Dare to use ancient poems as a blueprint, dare to declare loudly, and recreate the peach blossom source of the present world, this world, there is probably no one except Bai Juetong. Pen "Fun" Pavilion www.biquge.info

There is a lot of trouble, in the island country, not everyone knows it, but it is not far off.

Time passed little by little, and shortly after the report, Jingmo flew to Tokyo to negotiate with related conglomerates for Muji, during which he was perhaps worried that Jingmo would be alone in a foreign country, but Banxia spontaneously followed to help.

Two girls with very different styles but not graceful styles have signed contracts in various cities of the island country, as if they are intending to compete, and neither of them will give way to the other...

At the same time, the two were also putting themselves in each other's shoes to experience their own joys, sorrows, and sorrows, and unconsciously felt a little sympathy for each other.

The Barcelona World Expo is still in full swing.

Around the world, tens of thousands or hundreds of thousands of visitors shuttle between national pavilions every day.

In this exhibition with the theme of world art, there seems to be no doubt that China has become the biggest beneficiary, and the Chinese Pavilion is peerless!

Chinese culture and art are gradually being liked and obsessed by more and more people.

But when the four-month fair came to an end, it was the beginning of August, and an event that shook the world design field was born and went down in history.

There were nine experts from various countries in the fields of architecture, expos and urban planning, more than half of whom were from the European Classical School region.

Nine experts jointly signed an epoch-making paper report.

The content of the report is integrated with the theme of the World Expo, and provides a comprehensive analysis of the content of the presentation, messaging, educational significance, and related to the sustainable development of the city.

In the end, they gave the highest praise and evaluation to the American Pavilion at the Barcelona Fair!

"The current form of architecture is far behind the needs of the rapidly developing industrial age, and the American Pavilion is the perfect example of this," they said. ”

The report was so detailed that every point of view went straight to the point, and as soon as it was issued, it caused an uproar at breakneck speed.

More and more architectural critics and designers have begun to face up to the connection between architectural art and the development of the times...

There are supporters!

There are even more naysayers!

Every day in the major media, you can see experts who support both sides debating the core of the American Pavilion!

In the European world, there are sensitive people who stare intently at the distant sky, their faces are serious, and they only say in a deep voice: "The sky is about to change." ”

No one would have thought that at the end of the Barcelona Exposition, the influence of the American Pavilion would be opened up in such a form, and it would counterattack at such an astonishing speed!

The noise of the outside world did not disturb Bai Jingtong's mood in the slightest, and he seemed to be out of the world.

In just a few months, the scene was depicted bit by bit in the island country.

On this day, in the tea room, Bai Hengtong and Sect Leader Mihideko Koyama sat opposite each other.

Two fragrant teas emitted a faint white smoke on the coffee table, took a sip of the first half of the tea, and exhaled lightly...

"Sect Leader Mihideko, these are some of the concept maps, please check them out."

Bai Jingtong said, handing a drawing to the Sect Master of Mixiuzi.

The progress of the art museum design is not slow, and Bai Jingtong is ready to report the progress to the big donor.

Seeing that Sect Master Mixiu was browsing the drawings, Jue Tong paused, opened his mouth to explain, and his voice was particularly crisp: "The core concept of Meixiu Art Museum is the integration of nature and architecture. ”

First, he set the tone, and then Bai Jingtong continued: "In my design, the art museum is built on a hill..."

"I think that if you look at it from a distance, the roof of the exposed part of the ground should meet the curve of the peaks, like a wave in the rhythm of the mountains. It is hidden in the midst of thousands of greenery, and it maintains the harmony it deserves with nature. ”

Mihideko Koyama slowed down the movements in her hand and listened intently to Bai Juetong's words.

"In terms of its spatial configuration, the art museum should be like the artistic conception of the Peach Blossom Spring, and should have the interest of a Chinese garden tour."

Bai Hengtong pointed to the concept of a master plan in Mihideko Koyama's hand, and said in a deep voice:

"It will show different spatial scenery as the visitor moves, so as to experience different artistic conceptions."

"The path is very philosophical, and it is not unreasonable to compare the whole process experience to the journey of life."

"Walking through the crooked tunnel, only to see a faint glow at the end of the tunnel, but not knowing where it leads? How is this not a particularly zen scene, how is it not a brief and quiet moment to think about the ultimate meaning of life. ”

Along the path, the ordinary tunnel is designed to make it a scene in the peach blossom garden.

Through the opening of the tunnel, light spilled in, fitting the sentence: "There will be a mountain, and the mountain will have a small mouth, as if there is light." ”

Outside the tunnel, a peach blossom forest is planted, which corresponds: "Suddenly meet the peach blossom forest, hundreds of steps between the shore, there are no miscellaneous trees, the fragrant grass is delicious, and the fallen flowers are colorful." ”

As she continued to depict, Sect Leader Mihideko Koyama nodded from time to time, and her peaceful eyes were replaced by a constant flickering longing.

In the representation, the once controversial suspension bridge that needed to cross the valley took a lot of time, and he developed and designed it specifically for the museum.

The final suspension bridge, which can be called unique, leads from the tunnel that connects to it and you will see the main entrance of the museum.

The entire structure adopts an asymmetrical multi-suspension cable structure, with a custom curved steel as the main support structure, forming a perfect arc and hinting at the magnificence and depth of the museum in front of it.

Although the entire museum is not yet finished, every detail is exquisite, and it undoubtedly shows the ingenuity of the designer!

After a long time, Bai Jingtong closed his mouth and stopped talking.

He took a sip of hot tea, and his gaze fell on Sect Leader Mihideko Koyama.

The sect leader was a little distracted, as if he was imagining, imagining what the museum would look like after it was established.

Bai Jingtong didn't know how happy Sect Leader Mihideko Koyama really was with this peach blossom paradise after the completion of the art museum, and it also truly reflected her cleanliness and utopia for aesthetics.

In later generations, there were examples of the cleanliness of Mihideko Koyama's aesthetics.

No vehicles are allowed between the reception center and the museum, and even if visitors are transported, they can only be carried by special white electric vehicles.

Because only the pure white electric car will no longer pollute the beauty of the place, it will quietly shuttle between the reception center and the art museum.

Even the driver of a white electric car can only wear a white uniform...

In later generations, there was Mihideko Koyama's utopian aesthetic operation of the art museum.

There is an anecdote that it was a carload of foreign tourists who came to the Meixiu Art Museum on a rainy day, and when the car was parked, everyone was getting out of the car and holding umbrellas to protect themselves from the rain.

However, when the staff of the art museum came to stop them, the staff asked everyone to leave their umbrellas in the car, and they sent a whole row of ochre-red umbrellas with the word Meixiu printed on them for everyone to use.

This is an umbrella that does not want travelers to be colorful and disrupts the visual unity of the utopia...

Countless details show Mihideko Koyama's cherishing of the museum, and even if some people criticize it as an almost fascist aesthetic demand, they have never received a single response from the former.