"Utopian design. Pen %Fun %Pavilion www.biquge.info"

"A solution on paper."

In the judges' seat, the masters sitting high looked at the young figure on the podium that was blooming with dazzling eyes, only to see Kenzo Tange, a world-class master of the island country, shook his head and sighed lightly.

"Not necessarily."

Classical genre Marcel. Master Neresky shook his head and chuckled: "Nowadays, technology is developing very rapidly, and if it is fast, maybe it will take another three or five years to give birth to a structure to support it." ”

Marcel's voice fell, and several masters laughed dumbly.

Gradually, they walked out from the surprise at the beginning, and looked at Bai Juetong's plan with indifferent expressions and regrets.

"Continue to appreciate the architecture that is destined to remain on paper, we have only seen its massing relationship before, but we don't know whether the internal function is satisfied."

Martin. There was a slight smile on Claison's face: "It's just a mass, it's nothing." ”

"That's what Master Klaisson said."

"It's just that the better the plan, the more inevitably people will have some regrets."

"The talent of this young oriental designer is indeed very amazing, but it is a pity that his foundation in structure is very shallow, otherwise he would not have made such a work."

Masayuki Kurokawa, Kenzo Tange, and Marcel talked softly.

On their side, the two modernist masters were silent.

On the stage, Bai Jingtong cuts the projected picture to the next page, which is a very clear hand-drawn general map.

The general map shows the Sydney Opera House, the headland, and the connection and transportation between the headland and the surrounding sea and land.

The two masters of the classical school and the two world-class architects of the island country looked at each other with a smile on the corner of their mouths.

The masters of the modernists, Sha Lining, and President Masson looked at each other with serious expressions.

"Very good overall plan, the handling of various relationships is amazing."

Martin. Clayson exclaimed.

"That's true."

Marcel. Neresky nodded in agreement.

Continuing to dig deeper, soon a master discovered something that was confusing.

"Look at the design of the space around the Sydney Opera House building."

Kurokawa Kisho is very sensitive to traditional national culture, and he frowned slightly: "This space seems to be intended to create a different artistic conception. ”

"There's an ancient culture in it."

The maestro sat tall and heard the description, and their attention swept towards the square around the Sydney Opera House on the general map.

"That's right."

Marcel. Neresky nodded, and at this time he did not hesitate to begin to praise the great enemy of the classical genre, and he pointed:

"There seems to be a certain religion, belief and art in and around the square, and it is even commendable that such an ancient space can be perfectly connected with the modernist opera house building, and the transition is very natural and even blended."

"It's really a wild talent."

Master of Eclecticism, Martin. Klaisson interface.

At this moment, between the jury composed of masters, the masters of Western classical schools and American modernists seem to have completely fallen apart.

In the face of Bai Juetong's modernist works, the two masters of the classical school, and even the designer leaders of the island country, did not hesitate to praise at all, but they were smiling and relaxed on their faces.

But on the other hand, the masters of modernism kept their faces calm and never made a sound.

The reporters on the veranda on the second floor took every frame of the photo as usual and sent it to the outside world.

The radio host in the corner of the veranda was still whispering: "What's that?" I seemed to see the interpretation of the Dream Age, and I saw what appeared in the local history of the Sydney Museum. ”

Unbeknownst to the host, as soon as her voice fell, almost at the same time, a dark-skinned old man in the shantytown of Sydney City, very far away from the N.S.W Art Museum, was shocked.

The old man's brows furrowed, and he kept thinking.

"Designer from China."

His old fingers were rubbing, and a figure appeared in his mind, only to hear his whisper that seemed to have some hope: "Could it be him?" ”

The old man quickly stood up, the radio in his hand, and walked out the door with a nervous face.

He heard that there were photos on the Internet that were simultaneously transmitted from the art museum, and he wanted to see with his own eyes the interpretation of the dream era that the host said!

"The reason why I use this shell-like roof is that the structure of the folded panels and shells can create a large space without columns, which is somewhat detached from the building's dependence on vertical support."

Jue Tong cut the picture casually, did not explain too much about the general map, there was a plane of the building appeared on the projection, only to see Jue Tong continued:

"And in the topography of the headland, such a shape will make the building and the environment organically integrated, it will grow out of the earth."

With that, he paced lightly on the podium and continued with his hands tied:

"This opera house will embody a sense of 'lightness'."

"In my country, China, in Oriental architecture, the roof supported by four corner pillars is raised in the middle and gradually lowered on all sides. You can easily feel how rain and snow will drain out of the roof, and if you open the doors around the building and the screens inside, the huge roof seems to float lightly in the air. ”

"Although it is also vertically oriented, there are no heavy supporting walls in the interior. So there is very little feeling of force in the vertical direction. ”

When it comes to traditional Chinese architecture, she looks proud, and her voice is much higher: "My lightness comes from here. ”

Bai Juetong took the initiative to talk about this lightness, when it came to this volume.

Listening to the ears of several masters, everyone shook their heads secretly, the two masters of Marcel looked at the young man with amusement, and the two masters of the modernist school felt a little harsh, and secretly blamed Jutong with a calm face, accusing him of why he didn't find a structurist to discuss.

"The opera house I designed is made up of three huge shells that stand on the base of a cast-in-place reinforced concrete structure that is 186 meters long from north to south and 97 meters wide from east to west."

His eyes swept over the faces of the judges, and he understood their reaction only in his mind, but he didn't care, he was like a master of the classical genre, with a light smile on his face, and began to explain the plan in depth, from the plane to the details, to the façade and section:

"The first set of shells is on the west side of the lot, and there are four pairs of shells arranged in a string, three pairs facing north and one pair facing south, and the interior is the large concert hall..."

"The second group is on the east side of the lot, parallel to the first, in the same form but slightly smaller in size than the opera hall..."

"The third group, to the southwest of them, is the smallest, consisting of two pairs of shells, and in my design, this would be a restaurant..."

The voice is deep and high, and he talks eloquently.

The masters restrained their emotions and listened again.

As they went deeper, they continued to marvel again.

"The arrangement of the internal functions, the use of opera and music listening is very perfect and classic."

After a long time, Marcel. Master Neresky praised.

His voice fell, leaning back slightly in his seat, a smile on his face.

"The flow and details of the building, even the acoustic treatment, are extremely rare."

Martin. Master Klaisson, shook his head.

"The opera house is a utopian building, but it's truly integrated into the vision of its designer."

Master Kurokawa Kisho praised.

"It's very amazing, and he deserves to be the first young designer in the world to reach the level of a newcomer."

Kenzo Tange showed regret, but followed suit.

The two masters of modernism, President Masson, glanced at the four, annoyed but silent.

At this time, the outside world.

The dark-skinned indigenous elder finally found a computer with Internet access in the home of a young man of his own ethnicity.

Among the pictures circulated by many journalists, the old indigenous man and even the young man who operated the computer recognized the general picture from the many photos at a glance.

Their bodies trembled, and their eyes widened.

When their mouths are open, they will exclaim!

"Quick, you go and search for the information of the Chinese white dove designer."

The old man was the first to come back to his senses, and his breathing became short, and he shook the young man to keep urging.

"Yes, good Elder."

The young man quickly typed out Bai Juetong's name on the search page while browsing the web.

'World's Most Outstanding Young Person'

'Head of the Grand Louvre Project'

'Beginner Designer'

......

The evaluations that make people look up and are shocked are the first to appear.

Soon, the young man found basic information about the white dove tree, and at the same time saw a photograph of the Chinese designer.

"It's him!"

The young man let out a low breath.

"Sure enough, it's him!"

The old native's face showed excitement and he clenched his fists fiercely.

Turning around a little nervously in the room, the old man kept recalling the words that Jutong said to him when he was on the side:

"I believe this will always be your holy place, and it will be a holy place for all people in the whole city of Sydney, all of Australia..."

Thinking of the general picture he had just seen, the old man suddenly had a great desire in his heart.