want it or not, don't let others get started with this thing before you leave!" ”

He understood that Tang Yi was a real buyer, and he seemed to have taken a fancy to more than one thing. There are a lot of lights on the stalls, and the real buyers have to hold on.

Indeed, in addition to this one, Tang Yi also took a fancy to another thing on the stall, which he was going to take together.

Hearing what the stall owner said, Tang Yi was relieved. Because this cylinder, although there is no style, it is the official kiln of Shunzhi, which is better than the other thing he fancies!

Shunzhi was the first Manchu emperor to enter the customs. Before Shunzhi, the Manchu Qing Dynasty had no control over porcelain at all, and of course he could not control the porcelain production in the porcelain capital. It was not until the eighth year of Shunzhi that the imperial kiln factory in the porcelain capital began to be restored by order of the imperial court. But as I said earlier, the restoration does not mean that the control is very good, because as soon as the customs is entered, the imperial court has too many things to do, and it does not take much care of the imperial kiln factory.

This led to many characteristics of porcelain at that time, one of which is that a considerable part of the Shunzhi official kiln did not carry a paragraph. There is also a universal feature, that is, ninety percent of the Shunzhi official kiln is blue and white. Because the "top" is not strictly controlled, it spontaneously follows the most popular, blue and white is the most popular, and the craftsmen of the porcelain capital are also very skilled in making blue and white ware.

This blue and white vase naturally also entrusts the wish of the imperial court at that time to dominate the country!

Moreover, this cloud dragon pattern is also a typical feature of the Shunzhi period, which is called one dragon and three appearances. Of course, three is not a fixed number, it is an imaginary number, just like "three orders and five declarations", which means more. It may also be five or seven, but the dragon on this cylinder happens to be three times.

Through this, you can also find a very interesting phenomenon. At that time, the Manchu Qing Dynasty had just entered the customs, and the power was not very stable, and the society was not very stable. In the prosperous era of Kang Yongqian, if you look at the dragon pattern on the porcelain, there is basically no cloud covering, bright and bright, and the whole body appears.

Therefore, playing with the ancient is not simply a plaything, not only will not lose your mind, but you can also grow your ambition and wisdom.

However, the biggest problem that hinders judgment is in the blue and white hair color. Generally speaking, there are two kinds of hair colors in Shunzhi blue and white, one is the good quality Zhejiang material designated by the imperial court, and the other is the local soil green material that is common in the porcelain capital. Zhejiang material is pure, green and slightly purple; There are many impurities, gray, and black spots.

However, the color of the green material on this cylinder bottle is light green, a bit of duck egg green, so it is difficult for people to judge that it is Shunzhi blue and white at once.

This is the time when the knowledge of the study is completely incomplete and detailed. Shunzhi official kiln blue and white, there is a part, but also used the concoction material! It is mixed and purified with Zhejiang material and soil green material, and the color that comes out is like this. It is particularly charming, but relatively rare.

Just this Shunzhi official kiln bottle, Tang Yi never imagined that he would encounter it at the stall in Chang'an, and the eight thousand eight were already missing. However, since I have taken a fancy to other things, I will provoke the stall owner, but the stall owner was tricked and really stayed for the time being. If he didn't stay, Tang Yi would have to change his mind after a while and take it first. Otherwise, if someone takes such a thing, it will be a loss.

Another thing that Tang Yi took a fancy to was also a blue and white vessel, a plate, on which were painted with sword and horse figures.

This plate has a bottom paragraph, which is the "Kangxi year of the Qing Dynasty". However, don't talk about Tang Yi, even Diao Qinsan can see that the designation is not Kangxi Guanyao, because it is indeed a bit rough.

This sword and horse figure, on the porcelain of the early Kangxi period, was very popular. This is also related to the characteristics of the Qing Dynasty, the Kangxi Dynasty was regarded as the Manchu Dynasty initially sat on the country, and the Manchu Qing Dynasty was won by iron cavalry and long knives and arrows. In the early Kangxi period, there were few things on porcelain pictures that sang and danced, and there were many things that were grandiose.

If it was in the middle and late Kangxi Dynasty, there would be more auspicious and rich ornaments, and there would be more things with words. For example, the blue and white longevity vase in the Forbidden City, just writing 10,000 longevity characters on this large porcelain vase, how much work does it take?

At this time, it was the process of Sinicization and integration of the imperial court. To put it bluntly, at first, it was through the knife and horse to subdue you, and then through the culture to make you satisfied.

The influence of this kind of politics on art is still very direct.

The characters of swords and horses, some people have swords and horses, and they are naturally war scenes. To be honest, it's better. Moreover, the porcelain of the Kangxi Dynasty with swords, horses, and figures, there are many fine products, not only the painting is exquisite, but also the painting has a strong sense of scene.

Among the porcelain that flowed out, there were also many Kangxi swords and horses, and they began to be "exported" since the Kangxi Dynasty. Westerners also like this, and it is also a kind of internalized understanding and identification, because in the seventeenth century in which Kangxi lived, there were frequent wars in Europe. In addition, they couldn't make such fine porcelain, so it was very popular.