Today's second more is sent.,Thank you for the reward of T ghost less T.,Continue to be cheeky to recommend ~~~.

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"Okay, boy, I'd like to hear how you give us two old people literacy, you have to say four, five or six in exchange, if you can't say it, hum, I won't let you get out of my Qing Yaxuan," Elder Sun heard Qin Tian's words, and immediately pointed the spearhead of the struggle at Qin Tian, and Zuihou threatened Qin Tian with the appearance of a sub-mountain carving. The voice limped like a singing.

"Hehe, you'll see." Qin Tian listened to Sun Lao, with the same emphasis as singing, and also learned to come to such a play, and then pointed to the calligraphy and painting to explain.

Zhang Daqian is an all-round painter, whose creation is "the length of the body of the people, and the richness of the two sects of the north and the south", integrating literati painting, writer painting, court painting and folk art. In Chinese painting, figures, landscapes, flowers and birds, fish, insects, and animals, all of them are fine, omnipotent, and refined. The poems are frank and bold, and the calligraphy is vigorous and elegant, soft on the outside and rigid on the inside, and has a unique style.

Zhang Daqian's painting style, in the early and middle years, was mainly antique, and he spent most of his life and energy, from the Qing Dynasty all the way up to the Sui and Tang dynasties, studying their works one by one, from copying to imitation, and then to forgery.

Zhang Daqian's artistic career and painting style have gone through three stages: "learning from the ancients", "learning from nature", and "learning from the heart": "taking the ancients as teachers" before the age of 40, taking nature as a teacher between the ages of 40 and 60, and taking the heart as a teacher after the age of 60. In the early years, he was full of famous relics of ancient masters, from Shi Tao, Bada to Xu Wei, Guo Chun, to the Song and Yuan dynasties, and even the murals of Dunhuang.

After the age of 60, on the basis of traditional brush and ink, inspired by the abstract expressionism of Western modern painting, he created the original splash color painting method, and the effect of ink and color made his painting art unique in the profound classical art heritage.

Since ancient times, whether a painter can inherit the past and succeed depends largely on whether his traditional skills are profound. Zhang Daqian's traditional skills can be said to be unprecedented and unprecedented. He has spent a lot of time and effort copying the masterpieces of the ancients, especially his imitation of Shi Tao and the works of the Eight Great Masters are even more vivid, almost chaotic, and thus took the first step of his painting.

He started from Shi Tao in the Qing Dynasty, to the Eighth Congress, Chen Hongshou, Xu Wei, etc., and then extensively involved in the Ming and Qing dynasties, and then to the Song and Yuan dynasties, and Zuihou traced back to the Sui and Tang dynasties. He singled out the representative painters of the past dynasties one by one, from near to far, and devoted himself to research. However, he was not satisfied with these, and learned from the grotto art and folk art, especially the Dunhuang wall for three years, copying the murals of the past dynasties, and achieving brilliant results. These murals are based on the time span and have gone through the Northern Wei Dynasty, the Western Wei Dynasty, the Sui Dynasty, the Tang Dynasty, the Five Dynasties and other dynasties.

Historically, many people have copied paintings that can only be seen in their appearance, and have not been able to penetrate into their context; And Zhang Daqian's pseudo-ancient is like a chaotic reality. In order to test whether his pseudo-ancient works can reach the level of authenticity, he invited Huang Binhong, Zhang Congyu, Luo Zhenyu, Wu Hufan, Pu Ru, Chen Banding, Ye Gongxuan and other connoisseurs and experts from famous museums in Shijie countries to appraise them, and left a lot of interesting anecdotes.

The artistic value and status of many of Zhang Daqian's forgeries in the history of Chinese art are comparable to those of ancient masters. Many museums on Shijie now have his forgeries, such as the Freer Museum of Art in Washington, D.C., which has his "The Three Hidden Men of Wu Zhong", the Metropolitan Museum of Art in New York has his "Shitao Landscape" and "Meiqing Landscape", and the British Museum in London has his "Giant Forest" and so on. Learning from the ancients and teaching from the ancients has always been a good word followed by painters. ”

"Okay, okay, I didn't expect you kid to know Zhang Daqian so well, but what we debate is whether this painting is Zhang Daqian's real handiwork, and you haven't said your reason yet."

Hearing Qin Tian's detailed introduction to Zhang Daqian, Sun Lao couldn't help but shout at Qin Tian, he knew that what Qin Tian said was true, he had heard many things, and admired it, but Qin Tian was still on the enemy's side now, so Sun Lao immediately changed the topic.

"Hehe, it seems that if you don't show some real skills, Sun Lao, you won't be convinced, okay, then I'll show you some real evidence."

Qin Tian walked up to the painting, pointed to one of the places and said, "Elder Sun, Elder Du, you pick up this painting and look at it at the sun, and you will know the authenticity of this painting." ”

"Oh? There's still something hidden inside, I'll take a look. When Du Lao heard Qin Tian say this, he immediately ran over, picked up the calligraphy and painting, turned to look at the sun, and Sun Lao also followed, he wanted to know what clues Qin Tian had found.

"Hey. There really is, this ...... This seems to be a word. ”

Du Lao's calligraphy and painting was aimed at the sun, and the sunlight faintly penetrated the paper, and in the place where Qin Tian pointed, he found a looming Chinese character, so he said to Qin Tian, and Sun Lao also nodded, indicating that what he saw was also a Chinese character.

Zhang Daqian's original name was Zhengquan, and legend has it that before his mother was born, he dreamed of an old man sending a little ape into the house at night, so when he was twenty-one years old, he changed his name to Qian, also known as Zhan, Ji Zhan, and then became a monk, and his law name was Daqian, so the world also called him "Daqian Jushi"

Besides, the paper of this calligraphy and painting does not look ancient, it is about fifty or sixty years old, and it was the time when Zhang Daqian was in the ancient imitation of the antiquity. ”

Qin Tian said confidently to Du Lao Sun Lao, according to the prompt of the [Insight Technique], he easily found this Zhang Daqian's mark, and the [Insight Technique] had already given him the answer, this was Zhang Daqian's true work, so Qin Tian was completely confident at the moment.

"Hey, it's true, you said how long your kid's eyes are, you can see this kind of detail, Du Lao Niao and I have been watching it for more than an hour, and I haven't seen it, old man, old man, I can't accept it."

Sun Lao listened to Qin Tian's words, looked at the looming word again, and said with a little self-deprecation, Sun Lao at this moment seemed a little depressed, quite a feeling of heroic twilight.

"Hehe, Elder Sun, you don't have to worry about this, it must be this payment that misled you." Qin Tian pointed to the inscription of the stone vine and said.

"That's it, the two of us are arguing over this payment, Sun Monkey also said that this portrait is Zhang Daqian's handwriting, but I don't know why there is this payment, we haven't heard of the name Shi Teng at all."

Du Lao took the first step and said to Qin Tian, this payment has also troubled him for a long time, and he couldn't pay attention to it before he showed this calligraphy and painting to Sun Lao, but Sun Lao couldn't get it accurately, so they invited foreign aid and called Qin Tian.

"Hehe, this stone vine, in fact, is not a person's name, but two people's names and together, this stone, is the Qing Dynasty painter Shi Tao, this Shi Tao common surname Zhu, the name Ruoji, Guangxi Guilin, after cutting hair for the monk, the legal name Yuanji, a Yuanji. The small character A Chang, the word Shi Tao, the number of big polyester, small passengers, Qingxiang relics, blind venerables, Lingding old people, bitter gourd monks, etc.

This rattan is the abbreviation of Xu Wei in the Ming Dynasty, Xu Wei was originally written in the Qing Dynasty, and later changed to the word Wenchang, called Tianchi Mountain People, or Tian Shuiyue, Tian Danshui, Qingteng Old Man, Qingteng Daoren, Qingteng Jushi, Tianchi Yuyin, Jin Lei, Jin Huishan People, Shanyin Buyi, White Pheasant Mountain People, Goose Nose Mountain Nong and other aliases.

As we all know, Zhang Daqian started from Shi Tao in the Qing Dynasty in his early years, and he has become a friend of Shi Tao many times, and Zhang Daqian's favorite thing under the love house and Wu is the Yellow Mountain, he has climbed the Yellow Mountain three times, he said that the Yellow Mountain is both the teacher of Shi Tao and the friend of Shi Tao, why don't I climb the Yellow Mountain.

And Zhang Daqian's painting is a copy of Xu Wei's "Ink Grape Picture", which is why he left the strange name of stone vine and left this character mark, just to prove that he painted it. ”

Qin Tian explained the explanations given by the [Insight Technique] to Elder Du and Elder Sun one by one, and the second elder suddenly realized.

"Hey, I can't imagine that there is such a story hidden in this calligraphy and painting, I have seen it for a long time, I have seen it for a long time, no wonder the older generation said that every antique is a wonderful story, and I am honest." Du Lao said with a sigh.

"Yes, yes, what I said is to live to be old, to learn to be old, Lao Du, don't look at us in this industry by others respected as appraisal experts, but we have just started the knowledge in this industry, and it is still far away, this time this little stone vine will stump you and me, it seems that we will have to read a little more books in the future."

Sun Lao also sighed with Du Lao.

"Okay, okay, don't sigh two of you, isn't there a person like me here, if there is something that is not allowed in the future, just invite me to come, don't worry, I will give you a preferential price."

Qin Tian looked at the two old men with a sad look, and immediately said with a gag.

"Hey, you bastard, give you some color and you'll your tail, don't think you really know more things than our two old guys, you just happened to it, do you know, the two of us have seen a lot more antiques than you have seen, you are still in front of the two of us, carefully climb high and fall hard."

Du Lao and Qin Tian were also familiar with each other, and when they heard Qin Tian's stinky words, they immediately sarcastically said unceremoniously.

"Hey, Old Man Du, haven't you heard such a sentence, ambition is not old, although the two of you are a few rounds older than me, but your appraisal level is really not necessarily higher than mine."

"Yo Yo Yo, look at what you have to do, you just blow it, it's just right, I'm dealing in antiques here, you go inside with me to have a look, I want to see how your little hairy child's appraisal level is."

When Sun Lao heard Qin Tian's words, he immediately diverted his attention, and joined forces with Du Lao, hitting Qin Tian hard.

"Come on, who's afraid of whom, let's go?" After speaking, he turned around and wanted to go to the inner room, he heard Sun Lao introduce, his collection is placed in the inner room, and these are just some general ones outside, specially prepared for those who don't know how to pretend to understand vassal elegance.

In Sun Lao's words, these people don't know what antiques are at all, they just buy them back to save face, just show them some garbage, really good things, of course, have to be put inside and wait for people who understand it to watch.