Chapter Twenty-Seven: Please Give Me Wings (Part I) (Subscription Requested)
20 January 1995. Pen | fun | pavilion www. ο½ο½ο½ο½ο½ο½ γ ο½ο½ο½ο½
Kobe, Higashitan District, one of the areas most severely damaged by the earthquake, has collapsed a large area of buildings, and at this time the rescue team has opened a road to get there, and all kinds of supplies have been brought in, except for heavy equipment, and the current road conditions simply do not allow such things to pass.
Because it has been burned down several times in history, the residents of this area do not have the habit of living in wooden houses, and most of the houses are made of brick and stone, and their earthquake resistance is very limited.
At this time, many people were buried in the rubble of their houses, some of them were dead, and some of them may still be alive.
But nearly three days have passed since the earthquake, and the best time for rescue has passed, and as time goes by, the hope of rescue has become more and more slim.
Because of the lack of lifting equipment and the lack of numbers in the rescue team, many people are clinging to their houses with their hands in an attempt to rescue their loved ones.
Fukuyama Rikuyou is one of them.
Fukuyama is a peasant child, he grew up in a small village, there are not many children in the village, and Fukuyama is a shy and introverted person, so the only person who can play with him since he was a child is a girl from the neighbor's house, she is called Suzuki Saika.
When I was a child, the colorful flowers were chubby and very attractive.
The two have been in the same kindergarten since they were children, and Caihua often helps Fukuyama get rid of the children who like to bully her.
Later, the two went to the same elementary school together.
Then came the same secondary school.
And then the same high school.
Then, they went to university, and Fukuyama's grades in high school were much better than Saika's, but he still applied to the same Kobe university as Saika.
At that time, Fukuyama had never told anyone what he was thinking, but he just felt that he would never be able to leave Caihua in his life.
After graduating from university, the two stayed in Kobe together.
Caihua who has grown up is also chubby, she is not beautiful, but in Fukuyama's eyes, she is still very cute.
Probably Fukuyama never said he liked the flowers, and maybe the same is true for the flowers.
Later, that is, last year, Suzuki Saika naturally became Fukuyama Saika.
And now, Fukuyama Luyou is outside the house, and Fukuyama Sayaka is still inside the house.
When the earthquake happened, Lu You happened to be in his hometown, so he escaped the disaster. After that, he never called his home again, and Caihua lost contact.
Lu You quickly returned to Kobe, where he could drive on the road, where he could ride, where he couldn't ride, where he couldn't ride, and where he couldn't pass by bicycle.
Then he saw the home that had been turned into a pile of rubble.
He wished that the flower was not inside, but in fact the flower was almost certainly inside.
Lu You didn't give up hope, he had been picking up outside for three days, and his hands might have been blurred with flesh and blood, but he didn't care, his hands had already lost sensation.
But he could still feel some pain, such as when the glass was pierced into the palm of his hand.
Lu You took out a wedding photo of the two, looked at the appearance of his wife in the photo, he hugged the photo and fell to the ground crying silently.
β¦β¦β¦β¦β¦β¦
Asakawa Co., Ltd. is the name of a medium-sized TV advertising company, and many of its advertisers are daily necessities such as toilet paper, soap, and shampoo, so in addition to TV commercials, they often build giant 5 meters x 4 meters large display screens outside some high-density residential areas to broadcast their own advertisements, and can also rent advertising space.
But their business is not doing well, because they are often complained about by residents, and the urban construction department always thinks that they are creating light pollution.
As a result, many of the screens that were built were discarded, and it cost to dismantle them, so they were placed for PLAY.
In this earthquake, many of those displays have been destroyed, and many of them are magically intact.
There is also a piece here that only the bracket is broken, and it is inclined at a rate of 30 degrees.
To say that Sony's product quality is still good,Although this giant screen looks pretty miserable,But it's still usable,There is no problem with normal projection at allγ
The screen was located across from Lutomo's house in Fukuyama, and the screen was banned because the residents of the neighborhood complained to the town council about the nuisance of the screen, which in turn reported it to the urban development department.
After the power was restored in the disaster area, the screen was also energized normally, and the miraculous thing is that the earthquake destroyed so many places, but the current circuit of the screen was not damaged at all.
So, now it's in a usable state.
And so it was used.
At this time, Fukuyama Luyou was facing away from the screen, but he heard music in his ears.
"My desire,
If it can be realized, then please give me wings
β¦β¦β
The song that is being played now is a well-sung textbook song that does not exist in this plane and was originally sung in the world where Miyahara Shizune lived, and this song has been sung since the seventies of its birth and has endured in the new century, and the name is:
Tsubasa γγγ γγ, i.e. please give me wings.
It's a sad tune, but it's a song of hope, which fits the current situation very well, and even the lyrics don't need to be changed.
As for the screen playing, it is a very simple story, probably the story of four girls who are in a foreign country and return to Kobe to save people after the earthquake.
It's not even a story, it's just a MV.
In the early morning, the sky was slightly bright, and the girls' breathing turned into white mist in the low temperature, and their steps were firm, moving forward step by step.
Behind them is a highly realistic animated background.
Hanshin Koshien, Mayayama Koseidai, Kobe Port, Sannomiya, Mt. Rokko, Akashi Kaikyo Bridge, Castle Tower, Osaka Castle, Shitennoji, Osaka Dome......
Some of these well-known buildings were damaged to varying degrees in the earthquake, and these have been highly restored.
The production cycle of the work has been delayed, and there is a big reason for these background treatments, and another is that Miyahara Shizu's requirements for the expressions of the animated characters are basically to the point of "demanding", the sound and picture must be synchronized, and the lyrics must be in line with the mouth shape of the animated characters.
"Yes, hope, I can't give up hope!"
After the five-minute song was played, the tears in Fukuyama's eyes had stopped unconsciously, no matter what, he couldn't give up hope, his wife must still be alive at this time, definitely.
With that in mind, he glanced back at the screen behind him, which had fallen silent, and then waved his arms again. (To be continued.) )