Prologue

This chapter is very important!

Very important!

Because it's an important thing, say it three times:

Very! Heavy! Want!

Let's talk about it first, why did you choose Iruka as the protagonist, some readers may feel that although the author's Iruka is very strong, but in fact, there are not many scenes in the original scene, and everyone is obviously not enough to bring in the feeling, and teaching the disciples to kill the Quartet, it is naturally not as cool as opening a peerless by himself. Pen? Interesting? Pavilion wWw. biquge。 info

So the author wants to say here, like everyone, in fact, the author doesn't like Iruka very much, of course, not to say hate, in two-dimensional words, that is, the love for Iruka is not as good as other characters, which I believe everyone can understand, after all, there is less space to appear, and the characters are not as plump as other characters.

So why use Iruka as the author of this book? That's because, in my opinion, if you wear it on the character you love, then that character is still the person you love? Xiao Li, who doesn't wear frog clothes and doesn't shout the slogan of youth every day, is it still Xiao Li? Naruto who starts with a high IQ, doesn't play pranks, looks like an old god boy, and has a chance to win, do you really think that's Naruto? Hinata who doesn't stare at Naruto silently, cares about every detail of Naruto, sends medicine when Naruto is injured, and faints with smoke when Naruto approaches, is that still the Hinata we love?

Therefore, for these characters that the author loves deeply, the author really doesn't want to change their personalities, or even if they change, they should be influenced and changed in a more sideways way, and their most essential characters should not be changed, such as the kindness of Hinata and Dingji, Naruto's straightforwardness, and so on.

Then, some people may ask, can't we wear them without changing their essence? For example, fusion, devouring remnant souls or something. This is my personal understanding.,The author thinks,The second dimension of their saying to have this quality,A large part of it is because they know less.,In fact,Everyone who has seen the Hokage knows,The overall world view of the Hokage is actually very depressing、Distorted and dark.,If you let them know too many things,It's really hard to say whether they will have an impact on their growth.。

Here comes the second issue, which is the question of style. Some people will think that you are writing a real-world story, so you can't avoid being involved in the darkness behind most of the original work. Political struggles, power struggles, careerists, and so on and so forth.

Then the author wants to tell you the basic logic of the author's second writing,That's the style of painting,The author has always thought that the style of painting of a work is a very important thing.,But,This may be the author's own understanding of the same person.,The author is only writing the same person for the first time.,I don't know if the understanding is right.,But,The author still has to say:The style of painting with the same people is best to be consistent with the original work.

For example, if you write about the Three Kingdoms, you don't write about those fierce generals who are a thousand, don't write about those scheming strategists, you start to write about how to climb science and technology to crush with hot weapons, the author thinks, this style of painting is very problematic, because the biggest readers of the same people are readers who have read the original work or at least know the original work, and the style of your work is not consistent with the original, and it is easy to give readers a "We are really looking at the Three Kingdoms?" Confusion.

Or for the Three Kingdoms,The audience is too wide.,It's no problem for you to give up some of it.,But for anime fandom,Of course, there will be readers who like a different style of painting from the original.,But the author thinks,From the perspective of the audience,,The unification of your style with the original should be the best solution.。

So back to the Hokage, what is the overall style of the Hokage? The Hokage was serialized in "Weekly Shonen Jump", and those who know JUMP should know that the key words of JUMP are "friendship", "hard work" and "victory", so the Hokage, as one of the leading girls of JUMP, is naturally inseparable from these three elements.

Therefore, although the overall world view of the Hokage is very dark and lifeless, the style of painting displayed in front of the reader is indeed positive and positive. Therefore, the author's painting style will naturally be depicted on this basis, although there will be some descriptions of the dark side, but also try not to describe directly.

In addition, why so many doujin people depict the dark side, in the eyes of Chinese readers, most Japanese manga can be said to have a distorted worldview, and many people think that it is because of the relationship between the Japanese themselves. In fact, only China in the world has started to teach the lesson of ideology and morality since childhood, and has begun to teach everyone such things as politics, ideology, social ideology, values, etc., while abroad, as long as you do not enter higher education in philosophy, law and other subjects, even business seems to have only cases, but no general theory. So you should understand by now why the Japanese manga we see often appear some, which look normal, but then think about the country-level depictions that don't even have the strength to make people complain, because manga artists don't understand this at all, they all take it for granted!

This is also the second reason why the protagonist chose Iruka, because he doesn't love so much, so naturally he can let him do something with dirty hands, if you let Naruto or someone else do it, the author really can't do it.

As for the third point, the author's third reason for choosing Iruka is naturally because Iruka is a teacher, and the author agrees that any power system needs to have a complete philosophical system, such as the perfect human system of the Kabbalah Wisdom Tree, the Taoist immortal real person system, and the Tantric seven-wheel three-vein system, and the author doesn't like this very much in Japanese comics. As for the road that should have been from a lofty position, it can only be described in two words. This is simply unbearable for the author, who is extremely fond of religion and Chinese studies.

But when the author started writing himself, I found that it was not unreasonable for cartoonists to write like this, because it was very difficult to depict the Tao and then extend it to the law, and if you didn't pay attention to it, there would be a collapse, so at this point, the author can only be cautious, if you haven't thought about it yet, you can take out other things that are familiar to everyone in the anime and play cool. Thank you for your understanding.

A few final points.

First of all, in fact, you can write this article as a group portrait novel, because after the plot begins, Iruka's role will be reduced, and more will be about the twelve little strong.

Secondly, Iruka's setting in combat power is "one level stronger than his disciples". Using the most obvious level of the Eight Dunjia as an example, if Iruka is ready to hand over the Eight Dunjia to Xiao Li, then he will automatically learn the first door, and when Xiao Li learns the first door, Iruka will automatically learn the second door, until all the eight doors are learned. So, Iruka will be strong from start to finish.

Also, I want to state one thing here, in terms of Iruka's character setting, you may think that Iruka is a bit of a two, like to pretend to be forced, protect the short, and love face, in fact, some of the above are all right and wrong, because the essence of Iruka is not these, I don't know if any readers can guess Iruka's core character setting.

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