In the third issue of the special issue of Simiel, he began to publish a five-word short story "The Twilight Girl" by Hyakumui Ghost. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 ｉｎｆｏ”

In the fourth issue of the special issue of Simiel, a short story of four paintings by Yuki Midorikawa was published, "The Forest of Fireflies." ”

In July, there were no new short stories.

In fact, at this time, some readers have already reacted, the style of these short stories is simply highly unified, but the direction of unity seems a little wrong?

Then, on August 1st, the last issue of the special issue of Simiel, and the first issue of the monthly magazine Maiden Lower Simiel, the number of pages of each manga published by Simiel was corrected to 60 pages, the price was adjusted to 640 yen, and more importantly, several short stories in the separate issue were to be completed at the same time.

There are readers who are aware of the anomaly, and there are simple readers who buy this issue of Sealil without the slightest precaution and without a trace of concern.

Chiaki Komigawa is one of them, this is a very early female reader of Seemaril, and a former fan of the two or three things of girls' high school, after experiencing the "two or three things of girls' high school", she went through a very difficult ideological struggle, and finally did not choose to follow Koyama Takama to Shueisha, and narrowly stayed in the readers of Hibiscus Society.

In fact, her decision was to abandon Seamaril at the time, but for some reason, in the end, it was Seamaril who she chased down, and the magazine unconsciously attracted her.

There are a few readers like her, who have now forgotten what girls' high school was all about, and who are glad they were able to stay in the magazine.

Soon, however, her feelings may not be very good.

On the cover of this issue is a large collection of many works, from the memory of a pilot, to five centimeters per second, to the dusk girl, the forest of fireflies, and finally, the name of the unheard flower.

Yes, today's Simariel is also serialized on it for more than a year The end of the unheard flower name, and the story of the face code is coming to an end.

But what's more strange is that although the work published on the cover is a work to be finished, the typesetting at the top of this issue of Simiel is not those short stories, nor is it a popular long-form girl comic, but the only guilty crown on Simiel.

From a plot point of view, this issue is also a key turning point for the Crown of Sin.

The crown of sin is more than half serialized.,And this issue is going to be the second important person.,That is, the most childhood sweetheart can't compete with the representative of the heavenly system.,School Strip Festival.。

The plot of the next Guilty Crown,It's a complete magic change.,Tianwang State High School hit the street because of the surprise attack of GHQ.,And then it's a single boy with his sister fleeing to fight against the evil organization.,First cut off the base friend.,Finally, the story of the teenager who killed the sister to save the world.。

The depressing part that should be deleted should be deleted.,From the original setting, Sakura Manji is the male protagonist of the boys.,So the sentence that the beloved of the blacks in his life "Buku,Wang What about Chikara" will also appear.。

Of course, readers like Chiaki Komigawa don't care much about this story, after all, female readers like this like this are the few who like this style of story.

Then, after turning over the crown of sin, the head soup was served.

This was followed by the last word with a speed of five centimeters per second.

In Sakura and the astronauts, the memories of Takaki Tono's experience are all good memories that can make people immersed in them, and even can make people feel immersed in them, so the third part of Takaki may have been immersed in such memories.

Compared with that kind of memory, the reality is always filled with unhappy regrets, so Guishu remembers that kind of beauty, and the beauty in that memory makes him stop and be even more disappointed in reality, which is a vicious circle that can trap people deeply.

It wasn't until the end that you finally came out of that state.

In the last scene of five centimeters per second, after thirteen years, the two people who met again on the railroad tracks, did they really recognize each other at a glance?

Not necessarily, but they do see the shadow of what they once were.

So both of them subconsciously chose to look back, those memories and beauty of the past are worth cherishing, but they can be relieved.

So the train blocked the view of the two.

And after waiting for the train to leave, Kiki saw the empty opposite, and then he finally showed a sincere smile, as before.

What did he remember, and what did he choose to forget?

I don't know, Mingli didn't stay there, the story between him and Mingli is over, and the speed of five centimeters per second is also over.

From the narrative point of view, the three-stage structure of five centimeters per second has a fault line between each other, and between different stories, what happened to the male protagonist Takaki Tono? And what caused his change of mood? None of these works are explained in detail.

However, many of these missing places can be supplemented by the reader's imagination, and the story seems to have fractures and cohesion problems, but after being put into the reader's mind, it can be naturally filled.

Perhaps what does not exist in those faults is what the work really wants to express, Sakura is a pure love that only exists in memories, an astronaut is a secret love that cannot be touched, and a speed of five centimeters per second is a reality that can never be attained by each other.

This ending seems to some people to be very deliberate and malicious, and from the perspective of storytelling, it is indeed a rare coincidence, but from the experience of two people, this is the most natural and logical result of this story.

Until the end of the work, Komikawa thought that this was a reunion arranged by the author for two long-lost lovers, but after the train, the opposite side was indeed empty and there was nothing.

Then the hero smiled and left with a relieved expression, and the last page of the story was like the empty street scene at the beginning, with only the cherry blossoms still falling, as if nothing had happened in between.

Komigawa's hand turning the page was stunned.

Because of the experience, you said this story moved her, right? It is indeed moving, but the touching and touching brought by this ending is not pleasant at all, she only feels that there is a big stone pressing on her chest, it will not block your mouth and nose, but it is inhibiting your breathing.

Even if this story can make her cry heartily?

So she wanted to complain, but it was too early to complain.

As for the hearty cry she wants, this wish will be fulfilled immediately. (To be continued.) )