Tang Zhu put down his pen, sorted out the manuscript, and went back to the class again. Pen & Fun & Pavilion www.biquge.info

[Nowadays, I have listened to a lot of courses, but the various methods are not yet mature. If you want to translate the actual combat routines into words, there is still a long way to go...]

[Now that eight days have passed since the one-month period, I have a lot of information about "Camel Xiangzi of the Republic of China" in my hand, but I have written many beginnings, and I am still not satisfied. It is really difficult to complete at least 600,000 words of creation in 20 days, and at least 40,000 words are updated every day. 】

[I have long sensed that the 'Origin World' is a big cake full of profits, but with my current level, how can I participate in it? 】

"Okay, everyone's here. Then the lecture will start now, and the homework will be handed in after class. Remember not to forget your own novel, did you write it? If the number of words is less than 600,000 words, it will be considered as automatic waiver! ”

"Well, many new authors, that is, you scumbags, will always encounter such and such problems when writing novels, sometimes when you see the novels you write, you feel that they are not interesting at all, and the climax of the writing is also very unpleasant to read."

"If you want the content of the text to have twists and turns, ups and downs, and if you want to write a climax, contradictions and conflicts must appear, so let me share with you some of my experiences related to how to create contradictions and conflicts in novels."

“1 . Through the characters in the novel, to create contradictions.

To create contradictions and conflicts through characters, this is actually very simple, you can according to some of the characters around the protagonist, such as the most important person for the protagonist - the heroine.

The heroine is generally a beautiful woman with a good appearance and temperament, such a beauty, in anyone's side, it is inevitable that some shameless people will be prying eyes, so these negative characters are bound to find ways to get our heroine in their hands, so that they can kiss Fangze.

But as the protagonist, the most core character in the novel, how can he endure his woman being taken advantage of by others, so at this time, the protagonist has to contradict those villains anyway, and then the contradiction and conflict will come out, and Wenwen will become interesting, the protagonist is a successful counterattack, and those shameless people are all over the place? Or is it invincible to the other party and desperately escapes with the heroine? At this time, not only the contradictions and conflicts come out, but also the suspense.

Ditto, not only through the heroine to create conflicts, but also for some important characters of the protagonist, such as the protagonist's brother, the protagonist's relatives, brothers and sisters, parents, etc., or people who are kind to the protagonist, it is completely possible to create contradictions and conflicts through them, with so many characters can create contradictions and conflicts, why worry Wenwen is not interesting. There's nothing to see.

2 . Create conflicts through the protagonist's family, region, and even heaven and earth.

For the protagonist, the family he was born into, the region, and even the world where the protagonist lives, these factors must be maintained by the protagonist in every possible way, just like we want to protect our family and defend the country, and protect our motherland.

So, since these factors are what the protagonist wants to protect, it is clear that if you want to create conflicts, then set up some elements that are contrary to the factors that the protagonist wants to protect.

For example, if the protagonist guards the family, then set up some other powerful families to destroy the protagonist's family, and conflicts will naturally arise at this time; The protagonist guards this area, so write that soldiers from other regions come here to invade and want to take away the home where the protagonist was born; The protagonist has grown up and become very powerful, and when he wants to protect this side of the world, he will set up people from other worlds or planes to invade and occupy, and at this time, contradictions and conflicts will naturally arise. The highlights and suspense of the text are also generated.

3 . Create conflicts through the race of the protagonist.

This is relatively easy to understand.,For example, there are some fantasy cultivation type texts.,There was such a setting in the text.,The protagonist is a member of the Huaxia clan.,But those vampires in the West.,People from the blood clan come to China and want to invade and suck blood.,Want to convert all the people of China into blood slaves.,Good and evil aside.,Because of the race,,The protagonist is bound to swear to the death.,Kill all the predators of these foreign races.。

This is the reason for the race, and if it is not my race, its heart will be different. This statement is not without reason. Combined with the forms of modern society, it is already clear.

4 . Through the opposition of good and evil, good and evil.

None of the protagonists are the evil side, and they have always played the evil ones like this, just like in the real world, fighting thieves, robbers, murderers, terrorists, etc.

Even if some of the things that the protagonist does seem evil, the author must find a reasonable reason for the protagonist to explain the protagonist's behavior, and the reason why the protagonist does those things, whether it is because of the sinister nature of the rivers and lakes or because of the misdeeds of people's hearts.

Therefore, since the protagonist is born to represent the good side, no matter which villain he encounters, that is, the evil force, because of the sense of justice and kindness, the protagonist is bound to fight the arrogant flames of those people and rescue the good people who live under the jurisdiction of the evil forces.

Justice and evil are themselves a contradiction.

5 . Through the protagonist's own needs.

In the novel, the protagonist's needs for his own strength, for example, the protagonist was hunted down and killed, and he was hit hard, and directly robbed the healing elixir that those who bullied men and women after the auction. ”

"In this case, because of the protagonist's needs, you have to directly snatch other people's medicine to heal, because if the protagonist doesn't snatch it, the protagonist will die, and if the protagonist writes death, then, congratulations, your novel can be successfully declared over."

Qin Kai paused for a moment and continued.

"Recently, the 'Starting Point' guild has established many new online text upload sites, as well as channel laying. Authors with grades can get a large amount of plane origin as manuscript fees. I'm sure you're ready to move, right? ”

"Don't move so fast, there are many rules here!"

Qin Kai turned on the TV in the class, and it was an interview with the staff of the 'Starting Point' guild. This person calls himself an editor, which means "marshalling the universe and examining the world". In his hands, he has a large number of distribution channels related to the origin of the plane, which must be taken seriously!

Everyone in the class sat up straight.

A white-haired young man is talking to the host on a TV screen.

"You don't have to look at it, I'm just going to show you what he looks like. The interview has been sent to you, so read it for yourself. ”

Tang Zhu took the manuscript and looked at the dense handwriting on it, and his scalp was numb.

"About the testimonial:

-- Q: When do I have a referral? ”

A: When the author completes the contract, the authorization status is changed to A.

Under the premise of stable update of the author, we will have a special person to arrange the recommendation according to the author's results. There will be 1 recommendation for new books unconditionally, but more after that, it depends on the author's update and the performance of the first 1 recommendation! ”

-- How do I update the recommendation on it?

A: It is recommended to update two to three times a day, 4k words to 6k words. If it is recommended better, three changes a day. The update time is as wide as possible, try to focus on it between 8 am and 11 pm, and if you rush the list on weekends, you can update a chapter regularly around 12:10.

If time is tight, make sure to update it every day, and constantly is the bottom line.

As an additional reminder, relatively speaking, there is an update (two more) before there is a recommendation, rather than waiting for a recommendation to update.

-- What standards do you want to push?

Answer: The number of strong pushes is fixed every week, and in addition to the work itself, it is also necessary to stand out in the new books in the same period. You don't need to run fast, you just run faster than others. Basically, the same is true for recommendations.

There are always authors who ask what data to achieve, and there is no solution to this question, in other words, if you are better than the data of the same type of books in the same period, you have a better chance.

In addition, there are a total of five editing groups on the main site, and the recommended resources in each group are the same, but the specific situation in the group is different, for example, other groups, there may only be 5 histories in this issue, but our group may have 10 books.

So, please don't substitute our group with recommendations from other groups.

Sanjiang always applies but what should I do? What are the criteria?

A: Sanjiang's recommendation is reviewed and decided by Sanjiang editors, and is based on the judgment of Sanjiang editors, and it is also not controlled by the group editors. If the application is not approved, it is not recommended to apply repeatedly, you can apply once a week, usually on Mondays and Tuesdays.

My book is stronger than the other, why does he have more recommendations than mine?

A: First of all, it depends on whether it is this group of works, or the above mentioned above, each group is different.

Secondly, depending on the type of work, such as martial arts and supernatural, as long as the book is stronger, it will be pushed almost every week, while fantasy and urban will be wheeled in many books.

Thirdly, in terms of data, what determines the next recommendation of a work is often not the current data of the work, but the data changes during the last recommendation.

Fourth, niche works and word-of-mouth works are preferred.

Fifth, authors who have performed well in the past are preferred. (The so-called good performance refers to the author who has a reputation for writing, such as a good copy.) ）

Sixth, if the above has been compared, in the case that you have stable updates (two updates), the recommendation effect is not bad, and there is no data anomaly, your book should indeed be recommended, and you can chat privately to find an editor.

Each group has authors who ask such questions, write books in a down-to-earth manner, and it is not recommended to compete on them. If your book is stronger than that book, the recommendation this time is not as good as the other party, and the future recommendation must be stronger than the other party. There has never been an unfair situation of editorial recommendation in any group at the starting point, please believe in the strength of the editors, find more problems in yourself, read more books, and improve your ability, thank you.

About signing and listing:

Q: What are the benefits of signing up and what can the starting point do for us?

A: We will have a high-value official recommendation to promote your work to 200 million readers, and each newly signed author will get at least 1 recommendation under the premise of stable updates.

But more recommendations need to be won by the performance of the author's own works!

Q: When will I be able to schedule a listing?

Answer: The shelves are based on your collection, generally collected more than 8,000 before we will consider arranging the shelves, of course, this number will fluctuate according to the type of work, the popular fantasy city history generally requires more than 8,000, the unpopular science fiction competition or something is relatively low, and the military martial arts will be lower! Of course, this is a strong push on the shelves, if the comfort is on the shelf, the wireless group here, on the basis of stable updates, can apply for comfort on the shelves when it reaches 300,000 words.

Q: What is the listing? What are the requirements?

Answer: Putting on the shelves is what we call entering the VIP chapter, that is, at this time, readers have to pay for reading your book, and at this time, the manuscript fee begins to generate and accumulate.

Q: What are the listing requirements?

A: This is the most frequently asked question by the authors.

The objective answer is that we will be reviewed by a special person on the shelves, and you will be notified when the requirements are met. Many authors feel that such a reply is very official and there are no specific criteria.

So, now I'm going to give a unified explanation here:

First of all, the books we put on the shelves are not based on the reference of a certain data, and the collections, clicks, and recommendations are only a small reference. So I have no way of answering anyone, "How many of my books can be put on the shelves?" ”

Otherwise, wouldn't some people be able to arbitrarily swipe tickets or operate the shelves through other means? In this way, how can we ensure the fairness of the starting platform?

Secondly, the fantasy class and the supernatural class are obviously different in terms of audiences, and the number of words updated and the development law of the plot are also very different, so the natural requirements are different, how to get the editor to explain to you the specific criteria for putting on the shelf? Even in fantasy, different books naturally have different requirements.

Therefore, there are usually authors who say that our editor's explanation is very general, and I can understand it, but I can't help it, because this is not a specific thing in itself, I can only say that the eternal requirement for the shelves is: update and stability!!

Q: When will I get paid?

A: Your work will only have a manuscript fee after it is put on sale, of course, now we have props for sale, and the accumulated money reaches 200 points of plane origin, and we will also send it to the author! At the beginning of each month, you can check how much your manuscript fee is in the manuscript fee details, and around the 15th of the month, it will be issued to your bank account.

Finally, many authors misunderstand the "unknown remuneration payment information" displayed in the author's background as "unknown remuneration payment information", and here is a unified explanation, only after "settling the remuneration", the "remuneration payment information" in the author's background will be displayed, so before the remuneration is settled, please don't ask me why the "remuneration payment information unknown" is displayed there, which makes me really speechless.

Q: Why haven't I paid my manuscript fee yet? Why, why!

A: There are several reasons for this:

aIt has not yet reached the fifteenth of the month.

bYour account is registered incorrectly, or you have no money, this problem can be avoided by the author himself. After it is resolved, it will be called to you when the manuscript fee is issued next month.

If it is not a local account in the Tianxin high-level universe, the bank needs to turnover, and as for the turnover time, it depends on the banks in each region. Unfortunately, we cannot interfere with banks at this time.

dYour remuneration is less than 200 Plane Origins.

You didn't check the bank account, nor did you log in to the background query of the author's area, here please note that the author's background can query the remuneration.

Q: I see that the manuscript fee has been remitted in the author's area, but why is there no money in my account?

Answer: The status of the manuscript fee displayed in the Author's Area only refers to the workflow at the starting point. When the manuscript fee is remitted from the starting point, it must be transferred through the bank before it can be credited to the author's account. If there is a delay in the bank's work, the author will also delay receiving the manuscript fee. Of course, there are generally no delays, but on weekends and holidays, banks are absolutely closed.

Basically, if the account is the plane origin of the high-level universe of Tianxin, the author will be the first to receive the manuscript fee, if the bank is not in Tianxin, or it is not China Merchants Bank, then there will be multiple transfers, which will generally be delayed for one or two days.

Speaking of manuscript fees, there are three more things to suggest.

First, corporate remittance and private remittance are different and have stricter requirements, so the starting point must require the author to provide detailed account information, especially the address of the opening bank. Otherwise, the bank will refuse to send the money.

Second, there are also restrictions on remittance, some authors who have a monthly manuscript fee of more than 50,000 bits of origin cannot be remitted normally, and must issue a separate certificate, or remit it in batches, each time remittance is 49,000, and the remittance will be completed for several consecutive days.

In addition, many authors who have just signed a contract will display "Unknown Manuscript Fee Payment Information" in the background, which means that "Manuscript Fee Payment Information is unknown" as some people understand, so if you have just signed a contract or just put it on the shelf, and have never generated a manuscript remuneration payment process, please don't come to me to ask me why "Manuscript Fee Payment Information Unknown" is displayed there.

About Writing a Book:

Q: How can my book be known to more people, and how can it become popular?

Answer: The most important thing for the author to do is to feel at ease to code words, update diligently, ponder more, summarize more, read more red books, grasp the trend, pay attention to the rhythm of the work, the climax ups and downs, and always grasp the readers!

I always see a lot of authors saying that I am slow in front of me, and I am very exciting in the back.

I want you to remember that for new authors, the beginning of a novel is very important, very important, and for authors, what you need to do at the beginning of your novel is to "attract" the reader to look down, not to "ask" the reader to look down, such as "I'm slow to heat up, I'm wonderful later".

Also, we usually say to the author that reading more of the Red Book and grasping the trend means that everyone can learn the main structure of the Red Book and learn its grasp of the level and rhythm of the novel, rather than letting you imitate each other's plots, let alone letting the author learn the beginning of the Great God.

In fact, the beginning of most great god novels is not something that newcomers should learn, and it is harmful.

Q: When should I update, how many words per chapter, and how many words should I update every day?

Answer: It is updated twice a day, one chapter at noon, and one chapter at night, two or three thousand words per chapter, two or three thousand words per chapter, two chapters a day, and it is better to choose an opportunity to break out once or twice a week!

Authors can also arrange regular updates according to their own situation.

It is better if you can be more natural and better, but it is more recommended that after the big recommendation and the shelf, compared with the explosion, stability is king.

Q: What makes a good book?

A: 1. Write what you are good at. Don't blindly follow the herd.

2. Do more research on the type of red book you want to write. Take a good look at how popular he is.

Q: I don't know what I'm good at.

Answer: You yourself have written a few books on the street, go and see what type of these books are, and where you did not handle them well at that time; Look at what types of books you usually like to read, read 300 Tang poems, and you will understand the truth that you can't compose poems and chant.

Also, don't classify novels indiscriminately, if you write fantasy, please don't classify novels into fantasy on the grounds of "fantasy hot, fantasy cold", this is a two-pleasing thing.

Finally, if you really don't understand, you can also ask me, it is best to write your question and send me an email, I will find time to reply after I see it.

Q: What is an outline?

A: A lot of writers don't know what an outline is and don't understand why I want it. Now for a unified explanation:

The outline is concisely and concisely the main line, what story you want to tell. (A detailed outline is not necessary, but it is better to have a main outline.) ）

How do you write an outline? Authors who do not know how to write can refer to it like this: 1) Who is the main character, who is who, and what is the difference between him and others? 2) What kind of thing is the protagonist going to do? 3) Why would the protagonist do such a thing?

Why does it have to be an outline? The starting point of the essay is generally relatively long, so it is easy to face a problem: writing essays. With an outline in hand, such problems will be avoided.

Many authors write impulsively, and suddenly have an inspiration and interest, so they start to write an essay of forty or fifty thousand words, but the more they write, the more difficult it is to write, and the most serious thing is the lack of stamina. If you have an outline, you can avoid such problems as much as possible.

Q: How do I highlight my book? How to write creatively?

A: The most important thing is to know your selling point. So what's the selling point?

Buying an item, or being attracted by a low price, or being attracted by the beautiful packaging, these are the selling points. So, what is the selling point of your book?

The magic weapon of cultivation? What is the background of the character? The skills of the characters? Summoning beasts? If you don't even know your own selling point, then even if the probability of success is small, the second book will be undoubted.

Also, when you have clarified your selling point and your own creativity, then please be sure to grasp this highlight and write, don't deviate from the topic at will.

Creativity and highlights are not set to be over, but need to be interpreted and reflected in the plot.

Other questions:

Q: How do I know which group I'm authoring in?

Answer: The starting point is to distinguish which group of authors you are based on the author's tail number (i.e. author ID), and the main methods are as follows:

aAfter you log in to the background of the author area, there is an author ID display, see the last digit of your ID clearly.

bThe easiest, move the mouse over your author's name, and you can see your author's number in the column that displays a series of addresses, and see the last number;

c Click on your author name, you will enter your own author space, the number on the address of the author space is your author number, and the last number of the author number represents your group.

The starting point editorial department is divided into five groups, which are divided according to the author's tail number: one group: 1 and 2; Group II: 3 and 4; Three groups: 5 and 6; Four groups: 7 and 8; Five groups: 9 and 0.

Q: Do I write this book? Do you want to write or not?

Answer: On the way to becoming a god, how can you get up without pounce a few times? There are so few writers who have become gods that they are negligible. Don't always worry about hesitating on the street, you have time to hesitate, it's better to let go, do one better than the other, the latter in the same book is better than the front, this is your progress.

With so many authors over the years, how many of them can really succeed in a book? Correct mentality, not arrogant or impatient, there will be a successful day.

Q: Can my book be published?

Answer: The editor of the novel on the website will help recommend the publication, and if the copyright is in the hands of the author himself, he can contact the publisher himself. If you're not sure if the editor who contacted your publication is genuine, ask the editor in charge to help verify. If you want to know if the copyright is in your own hands, you can ask the contracted editor.

Q: How do I find the right book for me?

Answer: First of all, the starting list, scan it yourself to see what kind of books attract you, and secondly, if you really don't know, and you are afraid of delaying time on the street books, ask your editor, explain your own situation, and your editor will definitely recommend a book that is suitable for you and helpful to you.

Q: How do I delete a VIP chapter that has been updated incorrectly?

Unbanning a VIP chapter is deleting a VIP chapter. The author is not allowed to unban without permission, if there is a problem with your VIP chapter, if you are not sure, please come directly to the editor-in-charge.

Q: I think my work is just because it's too orthodox and no one reads it!

A: The dividing point between a good book is not traditional and unconventional, but wonderful.

How to enter the QQ group of signed authors?

Answer: Due to the upper limit of the number of people, you can join the group after it is put on the shelf, but the group is dead, and it doesn't matter if you enter or not. If there is something to contact and communicate, the editor will naturally contact you.

After the new book is uploaded, it is best to send more chapters to make up the number of words, so that you can make the list.

Answer: There is only a disadvantage and no benefit in making up the word count in a new book, and there is no help in making up the word count hedging list.

At present, there is no lower word limit on the newcomer and new book list, as long as the data arrives, you can be on the list, even if the work has only one word.

As for going backstage for the editor to see, that's the same, no matter how many words the author transmits, it will not speed up the process, and the time for the editor to review the book will not change.

And the only consequence of making up the word count is to affect the normal reading of readers and cause them to be disgusted.

In addition, the new book list is not the only one, in most cases, it is not as good as your so-called pants push, so the attitude towards the new book list, don't be too abandoned, write a good book, sort out more creative ideas, and stable update is the king.

About brushes.

All the behaviors of brushing and clicking on the recommendation ticket to brush the collection, the editor and the technical department of the starting point will find out and give punishment, for the sake of your own book responsibility, do not let your book be misunderstood and blocked, please respect yourself. Writing books in a down-to-earth manner is the way to go.

In addition, I personally suggest that it is best not to offer a reward at will before putting it on the shelf, otherwise it will cause abnormal data, and it will be more troublesome to get a recommendation.

Q: Where is my contract? Why hasn't the status been changed yet?

A: The author's contract and the change of the author's license status are the responsibility of the contracted editor, usually within 24 to 48 hours after signing the author's contract at the starting point, if the contract is okay, the contracted editor will change the authorization status of the work. (Postponed on holidays.) ）

As an additional note, there are different starting points for editing depending on the function.

Responsible for the review and editing of novel storage and review of violations of laws and regulations.

The content editor who is responsible for the business value judgment, that is, the editor-in-charge;

Responsible for contract copyright contract editing;

the publication editor responsible for the publication;

Responsible for wireless editing of wireless;

Sanjiang editor in charge of Sanjiang;

The assistant editor who is responsible for the recommendation arrangement.

As the editor-in-charge who is in direct contact with the author, I understand the logic of the author's friends who come to the editor-in-charge if they have any questions.

However, it must be stated that for the author, the basic responsibility of our editors is limited to judging the commercial value of the novel; Submit to the Editor-in-Chief for Contract; and communication with the author on the techniques of fiction writing.

In addition, all other issues related to recommendation, shelves, publication, etc., I believe that I also have the obligation to give feedback to the author's opinions, but it is only "feedback", and this feedback must be based on the "upright" code of conduct.

Therefore, please author friends, don't "magnify the editor's right by yourself, and then when the editor can't do it, you will turn around and say that the editor's power is too big, and cover the sky with one hand." ”

I don't care about the rumors about this gossip from the outside world, but from the perspective of writing novels, this kind of mentality and way of thinking will not do you any good.

No matter where you are, clarifying your own position is the most basic criterion for doing things for people, please understand.

Questions about being reviewed.

If the chapter of the novel is reviewed, the author has two options, if there is no urgency, one is to wait, and the relevant staff will review it during working hours.

Second, if the author is in a hurry, then contact the editor-in-charge directly. However, please do not edit it until it has been reviewed for the following reasons.

The sensitive words at the starting point are mainly related to Huang Wei's politics and religion.

Most of the chapters that were reviewed were in fact fine.

Some people may say, in that case, why serve it in one pot?

There's no way around that, for example.

Moaning, moaning, twitching.

These two words are actually not problematic in themselves, and they can be used in the context of "moaning in pain, crying and twitching, moving your shoulders" and so on. However, it can also be used in the area of pornography.

Our aim is to try to prevent it from happening, rather than waiting for a problem to arise and be reported before dealing with it.

Therefore, once such sensitive words appear in the chapter content, they will be automatically locked by the system.

However, the system itself cannot judge whether the specific content involved in the sensitive words in your section is normal or violated, which requires manual review.

Therefore, "once the chapter is locked by review, as long as it is not manually approved, then any changes made by the author will not work", because the sensitive word is locked by the touching system, but the system locks the address of the chapter.

The same is true for place names and the like.

There is nothing wrong with the place name itself, but some authors like to complain about something with their real name, which is not okay.

From a suggestion point of view, if you don't want your novel to be reviewed. Then, try not to use the actual place name, you can change the name.

For example, Hai and Nan provinces, you can call them Haitian Province, and if you feel that you have not violated the rules, then you can also use the original name.

Like some authors, knowing that the name of the place will be reviewed, so they changed it to a letter pronoun: J province B city, I personally suggest that it is best not to write like this, this is not contrary to harmony, but it seriously affects the reading experience.

In addition, there are some celebrity names, if they are just random and normal names, then there is no problem, but if it involves the specific plots of entertainment stars, then it is recommended to use homophony, for example, Liu Yi, Fei, Liu Yifei.

Finally, for the public chapter, even after the review is passed, there is still a period of caching, and the website may need to wait for half an hour to see it, so please be patient.

VIP chapters are based on the author's "release time" rather than "upload time", so please be sure to pay attention to this issue.

Of course, if it is not approved, then it means that there is really something wrong with your novel, and at this time, the editor in charge of the review will naturally ask the author to modify it by text message on the site.

Here, I still suggest that the plot should be as entertaining and relaxed as possible, ambiguous and ambiguous, less complaining, less rubbing and less insinuation, harmony is king. There are many plots that readers actually don't like, such as the second generation of NC officials, the rich second generation, etc., and the readers are aesthetically tired......

The three views are more correct, and the horizons are broader.

(Here is a reminder to everyone, if you care about full attendance, then it is best to focus on updating during the day, no later than 11 o'clock at night, and contact the editor in charge as soon as possible if you are reviewed, otherwise it is a pity to lose full attendance because of audit problems.) ）

On the question of revising the novel.

This question, I think, is one that bothers a lot of authors.

Personally, if there are some details of a novel, after signing the contract, I will discuss it with the author, suggest its revision, and then make some suggestions in the direction, try to avoid the author from writing bias in the future, but that's all, when it comes to some specific plots, unless I see that the author is going to make some kind of mistake that is destined to hit the street, I will not interfere too much.

However, there are always some authors who like to go to "overhaul".

In a way, it is a good thing for an author to start introspecting and overhaul, which means that the author has comprehension, accumulation of experience, and progress in the cognition of novel creation in the process of creation.

However, we never advocate overhaul, or rather, we advocate only preventive overhaul of the plot that the author "will" create, and that only exists in his outline.

For the plot that has been created and published, it is still the same sentence, unless it is just some detail modification, like that kind of overhaul that involves more than 100,000 words of revision, we have never advocated it, and that approach is meaningless.

To put it bluntly, if it is only a minor problem that can be modified, the editor will directly explain where the problem is and ask the author to revise it.

Generally, if the editor does not ask the author to make changes, it usually has two meanings.

One is the author's novel, there is no major problem, it does not need to be modified, or even if there is a problem, it cannot be modified, otherwise it will affect the main plot.

The second is that there is no need to revise it.

Therefore, if you have experience and lessons, keep them in mind for the next book, for new authors, it is the best choice to write forward, and accumulating experience is more important than anything else.

Questions about punctuation.

It never occurred to me that one day I would be here to say punctuation to the author.

Perhaps the entry threshold for online literature is too low, or some authors are too casual, here, I caution to use standard punctuation.

Generally, the most commonly used punctuation marks are so few, such as: ,,; “”……

In addition, such as。。。。。。 … ......... 、、、，，，。。。 ''""It's all unconventional symbols.

I don't know how some authors think when they write novels like "XXX、、、XXXXXX,,,XXXXX...、、、XXXXX".

Here I must tell you,The use of unconventional symbols,It's not easy to pass the wireless audit,Some authors often say,I'm updating wirelessly,Why is it not synchronized with the website?

This happens, if not because of irregularities in moderating content, because there is too much nonsense in the chapter, or because the characters are not standard.

In addition, you can have all the chapter names in the book "Chapter 1, Chapter 2". Or "Chapter 1, Chapter 2". But you can't mix "Chapter 1 and Chapter 2" like this, otherwise, you still won't be able to pass the review of the wireless side.

If it's just a small amount of revision, then maybe wireless editing will help you fix it, but if you have this problem in every chapter, as some authors do, then unfortunately the author has to revise it slowly.

From another point of view, this is also a question of the author's creative attitude, so although some precautions for online novels are not as strict as those of traditional novels, authors are still asked to try to correct their attitudes.

(If there is an author who doesn't know how to type the ellipsis, here is a unified way to tell you, SHIFT + the number 6 on the keyboard.) ）

In addition, if there is a situation where the chapters uploaded by the author become a mess, then please use the author's friends to upload it in IE browser, or use other browsers under the "compatibility mode", this reason is mostly due to incompatibility problems, thank you.

With regard to drafting subparagraphs

Try to avoid typos in the writing, try not to be too long in paragraphs, if you are writing in WORD, generally a full stop can be divided into a paragraph, about two lines in a paragraph, no more than three lines.

The closing paragraph of the previous chapter should not be used as the beginning of the next chapter.

About the New Book List

The list of new book issues is somewhat useful, but don't look too much at the re-book period, here "don't pay too much attention" means, don't use some crooked means in order to get on the list, otherwise you don't know how you died.

Another meaning is that don't be discouraged because the new book period has passed, to be honest, for good books, if it is not the first on the new book list, the other effects are not as good as a pants push in your mouth, so stable updates are king.

Again, the list of new books is not the only one, don't take it too seriously.

When will I be able to go wireless?

All novels on the shelves, whether they are forcibly pushed on the shelves or encouraged to be put on the shelves, will be released on the shelves in accordance with the normal procedure.

The time is generally about three months, and the length of this specific time is related to some attributes of your novel itself.

The content here is neat, which refers to the fact that in addition to the punctuation problems mentioned above, there are various PSs that have nothing to do with the content of the novel.

Move above,Only pure fiction content is allowed,Everything else needs to be "cleaned up",Generally,It's the wireless editor who is responsible for processing,But if some authors like PS.,Like to use punctuation indiscriminately,Then don't ask,Why do you update to 300 chapters on the website.,Wirelessly only updated to 100 chapters......

In addition, on the wireless side, due to the pricing of the chapters, there are only two grades, three thousand and two thousand, so the number of words in the chapters that everyone updates is generally best like this. Don't have five thousand, seven thousand chapters, that's not good.

Wireless Considerations:

My starting point is second to none in terms of online essay innovation, not only in terms of rich and diverse content, but also in the form of volumes. Xiaobian is proud of my big starting point! But wireless doesn't think so, the palm-sized screen, the space of a dozen words in a line, really can't be rich.

Don't be bells and whistles on wireless, and be a domineering tough guy from the beginning.

No matter how many volumes you play, whether it's from Earth to the Moon or to the Pandora system, it is recommended that you only start with the first chapter at the beginning, and not with the first chapter in every volume or map. After a while, a first chapter, the wireless reader was dizzy just by flipping through the table of contents.

You wrote the first chapter at the beginning, even if you write 10,000 chapters, the end should be in the form of the 10,000th chapter, don't lose the word "first" at one time, lose the word "chapter" at the other, or think that the later chapters have many names, simply change to chapter 999; If you don't want to type a lot, it's easy to write, start with chapter 1 and then write chapter 10,000, it's as simple as that.

Now that I have the muscles and bones, let's talk about the "meat" inside.

Wireless readers love "fat" and "lean meat", write more and write less, write good and bad, it depends on the writing of the potential gods.

What I want to say is not to "mix sand" and "add bones" to "meat".

Xiaobian knows that the authors are tired of typing, but the punctuation marks still have to be standardized, and the common problems are counted one by one.

1 . ellipsis

Many authors are accustomed to knocking N periods into ellipsis, or N dots into ellipsis, or N pauses into ellipsis. As:

“。。。。。。。” “ .......... ”“、、、、、、”

You fought hard, and it was painful for the editor to change. Hold down the "SHIFT" key and then press the number key "6", and the naughty ellipsis will come out, but you can press it once, and "............" will be reverted to change if it is so long.

2 . Dividers

Many authors feel like they need to switch scenes, brushing out a piece of punctuation, and some add a sentence in the middle of "I'm a lovely dividing line". As:

"..................", "※※※※※ I'm a cute dividing line※※※※※"

There are many examples of this, but in fact, you only need to use an ellipsis "......" for scene switching, and it is not recommended to use long ellipses and other special symbols.

3 . quotation marks

Quotation marks this is slightly troublesome, Chinese has two pairs of "" and '', English has two & ; quot ; & amp ; quot ; And '', some authors are used to giving people a divorce, or messing around with mandarin duck scores. As:

"Same-sex rejection, ask for the other half!" "Seeking the other half of China & ; quot ; 、 & amp ; quot ; Ask for a foreign other half'

Just get used to using "" for the Chinese couple, don't take them apart and don't pair them with foreign symbols.

4 . Emojis

O ( ∩ _ ∩ ) O haha ~ 、 (*^__^*) Hee hee ...... This is the girls' favorite symbol.,But the mobile phone doesn't like it very much.,Because some of it can't be understood.,If you can't understand it, it will become garbled characters.,If it becomes garbled codes, there will be no readers to read the girls' texts.。 So don't use it, the humor has to be more powerful in the text.

5 . There is no punctuation in the whole text or at the end of each paragraph

When I met this kind of author, the editor knelt down directly, and the editor really couldn't figure out whether your old man wanted to use a full stop or an exclamation mark, and I didn't know how to start at all, so I still bothered you to point more punctuation, not more and no less.

After the punctuation, let's talk about the "sand" and "bones" in the chapter table of contents and the text.

As mentioned earlier, the mobile phone page is so wide, and the chapter table of contents is too long to display incomplete, so control the number of chapter names, 2 - 8 words.

Don't write the chapter name, the mobile phone page does not have the function of previewing the text, relying on the serial number one by one, the attraction to the reader is too small, for the sake of Grandpa Mao, give full play to your ingenuity!

Don't add the title of the volume, many authors are used to putting the title of the volume and the name of the chapter together, such as "The second volume of the first entry into the void Chapter 111 Lao Tzu has been successfully upgraded!" ”。

Dear,Take out your mobile phone and draw it.,Plus such a long volume name can you still see the name of the whole chapter?

You know what to do next!

The editor is most afraid that the author will add the chapter name at the beginning of the text, and the most afraid of the repetition of the first paragraph of the text and the last paragraph of the previous chapter, which is suspected of making up the number of words!

If you meet readers who love more seriously, they will complain, the number of complaints is too large, and the consequences are unimaginable, so don't take this risk.

At this point, I still have to talk about the processing of information such as asking for tickets, complaining, asking for leave, and updating notices.

On the wireless side, everything that has nothing to do with the text has to be deleted, and unfortunately, all the things mentioned in the previous sentence have been asked to be deleted.

Basically, every author will appear this kind of information in the chapter table of contents and at the beginning or end of the text, and the editor is also very understanding of the authors, so it is too unreasonable for everyone not to write it. But if you write too much, the editor is working overtime to death, which is secondly, too much information will eventually affect the work on the shelves of wireless; Even if it is put on the shelves, it will affect the maintenance of the book, later promotion and other work.

The editor's suggestion is that you use the background more authors have something to say, since this function has been developed, it is recommended that you use it more; Although you don't want to have this kind of information such as asking for votes and reporting updates in every chapter, if you want to communicate with readers, it is recommended to post in the book review area, or open a single chapter in the text regularly.

After the writing advice is finished, let's post writing tips.

Wireless billing is based on chapters, not thousands of words, and the price of a book is one time, and all chapters thereafter are priced at this price. For example, a book is priced at 0 . 12 yuan for a chapter, the charge for a chapter of 3,000 words is the same as the charge for a chapter of 10,000 words, it is 0. 12 yuan, so I like to pay attention to the big chapter.

There may also be authors who think that since this is the case, I will start with a chapter of 3,000 words, and when the price is set, I will write a chapter of 1,000 words in the future. The number of words has become less, and there is still a lot of money to earn, which is not cool and crooked.

It's a pity, this loophole is plugged, let's write it down-to-earth, it's too embarrassing to change it after being punished!

Attached: Sensitive content that will cause veto and rejection by the main line of the wireless platform

1 . Historical military books are politically sensitive

Articles on the theme of the late Qing Dynasty, the Republic of China and the Anti-Japanese War should not be uploaded, especially the books that change the course of history by their own parties, even if they are on the wireless, there is a great possibility of being rejected in the later period.

Sensitivity factor: ☆☆☆☆☆

2 . Military Text

The possibility of modern military texts being put on the shelves is also extremely low, and books related to the relationship between the world and Europe and the United States should not be uploaded.

Sensitivity factor: ☆☆☆☆☆

3 . Modern Urban Literature

Pornography Issues:

Books involving *** themes, homosexuality, minors, sexuality, and behavior are directly vetoed;

Sensitivity factor: ☆☆☆☆☆

Stallions, harem texts, involving too many men and women direct love, love descriptions should not be uploaded.

Sensitivity factor: ☆☆☆☆

Normal erotic depictions of men and women may have a small number of chapters rejected, and generally there will be no main line rejection, and the control scale is sufficient.

Sensitivity factor: ☆☆

Politically sensitive:

Ethnic and political issues involving Singapore, Xinjiang, the West, Tibet, Diaoyu, and Yudao will certainly be dismissed, and the content of the relevant chapters will be directly vetoed or revised depending on the circumstances.

Sensitivity factor: ☆☆☆☆☆

Books that do not conform to foreign policy, such as hatred and elimination, extinction of Japan, the United States, China, India, Nepal, the Great Massacre, and the Massacre, should not be uploaded.

Sensitivity factor: ☆☆☆☆

Books that allude to party and state leaders and former leaders should be rejected and revised according to the circumstances, and officialdom should be cautious.

Sensitivity factor: ☆☆☆

Books involving cultural and revolutionary themes will be vetoed.

Sensitivity factor: ☆☆☆☆☆

Black and Taoist plots:

The main line is black and Taoist books, and the title of the book involves the words black and Taoist or related books will be vetoed.

Sensitivity factor: ☆☆☆☆☆

Books with underworld and underworld plots as auxiliary lines are to be rejected and revised according to the plot, and it is recommended that the author be cautious, especially if the underage or the underworld are mixed with the underworld, it is not appropriate to upload.

Sensitivity factor: ☆☆☆

Real Names, etc.:

Involving the real name of a real celebrity is very easy to cause rejection, such as Hong Kong and Taiwan entertainment articles directly writing the real name of the celebrity, which may lead to complaints from readers.

Sensitivity factor: ☆☆☆☆

Books involving metamorphosis, metamorphosis, metamorphosis, sexuality, and other plots should not be uploaded.

Sensitivity factor: ☆☆☆☆

4. Miscellaneous

Apocalyptic or other science fiction texts that involve a lot of detailed blood, blood, violence, and violent plots may be revised.

Sensitivity factor: ☆☆☆

[So many ways? It looks like the market is ripe. For more than 100 years, I have been dormant in the Nether, but I didn't expect the development of the guild's online literature to reach this level. What a dimensional origin market this must be! 】

"Okay, right? Moving on to the topic of how to 'hide chapters'. ”

1 . Hide the key plots: the reader, the main character, the supporting characters.

2 . Hiding and misleading the reader is mainly to give false clues.

For example, the female frequency "Beauty is the Stuffing", the male protagonist's description of him when he appeared, whether it was clothing, food and clothing, or even smoking, all led the reader to the gang boss. The female protagonist is hostile to him, but the male protagonist actually appeared at the scene of the murder, so I know that the male protagonist is actually a policeman.

3 . Hide key people and show them up at the right time (the reader's mood fluctuates) and in the right place.

Example: "Beauty is the Stuffing"

(1) The heroine went to a dance hall many times to sweep pornography and fight illegality, mainly with a dance hall female Sisi, but when she wanted to enter the male owner's box, she was ordered by her boss to prohibit questioning, and took people away, and the heroine was angry. After a bloody case occurred with someone close to Sisi, Sisi called the police and dated Sisi again, and the male protagonist passed by, and it was another chance encounter with the male owner. But the male protagonist has obviously shown a difference in the characters, and it has also deepened the female protagonist's feelings for the male protagonist.

(2) A capable forensic male partner who loves to be jealous: Every appearance is in the plot of the hero and heroine calling ambiguous and ambiguous. For example, once the hero and heroine had a dispute, and they were accidentally held down by the male protagonist, which was very ambiguous and ambiguous, and was suddenly seen by the forensic doctor. It can actually enhance the ambiguous and ambiguous relationship between the hero and heroine.

II 1 . Hide key plot points from villains.

When the villain suppresses the protagonist, he must hide the protagonist's specialty from the villain, and the villain is trying to suppress the protagonist's specialty. It is at this time that the reader's sense of expectation can be increased, and they just want to see the strong counterattack after the male protagonist is "suppressed". When suppressing, it is necessary to suppress fiercely, from multiple angles, and at multiple levels. The more layers of suppression, the greater the intensity of the counterattack and the better the effect.

2 . When the villain suppresses the protagonist, he must add restrictions to the villain.

Otherwise, the protagonist has been beaten and compacted without a bottom line, which is too miserable and abusive, and the reader doesn't look happy at all.

Example: When Nalan Yanran withdrew from the marriage in the fight, it was clear that her status, status, and strength far exceeded that of the male protagonist, but the other party did not hurt the protagonist in any other way than anger after Xiao Yan gave the letter of resignation. This is because Nalan has a trustworthy grandfather behind him, and he hates his granddaughter's practice very much, and all these things that Nalan divorced from the marriage were done without her grandfather, and she couldn't hurt Xiao Yan. At this time, grandpa is a limiting condition for the villain.

This qualification, especially when the protagonist crosses the challenge, is very important.

3 . The suppression of the protagonist should be targeted.

When suppressing the protagonist, he only fights when the protagonist has something. In this way, you will not abuse the master, and you will have a sense of expectation.

Example: It's impossible for the male protagonist to have no talent for alchemy, but to take a person with a talent for cultivation to suppress the protagonist, otherwise everyone would have run away; If the protagonist is a woman, she doesn't compare intelligence with other men, but she compares her strength, it's too unclever and too sadistic.

4 . In the process of suppression, small details are used to add points to the protagonist.

For example: At the beginning of Doupo, everyone said that the male protagonist was a waste of firewood, but he added a little pity to the details of the villain Xiao Mei's ridicule of him, thinking that Xiao Yan was still a genius at the beginning...... leaves the reader with the possibility of the male protagonist recovering his strength, and the sense of anticipation comes out.

5 . When the pressure is very high, the reader should be vaccinated first, and the pressure should be controlled within the reader's tolerance.

Example: Before Dou Po divorced, the preventive shot was obvious, Xiao Yan laughed at himself when he was flirting with Xun'er, maybe Nalan came to get out of the marriage. In this way, the reader will have a foresight in advance, and the plot of the divorce will not exceed the reader's bearing.

6 . In the process of suppression, the protagonist is allowed to stand on the moral high ground.

For example, if the protagonist wants to beat someone to show his strength, he must let the villain provoke the anger of the people, oppress the people, and molest the people, so that the reader will be angry first, increase the reader's hatred of the villain, and the reader will take the initiative to stand in the position of the protagonist.

"Three, 1 . The flashpoint of the contradiction is the protagonist.

The little friends around the protagonist, the elders, and others all have to fight around the protagonist. No matter what the plot is, the author must steal the scene designed by the protagonist, even if the male protagonist goes to relieve the toilet, it will break. ”

2 . Arrange the plot according to the reader's preferences.

In the creative process, the main character is written, and the reader also sees the protagonist, so the focus of writing is to design the protagonist to meet the reader's preferences.

Example: The plot of Dou Po's family reunion has little to do with the male protagonist.,So few people will pay attention to the specific content.,This situation is the easiest to make the protagonist alone.。 So use things like hooking up with girls to focus on the protagonist of the plot, for example, the boss is in a meeting, and the male protagonist is playing WeChat to tease the girl, etc. The stand-alone plot will focus on what the male protagonist thinks, and don't keep a running account on the content of the meeting.

3 . The event is depicted through the eyes of the main character.

Example: "Peerless Martial God" is talking about the cultivation of the male protagonist's father, but it has nothing to do with the male protagonist, at this time, it will describe things from the perspective of the male protagonist, and mix a little bit of the male protagonist's thoughts, which can increase the sense of substitution and fun.

4 . It is taboo for the protagonist to be reborn and play single-player.

Don't throw away the waste wood before the protagonist is reborn and goes back.,This person is a natural contrast material.,You can highlight the current excellence of the male protagonist.。 The innate green leaves should not be lost.

5 . taboo The protagonist cultivates to play stand-alone, and at this time it is necessary to skillfully use contrast.

For example, when Xiao Yan was cultivating in Dou Po, Yao Lao saw that Xiao Yan used spiritual liquid to assist in cultivation, and the excellent effect far exceeded his expectations, highlighting the protagonist's cultivation talent. The contrast between the cultivation effect and the original goal is used here. You can also use techniques such as before and after comparison, such as the cultivation speed of the protagonist after getting the golden finger or the comparison of his cultivation talent with the original, which can greatly increase the reader's sense of expectation, so that they can see the hope of the protagonist becoming a strong man, and even have a firm belief for reason.

Elevate the attention of the main character

1. Divert your gaze

In addition to the protagonist in the first chapter of Breaking the Sky, there are also three characters, Xiao Xun'er, Xiao Mei'er, and the elder of the test.

After Xiao Xun'er and Xiao Mei'er tested in the front, their eyes shifted to the protagonist's body.

The final attention of each of their characters is shifted to the protagonist, even if the protagonist does not appear at the beginning, but the attention has always been on the protagonist.

All the characters in the opening chapter,The eyes have to be shifted to the protagonist.,Although the protagonist just came out in the first chapter to make a soy sauce.,But the attention is on the protagonist.。

Conclusion: The characters who appear are all in the service of the protagonist.

When the first scene came out, Xiao Xun'er was always standing by the protagonist's side, and Xiao Mei'er appeared to let the protagonist stand on the moral high ground. When Xiao Xun'er appeared, she said: "You told me before that you want to be free. This sentence was once told to Xiao Xun'er by the protagonist, so it is to let the protagonist stand on the moral high ground and give the protagonist extra points. When the old man appeared, in fact, the old man was also a soy sauce player, but the way to increase the score for the protagonist was through Xiao Xun'er, she was the second person in the Xiao family for a hundred years, and the first person was Xiao Yan.

When the eyes of these three people shift to the identity of the protagonist, there is something to come out of the follow-up.

When everyone appears, they want to highlight the protagonist through the relationship between this person and the protagonist, and explain things in a targeted manner.

The method used in "Undefeated God of War" is the same, the protagonist in the first chapter, when the eyes shift to the identity of the protagonist, to increase the suspense.

2 . Borrow attention

The first chapter of the opening chapter of "The Age of Recklessness" uses Nai He Bridge, Meng Po, and Meng Po Soup, and the reader's impression of the protagonist is not very deep, and the reader's attention is on Meng Po Soup, so this attention is borrowed attention.

The starting point is the book "Martial Arts World Adventure", in which characters such as Yang Guo and Xiaolongnu are used, and the practical method is the same, that is, the attention borrowed from the protagonist.

We can all borrow attention in the process of writing a book.

3 . Idea shock

The opening chapter of "Covering the Sky" is the scene of Kowloon pulling the coffin, which is the impact of ideas. At the beginning of the author, he wrote about the Nine Dragons in outer space on the one hand, and the situation on the protagonist's side on the other. In this way, the protagonist will not be very stiff when he appears. Two lines merge into one and the main character appears.

In "Breaking the Sky", Xiao Yan pretended to be an old man to sell medicine to his father, and praised him in front of him: "Your son is so good." ”

When we write with the impact of ideas, we must do it simultaneously.

Idea impact is very easy, for example, a monk who is a good man in the tenth century crosses into the body of a ruffian, leaving a lot of romantic debts during his lifetime, this is the concept shock.

Letting the protagonist produce something unexpected is a selling point of the contract.

If you write an idea impact when writing an essay, there will be an additional point of view.

4 . Describe the event through the eyes of the protagonist

5. The main character's behavior and thinking patterns are different

No matter how good or bad the protagonist is at the beginning, it will not necessarily retain the reader, but if your protagonist's behavior and thinking patterns are different, it will be easy for the reader to continue reading.

Combined with the creation of the novel, it is necessary to make your characters appear at the right time and in the right place, and increase the attention of the protagonist.

In "Breaking the Sky", the elders of Yunlanzong are guests at the protagonist's house, Yunlanzong is a big force here, and the protagonist's family is a small force, so the protagonist is still late, this is the protagonist's behavior pattern is different. The purpose of writing this way is to increase the attention of the main character.

6 . Arrange a different setting for the main character

The protagonist in "Genius Physiognomy", where the village is located is Li Zhuang, except for the protagonist and his father, who are surnamed Li.

1 . Learn to dig for extra highlights

2 . By appearing specific characters, the plot is expanded with them as the core

3 . Understand the reading preferences of readers, and pay attention to communicating with readers to manage fans well.

First, the rhythm of cool: pretending to be forced

comprehended a book about rhythm, read the sky and white cranes, any of the protagonist's wishes, will not last long to come true, such as the martial god, the supporting role uses very little pen and ink, only 1-2 people are highlighted, but it also serves the protagonist.

Chapter 1: Generally to create the protagonist's sense of substitution, explain the trouble he is currently facing, here is the protagonist 4 years can not break through the fifth layer, but he is very stubborn, very arrogant, so that the character has a sense of substitution, a sense of expectation, after reading the first chapter, I want to see how he solves the difficulties, the sense of substitution is over, and the following will continue.

Chapter 2: Entered the mysterious waterhole and took the golden finger, but the wonderful thing about the white crane here is that it didn't pierce the golden finger effect, but a dream, so I have 2 expectations in my heart: one is to see how the protagonist breaks through the fifth layer, and the other is to see what the golden finger is? The sense of substitution is there, and the sense of expectation enhances the sense of substitution.

Chapter 3: It's to explain the environment and interpersonal relationships, set up a fellow brother who slapped his face, the highlight is the uncle who trained, and began to blame the protagonist for how late he came, how his clothes were wet, and the protagonist was embarrassed to say that he had practiced kung fu all night and accidentally fell into the lake, which made people feel warm, a kind of strict concern from relatives, and then the uncle asked him not to practice at night, and go to sleep first. When writing about interpersonal relationships, it is generally open to "emotional father-son line" or "harem line" or "brother partner line".

Chapter 4: It was the breakthrough of the exercises caused by the golden finger, and it rose by 6 levels in one night. This is called an upgrade, an upgrade that breaks through the bottleneck, and it fits in with the profile.

Chapter 5: The next morning, I was training again, and my uncle asked him how was your first understanding? Don't be in a hurry, practice slowly, in fact, the protagonists have broken through the 6th layer of the fuck, a typical pig and a tiger. This is pretending to be forced, comprehending a pretending word.

Therefore, the coolness of the white crane came out soon, and chapters 4 and 5 were cool.

The rest is a small personality and a dark cool.

"The coolness of the introduction coincides with the rhythm

"Valkyrie" Synopsis: What is a Genius? No matter what combat skills you learn, you can fully comprehend them, and as long as you practice new techniques, you can remove the barriers to advancement, this is a real genius! He Yiming was originally an ordinary boy in Hejiazhuang, and his martial arts qualifications were not outstanding, but after an adventure, this ordinary boy with heavenly capital became a genius in the mouths of everyone, with an enviable martial arts qualification, whether it is the family's acquired five elements cheats, or the legendary various innate cheats, whether it is the mental method or combat skills, he can quickly comprehend it completely. Martial God, in the name of martial arts, in the simplest and most direct way, survive!

Rhythm characteristics: Write tightly with the introduction, and get into the topic quickly. His previous upgrade exercises were almost written around a theme. As long as you practice new exercises, you can remove the barriers to advancement. This sets the tone of the book's rhythm.

This rhythm generates 3 points of expectation:

1 . Breaking through the 6th floor in one night, isn't this the feeling of piercing the sky? What's next? Eager to know.

2 . What exactly is a gold finger? So against the sky?

3 . The protagonist is so bitten, others don't know, once they know, what will happen?

How to shape the 3 expectations of the person:

1 . The sense of substitution is shaped, and at the same time a crisis is explained.

2 . The protagonist gets a golden finger and sees a turnaround.

3 . The protagonist solves the first crisis with a cheat, but brings an even bigger one.

In the process of 1, 2, and 3, the environment is paved, and the background contradictions are steadily advanced.

How the plot that constitutes the expectation point is strung together by a thread: the clue setting

The main line is promoted into two lines: the bright line is around the development of the golden finger, and the dark line is to solve one crisis after another in exchange for the promotion of status.

Shuangwen is the golden finger walking in front, walking with the crisis synchronously, so that there are two forces, the crisis creates pressure, and the golden finger solves the crisis violently. The two spirals rise alternately, and the crisis is in front, but generally they don't write about the crisis as soon as they come up, the crisis shows up first, and then gives a turnaround, the gold finger comes out, and the protagonist secretly develops the gold finger, at this time the crisis continues to pressurize, but the protagonist does not solve it first, so the reader's expectations are getting stronger and stronger, on the one hand, I know that the protagonist's ability is about to blow up, and on the other hand, S ...... The enemy is still suppressing the protagonist, just waiting to see the outbreak and slap in the face. That's the rhythm of pretending.

Nanshan on rhythm

Foreshadowing, suppression, upgrading, slapping in the face, four or four beats, and the number of chapters is 1, 2, 1, 1. The foreshadowing of one chapter is mainly psychological and emotional; The two chapters suppress mainly emotion and anger values; Chapter 1 upgrade mainly writes about the sense of anticipation; A chapter of slapping the face mainly writes a cool feeling.

Learning to pretend to be forced is also knowledge, and writing and pretending to force grasp 3 words: dark, cool, and pretending. A "dark" word, a "cool" word, and a "pretend" word, this is the essence of the word can not deviate. "Dark" is stealing, for example, the disciples in the sect think that the pig's feet are shit, but the pig's feet occasionally seem to be a bland performance, the elders are very surprised, knowing that he is really a master, but if he doesn't break it, this is dark and cool, and at the same time, the protagonist has to pretend, for some reason the real strength cannot be exposed, so that the dragons think that the pig's feet are really pigs. In fact, it is pretending to be a pig and eating a tiger. Another example is the girl that your colleague pursues desperately, in fact, because she is infatuated with you, but others don't know, but there is a high-level who knows. Those who know should be classified, and heroes should know heroes. The dragon set is used as a cannon mouthpiece. Only the master knows that you are not shit, only ordinary people think you are shit and look down on you, this is the secret coolness of pretending.

The online article is to write about a person who falls into a more troublesome situation, and then accidentally gets a turnaround (gold finger), and then relies on this opportunity to work personally step by step, to achieve success in life, what readers want to see the most, is how to use gold finger, reverse fate, overcome one difficulty after another, in which the beginning, is to pave the way for the protagonist, as well as his surrounding environment, the troubles encountered, this part should be as fast as possible, I didn't understand before, the start was too procrastinating.

Fu Da used "The Prince of Tennis" to talk about how to pretend to be a trick + the nozzle of the supporting role:

For example, for example, when the enemy uses all his strength and thinks he can defeat the protagonist, the protagonist gently says, "You, you're still far away," and then instantly counterattacks and beats the opponent half to death. It definitely won't be just those two people.,There must be passers-by passing by.,And then I accidentally saw it.,Very surprised.,How can there be such a powerful person.,Who is that enemy?,I heard how powerful he is.,How can he be forced to this part by the protagonist.,It's impossible.,I must have seen it wrong.。 This is a trick, and there is a certain amount of supporting roles. Someone asked, someone answered.

Isn't it supposed that the enemy has the advantage, and why does the scene now seem to be dominated by the protagonist?

And then a master answered.,The reason is cloud.,This Echizen Ryoma (the protagonist) is really not simple.。

The combination of the two, the master praises you, you will feel darkly cool, the more the master even a casual praise will feel cool.

For example, there are often in the Prince of Tennis, the top masters watched the two fight, and said, I didn't expect Echizen Ryoma to have grown to this point, who is who, Echizen Ryoma is probably qualified to challenge you!

How to write about the atmosphere: Generally speaking, to set off the atmosphere of a battle, you have to start from several aspects.

First, the master, the top master, analyzes where the protagonist is and sighs how the protagonist's growth is.

Second, the supporting roles, such as the players of the same team, how did I play with him a month ago, how long has it been, how fast has he improved, how has it been.

For example, in "Slam Dunk", Xiandao was surprised that Sakuragi Hanamichi made such a fast progress, highlighting the protagonist's awesomeness through the mouths of the supporting characters, and there are also minions, both enemies and friends, and sometimes neutrals also need it, and the general method is similar.

When the protagonist uses a new skill, it can be emotional. Only through this method can the protagonist's awesomeness appear more awesome, and if it's just the dry author himself saying how awesome the protagonist is, how boring it is.

The author's writing state, how can he write a pretending plot?

1: Bring yourself into this role, believing that the enemy is the strongest, and the protagonist is just a minion.

But what does it feel like to see the protagonist lying down on his stomach? Just write it like that. "How is it possible, the speed of so-and-so is already the first I have ever seen, how can this protagonist be faster than him.

No way, I must be dazzled

2: You must pay attention to the accent, that is, others are strong, and the protagonist is stronger than him, so he is strong and strong.

He is powerful, invincible, and known as a bear, but he was punched out by the protagonist.

He is fast, but he is teased like a dog in front of the protagonist.

And the best way to do this is to set off the villain

3: Create the villain first, the more awesome the villain, the cooler the protagonist will be after defeating him.

Before the fight again, everyone said that so-and-so was invincible in speed, but it was not broken, and this time he must have won, and no one in his hands had ever been able to survive a move.

After the real fight, after a move, the protagonist didn't die, everyone was surprised, and then how to say, and then the enemy was surprised, but then he didn't care, it was just an accident, this was just a coincidence, and then he fought.

You can write from the perspective of a bystander how the enemy is awesome, such as ferocious, among his enemies are either dead or wounded, so fierce, how to be brutal and brutal if they don't survive intact.

The worse the bad guy shapes, the more cool it is to kill, for example, the "Black Mountain Old Demon" of the god machine, killed to the top, and the anger is shocking, but there is one point, there is a principle, one is the person who should be killed, hate, why should this person be killed, for example, when the Black Mountain Old Demon first appeared, the thief was recognized by the little girl, and when he got out of the car, he cut the little girl's face, which should be killed!

There is also killable, within a certain range, the protagonist can kill enemies. Don't write a protagonist or a cultivator, the big boss will come out with a saint, then you can't be a little friend, you can't play happily together. Down-to-earth, hateful enemies are bound to be down-to-earth.

Interests, survival, whatever, not hateful, this is an inevitable conflict.

The hateful thing is that it makes you empathize with it, hate it to death, don't talk about the bad guys, that's not hateful.

What is Grounding?

Down-to-earth is, write about some things that people around you will also encounter, for example, you have worked hard to write a paper, the leader is coming, you want to sign, and in front of you, for example, there is a class flower in a certain class, and then the class leader wants to please the class flower, and he seems to be awesome, so he wants to find trouble with the protagonist, for example, he is very good at mathematics, so he uses mathematics to make it difficult for the protagonist, and writes some plots that everyone is more likely to encounter.

Realism strengthens the sense of substitution.

The more authentic, the easier it is to write, and this one is suitable for the city. Fantasy can also try this principle, but it's not easy to find something down-to-earth.

And as I said before, strong, this person is very strong, and it poses a threat to the life of the protagonist.

The person can be less hateful, can just be a conflict of interest, or have a different philosophy. But it's strong, so that the protagonist has to deal with it carefully.

I'll give you an example, for example, in "Infinite Horror", the Indian team that the protagonist's Zhongzhou team met in a movie was much stronger than them, and the people of the Indian team didn't plan how to be the protagonist at first, and they wanted to coexist peacefully, but they couldn't coexist peacefully for various reasons (at that time, there was no way because the things that the protagonist got in his hands were also bound to be obtained by the other party), but they were stronger than the protagonist, forcing the protagonist to find ways to defeat them, and he had a sense of crisis, and after defeating, he was hearty.

There is also a clash of ideas.

For example, between the protagonist and Chu Xuan in Infinite Terror, the protagonist feels that he has to protect every team member, while Chu Xuan feels that as long as it is for the good of the team, it is no problem to sacrifice a few people.

Conflicting ideas, you can write all the time. ”