The sand hammer sound sounded softly again, and the castanets "clicked" three times. Pen, fun, pavilion www. biquge。 info

This is a big accident for Liu Le and Li Zumao! Such a light instrument is about to enter the chorus? …… Wrong! This rhythm seems to ...... It seems like......

Le Zhengjun smiled slightly, swayed gently, and sang briskly: "Alas ~ yo ~ alas ~ yo ~ yo yo ~ ala yo ~ alas~~"

The sound of the guitar joins, gently sweeping the chords, the Cajon drum beats the brisk rhythm, the piano sound is faint, pressing the chords lightly, the hammer sound continues to shake, the castanets occasionally "click" twice, and the whole rhythm is 20% faster than the original song!

What's even worse is that Liu Le and Li Zumao's eyes widened! This rhythm, typically, Latin! BossaNova, Pozanova!

Can this song still be picked up like this? The front is surprisingly slow, but the back is more brisk, adapted into Posanova?

No! It's not a later adaptation, but the whole song! The whole song is a Pochanova! Fast and slow contrast, an uncommon means in Boshanova!

That's how he designed it! Latin music, this is a kind of music that can rarely be heard in China! In this way, the whole song is very well designed! I see!

Liu Le looked at Li Zumao next to him, Li Zumao was in a daze, his mouth moved, as if he was saying something.

Le Zhengjun's voice is brisk, not procrastinating, and does not overly interpret the emotions in the song:

"You say~You say I~we~want to~be together~

"Tenderness ~ in the days ~

"It doesn't take ~effort~

"Look at you stupidly~

"As long as I'm with you~"

The occasional insertion of saxophone and clarinet enriches the light colors of this chorus, and the whole orchestration is very surprising and simply amazing!

A chord sweep of the guitar swept through, and the whole brisk passage ended.

At this time, the drum beat suddenly.

Liu Le and Li Zumao listened while counting: one, two, three, four, five!

Slowly, five kinds of drum sounds appeared! In addition, the two drums were placed on the left and right channels as if they were fighting, showing a very three-dimensional effect! The bass drum plays a rhythm, the tenor drum enriches the color of the skeleton rhythm, and the alto drum is a kind of imitation of the bass drum "counterpoint", but it is slightly staggered, so that the rhythm has a rich layer. And the two tenor drums are in the "duet", and the whole one is a "drum fight!" ”

Liu Le was amazed!

The song "I Want Us to Be Together" is not the same as the structure of general pop songs, which are preludes, main songs, connecting parts, chorus, interlude, main song, connecting part, chorus, and ending, which is a very classic and standard pop song structure, and some composers will have some changes in this structure, such as omitting the connecting part, omitting the interlude, or lengthening the chorus, but in general, the structure with the main and chorus as the core will not change. But this piece is different, it is a prelude, a main song, a chorus, an interlude, a chorus, an end, that is to say, this piece is missing the repetition of the main song - no, it is a combination of the main song and the interlude, and the mood of this section is very large, the original composer here has a large number of instruments, the big drum with the tuba, the bass area is thick, the big cymbals are constantly beating, there is a "momentum" look, in fact, it embodies the contradiction and the intensity of longing, which is an unusual structure.

Li Zumao also heard it, the "Wen Zhenming" in front of him, the drastic modification of the whole music, and the combination of "interlude-main song", have been expanded to the greatest extent! The pitch in the song is removed, and the timpani drum is used to express it, only showing the rhythm of the melody, and the background is a complex drum beat, which is the expansion of the contradiction and desire that the original song intended to embody, and a larger one! Because there is no pitch, only the rhythm remains, and it is like a color TV turned into a black and white machine. However, although you will lose a lot of color, there are no immutable rules for music, only how you use it! If you use it well, it is to turn decay into magic, and turn no color into a very colorful!

The first half of Posanova can be said to be very colorful, the mood changes quickly, the processing is extremely delicate, and the expression is very clear. What's more, this drum beat is very well written, not boring at all! It's wonderful to listen to one of these drums alone, not to mention five drums! That's the level! The layering of music comes from the vertical structure and spatial structure of the song, and because of the complexity of its layers, it makes people want to listen to it.

Liu Le sat in the judges' seat, and when he heard his old friend beside him, Li Zumao scolded in a low voice: "! ”

Liu Le almost didn't laugh out loud, Li Zumao, as the top pop music master in China, is naturally very famous, and what he relies on to become famous is that the music he often writes is very inspirational, or very vicissitudes, or full of rich life philosophy, Liu Le ridiculed him for "selling music chicken soup", although Li Zumao does not admit it, but he has always regarded himself as a "generous elder", and he is indeed a very decent gentleman-like character and a moral gentleman.

This song is so wonderful that it can make this "saint" open his mouth to scold foul language!

It's wonderful! This Wen Zhenming has the ability!

The shakers and castanets go first, and the chorus is introduced again, in which two new instruments, the cello and the violin, are inserted, and the two complement each other, each playing its own melody in response, and there is a faint connection between the two melodies. Liu Le nodded, this is really the handwriting and habit of the academy.

"Alas, yo

"You said you said we should not be together

"Tender days

"It's a no-brainer

"Look at you stupidly

"Just stay with you

"Alas, yo

"I said I wanted us to be together

"Tender days

"It doesn't take much to love you

"Look at you stupidly

"As long as I'm with you"

At the end of this chorus, suddenly there is a sound tree, a pipe clock, and a harp, and the whole ending is full of a dreamy color, and the last sentence, Le Zhengjun took a deep breath and lowered his voice, very strange, with an inexplicable enthusiasm and desire, singing: "Unlike now, it can only be distant, singing you~"

The five drums reappeared, only this time they were quieter and slower, and they slowly beat the rhythm, and the sound gradually became smaller and smaller......