"In the past, Sister Saya's family was doing advertising production, and I don't know when they transitioned to animation production, which is a very amazing thing. Pen "Fun" Pavilion www.biquge.info," Natsuki Shinohara, explains.

It's amazing indeed......

"It was a decision made by my parents." Saya Dayuan said helplessly, "They felt that the competition in advertising companies was too fierce, so they switched careers to animation production with more fierce competition and greater risks......

This explanation...... It's very thoughtful.,Anyway, Miyahara didn't understand the thinking circuit of Dayuan's parents.,If he changed his career to animation after 95 years, he can still understand.,After all, it's the second spring of Japan-Ben animation.,But in this period.,The animation market can't be better mixed than the advertising market.。

"In the past, we called it OHS advertising, but now it's called OHS Animation Studio, it's not well-known, I guess you haven't heard of it, and now we mainly cooperate with other animation companies and accept their outsourcing, so there are no works that can be done."

Miyahara nodded, he really hadn't heard of this company, but when he heard the name, he knew that it had something to do with Saya Ohon, ohs, obviously the acronym of Saya Oh, this is the name of the company chosen by a pair of parents who like their daughters very much.

Saya Oon said as she opened her bag and took out a box of video tapes from it.

"My father thought that as an animation production company, he should and must have the ability to produce animation independently, so he patted his head, so we started to try to make short animations independently, and this box of master tapes is our work, let's take a look."

The animation works produced by the original advertising company,To be honest, Miyahara Shizune is not very interested.,You can imagine their production level.,He seems to have seen a screen full of stick figure flash-style animation.,I hope this animation won't be too long.,Hurry up and leave after watching it.。

Although Miyahara has not yet decided which animation company to hand over his PV to, he will definitely choose a company like OHS.

"We budgeted a lot to keep the quality of the work, but we still overspent, so it's just a half-finished product...... We're too quality-oriented. Saya said.

Is this a boast, Miyahara Shizune doesn't think they can make a high-quality work.

"I'll come, I'll come." Natsuki took the video tape from Saya's hand, and she had a TV and projector in her room, which was very convenient.

Natsuki turns on the TV series and projector, then slips the tape in, and the animation begins.

Then Miyahara Jing knew in an instant that his judgment just now was very wrong!

What he saw, the quality of this animation at the beginning was surprisingly high!

At the beginning of the animation, Miyahara Jing had a correct attitude, damn it, what did he see!

Birdsong is heard and a white falcon hovers in the middle of the air, a set of overhead shots, with the clouds and the sea below the white falcon.

Then it flaps its wings and swoops down towards the surface of the sea, a movement that is quite sophisticated, and the muscular strength displayed in this soft and fluid body movement is the same as that captured by a high-speed camera.

The camera quickly pushes down with the white falcon, and when it is about to rush into the sea, it quickly pulls up, and with a trace of inertia, it begins to fly close to the surface of the sea.

Then a strong wind blew, the gliding white falcon was slightly unbalanced, and its flight attitude swayed slightly, although it quickly regained its balance, but the wingtips still cut through the water, and the gray feathers brought up a string of water droplets, leaving a clear scratch and water pattern on the sea.

The clarity, articulation of the action, and the camera transitions are simply amazing! Super natural and smooth!

Miyahara Jing feels that his brain is a little insufficient, is he looking at some OHS work? This realistic style and picture processing made him feel that he was looking at the works of p.a.works, and he was doing his best to do his best without any perfunctory p.a.works!

The white falcon quickly flies across the sea, and then pulls up the flight altitude on a wooden trestle on a small island!

At this time, there is a cut light, and the sunset is shining on the viewer's perspective!

Then the camera rises with the white falcon, you can see the dead grass in the near distance and the red leaves in the distance, this kind of depth of field processing full of layers, this kind of expression of thick ink and color, your sister, Zhang Yimou?

The lighting of the whole scene is bright and cold, the main color is thick and heavy, and the two can be integrated together without any sense of disobedience, and the supervision of this short story is definitely very level!

The white falcon flew over the spy meadow at a height of human height, and then the camera looped and cut to the opposite side of it, directly facing the white falcon's head.

The camera slows down here, and characters start to appear.

Looking from the front of the white falcon, you can see that the pupils of the eyes on both sides of the falcon are reflected and quickly skipped over the two figures!

It's a very wonderful way to cut in and out, and it can make people feel amazing at this time, just this scene, how many frames are used.

The white falcon departed, and two swordsmen with long knives in their arms confronted each other.

Seeing this, Miyahara Shizune already understands what this short film is about, this is the battle of Kokurajima between Miyamoto Musashi and Kojiro Sasaki!

The sword master who is not very good at fighting the super famous swordsman, this is a widely circulated story in the Japanese ---, and it is also a common theme in film and television and animation works, but ohs is really super!

In order to look good, the characters of the two swordsmen are obviously younger, and the image is more in line with the audience's aesthetics.

The camera pans from the opposite side of Kojiro Sasaki behind him, and at this time he begins to move, he quickly rushes towards Miyamoto Musashi on the grass, and when he sticks to the opponent and close, he quickly draws his sword!

Knife Drawing!

Miyamoto Musashi drew his sword to block, and the two staggered.

Sasaki Kojiro stopped with a low waist, and then took a big step back with his right leg, and then reflexively stabbed directly, and the cold knife light was narrowly dodged by Miyamoto Musashi before he slashed into the neck!

This is a thrilling and abnormal action, and the picture is extremely expressive, which can make the audience empathize with Miyamoto Musashi, which suddenly makes Miyahara feel a little cold in her neck.

The facial expressions of the characters in the anime are very monotonous, and both warring sides have serious faces, but the action design is full of a sense of power and artistic swordsmanship!

There is no complicated background music, just the sound of wind, footsteps, breathing, and knife drawing.

Some are just swords and sparks!

During the battle between the two people, the camera switched quickly, but Miyahara Jing didn't have a dazzling feeling, he only felt the reasonable smoothness of the movements, and the seamless connection of one sword and one sword.

Is this watching the Battle of Ogura Island? This is looking at [Emperorless Blade], right? Why does Miyahara think that the action handling of OHS is even better than that of the Emperorless Blade?

Do all the people who do advertising have this level?,This is to provoke the rhythm of the conscience of the industry.,How do you let the animation live?