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"I heard that Lao Bai is now giving a lecture in Chicago."

"Huh, huh?"

"That's interesting!"

"Lao Bai's lectures are really unique, talk about blowing up one by one, talking about blowing up one by one."

"Do you think you can blow it up this time?"

"Hey, hey, hey!"

......

In the Chicago auditorium, designers stared at Bai Juetong.

Many of these young designers were already excited when they saw Bai Juetong.

"My speech tonight will be combined with the American Pavilion in Barcelona, which I designed, and the content mainly includes three concepts and principles."

Bai Jingtong's eyes were attentive, and he opened his mouth to say.

Standard American English, a loud and rich voice immediately sounded in everyone's ears.

Another World, Mies. The contribution of Master van der Rohe was to develop a style with classical balance and extreme simplicity through the exploration of steel frame structures and the use of glass in architecture.

He established a contemporary standard of popular architecture, and his architectural philosophy permeated the entire modernist architectural system, and he was the father of steel and glass architectural structures.

What Bai Hengtong is going to wave tonight is the banner that belongs to Master Mies!

The masters in front of the stage, the designers, as well as President Masson and the tycoons, listened and pondered.

The theme of the Barcelona Fair is world art, and the requirements for the national pavilion on such occasions are absolutely different from the usual design requirements.

In order to promote the genre, the exposition requires works that can most intuitively express your concept, your wonderful, and your aesthetics, and you need to be instructive and instructive.

After adding these few requirements to the design, the difficulty of the design is undoubtedly raised a lot.

Because it needs to be able to integrate the ideas of modernism and stand at a very high perspective.

Even a few modernist masters dare not say that they can complete such a representative building.

Bai Juetong's voice fell, and pictures appeared on the screens on both sides of the auditorium at the same time.

It is a diorama animation, and there is a modernist building.

Everyone held their breath and stared at it for the first time.

The buildings that appear on the screen are extremely simple, with only a few rectangular blocks interspersed.

A main hall, two annex rooms, two pools, a statue of a maiden, and several walls seem to be all the elements of the American Pavilion in Barcelona!

Most of the designers in the venue were already surprised when they saw this.

The animated camera begins to zoom in and out, and begins to shuttle along the building, outside, inside...

"The pavilion is about 50 meters long and 25 meters wide, and consists of three exhibition spaces and two parts of water."

A very old designer can whisper at the same time just by looking at it.

"The main hall is rectangular in plan, and there are glass and marble partitions in the hall, criss-crossing and continuous, and some extend out to become a wall, forming a semi-closed and semi-open space that is both separated and connected, so that the space between the interior parts and between the indoor and outdoor runs through each other."

"The building is simple and unadorned, and mainly uses the natural colors and textures of steel, glass and marble."

And humane.

The man paused, then continued: "It has a simple and elegant atmosphere." ”

"The flat roof of reinforced concrete was supported by eight nickel-plated steel columns with a cross-section, and the walls could be freely arranged piece by piece because they were not load-bearing."

"The wall is connected to the ceiling, and the glass wall is from the ground to the ceiling, so there are no transitions or connections like traditional treatments."

Jackie Jackie. Derick pondered and analyzed: "This approach gives the impression of simplicity and clarity. ”

"The use of different colors and textures of limestone, onyx, glass, carpet, etc., but also show a luxurious style."

Adrian in front of the stage. Smith's face was cautious: "Master Seamus." ”

"I wonder if you've noticed the proportions of this pavilion plan?"

"I seem to see some shapes with integer proportions appearing."

Seamus. Chevas listened and nodded slightly: "There are 1:1 squares, 1:2, 1:3 rectangles, and close to 2:3 golden ratios." ”

"The main glass wall is 1:3, the travertine and marble walls are 1:2, and the agate stone wall is close to 1:3."

"This plane seems simple, but every detail is worth scrutinizing!"

"Emphasis on the use of horizontal and vertical straight lines."

The picture continues to deepen and repeat, and Bai Jingtong only stands on the stage and looks calmly at the stage.

There are constantly analyses and comments coming out of the mouths of masters, designers, and critics.

Among them, a large number of designers looked at the American Pavilion in Barcelona and their hearts throbbed the most, and they seemed to see their own ideas in it.

They watched obsessively, and they found that their ideas were contained in them and were being presented in a masterful way.

"Awesome, amazing."

Jamie. Master Derick said in a deep voice: "The design of this Barcelona American Pavilion can be called superb. ”

"It has the greatest exemplary effect!"

"I'm sure we've only figured out one percent of what it contains!"

"I seem to see a path in it, but unfortunately it is not the same as my style."

Masayuki Kurokawa withdrew his gaze from the video and took a deep look at Bai Jue Tong: "The extremely short simplicity is the most in-depth proof. ”

At the end of the video, the frame stays at the best overlook.

More than 4,300 modernist designers in the audience immediately looked at Bai Juetong.

Some people even became short of breath, their faces flushed, and the hands on their laps unconsciously grabbed hard...

Inspiration is constantly colliding and blooming in everyone's minds.

The reporters gathered in all corners of the auditorium thought the work was excellent but could not perceive more, but they could feel the change in the atmosphere from the faces of the designers in the room.

So a photo was quickly recorded.

"The first and most important thing about the American Pavilion in Barcelona is the idea."

Bai Hengtong stood with his hands tied, his gaze swept from the crowd, and then he said slowly: "Less-is-more."

"Follow the principle of 'less is more.'"

"'Less' is not a blank, but streamlined. Multi' is not crowded but perfect. ”

"Art depends on, but is not limited by structure, it arises from structure, which in turn requires the elaboration of the structure."

Bai Juetong's words echoed through the microphone in the auditorium.

Every modernist designer listened to every word of Bai Juetong, they took a deep breath, did not dare to make the slightest movement, and listened, remembered, and pondered with a serious face.

"The second principle is circulation space."

Bai Jingtong didn't care about how surging the designers in the audience were, and said calmly and to herself.

"It's a fluid, cohesive, inseparable space."

"This circulating space is rational, orderly, indoor space, it is static, its purpose is practical."

When this sentence sounded, the eyes of most of the designers in the audience widened again.

For the architects who came out of the academy, for these architects who were more or less subject to the definition and limitations of architecture by various ancient Western architectural schools, this kind of space, which is completely different from the previous closed or open space, completely created another concept!

"The third principle is total space."

"The large space is divided into several smaller spaces that are interconnected, and when we remove the partition walls, what is left is a large space as a whole. In this space, we can arrange it at will and transform it into any form we want. ”

Bai Jingtong paused slightly, and then continued: "This is different from the view that our modernists once dominated, 'form obeys function'. ”

"I think people's needs will change, today he wants this, tomorrow he will want that, and the architectural form can remain the same."

Three principles were thrown out and soon took over the minds of the modernist designers in the auditorium.

The three-point concept of another world, integrated into every inch and every wisp of space in modernist architecture, was proposed for the first time in this world, forming a strong sense of impact on modernist designers.