In the end, Ken Obata did not escape Miyahara's prophecy. Pen fun and pavilion www.biquge.info

In the end, Ken Obata did not hide from the hoe that Shizune Miyahara dug at the foot of the wall.

Shizu Miyahara was still a god stick at the time of the god stick, and the serialization period of "Puppet Master Left Near" painted by Ken Obata really didn't exceed a year, and it was chosen to end in the 1996 issue of the weekly Shonen JUMP.

From No. 23 in '95 to No. 1 in the following year, the number of single volumes of the puppeteer's left near also stopped at the fourth volume.

The implication is self-evident, this is forced to choose to end, it is a cut in half in the substantive sense, and it is impossible for Ken Obata to finish it on his own initiative.

There must have been more than one thought, Ken Obata had such an idea: that President Miyahara is really a crow's mouth.

In fact, of course, he also understands that the forced suspension of the serialization of the work is a manga artist's factor, and in any case, he can't blame someone else's sentence for the mistake.

Ken Obata can only sigh that fate is so unfair, and the god of decline in the street always follows him.

At this point, he really began to consider the two options in front of him, one of which was to continue to stay at Shueisha until he survived the god of the streets, but there was a question of who could survive whom...... Is there really such a magical thing as keeping the clouds open and seeing the moon?

Definitely there is, the problem is that not everyone has such luck.

Second, even if you really leave Shueisha, the big man in the industry, and devote yourself to the arms of the more youthful and strong manga publishing house Hibiscus, with the circulation of Weekly Shonen ME, it can already rank among the top five of all weekly shonen manga, so even if it is to Hibiscus, there is nothing to be aggrieved about.

In addition, some of the mechanics of Hibiscus Society described by Miyahara Shizune are still very attractive to manga artists like him, and Miyahara Shizu, who is the president, seems to take him very seriously......

But even Miyahara Shizun, who attaches great importance to him, has never said to him once, "Dude, you can be popular when you come to the Hibiscus Society", and the future is still unknown.

Of course, it is precisely because Miyahara Jing did not say such a thing that he thinks that the other party really appreciates him, not fooling.

No one can guarantee that a cartoonist will become popular with one sentence.

What if I go to the Hibiscus Club and still hit the streets? It's the same street, why didn't he pounce on Shueisha? At the very least, there are reasons such as "it's not that I'm not good enough, it's that the competition is too fierce" and so on.

It's not that Ken Obata has a phobia of choice, it's actually hard to make a choice.

This is probably the legendary entrance to the palace gate as deep as the sea.

So Ken Obata continued to wait for a new opportunity at Shueisha while he was entangled, and Miyahara Shizune didn't urge him to do anything, as if it really depended on his own choice.

As a result, at the beginning of 96, Ken Obata lost the opportunity to serialize, and it was not until the end of 97 that Shizu Miyahara was about to run out of patience, and he finally made a decision to break away from the evil Shueisha.

What forced him to make a decision was nothing more than another couple of years to waste.

And as soon as the formalities were completed, including contracts and other things, they did it themselves, and they didn't bother the Hibiscus Society to do anything.

Although it was a little more complete than expected, what else did Miyahara Jing have to be dissatisfied with?

If you come, you can squeeze it...... Oh, no, let's do a good job.

After Ken Obata came to the Hibiscus Society, he was indeed valued by the president and editor, and immediately prepared a new serialization work for him, and the storyboard was already partial, and even the serialization time had been finalized.

This made Ken Obata very satisfied and full of expectations.

But unexpectedly, there was an accident.

Miyahara Shizune personally called him to explain that the serialized work had to be changed.

This makes Ken Obata a little suspicious, how can this be said to change? Are there any conspiracy theories in this?

Fortunately, Miyahara Jing made a patient explanation, and according to President Miyahara, there is a work that is more suitable for his current situation.

In order to dispel his doubts, Miyahara said that he could compare the two works before choosing, and of course, if he felt that he was stronger, he could choose to double open...... At the same time, it is possible to double open it on the weekly ME.

It's a bit of a shame to be impossible, and if you do that, you have to work 168 hours a week.

Well, this is indeed a joke, but it actually dispels Ken Ohata's doubts.

He also became interested in the new original.

…………

Every year on January 15, it is an important day for young people, because from a certain year, this day is the adult day stipulated by the Japanese government.

Young men and women over the age of 20 take part in the festival on this day and collectively hold a "coming-of-age ceremony".

From the perspective of cultural origin, the so-called coming-of-age ceremony undoubtedly comes from the crown ceremony of the Celestial Empire, but comparing the inheritance of the two sides, there is about a feeling that the apprentice is forcing the master to death.

Of course, Miyahara Jing is 21 years old at this time, and he will definitely not pretend to be a tender face to participate in such an event, in fact, he didn't have such a thing as a bird last year, but this year he does have to accompany someone to participate in such an event.

Someone who happens to be a year younger than him.

"Uncle Shinohara, why do you keep looking at me with such serious eyes?" Before six o'clock in the morning, Miyahara was already sitting at Shinohara's house and waiting.

It is indeed a safe seat, he should drink water, drink water, eat tea and eat tea, completely ignoring the murderous gaze that Xia Xi's father occasionally shows.

Shinohara Natsuki's father is named Yasushi Shinohara, and he works in the middle and senior management of a large company, so the Shinohara family is very wealthy.

And Natsuki Shinoha is the only daughter of two couples, and her degree of treasure can be imagined.

As for his attitude toward Miyahara, it began about a month ago, when Miyahara seized some of his powers, such as helping his daughter choose a kimono for a coming-of-age ceremony.

The so-called coming-of-age ceremony is an adult, and then think of Miyahara Jing's frequent haunts by Natsuki's side (obviously this is a very personal opinion of Natsuki's father), since that day, some terrible thoughts have been entrenched in Natsuki's father's mind.

This must be a terrible thought for a father.

From childhood to adulthood, in Shinohara Yasushi's cognition, Miyahara Jing has been a rather difficult guy, and considering the current age of the other party, he is probably more difficult.

And he's also a black-hearted publishing house businessman! If he had the idea of beating his own daughter, this person would be terrible.

At this time, he had forgotten that he himself was also one of the black-hearted merchants.

"Jingjun, I think today's matter is very family and personal, and I shouldn't trouble you."

"It's nothing, Uncle Shinohara, this is what I'm supposed to do."

Sister, is Shinohara-san really polite? The meaning of the people is very clear: can you look at the atmosphere? If you understand, go out and turn right to go back to your own house and sleep back to the cage! Don't disturb our family.

But obviously, Miyahara didn't understand what he meant.

In short, I just didn't understand.