Chapter 102: It's the Master of the Man Who Drew the Rogue Kenshin (Part I)

Miyahara Jing didn't expect that the Hibiscus Society Manga Award could attract such two powerful characters, which can be described as a good start. Pen? Interesting? Pavilion wWw. biquge。 info

Xu Feigang, Takahashi and Nozomi.

These are definitely among the top cartoonists, and statistically speaking, these two cartoonists are at the top of the cartoonist tax list in the first few years of the 21st century.

In order to allow Hibiscus Society to gain a better foothold in the future, and really be able to compete with giant manga publishers like Shueisha, Miyahara Shizune will do something very clear from now on, that is, to pry the corner.

Keep prying the corners of the wall.

After all, it's not an exaggeration to say that there are thousands of cartoonists, but the best kind of cartoonists are very rare after all.

So Miyahara had to pry the corner of the Shueisha, the corner of the Shogakukan, the corner of the Kodansha, the corner of the Shiraizumaki, and the corner of other manga publishers.

As long as you are an excellent cartoonist, Hibiscus Society can start one, and you have to start one.

But just passively waiting is not Miyahara Shizu's style, although he has unknowingly slashed Shueisha, but he feels that this is not enough, he still has to take the initiative.

Correspondingly, he targeted a street cartoonist a long time ago.

Well, he is currently a street cartoonist at Shueisha.

Although he is indeed a very talented and capable cartoonist, this does not contradict the fact that he is now hitting the streets and has been hitting the streets for a long time.

Manga sales are always affected by various factors.

This person is Shueisha's street cartoonist, Ken Ohata.

In the future, it will be famous.

Let's not talk about Ken Obata himself, but let's count the manga artists who used to be his assistants and can be called "disciples" in the manga industry, such as Kazuya Sato (Kodansha), the author of Kanedaichi's juvenile incident book, such as the author of the now popular serialization of Rogue Kenshin and Nobuhiro Tsuki, such as Kentaro Yabuki, the representative of Shueisha's harem, TO'LOVE, and Eiichiro Oda, who will be unmatched by no one in the future......

Is there a break in the table?

But Ken Obata is still hitting the streets.

debuted very early, ten years ago, and there are no masterpieces.

By now, Ken Kohata's disciple Nobuhiro Kazuki has made a name for himself, but as a senior and master, he is still on the street.

Originally, Ken Obata wanted to become famous, and he had to wait for the "Chess Soul" after 98 years to start serializing, and he would officially transform from a street fighter to a famous artist, but now, let's do it first.

So considering this person's ability, whether it is drawing comics or taking apprentices, after the momentum of the Hibiscus Society this year, Miyahara Jing once wanted to meet Ken Obata several times, but all of them were rejected by the other party.

However, at the insistence of Miyahara Jing, the other party finally agreed to meet with him.

The reason may be that Ken Ohata's new serialized puppeteer, Zuojin, is still hitting the streets, and almost every issue of JUMP's questionnaire has been at the end, and it seems that he will be cut in half at any time.

In fact, Ken Obata was not unfounded, the puppeteer Zuo recently started serializing on the 23rd JUMP in 1995, and in the end it did not survive for a year, and by the first JUMP in 1996, it would be cut in half.

Fate is so unfair to Ken Obata that of course he has to find a reason, and the reason is naturally internal and external.

The internal reason is very simple, Ken Obata knows his own shortcomings, and his ability to conceive and imagine stories is weak, that is, he does not have the ability of the original, so his comics are also serialized in cooperation with others.

But for external reasons, he really didn't think about it before, after all, JUMP is the general trend, and he can only adapt the style of his work to the magazine, and it is impossible to force the magazine to adapt to him alone, which is unrealistic.

But at this time, the bad guy appeared, and he has been accumulating with Ken Ohata, claiming that his painting skills are top-notch, and there is no problem with storyboards, the only problem is that Shueisha is not suitable for him at all.

Well, this person said it again, Ken Obata didn't pay attention to him, JUMP is the best shonen manga, Shueisha's policy of "friendship, hard work, and victory" just hit the nail on the head of shonen manga, so what's the problem?

At this time, Ken Obata has just started the serialization of a new work.,It's high-spirited.,He feels that his time has come.,After all, his disciples have already come to get ahead.,Even if it's next to the horn wheel.,It's his turn to be popular, right?

After all, he really thinks that he draws well, and the comic stories he writes are also very good, so there's no reason why readers don't like it, right?

Then, after a few months, the person said the same thing again, emphasizing that "Shueisha is not for you".

Well, at this time, his puppeteer Zuojin has begun to be not very good, and he has been in the second half of the ranking, and it is getting further and further back, and Ken Obata who has been mixing in jUMP for more than ten years certainly knows what this means, which means that if this work has not improved, then it will soon enter the process of cutting in half.

Shueisha is like this, whether it is a famous artist or a newcomer, as long as the work is not liked by the reader, it will be cut quickly......

Well, that's the case with all manga publishers, and it's the same with Hibiscus Society, but Shueisha is a little more resolute and only gives the author one to two issues for a hurried end.

So when this person made an appointment to meet Ken Obata again, he rushed to the street and was nailed.

So Shizune Miyahara successfully met Ken Ohata.

In fact, when I made an appointment with Ken Obata, the meaning of the words that I said over and over again can be summarized in three sentences:

1, predict that Ken Obata's new puppeteer will still hit the street in the near future.

2, tell Ken Obata that he doesn't have any problems in himself, no matter which point of view, he is an excellent cartoonist, but he just can't get the right opportunity to shine.

3. The problem is Shueisha, then it is not for you.

People's new work has just started to be serialized.,Miyahara Jing is predicting that the other party will hit the street.,Considering the emotions of the parties.,Of course, it's impossible to come out to see him like that.。

But later, the puppeteer's work really hit the streets, which makes it seem that President Miyahara is quite a god, cough, quite prescient.

If you say it repeatedly, of course some people will believe it, not to mention that the successive failures have made everyone around Ken Obata suspicious of him, including the editor, including the assistant, and even himself.

At this time, the president of another thriving publishing house kept contacting him, telling him that you are a good cartoonist, don't doubt yourself, and have confidence.

Isn't the soul of a middle-aged man fragile, and doesn't he want comfort? When Obata was so frustrated that he couldn't do it, an industry insider told him that you are actually a rich and handsome, and you don't need plastic surgery at all, you can change your face with a piece of sandpaper, and you can instantly shine if you change an owner.

What should Ken Obata think?

Anyway, he has to meet the president, maybe the other party can really give him some pertinent advice?

It's just that I didn't expect that this president, who is very capable of saving people, is so young.