Miyahara is very sincere, but is he telling the truth?

Of course, to be honest, it's not how much he trusts a cartoonist who hasn't proven his talent yet, but in his memory, the cartoonist will prove himself later. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

Therefore, his trust comes from "succession of facts", not from any prejudgment.

This is Ken Ohata, and if he were a manga artist who hadn't heard of his name, he probably wouldn't have shown such an attitude.

His first meeting with Ken Obata can be described as the young president of the manga publishing house, who touched the down-and-out manga artist and made him know that as long as he persevered, he would always encounter something good......

And then what?

No then.

Touched but not eaten, emotional inclination is one thing, life attitude and career choice are another, these things are impossible to mix up as an adult who is nearly thirty years old.

Miyahara Shizune would not force the other party to make a choice immediately, because he felt that it was impossible to let Ken Obata leave Shueisha without saying a word anyway, at least not until the puppeteer left was cut in half.

Every street hits has a hope in mind, maybe when the popularity of the work will rise?

Fortunately, at this time, the publishing house will wield a cruel knife.

When the puppeteer is over, probably Ken Obata will leave Shueisha and throw herself into the arms of Hibiscus Society.

Is today's conversation meaningless? No, it means a lot, Miyahara Shizu's words, the introduction of Hibiscus Society, what is superior to Shueisha, and what is suitable for drawing manga artists, all of these are passed on to Obata Ken through this conversation.

In the dead of night, whenever Ken Obata thinks about his reasons for hitting the street, these words will appear in his mind over and over again.

Every time he thinks about how to keep from hitting the streets, an answer naturally emerges - leave Shueisha and go to the younger Hibiscus Society.

As for the question that Shuei Society will not release people at that time, there is no problem, or that sentence, now Ken Obata himself is not taken seriously at Shueisha at all, and in Shueisha, there are more manga artists like him who have not achieved results for ten years, and how many have suddenly exploded? How many can become famous halfway?

So for such manga artists, Shueisha itself is not paying enough attention.

If you don't have popularity, you don't have results, and you won't be taken seriously, and it may be a bit inappropriate to say that you want to stay at will, but if Ken Obata wants to leave Shueisha, I guess he can do it himself.

After all, he is not Yuhiko Inoue, and the difficulty of leaving Shueisha is not comparable to Inoue at all.

If the puppeteer pounces, and Ken Obata still has to rely on Shueisha, then there will be a new wave of temptation.

Left near the pounce, it doesn't matter, come to the Hibiscus Society, we have Zuowei, Zuowei will definitely not be able to pounce.

If Sawei's lure is unsuccessful, then it can only prove that Ken Obata is stubborn, sorry, your friend Hikaru Shinto left you......

Next, your friend Night God Moon leaves you......

Your friend Majo is the highest away from you......

Then, just stick to Shueisha, persistence is victory.

After doing the previous points, from the perspective of a black-hearted businessman, Miyahara Jing can be said to be benevolent and righteous, and he can pat his chest and say "I am a good person".

If Ken Obata "cherishes life and rejects temptation", then Shizune Miyahara "If the enemy does not surrender, let him perish".

All in all, if you want to seduce someone, it's really tiring.

…………

The manga artist who took the initiative to poach has not yet been found, and Miyahara Shizune herself is not in a hurry, but if you want to get Ken Obata's answer, it is estimated that it will have to wait until after next year.

But the cartoonists who took the initiative to give their arms to the hug can't let them run away this time.

The first to bear the brunt is Takahashi and Nozomi.

According to the opinions of both Miyahara and the editors of the draft, Yu-Gi-Oh was quickly established as a candidate for the Hibiscus Society Manga Awards.

The prize of 10 million is already beckoning to this manga artist who is much worse than Ken Obata (considering the background of magic change). After all, Ken Obata can still publish his works normally, but he has been hitting the streets and can't prove himself, while Takahashi has been rejected by Shueisha.

The call for submissions for the Hibiscus Society Manga Award has been going on for some time, and this award did receive a lot of attention from cartoonists at first because of the prize money, but the most enthusiastic period has passed, and in fact, no matter how hot the award is hyped and how attractive the prize money is, there are still many people who don't believe it at all.

10 million is not a small amount, how can a comic publishing house be willing to pay so much money for a newcomer's new work? It's true that the money of the publishing house is blown by the wind.

So this group of so-called "rational people", when this amount of bonus was revealed at the beginning of the award, they judged that it was hype and gimmick, and some comic critics or critics swore in the tone of an industry insider that this was the hype of the Hibiscus Society, and in the end, the 10 million prize money would definitely not be awarded, and the reason was very simple, the prize was too high, and there were no heavyweight works that could match it.

This opinion can't be said to be wrong, because in essence, this is really a gimmick, but in fact, Miyahara Jing does not hesitate to give such a large amount of money, if there is really a work of this quality, he would like to award ten or eight times at a time.

If the first Hibiscus Society Manga Award can produce five works of the level of Yu-Gi-Oh, let alone spend 50 million in bonuses, even if it is 100 million, Miyahara Jing should be secretly happy.

10 million, in extreme cases, ODA girls will come out with half a song, okay?

But this is not possible, excellent works are always rare.

Now that the explosion point of the Hibiscus Society comic award has passed, the popularity has decreased, and the prize money is doubtful, it is better to create a new explosion.

So after the meeting with Ken Obata ended, Miyahara decided to announce the news that her works had been selected before the scheduled announcement date of the awards.

We're really not short of the 10 million, as long as the quality of the work is up to standard, let's rush to stuff money for cartoonists.

So after confirming that he could get selected, the editor of the Hibiscus Society immediately contacted Kazuki Takahashi and, in the disbelief of the other party, announced that he had touched the edge of the Hibiscus Society's manga award.

The next thing he's going to do is two things.

First, consider the potential of Yu-Gi-Oh to change the length of the story, and try to submit a storyboard after ten episodes for the editorial department to determine the quality of the work.

Second, sign a contract with the Hibiscus Society immediately.

Yu-Gi-Oh's storyboard,Takahashi drew a lot of them before.,Not to mention the storyboard.,Even the original manuscript he made a lot of.,So it's no problem at all.,Soon he came to the Hibiscus Society with all the materials.。

Then, an article that was clearly paid for appeared on many newspaper pages:

"How many rejections have you left the door? Is the quality worrying or is it illiterate? Kazuki Takahashi: My 'Yu-Gi-Oh' won the Hibiscus Society Manga Award in advance! ”

The name Kazuki Takahashi and Yu-Gi-Oh became famous in manga circles in a very strange way.