No matter what kind of life it is, whether it is the second repetition or even the third overlap, it is impossible to go on smoothly forever, in fact, for Miyahara Jing, although he has encountered all kinds of difficulties, but objectively speaking, he is quite smooth for the operation and development of the Hibiscus Society. Pen "Fun" Pavilion www.biquge.info

Yet, no matter what, all good things can't all go to his bowl.

So as for what kind of results Jun Miyahara and Kyoto Animation can negotiate, Miyahara Shizu's side can't come up with a positive attitude.

In fact, he is not optimistic about the rough approach, rather than taking the practice of completely stabbing others and cutting the flesh, it is better to take it step by step, as happened to the Hibiscus Society before, the gradual acquisition of the controlling stake is also a strategy, and it does not seem necessary to hold it in his hands all at once.

Of course, Miyahara Shizun values the benefits of animation.,But what's more important than this is what animation means for a work.,Let's not talk about the periphery.,Animation has a significant impact on the increase in sales of comics and even light novels.,The sales gap between a work before and after animation can be exaggerated and even more than doubled.。

The typical representative of the manga sales of Attack on Titan has approached 3 million after being animated, and the light novel Haruhi Suzumiya has gone from an average of 200,000 to 700,000.

So to be able to grasp the right to speak in Kyoto Animation、Even if you don't have to interfere in the details,As long as the direction allows it to operate according to its own will, it is of sufficient significance,If not,Probably Miyahara Shizune will continue to look for other animation companies under the guise of the dove occupying the magpie's nest.,But although the overall number of animation companies will skyrocket in the next 2 to 7 years,But there seems to be no better target than Kyoto.。

Either you can only let the big-leaf hibiscus develop step by step.

Kyoto Animation's affairs can be negotiated, even if they are not negotiated...... Although it is a very cruel result, the choice is not inevitable, and there are always alternatives. In short, no matter what, someone's little black hand in the animation world will not stop, whether it is out of his subjective planning or objective needs.

But if you talk about something that really hurts someone, it has to be something wrong.

It's true, it's wrong.

Here's the thing, in August last year, Shueisha's weekly Shonen JUMP began serializing a new work by a new artist.

This new work is called ...... ONEPIECE, this newcomer, is called Eiichiro Oda.

In every sense, as of Shizune Miyahara's previous life, One Piece can be called the strongest in the manga industry, and the popularity of rubber people is unmatched.

When it comes to the horror of One Piece, its popularity has increased step by step with the serialization, and because of the quality and plot of the work, there is almost no process of decline, so there is a miracle of sales of more than 300 million.

The "Big Three" in the usual sense, if you just consider the popularity of the island, One Piece seems to have a tendency to crush.

The problem now is that Miyahara Shizune doesn't want to watch such popularity steal fun, but thinks about how to deal with such popularity.

To miss such a work is to be helpless and not subject to the will of the individual...... This cannot be said to be a mistake by Miyahara Shizune, nor can it be said to be a failure, it can only be attributed to helplessness.

As early as when the Hibiscus Society contacted Ken Obata on its side, he also contacted Oda, and Miyahara Shizun did not ignore this kind of thing.

But unexpectedly, although the other party is a newcomer, his attitude is extremely stubborn, so stubborn that people can't get started.

If Miyahara was a simple black-hearted publisher, the choice he would have made would probably be ...... Preemptively serialized.,As for what the consequences will be, let's talk about it first.,But unlike the previous Pokemon whose main body was a game.,He still didn't do that kind of thing after all.。

One of the most important reasons is that his painting style does not match the style of One Piece, and he can't do this story better than the original, and if he simply imitates it, the One Piece he draws in that style is not One Piece at all.

Moreover, in the case of the Hibiscus Society, which is already on the right track at this stage, there is no need to do certain things.

But no matter what, this is a very regrettable thing, so in the following period, in Miyahara Jing's black and white dreams, there are always some traces of rain and wind, and he will always have tears that he wipes and sheds.

The only thing that can make up for this regret is that the Hibiscus Society had a manga artist named Obito Kubo, and later there was a manga artist named Kishimoto Kishimoto.

Kishimoto also came from the Hibiscus Society's corner activities, and he himself had joined Shueisha in '95, and at that time, Hibiscus Society's shonen manga magazine was honestly limited in its appeal to these people, especially when compared to Shonen Jump.

However, in the following period of time, his encounter was also quite twists and turns, because he couldn't find a suitable subject matter as the basis for completing the work, and he also couldn't get the opportunity to serialize, so the Hibiscus Society had a chance to start.

After all, only Kishimoto Qishi, which is associated with the word "ninja", is the real Kishimoto Qishi.

In short, although it is not accurate to describe the gains and losses of the two cartoonists, it is true that the Hibiscus Society has only one of the two.

In terms of the appeal of the island's comics, the victory of the pirates is almost unshakable, but it does not mean that it cannot be fought for in other aspects.

Although it is now in 98, but according to the belonging of these cartoonists, at this time Miyahara Jing seems to have anticipated the comparison pattern of the most popular shonen manga in the next 15 years. D. Luffy.

If Shueisha's Yoshihiro Tomiyasu can compete a little, it is probably the team-up of Luffy and Jay Fulix, but unfortunately, in this matter, Weekly Junior ME has a very reliable teammate, and its name is Mahjong.

In terms of manga sales, even if it's two to one, it's difficult to guarantee the victory of Hibiscus Society, which objectively requires one thing, that is, the later plot of NARUTO and BLEACH must not collapse, but consider the original Naruto, the later stage is basically hehe, as for the Grim Reaper, it's even more hehehehethan than Naruto.

So it's a long way to go.

In the case of Miyahara Shizune personally, she may be dissatisfied with the weakness of ME, but it is precisely because of this uncertainty that things will become much more interesting, just imagine, if Shueisha's Shonen JUMP doesn't even have One Piece on it, is there still any value in competing with it?

At this time, the pillars of Shueisha can be said to be two of the three, and the difficulty of Miyahara Shizu's life game is definitely not in Shura mode, at most it is only difficult.

That's why he has to play.