Du saw the little master jump on the back of the big fish to chase the No. 1 yacht, and the little master also jumped down. He regretted not being able to join the little master. As soon as he thought about it, he knew that something must have happened there. He also saw a white silk scarf sticking out of one of the windows on Yacht One.

This is a distress signal. The little lord was desperate to come to the rescue, and Du guessed that the man might be Nenggong. The former president also knows a little bit about it, he was persecuted by that bad boss, he was hijacked on a ship, and that's it. However, how can I help the little master, Du thought, when he saw the constantly busy director, an idea came out. The director likes ghost tricks, so he will go to Yacht No. 1 in the name of filming and do a fake scene, and then he can take advantage of filming to rescue Neng Gong and the little master together.

As soon as he told the director what he thought, the two hit it off. This is a good idea, this is the first time he has filmed in a real state. Du didn't tell him Nenggong's background, he didn't know what was going on, he didn't want to know what was going on, he was only interested in filming, for him, as long as there was filming, so there was a scene where the director's camera chased the No. 1 yacht and went up to film.

According to the content of the original script, Sheng and his father met, and after the marriage was rejected, they returned to her small fishing village with Mei, and the two lived the life of an ordinary fisherman. Every day, Mei goes to the sea to catch fish like a man, Sheng reads in a grass hut, or sketches in the sea. But some people are not used to this situation, especially the women in the village. A man's family does not go to the sea to fish, and spends all day at home writing and drawing, and there is no food to eat, and the women are chattering and pointing together.

Life in this small fishing village near the sea is difficult, the atmosphere is simple, the men go to the sea and the women weave nets, and there is no time to speak ill of people behind their backs. Ever since this handsome man came, the women couldn't sit still, staring at this couple, wrapped up all day long, saying that Mei shouldn't "marry" such a man back, which ruined the atmosphere of the fishing village. They said that with this example, the men will learn from him and not go to the sea in the future, how will that man live?

Sheng ignored them, still looking at his calligraphy and paintings. Of course, this boy, who grew up in a privileged circle, would not have a problem with these village women. Sometimes, the women deliberately shouted that he was not, and the handsome man ignored the girls as if he hadn't heard, which was very embarrassing to the women. They became bold, and simply whispered under his window that this foreign man was not, so that Sheng could not calm down and paint, so he took his paintbrush and easel and went to the sea, and painted against the sea until sunset. At this time, Mei also returned from the sea, and the two held hands and returned to their thatched hut together.

In this way, the two went to the beach together every day, one went to the sea, and the other painted on the beach. The women of the village had no choice, they couldn't chase them to the sea. Until one day, the people who were painting on the seashore did not wait for the people who were catching the sea to come out. He just waited, looking at the place where she came out of Haichen every day. It was dark, and she still didn't show up.

The women of the village knew that Mei had not come out of the sea, so they advised Sheng not to wait, she would not come out. They told him that this was the most dangerous time of the year, and that Mei's father did not come out of the sea at this time, and that her mother went down to the sea, and finally left with her father, never to return.

This is the fate of fishermen, the sea has nurtured them, and their final destination is also in the sea.

Sheng didn't believe it. Mei must have been stumped by something, she knew she was waiting for her, and she would definitely come back. Every day, he still went to the beach at this morning, painting and waiting for the charm, until the sun went back to the grass hut alone.

The women who had hurt him before couldn't help but feel a little distressed when they saw this handsome man so infatuated, and they quietly put food on the windowsill of the thatched hut.

"Click" degree knocked on the board at the camera. This drama has come to an end.

"Good!"

The director clapped his hands and said, this is what he often says when he is satisfied. The assistant then tells the actor about the following play.

A year later. A luxury yacht came to the beach in the fishing village, and a middle-aged man came down from it, followed by a young man who looked like a sheng. They are Sheng's father and elder brother. The children in the village took the father and son to the grass house, and by this time Sheng had fallen ill in bed. After a while, the villagers saw Sheng being carried onto the yacht by his father and brother.

A few more years passed. A handsome man came to the fishing village, and some people recognized him as Mei's husband Sheng.

'He's coming!']

In the village, women and children ran to tell each other. There is no title, but everyone in the village knows who "he" is. It didn't take long for everyone in the village to know that the handsome man had returned.

Sheng looked at the thatched hut from afar. Thinking of the scene when he and his wife fell in love in this thatched hut, I couldn't help but wet my eyes.

"Girl, your dad is back!"

A woman shouted into the hut, her voice tinged with joy. A girl of three or four years old ran out of the hut and stood timidly in the doorway, looking at the man who was said to be her father. Sheng walked up to her in surprise and crouched down, carefully studying her face.

It's a miniature version of the charm. The shape of her face and mouth were the same as those of her mother, and from those clear black pupils, Sheng saw herself.

"My daughter, are you my daughter?"

Sheng muttered as he reached out and stroked the little girl's face.

"Mom, tell me, what about your mom?"

The woman next to her motioned for Sheng to come into the room and speak. Sheng carried the girl and followed her into the thatched hut. The house is still the same as it was a few years ago, not at all. Sheng couldn't help but burst into tears when he saw it.

The woman told him that one day, not long after he had gone, he heard the cry of a child in the hut, and ran to see that it was a little girl. Everyone guessed that it was the charm of the child, she didn't die, but she just didn't see her. Everyone saw that this child was pitiful, so they raised her together, and she grew up eating the hundred family meals in the village.

After listening to this, Sheng hugged the child and cried silently.

"Daddy is late, Daddy is sorry for you!"

The woman wiped tears from her eyes. Sheng stood up and bowed deeply to her. Sheng is not good at talking, and all his thanks are here. The woman quickly picked him up and said,

"We are little fishermen's women, our mouths are annoying, but our hearts are not bad, as long as you don't hold a grudge against us. ”

In the face of the nurturing grace of the villagers, Sheng didn't know what to say.

Sheng took his daughter to live in a thatched hut and taught her to write and draw every day.

Every day, the people of the fishing village saw the familiar sight again, a handsome man waiting for his wife while painting on the seashore, and a little girl beside him.

Originally, Sheng told his father to come and see his thatched hut and go back. The charm is gone, and he has no worries here. Now that he has a daughter, he has changed his mind and lived here for a while to get acquainted with her, and then he has a new decision in his heart.