Judging from the comparison between the whole work and the original work, the strength of the adaptation is still relatively large, especially in the nameless identity of the actor. Pen? Interesting? Pavilion wWw. ｂiquge。 ｉｎfo

In the version of the magic change, the experience of the nameless character is more complicated, after all, it goes through two countries, but in comparison, the psychological structure of the nameless in the original work is more complicated.

The nameless in the original work is a hybrid of Japanese and Southern Barbarians, and has been bullied to a certain extent since he was a child, which is somewhat similar to his experience in China in the Demon Revision, but not exactly the same.

The next experience is better than the original, because the nameless in the original work participated in the chaotic war of the Warring States princes as a samurai, and that experience made him undergo a major transformation, and sealed the sword for this, and he wanted to draw the sword several times during his journey with Zaitaro, but he held back.

Objectively speaking, that kind of treatment can make the characters more layered and more vivid, in this version of Miyahara Jingmo, the nameless character is much simpler, the reason for this is very simple, but he thinks that as a martial arts drama of the era, there is no need for overly complex character settings, which is likely to shift the audience's perspective from the action itself.

Nameless's experience of growing up in China is actually a graft on the experience of another main character, Zaitaro, who actually went to China in the original work, and suspected that the chase escaped from China, but Miyahara Shizune made an upside down adjustment of the experience of these two main characters.

In the original work, Taro went to live in China, and it was also because his birthday was a factor, and after the court warlocks of the Ming Dynasty knew about it, he treated him as an elixir, so he fled to Fuso, and the other side would send someone to chase him down.

This treatment is actually more reasonable, at least the screenwriter knows a little about the history of the Ming Dynasty, because there are indeed several emperors in the Ming Dynasty who are particularly obsessed with Taoism and like alchemy for immortality.

This bunch of Ming Dynasty people is the main enemy of the protagonist in the original work, and it is also the party to be defeated, including the final boss of the Southern Barbarian Luo Wolf is actually a Ming Dynasty person, and the Japanese daimyo side is actually a secondary villain, or just a foil.

But there is actually some chaos here, the social environment at that time may indeed be like this, but this will make the audience look chaotic, it is the Ming Dynasty, the Southern Barbarians, and the mixed race of the Southern Barbarians and the Japanese people, and the Japanese people, and with the situation on the OHS side, it is easier to do a war between the two sides than to do a three-way melee.

Of course, there is another reason for this, and the original work has the suspicion of unprovoked black in the form of a country.,Ask for a child born of something.,Daming Kingdom crossed the sea all the way to Fusang? There are so many people in the Ming Kingdom, what kind of children are you looking for and can't find them?

Therefore, in the version of the magic change, the forces on the side of the daimyo have become the main enemy, and it should be regarded as the only enemy, and all the villains, including Luo Wolf, are added here.

Of course, the consequence of this must be to subdivide the daimyo forces into two factions, otherwise it would be impossible to rescue Zaitaro from one of the lords without a single person.

At the same time, the reason for the capture of Zaitaro has naturally changed from the elixir of immortality to an evil sacrificial ritual.

After the adaptation, this story has actually become nothing more than living in the Ming Kingdom when he was a nameless child and learning martial arts, and he wants to show the Japanese-current social style of the Warring States Period, so that it can be more concentrated.

As for the change of Zaitaro's identity,Zhengtai has become Lori,This is actually a completely unnecessary change.,After all, aside from factors other than gender,The character of this character hasn't actually changed anything.,It doesn't matter if you change the gender or not for the story itself.,Of course,Maybe in the eyes of some people,Lori is more lovable.。

To put it bluntly, this is actually Miyahara Jing's bad taste, he thinks that after all, an uncle wanders the world with a Zhengtai, so there is always some kind of impure concept in his mind.

The journey with Zhengtai is too discordant and too dangerous, so it's better to change it to Lori, and the father's love is like a mountain...... Ahem, it's much stronger, isn't it?

On the whole, the story of the magic revision is more pure, without too many lines and clues, more characteristic of the times, and more "Warring States".

Let's talk about a more important role at the beginning of the story, that is, to save the protagonist Nameless, and adopt him, and give him the martial arts master.

There aren't many appearances for this character, but it's very necessary. Why do you want to have a female master for the main character? There is a deep reason for this.

The reason is Miyahara Jing's brain hole, this is an objective thing, as a person who has lived two lifetimes, Miyahara Jing's brain hole is still very strange.

Aside from the category of animation, if you want to talk about action dramas or action movies, not only Miyahara Shizun, but many kung fu lovers in this world will first think of Xiangjiang's kung fu movies.

Miyahara Jing is a person who has seen the rise and fall of kung fu films, but in the post-kung fu era, there are still impressive fighting dramas.

When I thought of this, it didn't matter if Miyahara Jing's IQ was still online or not, but his brain hole had already begun to go online, and the degree of that brain hole was simply fresh and refined.

Isn't OHS animation going to be an action drama, setting the background of the era to the period when the samurai class was flourishing, which is easy to understand, because the best action animations are basically era martial arts dramas, and there is no doubt about it here.

But what if the protagonist is allowed to play with knives? That's so uncreative, don't say that the samurai era was slashed with swords, let's play boxing, so we have to fight boxing without a name, and it is a real Chinese boxing method that can be followed.

But what kind of punch do you want to fight? Please look back at Mrs. Shi.

Yes, Shizune Miyahara is ready to have the protagonist's nameless classmate play Wing Chun......

Quietly this idea...... I don't think anyone thought about it before, right? Miyahara Jing not only thought about it, but as long as OHS accepted his script, this protagonist with a very special Chinese boxing method would meet the audience on the big screen.

Although if you really study the background of the times, this period is actually not quite the same as the period when Wing Chun was born, but who understands this?

If you want Wing Chun to emphasize such technical essentials, if you want to perform it in film and television, it may be difficult, but it will not be too big, and if you want to use comics to express it, it will definitely be quite difficult, as for using animation to make such a real effect, it will not only burn money, but it will be even more difficult.

Because it's not suitable for animation at all.

How can an animation express Kombat like that? I'm sorry, but that's an OHS animation thing, it's not in Miyahara Shizu's business, and he's only responsible for providing brain holes.

He dug the pit, and whoever jumped into it could fill the pit and be able to fill it up. (To be continued.) )