It cost more than 1 million yuan to issue bonuses this time, but Liu Fei was not distressed at all, these are what they deserve. Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

After Le Zhenghong got the money, he thought that he had two senior brothers and two senior sisters who often called to ask about him, and asked if the company still had to recruit people from time to time, so he stood up and said: "Brother Fei, I have two senior sisters, and the two senior brothers want to come to work, I don't know if the company still needs manpower?" ”

After Liu Fei heard this, he wondered in his heart, didn't Le Zhenghong's senior brother and sister graduate earlier than him? Our company is in need of these experienced and skilled talents.

"What majors are they?"

"A camera professional, an assistant director, a post-production package, and a producer."

"What about the technical experience?"

"They used to work in youth films, but then they felt that the pay was too low, so they went to a private company for three years. They are in the same class as Senior Brother Wang, and they have a lot of experience and skills. ”

When Liu Fei heard that these four people were in the same class as Wang Xiaoshan, he was immediately overjoyed, and he was a talent who needed experience and technology. Because the company seems to be very powerful, but there are very few real masters.

"How was they treated before?"

"There are more than 2,000 and more than 3,000, if it is an important person in our company, they do not require much, they only need a salary of 26 to 2,008."

The capital sounds very good, but the treatment is really not good, even if you have a salary of 3,000 yuan a month, you can't save a few dollars. Although Jinjiang City is remote, fortunately, the cost is very low, and the company has food and accommodation, which reduces a lot of expenses.

Liu Fei feels that the salary of 3,000 yuan is really not high, as long as it is a talent, it doesn't matter if the salary is higher, because with them, the company's overall technical strength can be brought up.

"Le Zhenghong, if there are other technicians or experienced talents who have been in the crew for several years, they can be called, but they must be called according to the needs of a crew."

"No problem, I can at least help Phinegola with a whole crew, and they are all experienced talents. Oh! Phineas, do you need any of these positions as producer, director, planner, screenwriter, and art director? ”

"Yes, of course, as long as there are experienced and skilled talents, they can be called, and I want to set up a strong crew, because we are about to go to Tianfu Province to shoot Wuliangye's song MV."

"Okay, I'll try to get them to Jinjiang City at the end of the month."

Although Le Zhenghong has no ambitions, he also knows that a company needs its own team, so as to increase its voice in the company.

When Han Bin heard that Le Zhenghong also pulled people in, he also stood up and told Liu Fei that he had a few friends who wanted to change jobs.

Liu Fei is planning to start filming the micro-film of "Old Boy" after filming the Wuliangye advertising mV, and it would be great if he could gradually build a strong crew.

A regular crew needs too many talents, and if you let yourself train slowly, it will be difficult to train in a few years.

For example, the producer does not have a professional producer in his own company. If this door is divided in detail, there are several departments.

The production team consists of production directors, production and financial personnel, drama and logistics support personnel, etc.

Life production is the management of the life of the crew, everything in logistics, eating, drinking, and sleeping.

The on-site producer is the manager who manages the discipline of the scene and ensures the smooth creation of the main creative department.

Production producer is the person who manages the production and furnishings of the crew's scenes (in the former film studio, the production producer was also responsible for the filming plan of the crew, and this part has been assigned to the coordinator)

As the name suggests, the job of a liaison producer is to contact the management personnel (like the public relations department of a unit) who are in contact with the crew to shoot the scene outside.

Each production department has a production director above, and an executive producer above the production director (some directly face the producer, and the executive producer is between the production director and the producer), and there are a number of drama affairs below, that is, the personnel who do some specific affairs, and the people in the production department do not intervene in the entire artistic creation of the crew, which is equivalent to the logistics department of a unit.

For example, this position is equivalent to the role of the office director of a unit in a crew, belonging to the director department, and is responsible for the shooting plan of what kind of drama, what to shoot every day must be coordinated and arranged, and it must be coordinated with each department, first of all, whether the scene of the art department can be successfully completed, whether the actors are in place, whether the production department has a good connection with the venue, and how many days to shoot with the director, what to shoot first and then what to shoot, etc., is a pivotal role in the crew. As our crew, there is a special coordinator to coordinate the scene with everyone, and the daily shooting plan is arranged by the director and photographer in person.

The director of production is responsible to the producer and is the producer's most important assistant. The main job is to assist the producer in preparing the budget of the film and television drama, formulating the shooting plan, ensuring the normal operation of the daily work of the film crew and controlling the expenditure of funds.

According to the authorization and requirements of the producer, the production director also coordinates and signs the agreement on behalf of the film crew to contact the location and contact personnel. There is also the term "associate producer", who actually performs the duties expected of a producer, and sometimes this title is given to a production director or assistant director in recognition of their contribution beyond their share.

The producer is equivalent to the assistant director of the production, and the main work is responsible for the coordination of the operation of the shooting site, the management of the logistics of life and vehicle scheduling, etc., and the coordination of art props. There are also life production directors and so on.

The drama manager is responsible for the production and handles the chores of the production department. Field service is also called field worker, the general term of on-site handyman, serving various departments on site, such as laying tracks, managing and operating lifts, cleaning and handling on site, etc., which is quite similar to workers.

Advertising promoters, drivers, emergency responders, handymen, etc., belong to the category of the production team and are responsible to the producer and production director.

The director team consists of a director, an assistant director, a scene reporter, an action director, a stunt director, etc.

The director of the director group is responsible to the producer and is equivalent to the general manager of the company. The main responsibility of the director is to guide the activities of the actors and film crew in all stages of the creation of the film and television drama under the financial budget and production plan determined by the producer, and transform the content of the script into the image and sound of the film and television drama.

The assistant director is responsible to the director, and the main job of the assistant director is to work with the production director on behalf of the director team to prepare a practical production plan, assist the director in selecting actors and guide extras, extras and special effects according to the director's requirements. The assistant director is also responsible for the main copywriting work during the filming process, such as actor scheduling plans, production notices and film and television drama submissions.

There are also assistant directors, who assist the director in handling the daily chores of the director team.

Another important thing is the scene note, which is an important member of the director team, responsible for recording everything that happened during the shooting process in detail on the storyboard script, such as scene name, lens number, camera position, dialogue, performance connection, shot length, main prop usage, director's evaluation of the shot, etc., which are used as a reference for the shooting scene and post-editing.

Some of them have auditioned every scene in a storyboard with a script and stopwatch, and after years of practice, they have developed an unusually precise judgment in calculating the showtime of a script scene, so that the script can avoid unnecessary material and determine the exact amount for the investment budget.

The camera crew consists of a videographer, a deputy cameraman, a camera assistant, a mechanic, a lighting engineer and a lighting assistant.

Videographers are mainly responsible for the director, the camera used to shoot the movie, and the camera used to shoot the TV, but the personnel are collectively called the cameraman, and some are also called the cameraman. The cameraman is mainly responsible for the screen modeling of film and television dramas, and obtains the most appropriate photographic images for film and television dramas.

The cameraman selects the camera and its auxiliary equipment according to the content of the film and television drama and the director's requirements, determines the lighting equipment, supervises the work of the camera crew and the lighting team, and determines the lighting and lens exposure of each scene.

There is a chief cameraman in the large film crew, who mainly guides and coordinates the work of each photographer. The Deputy Cameraman assists the Chief Cameraman in shooting, coordinates with other departments on behalf of the camera crew, and operates the cameras.

The camera assistant assists the cameraman in inspecting the machine, participates in shooting tests, and requires light measurement, exposure checking, and shooting stills. There are also assistants who are responsible for receiving, storing, loading and unloading films and tapes. Do copywriting such as photographic records, and contact printing at the same time.

The gaffer is also a lighting technician, and his main job is to complete various lighting effects according to the content of the film and television drama and the cameraman's intentions. The lighting assistant assists the gaffer and is responsible for the safe use of electricity and lamps.

A large crew and an art crew. There are chief artists, art designers, costumes, props, makeup and other teams, and an appropriate number of personnel are arranged according to the needs of scene production and the requirements of costumes, cosmetics and roads during shooting.

The chief art designer is responsible for the modeling of the film and television drama, and the artist must work with the director and cameraman in the preparation stage of the shooting according to the hypothetical scenario of the script and the director's intention, and draw the design drawings of various shapes, mainly including scene design, character modeling design, props design, lens design, and at the same time organize and guide costumes, makeup, props, scenery, scenery painting, special effects art, subtitles and other work during the filming process.

A costume designer is indispensable for a large crew, and the role of this character is to determine the design of costumes based on the design of the director and artists, and to produce and purchase them. The assistant of the costume designer is the costume clerk, who is responsible for managing the costumes and registering them, and is responsible for the connection of the actors' costumes during filming, and the distribution of costumes for a large number of extras.

The costume artist designs the character costume modeling, guides the production of various parts required for the makeup, and completes the character fitting and modeling. During the shooting, he is responsible for maintaining the continuity of the character's modeling, and accurately depicting the different images of the character with the change of age, environment, and mood.

The assistant of the makeup artist is the makeup assistant, who is responsible for the makeup artist, prepares a budget for the purchase of makeup supplies, is responsible for the makeup of secondary characters, etc. There are also hairstylists in costume dramas and some dramas, who are responsible for the styling and production of wigs. There are also body makeup artists who are responsible for the makeup of the actors from the neck down. Now there are also hand models, and some are also subdivided.

The prop master is responsible for the art creation of the props department. Design, organize, make, and purchase all kinds of props. The assistant is the prop operator, who assists the prop master in preparing the props for each scene, maintaining the current props, ensuring the connection during jumping, installing, adjusting and disassembling props, etc. There are also plant props and animal props. Pyrotechnics belong to the category of props, but some have pyrotechnic stuntmen, and the scenery also belongs to the category of props, including carpenters, bricklayers, painters, welders, curtain workers, pasters and other technicians.

The sound engineer is responsible for the design and creation of the sound, and the recording assistant is responsible for maintaining and keeping all the sound equipment, assisting the recording engineer in selecting the venue, operating the microphone boom, straightening the connecting mobile cables, etc. Recordings are now divided into contemporaneous recordings and post-recordings, as well as dubbing, etc., and a recording engineer is also known as a mixing engineer because he needs to mix on multiple microphones. Now some are also called audio personnel according to the TV station, and there are also video personnel, etc.

Liu Fei had a headache when he thought that a regular crew needed so many people, although Liu Fei did not form a regular crew in his previous life, he had been to a regular crew several times to study, and knew the division of labor of a crew and the importance of various talents.