Name: Chitanda Airu. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 ｉｎｆｏ

Gender: Female (e.g. flower, beautiful).

Stunt: Put your face in front of someone else's (especially the opposite sex), beaming with purple eyes, and saying I'm curious.

Ability level: EX or bug level (Especially for the opposite sex, this daily skill is like a spell, making it impossible for others to refuse her request.) ）

In the mystery story, Sherlock Holmes needs Watson, and later "Watson" has basically become the standard for all detectives, and in the story of Bingguo, the heroine Chitanda Airu is an indispensable character, and most of the actions of the male protagonist Oriki Buntaro are driven by her.

This is a factor in the setting, because the male protagonist is set to be a person with strong reasoning and observation skills (as far as high school students are concerned), but his character has a very lazy disadvantage, he is a super trouble-prone energy-saver, which determines that he is a character who will not take the initiative, and at this time he must need a curious and heavy character to promote his activities.

And this character's role in the work must be sufficient, so her identity setting is about to come out:

Heroine.

In the first episode of Bingguo, the male protagonist Oriki Buntaro helps the heroine Chitanda Airu solve the question of why she was locked up in the room of the classical department.

In terms of reasoning, this is a rather weak plot, according to the general way of writing detective stories, don't die a person, and the detective pushes a hairy reason.

However, this is precisely the most distinctive and attractive part of Bingguo, because this is a campus story with realistic ribbons that is close to life.

Campus reasoning must have the shortcomings of weak reasoning plots, which is inevitable, and real campus reasoning is probably like this - if there is really campus reasoning.

Because it is impossible for anyone's school to die at will, and then the police are not dry, and they will not turn to "high school detectives" for everything.

"The daily reasoning story of the undead",Because of such a story positioning,Bingguo is destined to be a work that can't be popular.,In fact, before the animation,Bingguo's original novel "Classical Department Series" has been in a state of obscurity.。

Because of the comic style and story style, Bingguo's comics are at most a niche work that can have a group of die-hard fans.

Temperamentally speaking,Bingguo's animation has a little "petty bourgeoisie" and bookish works.,People who like it like it very much.,People who don't like it are attracted by the style of painting and watch it for 5 minutes.,You'll immediately click X.。

There are no grand scenes in Bingguo's story, no bizarre worldview and extraordinary settings, and the male protagonist is just an ordinary person with talents that do not exceed reality, and Bingguo also avoids the infinitely tangled polyamorous feelings that are inevitable in most daily animations.

On the whole, whether this work is placed on a shonen or shoujo manga, it will be a position between popular and unpopular.

This is different from the previous another, although it is impossible for another to sell millions of sales, but it is a work with a clear audience, that is, that work is drawn for readers who like suspense and thrillers.

But if you want to say that Bingguo has a clear positioning, in fact, there is none, and it is difficult to imagine that junior high school students, the main force of buying shonen manga magazines, will like such grinding and chirping stories.

But why did Shizu Miyahara put this work, which is a bit ahead of its time and doesn't have much chance of being a big hit, on me? The reason is simple, because not all shonen manga magazines are shonen style.

Shoujo manga magazines and shonen manga are incompatible, but shonen manga magazines can accommodate shoujo manga.

A bit contradictory? Why is it so inconsistent with the shonen-oriented magazines that appear in the shoujo magazine, and there are one or two girly manga in the shonen manga or simply the shoujo manga?

The reason is simple, because the audience is different, and the audience for shonen manga is larger and the readership is more complex, so diversification is one of the basic policies of shonen manga.

Is there anyone who likes shoujo manga who likes shonen manga? Yes, it's just that this is rare, but are there people who like shonen manga who also like shoujo manga? Yes, and not a few.

Jump will serialize both dark youth-oriented works like Deathnote, as well as harem-colored love comics like Tolove and pseudo-love.

"Friendship, hard work, and victory" is the main policy of Jump, but it is not the only policy.

For me, girly style is just one of diversity.

The manga version of Bingguo, the story stage has also undergone certain modifications, at least it has nothing to do with Takayama City in northern Gifu Prefecture (the hometown of the original author Yonezawa Honobu) in the prototype of the story, not that Miyahara Shizune is not familiar with it, but there is no reason to copy even the background stage.

Although the city in which the manga takes place is still called Kamiyama City, all the scenes that appear in the manga have been replaced with Toshima Ward, Tokyo City, where Miyahara Shizune is located, and the prototype of the school in the work has also been replaced by Kawasumi Junior High School, where he attended.

This also leads to a slight contradiction between the background of the story and reality, for example, in the story setting, Chitanda Airu is the daughter of a rich peasant family, but in fact, it is basically impossible for a rich peasant to exist in Tokyo. But this grafting doesn't matter, it's just a comic book after all.

Bingguo still adopts a realistic background treatment, but Miyahara Jing has no plans to do a "holy land tour", at least for now, because it is too early to do this, and the use of real scenes is just to test the water when necessary.

Although the ice fruit cannot be compared to the "k--on" (30 billion yen), which is the source of the powerhouse, and the most powerful delicacy, the most popular delicacy, the horse monkey shochu Daenjin (40 billion yen), after the animation of Kyoto, the annual tour of the sacred land by ice fruit fans will bring about 2 billion yen in tourism revenue to Gifu Prefecture.

In terms of influence, because of those hardcore fans, Bingguo is one of the few works that can spill its influence out of the home circle.

It's just that if you want to wait for Bingguo to exert such an influence, it's impossible to rely on comics alone, and you have to wait until it's animated, so for now, it's better to serialize it silently.

As for the question of the level of reasoning, it is enough for a work like Bingguo.

This is not Danganronpo, there is no need for dead people and "super-university detectives".

The heroine Chitanda Airu's "I'm curious" needs a "seemingly reasonable" explanation, not necessarily reasonable in real life, in fact, a lot of the male protagonist Origi Buntaro is actually subjective assumptions, which is especially obvious in the follow-up plot of buying stationery with counterfeit money.

A lot of his reasoning is based on imagination, not evidence, in a word, this is a "detective" who can especially exert subjective initiative, and from this point of view, he is not even as good as the sharp-eyed Rabbit Mi-chan...... If he wants to rest in other reasoning, he must belong to the kind of existence that is hanged.

But this is no problem at all, what kind of reasoning is needed, the reader can actually judge, because they need "to look reasonable" many times, most of the time, not reasonable itself.

ps: Thank you for the reward of the book friend.