It doesn't take long to make such an introduction, and simple camera performance, verbal communication, and quick cuts can be done. Pen, fun, pavilion www. biquge。 info

The real beginning of the story,It started with a weekend of Sagara's practice in the archery hall.,From the setting.,Sagara's character is a very strong one.,So it's the same thing to play.,Or don't play.,If you want to play, you'll finish the most professional.,And you have to play the best.。

Her athletic interest is archery, because she likes the feeling of a long arrow hitting the bull's-eye...... Therefore, when she practiced kyudo, she did not use a traditional Japanese longbow like the archery club at school, but received professional training like a professional archery athlete, and the equipment she used was also a modern bow.

Then on this day, when she was practicing as usual, the archery hall collapsed for unknown reasons, and the tragedy Sagara was slapped below.

Earthquakes, unidentified explosions, alien attacks? That's not the point.,Anyway, Sagara is very routine, because for unknown reasons, when he opened his eyes, he came to a field.。

The early morning was cold, the thin mist was thick, and Sagara Ryoharu stood alone with a bow and arrows in a little confusion.

Before she had time to think about what was going on, a certain indescribable sense of solemnity and crisis made her hold the weapon in her hand tightly.

Then she heard the sound of a horse, then quickly turned, and at the same time drew her bow and arrows.

In terms of scene processing, there is no background music in these cards, only a very slight wind sound, so the neighing of the war horse and the sound of the horse's hooves are extremely abrupt.

The fog was very thin, and with Sagara's vision, three samurai on horseback could be clearly seen from a hundred meters away.

With just one glance, Sagara judged from the characteristics of the other party's costume that it should be a Japanese-moto samurai of the 15th and 15th centuries.

The three of them hesitated slightly, obviously surprised by Sagara's own appearance, but when they saw that the other party was aiming at this side with a bow and arrow analogy, they rushed towards her with a spear or a katana.

The dirt brought up by the hooves of the galloping horses was clearly visible, but Sagara's expression did not change.

"80 meters."

At a distance of eighty meters, she threw the first arrow.

"50 meters."

Fifty meters is the second arrow.

At this time, Sagara quickly put on the third sword, and then slowly retreated, and the appearance of the third person was already clearly visible.

"20 meters."

Then she fired a third arrow.

In line with the principle that all time-traveling dramas are fantasy dramas, the girl Sagara has a good wrist strength, and she can open a 55-pound strong bow like an adult man in the setting, which means that the arrow speed can be up to 330FPS, and it is no problem to shoot people through within a distance of 50 meters.

In fact, this kind of continuous bow opening is impossible to do, but she can do it very easily.

Since the strongbow can fire rapidly, hitting is not a problem, so all three enemies are hit in the torso.

If she could do that, she could try hunting large mammals like African elephants, rhinos, and bison in a largely stress-free manner.

But it's just an animation, and there's no need for evidence, and the irrationality of the female characters is easy to ignore, such as the rumored eight-pack abs of the giant hunter.

Things like judging the age by costumes, which are used to show the heroine's knowledge, are completely nonsense.,Don't say that this is something that needs careful research to make a judgment.,Even with the principle of how to look good and how to set how to draw in animation.,She can judge a circle from the costumes.。

And she is very calm to shoot arrows when she gets started, and she does not panic, how can a modern person do such a psychological construction in such a short period of time?

If it's an otaku who has done such a job in the past, then the audience's first reaction should be a lack of a sense of involvement, because it's too unrealistic, but girls are different, such a story depends on the level of plot processing, not only will it not make people feel disgusted, but on the contrary, it will make people feel similar to "this handsome batch" and something like that.

And this segment, which is almost entirely expressed in ambient sounds, is basically okay in Miyahara's opinion, and there is no big problem.

The initial fog rendering looks unsatisfactory, but the later ones are as big as the overall shape of the galloping horse, as small as the muscle texture processing in motion, as large as the overall environment description, and as small as the changes in the expressions of the characters, all of which are very good.

And these scenes of the protagonist shooting arrows later,In Miyahara Shizu's personal view,This is the best of the entire first episode.,From the smooth and standard action of bending the bow and arrow.,To the short pause of aiming.,Finally, to the trajectory processing of the projectile、Half projectile、Flat shooting,It can show the production level of this animation.。

It's not surprising to do the trajectory.,Japan--This animator began to do fireworks tracks and so on in the eighties.,But this doesn't prevent the big leaf hibiscus from doing a good job of the arrowway.,They didn't deliberately pursue anything such as "bullet time" and other slow motion.,Just slightly elongate the objective time for detailed processing.,Whether it's a sense of power or speed.,Including the processing of sound effects is perfect.,People feel that the picture is natural and smooth and unhindered.,The picture pursues a kind of sensory comfort., Although it doesn't mean that the real arrow trajectory is like that, but Oba Hibiscus presents the most suitable content for anime viewing, which is really rare.

It can also be seen that Oye Hibiscus, a young animation company, because of its relationship with Hibiscus Society, the best and strongest thing they do is the script and storyboard, the original painting is also above the level, and the effect processing and photography are relatively average.

And the process between the storyboard and the original painting, that is, the so-called "performance" is not good enough, which is not contradictory to the fact that some of their action scenes can do well, because the performance of the key scenes is done by the supervisor himself, that is, Katsunao Asao, but in terms of the production cycle of TV animation, it is impossible for the supervisor to do all the performances at the same time.

As for the effect and the final finished photography, this should be a matter of accumulation, and the experience of large-leaved hibiscus itself is insufficient, and a company has advantages and disadvantages, which is an objective law, and there is no way to do it.

To give you a simple example, if you let the big leaf hibiscus use it to shortish the realm now, it will not be able to do well.

Judging from the rain light and shadow effect, if you choose a good animation, first of all, needless to say, you have to push the garden of words and leaves of the wallpaper madman, and then another one, that is the realm of emptiness in the theater version.

Some of the environmental effects of the Void Realm are not being done well, and the current large-leaved hibiscus is not only due to the difference in technology and age, but also in terms of experience and ability.