In the case of Miyahara Shizune personally, he still attaches more importance to light novels, but this emphasis is largely not based on the publishing industry, but on the judgment of future trends and influence. Pen? Interesting? Pavilion wWw. ｂiquge。 ｉｎfo

After all, although Hibiscus Club mainly publishes comics, he doesn't want to miss the publication of novels, and more importantly, he knows that in the future animation adaptation, light changes are the general trend, and original animation will be relatively weak.

But if you really want to think about publishing alone, making ten best-selling light novels is not as good as making one best-selling manga.

After the all-metal frenzy still confirmed that there was only one female illustrator named Shiki-boy's illustration, he put the light novel on hold for the time being, and then he was going to find something to do with Kyoto Animation.

Why do you want to find something to do in Kyoto, is this company as idle as the previous Hibiscus Oye? This is not the case, and it is the opposite of the case, Kyoto is not idle, in fact, all departments are very busy.

What they lack is the independent production of the entire work, but it is not uncommon to outsource cooperation or even to be solely responsible for the work of a certain work.

At this time, the "revival" of the animation industry is an inevitable trend, and the animation companies that are at the end of the industry can basically be said to have as many as they want, but it is not common for companies of Kyoto's size to do outsourcing, so it can be said that it is a fighter in outsourcing.

Because of its work attitude, quality, and rich external relationships, Kyoto has a deep cooperative relationship with many well-known animation companies, and it has undertaken many jobs.

For example, to list some of Kyoto's current work, it is in charge of co-producing the well-known feature-length animation works Crayon Shin-chan and Doraemon of the long-term cooperative "SHIN-EI animation", and it is also undertaking the new magical girl Miho and Angel that Studio Pierrot is expected to play next year, and according to Miyahara Shizu's understanding of their next work arrangement, Kyoto is still fighting for a large number of voices that have heard of and unheard of the outside of the animation. Typical examples include Rumiko Takahashi's original work, weekly Shonen Sunday serial, and SUNRISE, one of the leaders in the animation industry, who is in charge of animation production...... Inuyasha.

These jobs are quite scattered, if you describe the current business status of Kyoto Animation, that is, there is a lot of work, and there is a lot of pressure before the deadline, but because it is all downstream work of the second package, in fact, the company itself does not make much money.

Therefore, Miyahara Shizune is ready to "suggest" that Kyoto Animation give up part of it, although it is only a major shareholder, and it has not achieved a controlling stake, and it cannot decide or change the company's established policy in a word, but Miyahara Shizune is sure that his proposal can be approved in Kyoto.

Didn't Kyoto Animation always want to produce TV anime independently, so it was decided to increase its capital and limit its shares, so it would be easy to give them such an opportunity.

When it comes to independent production, Kyoto certainly has no shortage of original stories and original works, but the problem is that they are short of money, and the problem now is that if someone is willing to give money, ask them if they want to do it?

Of course Kyoto did it, and whoever doesn't do it is a fool.

Of course, for various reasons, Kyoto Animation is different from Oba Hibiscus, so if you entrust animation production to them in the name of Hibiscus Society, it is impossible for this side to be fully funded, and the proportion of investment must be below Oba Hibiscus.

To put it simply, this is the difference between a pro-son and a godson.

If you make an animation in this way, it can't really be called a "commission", it should be called a collaborative production, and the Hibiscus Society will give the original work and script, and contribute a part of it, and the rest of the funds will be short, if Kyoto is confident in the work, you can invest it yourself, and of course, you can raise it in the form of a production committee...... There was no reason for Kyoto Animation to refuse to produce animation in such a collaborative way.

Even if you don't make a lot of money, it doesn't matter if you lose a little bit of the first work, after all, from the preparation of the first independent production to the end of the screening, this is a process of thorough integration of the company's resources, which can properly increase the experience points.

But with such a decision in mind, the next question arises, what kind of work should you choose to make?

When it comes to later Kyoto Animation, just from the perspective of works, the most profound and initial impression should be the wonderful character settings of female characters, which are undoubtedly very popular with the audience, so that the image has been solidified and criticized.

Partial to the natural six-headed body, short legs, black silk slightly inside, natural and smooth and life-like body movements, in order to highlight the cute attributes with a slightly childish and already baby-fat face...... Wait a minute.

However, at this time, the most well-known light voice face designer Yukiko Horiguchi is a real "classmate", not to mention that this person has entered Kyoto Animation at this time, in fact, she is estimated to have just entered high school and become a JK.

This is indeed a problem, but Miyahara Shizune will not change the direction of thinking about the problem because of this, and he has already considered and hesitated to work that suits the style of Kyoto animation, or the works that he has in his impression of the style of Kyoto animation.

The work he wanted to give to Kyoto Animation was originally an animation produced by Kidsmug Animation and screened in 2005, and if there is one thing that is most impressive about this work, it should be the banner of "cuteness is justice" that was played back then.

Judging from the reaction of this work back then, it is not a big hit, nor is it an unpopular, but it has an extremely hardcore fan, which leads to a certain degree of popularity even in 15 years after ten years.

If we talk about the popularity of a work, there is a kind of spontaneous behavior of fans that can be taken into account, and this kind of behavior is called "Holy Land Tour".

In 05 years,The Japanese people's tolerance for the group of anime fans is obviously not as high as it was later.,The so-called "house" still has a negative impression.,Plus there was social news that elementary school students were killed at that time.,So the holy land tour behavior caused during the broadcast of this animation.,Even caused a certain amount of panic.。

The main story of the work is Hamamatsu Room, and the large number of fans who poured into the residential area to take pictures due to the broadcast of the anime caused great dissatisfaction among the local residents, who felt that the strangers who came here because they fell in love with Lori's works were all potential criminals, and later even went to the head office of the publishing house that published the manga, Media Works, to appeal to fans to stop visiting the holy land.

However, if you want to say that the only problem with this work is that the year of screening is too early, from the selection of materials to the plot to the performance of the characters are impeccable, but it is a pity that it was produced and broadcast five years earlier, and if you want to say that the work is placed after 2010, it can become popular.