Chen'er, who had been wandering at the mouth of the cave for a long time, finally mustered up the courage to walk in.

After entering, I found that the cave was deep and endless, and in some places there were even several different roads.

However, Chen'er is not entangled at all, and the sense of urgency in her heart seems to be able to take the initiative to help Chen'er choose, and Chen'er can see which way to go at a glance.

The cave was so deep that I didn't know where it led, and there was no light left when I got to the depths. Thanks to Chen'er's four desolation talents, he has awakened, and although he has not yet reached the point of seeing night as day, it is enough to see the situation in the cave clearly.

After walking for a while, Chen'er found something interesting.

The walls of the cave are carved with frescoes, which are not all in one piece, but in a circle of countless pieces.

As far as the dust could see, there were traces of man-made carvings on the walls.

In the first painting, there are little people, just like they did before, shirtless and clothed in animal skins. Weapons such as sticks and stones are used to besiege an animal.

In the second painting, the animal is killed by the little figures, who cheer and celebrate their victory, then cut off the flesh with a sharp stone and enjoy the fruits of their battle.

The third painting is different from the previous one, in which a huge monster appears with its mouth open and spitting fire, its wings fanning the wind, and hunting for small people.

The content of the mural in the middle is similar, probably depicting how the villain fights against all kinds of monsters. At the beginning, the villains were no opponents at all, and when they encountered this kind of monster, they could only escape, and if they couldn't escape, they would become the rations of the monsters.

Later, a few larger ones gradually appeared among the villains, and they began to lead all the villains to rebel against the monsters.

But under the gap in strength, their resistance seems a little ridiculous, and they still can't get rid of their fate of being reduced to rations.

These little people are still living in the same state as before, fighting to fill their stomachs and not to be filled by others.

Among the little people, more and more people began to emerge, and the first group of older people became bigger and bigger.

This is the end of the third painting. Although the painting is very rough and some of the content is not very clear, Chen'er watched it with relish, and even the initial curiosity in his heart was temporarily suppressed.

By the time the fourth painting arrived, it was more expansive and more interesting.

In the painting, there are people who either have wings, or have light shining behind them, or they are strong and tall.

These men began to help the little ones, and with a casual swing of their fists and stomps of their feet, they could destroy or scare away the monsters that the little ones could not resist.

The monster is gone, and the little man no longer has to worry about becoming a ration for the monster one day.

So the powerful people who came after the little people worshipped some of them and called them saviors.

Later the little men of the savior ploughed, weaved, made fire, and how to grow into adults.

The two sides got along amicably, and everything seemed peaceful and peaceful.

From the beginning of the fifth picture, this peace and tranquility are broken.

The saviors divided into several factions and began to fight over the question of the villain's belonging.

Those who had wings were torn apart, and those who carried light were scattered, and those who were strong and tall were also beaten and coughed up blood.

During the fight, the rivers were turbulent, the mountains collapsed, the sky was dark, the earth was shattered, and even the space was torn. But they still haven't stopped the war!

The little people don't know what's going on, but the homes they have built have been destroyed by disasters again and again, and they can only watch and do what they want.

Even the monsters can't resist them, and they have no power to stop these people who have helped them, and they can only rely on more humble prayers to hope that the disaster will stop as soon as possible.

But no one cares about their attitude, no one cares about the hardships and tiredness of their lives.

The saviors only care if there are more villains who choose to worship themselves.

Finally, in the despair of the villains, Chen'er looked at the sixth picture, in which some villains began to rebel against the saviors.

Although the villains who failed to resist the monster have grown a lot after this time, all their efforts are still pale in the face of a more powerful savior.

Defeat after failure, growth after growth, they learn from the battle to strengthen themselves, a few small people quickly grow larger, they yearn for the power to drive away these saviors who are much more terrifying than monsters. ！

The road to rebellion is full of bumps, and countless villains have been killed in the rebellion, as simple as they have started to help the villains kill monsters.

There is no superfluous mercy, and there is no original kindness.

The little ones grow up very quickly, and in the end, some of the little people are almost catching up with the size of the savior, and this change in them brings a sense of threat to the savior.

At this time, the savior began to wake up, temporarily stopped fighting, and united to kill the taller and faster growing villain, implicating more villains in the process.

At the same time as the unjustified disaster came, they instilled a lot of ideas in the weak little people.

The little ones began to blame those who had the courage to resist, believing that they had brought the calamity.

On the seventh picture, the strong little people are all wiped out, the resistance is suppressed, and the weak little people begin to survive under the increasingly demanding demands of the saviors.

They can no longer grow or grow, and they can only cope with the tasks given by the Savior every day.

The villains also split into factions, and they went to war to satisfy the desires of their respective saviors to whom they were allegiated.

If you win, you will complete the task and get only a hint of reward. If you lose, you can only surrender and offer your soul with both hands!

The battles of the saviors are becoming less and less, but the wars of the villains are becoming more and more frequent.

During the war, more and more villains died, and the population plummeted.

Finally, Chen'er was about to walk to the deepest part of the cave, and the deepest part flashed with a soft light, the same frequency as the jade plate on Chen'er's chest.

There was only one last mural left, and this painting shocked Chen'er's heart.

The painting seems to be unfinished, but it seems to be finished.

The painting is very simple, something new has appeared in that world.

Those things are like the little people at the beginning, running around all day for the real thing, and at the same time rebelling against the hunters for a living.

And this time the hunter is no longer a monster, but a villain who completely dedicates his soul.

The little people who were busy with the war almost gave up farming, so the food became more and more scarce, and many of the little people even starved to death because they could not find food.

So the war stopped, and life went back to the way it was before, all for the sake of living.

Maybe there is no end to it, and the little people have discovered a new food.

Before the little people had time to cheer, the savior appeared again!

This time, instead of helping the little man or giving them a mission, they chose to save the emerging species.

Hunt the villain mercilessly, just like he used to kill monsters.

At the end of the picture, the new species begins to worship the saviors and call them gods.