In galgame, whenever there is a scene of a summer festival, there will inevitably be events and flags, but nothing will happen in the three dimensions of suffering, so the word reality is a very sad word. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

After the fireworks display was over, Miyahara Shizune first found Miyahara Ruri running around in the vast sea of people, and then sent Shinohara Natsuki home, and then there was everything.

The end of the story is that each goes back to his own house and finds his own mother.

Of course, Shizu Miyahara, who had been instructed by the great god, sent an invitation to Natsuki Shinoha to come to the studio to help.

Although she didn't know what she could do to help, Natsuki was also a little interested in drawing comics, and she didn't have anything to do in the summer anyway, so she nodded and agreed.

Of course, it's very likely that she was interested in drawing comics because she was interested in people who drew comics.

So the next day, there was an extra high school girl in the studio.

The manga artists showed a certain attitude of curiosity about the arrival of Natsuki Shinohara, in fact, they had met once before, but after Shizune Miyahara introduced them to each other, the manga artists welcomed Natsuki's arrival, and then began to carry out their work in an orderly manner.

"Jingjun, can I really help in any way? I don't know anything about drawing or anything. Xia Xi whispered, looking at the busy work of these cartoonists who were not a few years older than her, she didn't dare to speak out loud for a while, for fear of disturbing other people's work.

Miyahara Jing was speechless, he was clear about Xia Xi's drawing level, she dared to draw Miyahara Jing didn't dare to use it.

"You don't have to draw, you draw comics...... To be exact, there are many steps involved in making a comic, and you can take care of the simplest, you can try blacking out first, and then you can try to paste the grid or something when you are familiar with it, and these tasks do not require drawing skills at all. ”

When she heard that she didn't need to draw something, Xia Xi suddenly breathed a sigh of relief, but she didn't understand anything blacked out either.

Miyahara Jing saw the entanglement on her face, but he didn't have time to teach her hand-in-hand, so he said to Yumino Chika: "Yukaino sensei, are you free?" Help teach Natsuki how to black. ”

"No problem, Shinohara...... I'll also call you Xia Xi-chan, Natsuki-chan, it's not difficult to black, just be careful, don't go beyond the range of the sideline......"

Yu Haiye happily agreed to Miyahara Shizu's request, although she wondered in her heart why Miyahara Jing would pull a complete layman to help, and at the same time gossip about the relationship between the two people......

The other three are actually the same, but fortunately, they also know that Miyahara Shizune is the boss of the Hibiscus Society, and even if they gossip, they can only gossip silently to a limited extent.

In fact, Yu Haiye is also very busy, after a period of running-in, the storyboard work of the unheard flower name mainly fell on her, and now Miyahara Jing only needs to provide the story synopsis and outline, and the rest will be made into a mirror by Yu Haiye, and then after discussion and approval, it will be handed over to Ono Katsura to draw the original manuscript.

This can not only liberate part of Miyahara's energy, but also ensure the quality of the work, which can be said to be a good way.

Midorikawa Yuki also has the ability to storyboard, but her composition is thin, and her painting style has a unique ethereal inspiration, which is very suitable for the bizarre, sad and warm little fresh story of Natsume's friend's account, but it is not very suitable for unheard of flower names.

In other words, although Midorikawa is not yet 20 years old, she already has a strong personal style, and once she can come up with a story that matches her style, she can easily succeed.

In terms of creative ability, Ono Katsura and Ueda Nahoko are indeed inferior to Midorikawa Yuki and Yu Haino, so Miyahara Shizucai sighed that the latter two are worthy of being manga artists who can leave their names and masterpieces in the previous life, and there is no doubt about their talent.

After giving Shinohara Natsuki to Chika Hakaino, Miyahara Jing couldn't take care of her, and he himself was very busy.

However, at this time, he did not draw the original manuscript, but kept writing something in a notebook.

It's easy to have a sore hand after writing for a while, so Miyahara has to move her wrist every once in a while, and then while moving, I'm wondering, is it time to add a computer?

However, now that he's familiar with the graphical user interface, he really doesn't like something called DOS.

But even if he doesn't take the initiative to stop, his work will be interrupted from time to time, because the work of the assistants must be checked by him at any time, and if he is qualified, he will make an affirmation, and if he is not qualified, he will let them continue to change.

"Jingjun, the background of this picture is ready, can you see it?" Midorikawa Yuki took a manuscript to Miyahara and asked.

She is now in the background of the Crown of Sin.

In fact, by this time, the Guilty Crown, to be precise, had completed her mission, and Miyahara Shizune was ready to rectify and compress the second half of the plot of the Guilty Crown, striving to compress the entire work into 8 volumes.

He doesn't need to use the Crown of Sin to express any profound thoughts, nor does he need to stuff so many private goods into the story, and he doesn't need to forcibly pour chicken soup into the reader's mouth.

Decent characters come back from the dead and become villains, and when it comes to the final ending, it is very abruptly whitewashed, to be honest, this kind of bridge is really not good.

You have to know that the Guilty Crown is a story with a little SF science fiction color, and it is already very inconsistent to sing a song to make the combat effectiveness explode, but what did the villain boss do after he came out?

She came out and danced.

That's right, Sakuramitsu, the culprit who destroyed the world, danced a dance after the backdoor listing.

This kind of slot, whether you can or not, is it better not to want.

After Shizune Miyahara prepares to preserve the merits of the story, she will make a major overhaul to increase the readability of the work.

Isn't Sakura Manji the king of loneliness? Then show the readers, how to call it a heads-up boss, and brush up on equipment.

In Miyahara Shizu's setting, unlike the original, Sakura Manji's own character is stronger, which is more in line with the direction of the story after he made the modification.

To put it bluntly, when it's time to take the cool essay routine, take the cool essay routine, want to show human nature, want to show the depth of thought, want to reveal the ugliness of society, how good is it for Miyahara Jing to take out the tomb of the fireflies directly, can you use everything to stuff into a story? If the creator expresses too much, readers will only feel disliked, tired and unloved.

So he has to compress the plot and adjust the rhythm, although he doesn't want to make the Crown of Guilt famous, but he can't make it a work that is more tragic than a tragedy, otherwise he will be blind to a character like Qi Qi.

A successful work can never disappoint the reader, both in terms of content and in the sense of character expression.

One Piece Luffy returned two years and seconded out the desperate pacifist who forced them before, how should Naruto be played by Kakashi or how should he be played by Kakashi after Naruto came back in three years, which one do readers think is more enjoyable to watch?

Since there is a long-term practice, what readers want to see is the routine of the air every second after the protagonist returns, if you can't respond to this expectation, then don't do this kind of bridge, if it makes the readers have a psychological gap, it's terrible.

While thinking wildly, Miyahara Jing took the page of the manuscript, and after glancing at it, he made an affirmation.

"Very good, Midorikawa, you're getting better and better."

Due to the similar age, after getting acquainted, Miyahara Shizune generally calls Midorikawa Yuki by his first name.

The original manuscript in his hand is a single-page composition, and it is a scene of several people on the same street, such as Sakura Manji, Kasuke, and School Rope Festival, so in addition to the characters, the background of this manuscript is extremely rich, and the architecture, traffic, and crowds require a lot of work on the part of Midorikawa.

In fact, there is a misunderstanding here, when reading comics, readers are often amazed by the delicate and cumbersome background of a certain page of the original manuscript, which is very likable, but in fact, the more exquisite the background, the more it is not drawn by the cartoonist himself, they are basically from the hands of assistants, because some cartoonists can't do that kind of background at all, even if the cartoonist himself is very good at drawing backgrounds, he doesn't have so much energy to do a good job of page by page background, what is needed at this time is an assistant.

Miyahara has no problem with his drawing skills, but he only paints the background himself when the scene is necessary, otherwise he only sketches the general outline of the background, and leaves the rest to his assistant.

"It's good if it's qualified", hearing Miyahara Jing's praise, Midorikawa was relieved, you must know that Miyahara Jing has very strict quality requirements for the original, if the painting is not qualified, this original will be scrapped, not only will she have to rework, but even Miyahara Jing can only start drawing again.