"According to the Order No. 107 of the Heavenly Character of the Plane Old Grandfather Guild, the decision to change the name is made as follows, and the following is a detailed report in the field:"

Inside a magnificent building, many people are listening to a resolution to change the name. Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 There has been a long call for the name of info to be changed, but there is no unified statement on what exactly it will be changed to.

"The glorious universe is created by me! The name of this 'Plane Old Grandfather Guild' is too simple to reflect the dignity of our old grandfather practitioners. According to my proposal, I propose to change the name to the 'Genesis' Guild, if so, wouldn't it be magnificent and have the power to dominate the universe? What 'Plane Protagonist Federation', what 'Cosmic Republican Party', what 'Lord God Space', in front of our 'Plane Grandfather Guild', and surpassing it, the newly established 'Genesis' Guild, that is all scum, nothing to worry about! ”

"'Creation'? This name is good, it really encompasses the whole world, and only I have the artistic conception of "creation" in it! ”

"I also think this proposal is feasible......"

"I remember that more than 100,000 years ago, there was no 'Plane Grandfather Guild' at that time, and the earliest generation of grandfather-like practitioners in the universe were all absorbed by the 'Phantom Sword' Guild. This 'Fantasy Sword' guild is obtained to mean 'it seems to be real and illusory, and the sword breaks through the sky'. Now that 120,000 years have passed, the name of the guild has returned to the earliest and most primitive and simple meaning, which is really gratifying! ”

Everyone in the audience talked about it, and they all felt that this name was indeed in line with the voices of all the old grandfathers in the universe.

"Comrades, do not rush to conclusions. I have another proposal here, although I don't dare to say how much stronger than this Rausch 'creation', but there is also a new idea in it. Definitely no worse than 'Genesis'! ”

While everyone was talking, a man in black jumped onto the podium, looking confident in himself.

"Oh? What's that name? ”

After a long time, someone in the audience finally replied.

The man on the rostrum was smiling:

"The tide rises, and thousands of sails compete...... In my opinion, it's better to call the newly renamed guild 'Chaser Lang'! ”

The applause from the audience was sparse, and it was obviously not very interested in this wave.

Another person stepped onto the podium.

"The universe is the only one! I'm proposing the 'Vertical' guild as our new name! ”

"Forget it, the word 'vertical and horizontal' is too common, and there is nothing new."

As soon as this person finished speaking, some people in the audience became impatient.

"Hey, don't worry, there's something else to call it. The beginning of hegemony comes from the starting point. Why don't we make the name of the guild the 'starting point' guild after the revision? ”

Everyone in the audience looked at each other and was speechless for a long time.

……

"Big news, my 'Plane Old Grandfather Guild' has been reorganized into the 'Starting Point' Guild, hereby notified, hereby notified!"

"The newly formed 'Starting Point' guild will replace the original 'Plane Grandpa Guild' and assume most of its original responsibilities......"

"It is reported that the 'Beginning' Guild has just issued Decree No. 1 to admit some members of the leadership of the former 'Plane Grandpa Guild' into this new organization. And the assessment of tens of millions of grassroots members, as well as the inheritance of the various regulations of the former 'Plane Grandfather Guild', are also being stepped up. ”

"According to the Guild Daily, the 'Starting Point' Guild has just approved the use of a number of new nouns. Among them, the most widely used title 'grandfather' will remain in place and will go hand in hand with the new title of 'author'. And the creation of 'online articles' for the whole people will also continue, which is related to the purpose of sending many pioneers more than 200 years ago. ”

The "Starting Point" guild promulgated the latest rules and set up site settings covering hundreds of universes and hundreds of millions of planes. The extension of the concept of 'reader' expands its group to hundreds of millions of ordinary human beings in the upper planes, and adds another way to obtain the origin of the plane...... Concepts such as 'VIP chapter', 'wireless', 'origin world', 'reality', etc., are in full swing. ”

[A large-scale revolution is coming, maybe this is the truth hidden behind the scenes?] But what is the truth? 】

Tang Zhu put down the newspaper and noticed a message in the corner.

"The former vice president of the 'Plane Old Grandfather Guild' is a certain student, dissatisfied with the establishment of the new 'starting point' guild, he has formed a 'certain k' guild on his own, and declares that he will carry out the 'certain spirit' that dares to resist authority to the end. This is the first other homogeneous organization to diverge on the basis of the 'Plane Grandpa Guild' after the establishment of the 'Beginning' Guild. It can be expected that a new round of large-scale differentiation and integration has begun. The reporter of the front station of this newspaper reported. ”

[The answer to all this may not be known until the monthly examination is passed.] But does all this mean that the 'Starting Point' guild is no longer the only option? 】

While pondering this seemingly tempting question, Tang Zhu turned on the TV and watched the latest release

"Symposium on the Summary of Regional Experience of Some Online Articles".

"What's the big no-no in fantasy novels?"

A woman in white was talking.

"Big taboo, you have to see what kind of text you write first."

"Let's talk about the taboo first, I think the most important thing is the character of the protagonist. Because of the sense of substitution, readers will bring it into the book and feel that the protagonist is themselves. ”

"And a book seems to be more than a wonderful plot, but the characters are also very important."

"For example, if you write a book about stallions, the character of the protagonist can be lewd, sinister, and despicable, but it must not be obscene."

"Writing a book of fantasy texts, no matter whether the protagonist is decisive, indifferent and ruthless, or a little cruel, but there is a little bit of cruelty that is too cruel, killing the whole family at every turn, and wantonly slaughtering innocent people. To put it simply, personality determines the way things are done. ”

"The most emphasized point is that you must not talk about the protagonist written as Leng Qingtou!"

"In many fantasy books, it is written that the protagonist sometimes can't grasp it well, and he is directly hot-headed, and his brain rushes or something. Readers will think he's SB. ”

"In what way does fantasy shape the protagonist to make the protagonist more prominent and more loved by readers?"

This question is also that character determines everything, as well as the protagonist's style of acting! If you say killing, you will kill, clean and neat, vigorous and resolute, domineering, this is what many people like. ”

So, is it the character of the protagonist that determines the direction of a book? No, the direction of a book depends on many aspects, personality, and style can only be regarded as one of them. ”

"For example, the key to the direction of a book is the plot and the plot, and the plot comes first. The plot is the main thing, and the plot can make the character mutate. That's right, as long as you write the plot well, the story is exciting, and it doesn't matter if the writing is bad. ”

"If you copy a book that is already a eunuch, and then change the part of his eunuch yourself, and then write the outline of the rest by yourself, is this okay?"

"First of all, he used the word 'copy', which already shows that he can't write like this, whether the book is a eunuch or something, you can imitate it, but you must not plagiarize. High imitation, in fact, is only a little bit different from plagiarism. ”

"Is the writing good or the plot important? Why is the writing power bad? ”

"The plot, of course, I'm just talking about Xiaobaiwen, Xiaobaiwen doesn't need too good writing, and even sometimes, the writing is too good, and the writing is crepe, but it's not very popular."

"Xiaobaiwen is simple and straightforward. Especially on platforms like our newly established 'Starting Point' guild, readers are too old and too high-minded, so they will not be very popular. ”

"If the writing is literary style, the pen power is the cool point of control."

"The control of the cool point, this requires the accumulation of experience. In fact, cool points can be divided into many kinds, and many things can create cool points, and in the fantasy text, I think the most versatile and practical is the difference in the amount of information. ”

"How is the climax foreshadowed?"

"Atmosphere!! A climax is cool, and the atmosphere is important. ”

"Sometimes, a simple word, or even an action, can set off the atmosphere and ignite it, as well as fights."

"In fact, the atmosphere is flattering, it requires a lot of external conditions, I just mentioned the difference in the amount of information, I don't know if you understand the meaning."

"The difference in the amount of information is, in my opinion, the most commonly used means of creating atmosphere in fantasy texts. In fact, it is very simple, that is, the reader's understanding of the protagonist and the understanding of the reader by those supporting characters are two different concepts. ”

"First of all, we have to understand that the reader is from God's point of view, and the strength of the protagonist has improved, or what kind of realm he has reached, the other supporting characters don't know, but the readers do."

"And when the protagonist's strength has improved greatly and there is a contradiction with people, the reader knows that the protagonist's strength has improved, and it has improved a lot, but those supporting characters don't know, at this time, readers will be very much looking forward to it, the protagonist will break out and slap those people in the face, this is the difference in information, in fact, many fantasy texts will use this point, and then the manufacturing of cool points, to a large extent, is based on this."

"So, did the climactic foreshadowing start in the first few chapters?"

"Not only the first few chapters, you can see the actual situation, sometimes, a chapter can be foreshadowed, and sometimes it is laid a long, long time in advance."

"Anyway, in the fantasy market now, the best thing to use is the difference in the amount of information, which can be used to death, in layman's terms, that is, when those supporting characters feel that the protagonist only has the first level, the protagonist has reached the third layer, and a month later, when the supporting actors feel that the protagonist is still in the third layer, the protagonist has reached the fifth layer."

"How to bring the relationship between the protagonist and other supporting roles closer, because sometimes when you write an essay, you will occasionally make the kind of protagonist where the protagonist goes, and then you will involuntarily change another supporting role, although sometimes you will try to change it, but you will often make this type of mistake."

"It's really a matter of the size of your map. Look at how many levels your map is.,And then go and grasp it yourself.,There's a saying that says.,The protagonist's friends.,All of them are monsters.。 Things gather like things, the protagonist must be a monster, so the people he has the closest relationship with must not be ordinary. ”

"You can start by saying that they have a background, or according to their potential, or physique or something, in short, depending on how long you want these supporting characters to accompany the protagonist, and then set their background or talent. A good supporting role, some readers will also substitute. Yes, sometimes a supporting role is more attractive than the main character. ”

When Tang Zhu heard this, he suddenly sat up straight, he had already heard the concept of 'supporting role' twice in a row.

Sometimes, a simple sentence, or even an action, can set the atmosphere on fire - can you give a little example of this sentence?

This one...... I'll take a certain plot as an example. ”

"There is a plot in "Ten Thousand Dao Sword Venerable" that looks like this. The protagonist was previously organized by a killer and chased and killed in a desperate situation, and when he encountered an opportunity in that Jedi, he immediately launched revenge against the killer after his strength increased. ”

"At the beginning of the revenge, it was written that the protagonist was standing in front of the branch of the killer organization, the temple of the mountain, the top of the mountain, and then looking at the location of the killer organization, at this time, everyone knew that the protagonist was going to kill people, and he was going to slaughter all the killers in that branch."

The legendary old man, oh no, to paraphrase a new phrase, is a platinum 'author', and in about a hundred words, he wrote: The sky suddenly rained, and the rainstorm was the atmosphere, and the protagonist muttered, 'Since the sky is beautiful, then I will kill in this rainstorm!'" ’”

"The atmosphere was immediate. And this author should be said to be more ingenious, at the end of this chapter, I wrote a PS: Friendly reminder, the next chapter is called Rainstorm Attack! Needless to say, the reader's sense of anticipation is already in anticipation. ”

"Is the slap in the face to be quick and not drag the plot?"

"I believe you should have heard ruthless people say, the rhythm must be compact, what is called compact, that is, not procrastinating, you have strength during the day, and you will slap your face at night, this is the rhythm."

"Of course, if it's slow, that's a different story, but if it's a new book, I recommend that the pace at the beginning be faster."

"I'm also an author myself, and I write invincible essays, and I haven't told readers the upper limit of the protagonist's strength, what should I do at this time? The protagonist's realm is too large, will readers be disgusted? ”

"What is the upper limit of strength? Does it mean that the strength of the protagonist is, readers don't know?? If there is a good gold finger, or some good chance, why not improve a little bigger? ”

"You know, that's the protagonist, just like ordinary people, the ascension is so slow, that's the flow of mortals."

"Especially at the beginning of the new book, there is a good golden finger, and the strength must be improved quickly, then it is logical. If you have a gold finger, the strength is still so slow, or even not fast, then the gold finger is useful, but there is one point, that is, at the beginning, you can improve fast, but not fierce! ”

"For example, if your goal is to reach the ninth level from the first level in one or two months, then you can improve many times in this month, but you must not directly upgrade from the first level to the ninth level at one time.

"How about the protagonist in chapter 1 being beaten, the second male being killed in chapter 2, and the protagonist starting to take revenge in chapter 3?"

"The one who was killed was probably his brother and friend, who had a very good relationship with him. This is okay, but remember one thing, the protagonist can be beaten, but not too cowardly, of course, this kind of sac is not about his behavior, but in his bones, his character, must not be a nest. ”

"How to mobilize the reader's sense of expectation?"

"It's a deep question, it's hard to say, for example."

"For example, when the protagonist's strength reaches a certain level, a little person who doesn't know the height of the sky and the height of the earth pretends to be B in front of the protagonist, and in this situation, the little person will be slapped to death by the protagonist, but on the contrary, the protagonist is inconvenient to shoot for some special reasons, so I saw him as a clown jumping off the beam and ignored it."

"And at this time, the little man saw that the protagonist ignored him, thinking that the protagonist was afraid, so he kicked his nose in the face, and then the protagonist still kept holding back, so the contradiction intensified, you said that at this time, the reader will not think that this little person is particularly cheap, especially hope that when the protagonist can shoot, he will be killed by the way!"

"The Pov writing method of the great god will be to use the current character as the main perspective to avoid the plot confusion caused by frequent switching of main and supporting roles, is this okay?"

"If it's fantasy, I have to remind you that fantasy texts, including the current online texts, can only have one protagonist!! Put all the vision on the protagonist as much as possible. From the perspective of the protagonist, I have seen a lot of great god writings, two unrelated people fighting, and the protagonist analyzes and learns. ”

"This can be there, but it's not a field of vision switch, at least a little, it has nothing to do with the protagonist, or the fight scene where the protagonist is not present or something, try to be as fewer, or just bring it in one sentence, just say the result, the supporting role, after all, is a supporting role, unless it is a very important supporting role, you can write one occasionally, but you must not write more."

"Fantasy is not a small number of words, not many people read it? Does a newcomer need to survive in the early stage of writing fantasy? ”

"The late stage of fantasy is the most important! But in the early stage, as long as the book is good, you can also have results, first of all, you have to have a platform, don't just look at the number of words, look at the quality! Maintain consistent quality, or improve it slowly. Blindly chasing the word count, you will pounce very badly, unless you also have good results in the early stage, at this time you need the word count to fill your subscription. By the way, this 'subscription' is what was originally called 'plane origin', which is a very appropriate word. The newly established 'Starting Point' platform is very large, and it is also suitable for newcomers. 'A certain k' guild is also good. It seems that the fruits of the benefits left by the disintegration of the 'Plane Grandfather Guild' will be shared by many people. ”

"So, let's invite the next keynote speaker to come and analyze."

[This is a very chaotic time, and it is also a time to take chestnuts in the fire. 】

"Come on, brothers in front of the TV, listen to my brother's chatter. Let's talk about some common sense questions. ”

"1. The protagonist must appear within 300 words at the beginning. Why the main character appears at the beginning. We talked about the importance of plot before. A novel is nothing without a plot, so as the executor of the plot, the protagonist must appear early. That's why the protagonist must appear within 300 words. ”

"2. The first chapter of 3000 words must break out the first contradiction. Conflict is often the most attractive, why so many people like to gather around to watch the excitement, because those excitement can attract them. "Contradiction is the beginning of the plot and the most fascinating. So to start the first chapter of 3000 words, a contradiction must erupt. Without conflict, the whole plot will be too bland and boring. This is what is usually called too "light". ”

“3 . Within 3 chapters, the system of exercises, or the biggest selling point of the book, must be revealed. The system of exercises is part of the composition of this world, and can give the reader a general idea of what the world is made of. The biggest selling point is what you can throw out to attract readers, and what your book will always appear, so naturally it should appear early. I won't say much about the exercise system. Everybody knows what it probably is. The selling point can be a magical item or a significant feature that makes people remember. For example, the electric eel clone of the super electric eel clone, or the fusion ability in the super fusion. ”

"It's something that they showed up at the beginning, because the whole story is connected to it. So it has to be revealed within 3 chapters. ”

4. The first climax must break out within 30,000 words and resolve the first contradiction. The contradiction thrown out at 3000 words, after development, keeps exacerbating the degree of contradiction, and when it is resolved, it will be a climax, and this climax must be controlled within 3W. Why it must be within 3W. ”

“3W。 It's about 10 – 15 chapters. If more than thirty thousand. Without mentioning this contradiction, it is easy for readers to forget it. The second problem is that if the contradiction is held for too long, it may cause internal injuries. For example, in the first chapter, I was bullied, but I didn't solve this contradiction for a long time. Then this unpleasant feeling of being bullied will eventually explode and make readers feel that your writing is unpleasant! Or maybe you think that there is something wrong with the protagonist, and you obviously have the strength, but you don't want to take revenge! ”

"5. After solving the first contradiction, immediately open the plot, and expand at least 3 branches, skills, equipment, elixirs, adventures, and any choice. In real-life works, the protagonist's talent or profession is skill, and buying clothes and cars is equipment, don't think I'm just talking about fantasy. I don't need to say much about this.,The growth of the protagonist is inseparable from these things.,So after the first contradiction is resolved,,You can arrange the plot to get these.。 ”

"Here's just the current routine. It doesn't matter if your outline fits in or not. ”

6. The whole book pulls 3 major plots, and the first one is solved before and after 300,000 words. This kind of big plot, maybe you don't have a deep impression. But I'll give you an example, maybe you'll know it. ”

"The "X Year Covenant" is a big plot, because before the end of the X Year Covenant, a large number of plots can be filled in the period. So pull the whole book out of three big plots. Why settle the first big plot around 300,000? This is a consideration to attract and retain readers, and it is also the fact that the big plot takes so much time to develop. In fact, there is another reason, that is, generally speaking, if the text is okay, about 300,000 is almost the time to put it on the shelves. Tackling this big plot when it's on the shelves and forming a real big climax can help boost subscriptions. ”

"8. At each stage, you must see at least three different elements, the same skills, equipment, elixir, and adventures are optional, and the same plot must not happen continuously. Each section must grow, and these elements of growth are indispensable, but they cannot be repeated at the same time. The reason for this is as if you were going out for a big meal. Eat it fresh once, and you don't feel that way when you eat it continuously. ”

"9. After each climax, the protagonist gets at least 3 pieces of loot, one that can be used immediately, one that can't be used immediately, but it is related to the follow-up plot, and one that can be used to give favors or sell money for something. Hard work must be rewarded, and after the climax, there must be a harvest. A piece that is ready to use is to make the reader really feel it. ”

"It's worth it!" And one thing related to the later plot is also to let the reader feel the benefits of the protagonist's efforts in the subsequent plot. Fully embodied. "Hard work pays off!" Giving favors or selling money for things, one is interpersonal relationships, and the other is immediate interests, these are all things that everyone values on weekdays, and the protagonist is also a person, and he must have these things. ”

"10. There are at least 3 of the opposite sex around the protagonist, but not necessarily all of them are overthrown. Many people criticize stallions, so they often avoid writing about the opposite sex, or as soon as they write about the opposite sex, they immediately go to ambiguity, or push down the top. For example, the protagonist's mother, the old mother who grew up with the protagonist, this kind of character is actually very good if it is well shaped. But why not less than 3. No matter what the reason for this woman to get into the protagonist's side. Her arrival can trigger a plot, thereby expanding the amount of the plot. At least not there. The situation of "there is nothing to write about". ”

"11. Seven points of foreshadowing, three points of fighting. The development of contradictions actually relies on the foreshadowing of one plot after another to form the final sharp contradictions. Many times the development of the plot does not require fighting. So foreshadowing accounts for seven points, while fighting only accounts for three points. Because of the accumulation of contradictions, the climax is formed in the end, which is the foreshadowing of those who need it little by little. Of course, the foreshadowing here is actually the plot. ”

12. Similar passages cannot appear more than 3 times in the whole book. The reason why the dog blood bridge is called dog blood is because I want to vomit when I see others. Therefore, similar bridges cannot occur more than three times. For example, heroes save beauty...... It's acceptable to save once, save twice, but save three times... Could it be that the heroine is mentally retarded? Where is the danger to run, and every time you are caught or entangled by **X monsters. So that the reader instinctively resists and deducts impression points. ”

"13. In each chapter, there should be no more than 3 scenes. In fact, this problem is very serious, and I found that many people in the group have this problem. A scene, just say a few words, and then "snap" and move on to somewhere else. For example, there is one that I remember going like this. At first in the practice field. Then "brushed" and switched to a conference chamber. I said a few words to my father. "Brush" appeared in the back mountain... Quarrel with someone. Through someone who said that my sister was poisoned, I "brushed" and went to my sister's room. There is a plot for such an article. However, the frequent replacement of scenes leads to the whole text as if it were a movie and TV switching lenses, flashing by. ”

"It's okay for film and television to do this, because you can see what's going on. And novels can't do it, because novels need a sense of substitution, and they need to form a picture and a scene in people's minds, so that others can bring it in. ”

"You switch between "brushing", "brushing" and "brushing". The picture that has just been formed, before you have time to bring it in or feel it, is suddenly destroyed by yourself. Therefore, a chapter scene cannot be changed more than 3 times. A documentary work called "The Strongest Grandfather in the Plane" often makes this mistake, and I hope that all brothers who are interested in the grandfather industry will take warning. ”

14. In each chapter, the dialogue content is 3 percent, the plot narration is 3 percent, and the description is 3 percent. Dialogue is something that reveals important information, guides the plot, and makes the plot roll. Plot narration is a necessary explanation of the plot, so that the reader has a general idea of the plot. Description is a necessary thing for readers to form a sense of picture, to make readers feel good, in addition to the plot, the necessary description is very necessary! ”

15. In each chapter, the narration and your so-called "connotation" are strictly forbidden to exceed 300 words. Something that has nothing to do with the plot, try not to occupy the article on a large scale. In fact, the connotation can be expressed through the plot and the protagonist's perception thoughts, if you want to explain it separately, then don't occupy the space of the article. ”

16. In each chapter, it is strictly forbidden to exceed 300 words for the protagonist to eat and sleep and other content that is not related to the theme. Things that have nothing to do with the theme, in fact, to put it bluntly, things that have nothing to do with the plot are just a sentence. The most important thing for this kind of thing is to put it in the plot when it is excessive and cohesive, or when the scene is in the country, it naturally makes the plot excessive. For example, "A few roommates in the dormitory went to the restaurant for a casual rub and then went to the court." "This makes the transition from the dormitory to the stadium smooth. It's just that this transition has nothing to do with the plot, so one sentence is fine, and the whole is not allowed to exceed 300 and don't occupy the length of the plot. ”

"17. It is strictly forbidden to use more than three perspectives at the same time to depict. A piece of text should form a sense of picture, just like a TV set, and if your TV picture is always switching back and forth, it will feel dazzling. It's the same with perspectives. Always change the perspective, all at once the perspective of the protagonist, all at once the perspective of the supporting roles, all at once the perspective of cannon fodder, all at once the perspective of the masses. Dazzling and at a loss, in the end, unable to form a sense of picture, brought in failure. Unable to produce a sense of substitution, the light plot tastes the same as chewing wax. The emphasis is on the entire high-fashion property. ”

"18. It is strictly forbidden for the protagonist to play soy sauce for more than 3,000 words. The protagonist plays soy sauce, which means that the protagonist does not participate in the plot. The whole plot is gorgeous, full of supporting characters and other cadres, waiting for people to wriggle around there. Remember that the protagonist is the executor and guide of the plot. If the executor is not there, the plot has nothing to do with the protagonist, and the plot that has nothing to do with the protagonist has nothing to do with the theme. Appropriate needs to explain certain things, the protagonist can play soy sauce a little, but it can't exceed 3000. ”

"19. In each chapter, there should be no more than 3 main characters involved in the plot (who can trigger the subsequent plot). The space of each chapter is limited, and it is impossible to get a large number of characters out to steal the scene. So what to write in detail is the main characters involved in the plot. Too much will create too few characters, and it will not be able to leave an impression on the reader. Especially at the beginning. There can't be many characters, because the most important protagonist must appear on the stage, and no one can take away his role, so as to create a bad protagonist. It's not terrible if the supporting characters are not well portrayed, it's a big deal to throw them away, or treat them coldly, but if the protagonist is not well portrayed, the book will be in jeopardy. ”

"20. It is strictly forbidden to fight throughout the whole chapter for 3 consecutive chapters. There is not much plot in the whole fight, and even if there is a plot, it takes up very little. Fighting is about a sense of tension, too long of excitement will make people feel tired, too much tension is not good, relaxation is the king. ”

"Well, these are some of the questions I have summed up based on my own experience. There's a lot more to be said below. ”

"The composition of a book, there are ten lines, the main line and the other nine lines. As long as you use the nine lines, no matter how you write, whether you write B or write, you can't get out of this frame, so it won't cause nonsense and wordiness, because each copy is a scaffold. ”

"The nine lines have been mentioned many times, and now I will once again list the nine lines."

"The composition of the nine lines, the first line "wisdom character", the second line "supporting role cannon fodder", the third line "skills", the fourth line "partners", the fifth line "equipment", the sixth line "adventure", the seventh line "life experience", the eighth line "forces", the ninth line "harem" If you want a book to be perfect and the plot is moving, then the nine major lines are essential, which must be reasonably used and arranged The nine lines can make your thinking smooth and the plot vivid and exciting. ”

"In fact, no matter how you write a book, you are already using the nine lines when you don't think about it, but at that time you are in ignorance, and you will not reasonably arrange the nine lines to make your plot colorful."

"For example, if you have an idea, and this idea is still very novel, but because you can't use the nine lines reasonably, you just blindly write according to the idea in your heart, and write where it counts, which is a common mistake made by newcomers."

"Now let's use an upgraded main line to make the theme, so how to set the plot to get a streamlined effect?"

"At the beginning, you should briefly introduce the background, and there is the main character, remember to introduce it simply."

"Don't introduce the protagonist and background too much, it's better to mention it in one stroke, and then let the protagonist directly execute the plot."

"What plot is to be executed? This is going to pull out a line from the nine lines, and the starting point is generally the harem line, life experience line, skill line, and equipment line are the most popular. ”

"But here's a reminder, be sure to pull the line you are most familiar with, and don't pull the line you are not good at to start."

"So I'll talk about the opening now."

"Plot setting: The protagonist was originally a waste young master of a certain family, and he accidentally got something and obtained the inheritance of the exercises in this thing."

"In this sentence, it includes, the life experience line, the equipment line, the skill line, and the three lines are in it. Although it is old-fashioned, you don't have to set it this way, as for how to set it up depends on your own preferences, but it is best to choose a line that you are familiar with. ”

"The above sentence can actually write a three-chapter opening, mainly depends on your own pen strength, and you can write 30,000 words with good pen power."

"Where is just the use of three of the nine lines, in fact, in order to enrich the plot, you can add supporting character lines, after all, the protagonist has just been inherited, and it takes a stepping stone to get rid of the name of waste, which is up to you to arrange."

"The first chapter can briefly introduce the surrounding environment and the protagonist, and the supporting characters can be interspersed in the middle to enrich the plot. This supporting role must have a conflict with the protagonist, and only when there is a contradiction can there be a conflict, in order to bury the pit, and to create a small climax within the 3W word. ”

"Chapter 2 allows the protagonist to obtain equipment, stimulates the protagonist's strong heart, and gives the protagonist the motivation to cultivate and the passion to get rid of the name of waste. The third chapter can introduce that this is the inheritance of so-and-so.,Make a legend.,And then let the protagonist show it.,How to show this is very simple.,Competition.,Family trials are up to you.。 ”

"Again, it's best to lay the groundwork in the first three chapters, otherwise if you don't show it if you get the inheritance, how can you reflect the power of the exercises, and how can you show that the protagonist is not a waste. The adventure line is the copy line, and each copy belongs to an independent adventure line, and newcomers recommend that it is best not to use a penetrating adventure line, which is not easy to control. The nine lines originally revolved around the main line, such as the main line of upgrades, you have to create upgrade conditions! ”

"It's tedious to have a single upgrade, right? So how do you enrich this upgrade process? One is to open an adventure line, that is, a copy, but a single copy line is just a map, for example, the protagonist arrives somewhere, here is the map of the adventure line, then you have to continue to pull out a line, otherwise the adventure alone will not give benefits, the protagonist is not a fool, the reader is not a fool, who will do something that is not beneficial, unless it is chased and hidden. ”

"So what are the lines to be pulled here? I recommend pulling the equipment line, the skill line. But this is just my suggestion, of course, you still have to pull the line you are good at, and those who are not good at it will write nondescript! Repeating a few lines will not be monotonous! It's mainly the plot, and the nine lines just help you straighten out your thoughts better! In fact, until the end of the book, it is actually a nine-line back and forth, otherwise it will not be repeatedly reminded to choose the line you are familiar with! ”

"After listening to the lecture for a few days, there are probably many people who are ready to enter the industry, right? Don't be in a hurry, listen to a few more words. ”

"Entry point 1: Pen names need to be cautious,...... Ever since the skeletal elves became popular, gaining weight has become my eternal goal. ”

"Entry rule 2: write a little bit every day, 3,000 words is not too little, 6,000 is passable, 10,000 is not much, 20,000 laughs, develop the habit of code words, and set a bottom line for yourself that must be completed."

"Entry point 3: personal advice, first try, first write what you like, then write popular, interest and love can often burst out of incredible strength and persistence, you like, you are moved, readers are likely to like to move, that is, only if you write correctly, you can write expensive."

"Entry point 4: At the beginning, there are often two situations in which code words are encountered, one is that there is a blank in front of the keyboard in my mind, and the other is that I suddenly feel that the follow-up plot is numb and boring and lacks interest. Playing games, walking, etc. is definitely not a solution. ”

"This is to pass the psychological level, personal advice, stay up and write, don't find a reason, don't stop, don't get entangled in the content, as long as you boil out the feeling, the sea and the sky, it is said, "sit" to live before you become a family. ”

"Entering the industry 5: outline questions, whether you need an outline varies from person to person, in general, it is okay to make an outline at the beginning, the outline is not easy to be too long, just for reference, otherwise it will limit the way of thinking, generally an outline layout of 100,000 words is almost, personal experience, remember the "point" not the "box", record the good ideas and plot, even if it is a sentence, in order to connect the whole book, write interesting, look comfortable. ”

"Rule 6: Be confident, don't be conceited. Self-confidence can persevere, and conceit will kill success in the cradle. Avoid two situations, suffer from gains and losses and become a god, in fact, new and old authors, should hold a calm mentality, people only do not lose balance, in order to give full play to their strength, the so-called "miracle" often appears inadvertently, in other words, do your best to obey the destiny of God, but I believe that those who work hard, God will see! ”

"Rule 7: Find the feeling of burning, that is, let your words move you first, which can bring great confidence and persistence. The so-called burning is commonly known as the climax and moving, there are many methods, briefly say one, "three thousand" atmosphere, one palm to death, as many angles as possible, don't be stingy with pen and ink, hang your appetite, and finally use the rough and direct "one palm flow", countless classic comics, hero movies, novels are customary routines. ”

"Principle 8: Subjectivity determines speed. Pick an hour, just an hour, and only think about your own book, basically it is not a problem to increase the speed by a thousand words per hour, and because of the full dedication, the plot will often be more exciting. The personal experience of the legendary old grandfather Skull is also like this, it is rumored that when he first started writing about the Raptors, he couldn't sit still, and it was easy to get distracted, and when he was distracted, he slapped himself in the face, and used the speed from more than 1,000 to more than 3,000 per hour for a week. ——Improve efficiency and change life. ”

"Entry point 9: a kind of start. The humorous and relaxed atmosphere is easy to create the desire to watch (20,000 words), the humor is suppressed, forming a foreshadowing before the outbreak (20,000 words), and the first outbreak is greeted within 60,000 words as much as possible. ”

"Principle 10: Talking about supporting roles. Write the supporting role as the protagonist, don't be stingy with pen and ink, and take care of it carefully. This is the case with the Ming people in "The Holy Church", the "clear apple fragrance" in "Raptors Crossing the River", did not give in until death. This will not cover up the brilliance of the protagonist, because only with them can the protagonist be reflected, just like the foolish Lu brother in the Youyou White Book, the bad and the bad are loved, without Zhou Yu, Zhuge Liang is still Zhuge Liang. ”

"Principle 11: The subjective solution to the climax. When you write about a place, you must explode but become a water army, but you can try to improve your emotional value, it is recommended to watch some more enthusiastic movies and books immediately (preferably if you have seen them), add a cup of coffee as a catalyst, turn off the movie or book immediately when the content enters the climax, enter the code word state, and try to use this excitement in the world you have structured, at this time the inspiration is often the most surging. ”

"Entering the industry is 12, talking about innovation and conservatism. The framework should be conservative and the content should be innovative. The existing framework of the subject matter has been tempered and can be understood at a glance, such as magic, which does not need to be explained, and if it is a new framework, it needs to spend a large paragraph of text to explain the structure, which is often thankless; The content and rhythm can be ever-changing, everyone has their own experience and entry point, the same world, different wonderful. ”

"Entry Essentials 13 . Thailand is embarrassed. Control the desire to express excitement, what must be created, what must be promoted, what must be achieved, this kind of strong will often backfire and affect the judgment, the same is true for code words, in fact, it is to calm down and tell a story. ""Entry rules 14 . There are flowers that can be folded, and it is even more important to wait. How to create an ambiguous desire, first of all, there must be "flowers", not nymphomaniac, in this regard, the male protagonist must not open the halo of the king, to produce sparks through the "collision" of the male and female protagonists, the more delicate and wonderful the collision process, the fuller the characters, and the expectation and desire value will increase linearly, and then in this case, wait for the first class, like stir-frying and stewing, the taste is enough. ”

"Entry rules 15 . About the title of the book. From the feeling, there will be a few names or directions before starting to write, tentatively settle, and then after writing 60,000 words, look at it again, and determine the name, first of all, you must like it before you can love. From the market, electronics, mobile phones, simplified, traditional, etc., there are certain differences in the requirements for the name, generally speaking, in the case of taking into account, two words, four words, three words, more appropriate, for a single market, then another. ”

"Entry rules 16 . In terms of basic settings: the current trend is mainly Chinese-style personal names, or natural mixing, and the pattern is also biased towards Chinese-style, which is suitable for full copyright, and pure Western-style is not recommended. ”

"Entry rules 17 . Talking about the sense of picture, in fact, there is a sense of substitution, which is manifested as a very ordinary bridge, and it will look very comfortable. New authors, try the feeling of having a movie in your mind, this is an attempt to fight against the running account, you will form instinct when you get used to it, and then derive it will naturally produce a climactic explosion, which is said to be the cornerstone of wonderful. ”

"Principle 18: Fiction and reality are the most real."

"When making a fantasy setting, half-truths and half-truths are king, and the truth will be lengthy and cumbersome to limit itself, and the false will lack a sense of substitution, and the history of the sky is invincible, and the true and false are integrated, so the sense of substitution is very strong, and the half-truth and half-truth are the most real."

"Principle 19: Small details first and then big scenes. This is a technique to enhance the sense of substitution, which can be extended to the climax of writing, the big scene has an impact, but the small details are more memorable, and then break out after leaving an impression, the small details will be superimposed into the big scene, which has a boosting effect, and it is said that the storm is not as good as moisturizing things silently. ”

"It seems relatively easy to become a plane master who relies on his strength to break through the heavens and all worlds. Becoming a word-based 'writer' seems easy on the surface, but it is really difficult to act, because if you want to achieve something great in the creative field, and if you want to improve your writing to the extreme, the first thing you need is confidence. ”

"You have to have a strong faith that will not give up in order to step into this creative kingdom in a solid way. In the face of a sea of great classics, it is indeed a daunting challenge to create classics that can stand out. ”

"Growing your confidence is just the first step."

"The skill of writing, using the clearest and most powerful way to speak clearly, to present one's own thoughts."

"Write crisp and concise articles. A painting should not have redundant lines, and a machine should not have redundant parts. In the same way, there should be no redundant words in a sentence, and there should be no redundant sentences in a paragraph. This is not to say that all sentences should be short, or that all details should be avoided, or that themes should be outlined, but that every word must be used. ”

"A common mistake made by beginner authors:

1 . Too much use of adjectives and adverbs.

2 . Banal metaphors.

3 . Dramatic banality or confusing dialogue.

4 . The characters are not in-depth, and the scenes are set up to be boring.

5 . Unbalanced pacing and a lack of plot advancement.

Your essay may be unerring in terms of writing technique, but unsatisfactory in terms of pacing, which is one of the criteria that distinguishes an ordinary work from a work of art. ”

"We've all come across unpleasant-sounding sentences, which are most common in ledger-style writing. Technically, it was correct, but it sounded wrong. The initial reason is that the sentence is not well structured and the sentence is fragmented, which is the most basic grammatical error. ”

"Problem manifestations:1 . Poor sentence structure.

A semicolon should be used to connect two sentences or meanings that are different but closely related.

When you want to add a point unambiguously, you should use a colon. ”

"Dashes, you can use dashes to indicate that when a sentence is written, a new idea has arisen in your head; Dashes are often used in pairs to insert a caption in the middle of a sentence, or to digress. ”

"A hyphen mark is a symbol that connects several words."

"Parentheses serve much the same purpose as double dashes; The difference is that parentheses are more formal. ”

"Repetition, repetition is most common in three forms:1 . The name of the character. 2 . Pronouns he/she. 3 . Obscure words. ”

Alliteration refers to the repetition of the first letter of the previous word by the first letter of the following word. Either there are no other words in between, or it is repeated after a few words, and if used too much, alliteration may make the manuscript sound like a children's book. ”

"When using metaphors, you tell the reader to pause and focus their eyes on a concept. If your analogy is inappropriate, the inaccuracy of the parable will be magnified many times over. Bad or clichéd metaphors are quite glaring on paper, and they either show that the metaphor is inaccurate or that the writer relies on the search for the right visuals, both of which the writer should try to avoid in his writing.

Method: Determine whether the metaphor is used and whether the metaphor is not conventional, and then check whether the metaphor is in line with the idea and whether the reader can accurately capture the idea. ”

"As an author, you have to first train your thinking skills to be precise and relevant. In terms of preliminary distinctions, it is necessary to further subdivide them, and try to be as concrete as possible. Don't stop thinking until you capture the right words. Describe the crucial details of the plot, and all the meaningful details are accurately and vividly described. In this way, the reader can immerse himself in the situation described by the author with his imagination. ”

"If you are a serious writer, you must develop the habit of actively learning vocabulary, perseverance, and never stop."

"Method:1 . Buy a box of 500 or 1,000 search cards with entries printed on them and definitions on the back. If you can't find this kind of card, you can buy a blank one, write an entry on the front, and a definition on the back. Don't learn more than five words in a day, otherwise you won't be able to remember even one of them. 2 . From now on, when you come across a new word you don't know while reading, mark it, make a search card, look it up in the dictionary, and put the card in your vocabulary treasure chest. 3 . From now on, whenever I talk to someone, if I encounter a new word I don't know, I should interrupt the other person's flower head and ask him about the meaning of the word. ”

"The surest way to capture and capture the reader's attention is to speak clearly, affirmatively, and concretely." ”

"Stylistic style. Simple, mysterious, cozy, realistic, ruthless. ”

"The ultimate determinant of stylistic style is the author's personality, not the author's knowledge."

"Stylistic bias: 1 . The style is too old-fashioned2 . Too fancy3 . Excessive worship of minimalism 4 . Over-pedanticization 5 . Excessive abridgement or excessive procrastination. ”

"Judgment:1 . The work feels a little reluctant or exaggerated, and the style and theme don't seem to match.

2 . The text seems to have little to do with the plot or task of the story, but the author cares about the text itself, as if the entire manuscript is just a model for the author to show off his skills.

3 . The text is too eye-catching, hindering the author from reading and even preventing the reader from paying attention to the story.

4 . Cumbersome and long. Time and ideas are constantly repeated, with only minor differences from each other.

5 . I can't get rid of the feeling that as a reader you are being taken advantage of, and that he is clearly not writing for you, but for the author himself. ”

"Solution:1 . Ask yourself if your style of writing is really appropriate for the story. The style should complement the story, not contradict each other. 2 . If you didn't write the story on paper, but told it out loud to your friends, how would your question style change? Your narrative may be more casual and straightforward. Can these changes be included to help soften your style and make it less urbane? ”

"If the sentences are too long, make them shorter, break them down into short sentences, and connect them with semicolons and dashes."

"If the sentence is too short, stretch the sentence, merge the sentence, and use semicolons and dashes."

"If your style is stale, remove the awkward places, the wrong eras, the technical flaunting (e.g., double negation), and inject something more modern (sentence breaks, abbreviations, personalized narratives) in order to dilute and offset the negative effects of these mistakes."

"If your style is too fancy, you have to make it more plain and straightforward."

"If your style is too streamlined, you need to add more embellishment, use more metaphors, use more descriptions, and bring more texture to the text."

"Pedantic style. 1 . Like Argumentative Essay 2 . Go around in circles on the text 3 . The first consideration is accuracy and completeness. ”

"Simplicity, conciseness, clarity, and sincerity are the ways to learn style,—— to practice a good style, don't be pretentious at the beginning - don't show yourself too much. Careful and unpretentious authors don't have to worry about stylistic issues. ”

"Character dialogue

The dialogue section often reflects the sensitivity of the author. ”

"Question:1 . Identifiers (also belonging)2 . In an immediate dialogue, the dialogue must be broken up and expanded, using not only identifiers, but also pauses, spacing symbols, and stage directions, otherwise the narrative pace will skyrocket. 3 . On the relatively minor side, you find that the dialogue is supposed to be fluid, but is interrupted by long descriptions or a succession of short identifiers and modifiers. 4 . Conversations of characters quoted by journalists. When journalists want to innovate the field as big as fiction, they often invoke the dialogue of the news characters instead of having the characters say everything in a complete scene, and as a result, this dialogue often gives the novel a sense of factuality and faithful reporting. ”

"Solution:1 . The identifier should function as an identifier in its own right, i.e., let the reader know who the speaker is, and try to tell the reader as quietly as possible. The identifier itself should not distract or confuse the reader. When a character first speaks, you should call him by his first name, but later you can simply use him instead. If there are a lot of people talking, you may need to keep calling them by name. But when possible, it's best to simply call him by pronouns. The constant use of appointments will gradually feel verbose, and as a result, the reader will not be able to listen to it. The use of "he" over and over can also be tiresome. To avoid this problem, the author simply does not use any salutation as soon as it is possible. There are often several prerequisites for this situation, one is that there are very few people present to speak, but the reader knows very well who is speaking. ”

"In a conversation, it's important not to let the paraphrase interrupt the conversation at will, but to place it where the utterance naturally pauses. That is, where the speaker wants to emphasize or pause. ”

"You don't always have to say that, 1 . You can replace it with a verb such as shouting, shouting, whispering, moaning, sighing, etc.2 . It is also possible to describe the state of the character when he speaks, for example: he speaks, his eyes squint, or, as he speaks, his voice contains sarcastic emphasis3. You can even go on to describe the accompanying actions of the characters. ”

"The dialogue itself is dramatic, and many writers have this tool in order to make a scene flow. As a result, many authors will talk endlessly once they start a conversation, and it will be difficult to stop the conversation, as if they feel the need to say enough at once. You must learn to estimate how much the dialogue part will affect the tempo, and you must use gasps, pauses, movements, etc., to adjust the dialogue. While slowing down the pace to give the reader time to digest and absorb. Therefore, we must learn to exercise restraint, to know the truth that words are like gold, and to learn how to extend a scene for several pages with just a few words. ”

"The words of the characters in literature are not to highlight the author's own point of view, but to give the characters their own voices. The characters speak not exclusively for the author to quote, but to express the character's position. ”

Cliché conversations.

The clichéd dialogue reflects the dullness of the author's sensibility. The author has always been in the spotlight, and he should not have written in it what is not absolutely necessary in the book. Such authors don't realize how powerful a dialogue is and how economical it should be.

Reasons for clichéd dialogue:1 . They felt that the realism of the scene needed to be heightened in order to depict the ins and outs of the scene. They had all the pleasantries and just the right amount of politeness in mind, so they felt compelled to interject into the conversation. 2 . The dialogue itself is dramatic, sometimes the writer needs to "get himself excited" to get into a scene, and sometimes they use clichés, everyday conversations to help themselves. 3 . The author's sensitivity, which is too mediocre and sluggish, reinvents the dialogue he has seen or heard from other books or movies into his own manuscript, rather than his own original dialogue. The primary purpose of this type of author is often to tell the story to others, that is, to tell his "climactic conceptualized plot". He believes that as long as his plot is exciting, everything else "filling" doesn't matter.

Solution:1 . The urgent need for "realism" is the most common, and the author must completely block out this idea

2 . Of all the many reasons you might use cliché dialogue, one of the best is to use it as a tool to push (or fade out) the storyline into (or out of) a scene, which is easy to do

3 . If the manuscript is full of everyday conversations from beginning to end, then this kind of thing is the most difficult to fix. This type of writer is usually clean-oriented, and he must realize that no matter how "clever" his plot is, if the path through the period is different, no one will want to embark on this journey for a long time. He had to recognize that in terms of writing, the journey itself was the destination.

Solution:1 . Train your ears

2 . If you look back at the dialogue you've written, you'll realize that there are scenes that need to be cut because they're hopeless.

Leaking the dialogue of the heavenly machine.

There are many ways to "fake" conversations.

One of the most common is informative or informational dialogue, which is used as an informative tool to supplement the reader with facts that are missing from the storyline, and it can provide the reader with information that the author cannot reveal through other channels, but this is very costly. This kind of dialogue is neither motivated by the hope, need, or desire of the task, nor by the need for interpersonal communication, but is actually a dialogue imposed by the author on the characters.

If you use dialogue to convey information, you will not be able to penetrate into the heart of the task, you will not be able to know what kind of person they are, you will not be able to write about the growth process of interesting character dynamics, and you will not be able to let the characters play on their own. In terms of effect, you'll hinder the spontaneous growth of the quest and prevent the story from unfolding in unexpected reversals, which will catch you off guard and be overwhelmed.

Informative dialogue is most frequently seen in "high-end" novels, where the author forges his or her ideas so much that he never stops to consider the wishes and needs of the task itself. This kind of dialogue is used to reveal the current or future plot to the reader, but most often it is to reveal the "behind-the-scenes story" to the reader, telling the story of what has already happened.

Solution : 1 . Examine your own dialogue and ask yourself honestly if the dialogue is a natural (or real) result of interaction between characters, or whether the purpose of using dialogue is simply to convey information. If it's the latter, remember to write down the message you're trying to convey, and then you can think about how you can insert the message into it in other ways, as long as you don't let the conversation fall prey to fearlessness.

2 . Take a look at the locked conversation and classify it: do you use it to convey the behind-the-scenes story, or is it the event that was unfolding back then, whether it is for the sake of storytelling rather than for presentation, and whether it is out of the need for you to control the end result of the scene.

3 . The most common glitch is the dialogue used to tell a behind-the-scenes story. The solution lies in following the rule that dialogue between characters should be used to tell about serious or important events that both parties to the conversation know, i.e., one character should never remind the other of something.

4 . If the conversation is meant to convey what's happening in front of you, then follow this rule: don't talk about what's happening right now, show it. For example, don't let a character run into the room and publicly announce: My head is bleeding, instead, just express it in terms of the character's reaction.

5 . Joining an informative conversation is based on the author's need to tell rather than to show, and the solution is similar to the one above.

6 . If you join an informative dialogue because you have a desire to control the story, ask yourself the question: Can you relinquish control of the scene? All you have to do is let go of your grip for a moment and let the characters jump out of the palm of your hand and let them take control. Maybe you're the creator of the character, but now you have to think of the character as a creation of the character itself, find out what they care about, find out what they really want to communicate with each other.

Farcical dialogues

The second most common type of imposter dialogue is the one with exaggerated feelings.

Every work has its moments, and the reader doesn't necessarily want to listen to an unrelated conversation, so dramatic dialogue does have its own value. But the conversation must be used sparingly, the trick must be small each time, and the right time to use it must be chosen. But if dramatic dialogue is everywhere in your manuscript, it's like a wolf shouting, and it won't be long before the reader won't believe you when the real dramatic moment comes.

Climactic drama can be expressed in ways other than dialogue, just as information can be conveyed in other ways.

Capturing dramatic moments, success or failure, the author who uses farce is also on the path to becoming an artist.

Solution:1 . The first step is to identify where your dialogue has an exaggerated slapstick style.

2 . The second question is whether there are any obvious dramatic moments inside each conversation. In other words, there are no ups and downs in the arc, and there are no sharp contrasts.

3 . Finally, look at a few of your dialogues, and whether there is an arc of development in these dialogue fragments as a whole.

4 . Another way to find a slapstick dialogue is to find the key moments in the plot that take a dramatic turn and figure out the dialogue in that context. If you lack a dramatic reversal, would you remedy the dialogue with something like drama? In fact, in the most dramatic moments, you can use clichéd dialogue, and in fact, sharp contrasts can make for surprises.

Use techniques other than dialogue to express drama.

1 . Practice using silence to tell a dramatic event. For example, create moments of silence between characters' speeches, and don't deliberately hide the clumsiness and tension caused by the lack of dialogue. The effect of silence is often more pronounced than the effect of talking endlessly.

2 . Practice understatement. If you use extremely dramatic words to elevate the climax, if he has to speak, he should say less, even irony or sarcasm. The key is to use the contrasts created by the stark contrasts to tone down the tone of the conversation to enhance the exciting climax of the drama.

3 . Replace dramatic dialogue with dramatic action.

Cryptic conversations. i.e. incomprehensible conversations.

Causes:1 . The author wanted to capture a certain kind of gaze or nasal tone in the characters' dialogue.

2 . The more straightforward problem is that identifiers are not applied. Many authors don't stop to let the reader know who exactly is speaking.

3 . Afraid of his sexual dialogue. This kind of dialogue excludes the reader, and the conversation between the two is confusing and confusing to figure out the ins and outs. It may be that too much is omitted and a lot of passwords or passwords are used.