The character or charm of the characters is often expressed through the arrangement of the plot, so in a certain sense, Miyahara Shizu's approach is the opposite. Pen % fun % Pavilion www.biquge.info

Considering the collapse of the original Guilty Crown in the middle and later plots, Shizune Miyahara changed this story to a simple shonen manga style of a single teenager fighting an evil organization a long time ago.

So at the end of the story, the plot is basically how he wants to play.

As a result, Miyahara Shizu's approach is to use the entire second half of the story to show the two characters, how to reflect the charm of the characters, how to arrange the plot.

The plot is tilted towards the characters.

At the end or end of the manga, there are often scenes where Kasui fights Gundam with a large-caliber gun, as well as a battle scene with an explosive void and extreme flesh.

It's a bit of a FATE style.

Blood, maidens, ruins, war, explosions.

and despair.

The resoluteness and more complex things shown by the face of the three noes can be clearly felt by the reader.

Because there has been an adaptation from the beginning of the story, and the change in the later part is almost original, so it is extremely difficult for Miyahara Shizune, the main character of the two stories of Sakura Manji and Kasuke.

In terms of character setting,This comic is the top level,And in terms of plot,This SF-colored story is in a juvenile comic.,From the initial structure,It's extremely difficult to make it a boutique.。

Even if the whole story is over, if you want Miyahara Jing to comment on it herself, just in terms of the plot, the evil crown that has been changed by the demon can only be said to be a high-level work, and it can be called a good product at most.

Of course, after all, no matter how you say the Crown of Sin, it can't be said to be a work that sells the plot, and Miyahara Shizu's approach is undoubtedly a trick.

Based on excellent character design, focusing on the creation of character charm, it is easy to create a situation where the popularity of the character is far more popular than the work itself.

This is undoubtedly the case with the Crown of Sin.

Therefore, it is inaccurate to say that Miyahara Jing is selling characters with no taste from beginning to end, he is selling characters from beginning to end.

This is a simple way to say that it is simple, but it is actually difficult to say that it is too difficult, after all, there are not many opportunities to produce super popular characters with a mediocre plot.

But the Crown of Sin succeeded, and Sakura Manji and Kasuki were quite successful, especially the latter.

In terms of the surrounding area, the sales of Kaji-related products can be much higher, ten to one figures, different materials have different prices, but it can never be said that they are cheap, but compared with the same year, her shipping speed is a little scary.

In terms of manga sales at that time, the finale of the tenth volume of the Crown of Sin broke through one million copies without any pressure, and the average sales of the overall volume reached 800,000 copies, but I don't know if the average volume sales can exceed one million over time.

If in the future, its overall sales are stuck by the line of 10 million, it can only be said to be a popular work, and if it breaks through 10 million one day, it will be a popular work.

Selling characters to this extent, Miyahara Jing herself is satisfied.

So this work that first started to be serialized, Kasuki can be regarded as one of the key figures who saved the Hibiscus Society and Simiel during the critical period, and it can be regarded as a perfect curtain call.

Although it's a circle, the ending of the story still follows the original, Sakura Manji sacrifices himself to save the world, and Kaji prays to sacrifice himself to save Sakura Manji.

Whether Kajiki finally disappeared or remained in the heart of Sakura Manji, it is all up to the reader to judge.

At the end of many works, probably out of the author's own feelings, a "family portrait" of the main character will be drawn, or simply only the protagonist himself.

For example, at the end of Fullmetal Alchemist, Hiroshi Arakawa depicts Edward stepping onto a train with a suitcase in one hand, then looking back and squinting and laughing...... The complex emotions of finishing a work are probably only understood by the author himself.

And so it is with the crown of sin.

The final words of the Guilty Crown, p28, are Sakura Manji, who has lost his arms and lost his vision, wearing headphones and closing his eyes, sitting on a bench by the coast with a calm and longing on his face.

P29 is a blank black page with only one sentence:

"Say I'll be with you forever,

What a warm ...... of the hands that are joined together"

P30 is a bust of the red-clad Ka Qi, with her hands on her chest and a full grin on her face - the only image of her in the work that grins, like the most ordinary girl who has attained happiness.

The background is a warm, brilliant sky.

This is actually a strong contrast, the brighter this laugh, the more it can express the tragic color of the character's experience, and the more deeply rooted the ending with regrets can be deeply rooted in the hearts of the people, giving readers empathy.

So the last page of this last sentence made a lot of tears again.

Of course, making tears is not Miyahara's purpose, but he really wants to draw it this way, the Crown of Sin is his first long serialization that has ended, and Kasuki is probably the most thoughtful manga character so far, so he drew that kind of picture with strong subjective emotions.

Surprisingly, such a flawed ending did not cause dissatisfaction among readers.

Or rather, it is understood by the reader.

It's not a tragedy for the sake of creating a tragedy, it's a final disappearance that sublimates the charm of the characters, and the reader understands that.

There is probably a reason why Kakei will continue to be active in "ODA".

However, the feelings of fans still need to be vented, so at the character popularity awards held by Hibiscus Society, from the best female character to the most valuable manga character, because fans with large votes actively voted, the bento Kai Kai began a large-scale slaughter of the version.

This is also the most direct expression of their love for this character.

As for the production of the anime, the animation rights of works like Sin Crown Miyahara are definitely in their own hands, but given the current picture quality and technical factors, that will have to be a matter for the future.

For Miyahara Jing herself, the biggest feeling of the year is the end of the Crown of Sin, and after the end of the work, he did not continue to serialize the new work, but chose to take a short break and focus on serializing FATE.

As for the new year, Hibiscus has two authorized films that will be released.

One is a live-action movie, which is about the ancient city of Thorn King, who wants to snipe in front of Jurassic Park 2.

One is an animated film, the Bladeless Emperor produced by OHS.

Hollywood doesn't care about it for now.

In any case, no matter how good the quality of the work produced by OHS Animation, they are the weakest of the weak chickens when it comes to distribution.

So as soon as Miyahara Jing looked at their release arrangement, she knew that this work was almost stepping on a tightrope.

Quite unfavorable.

Because about a week after its release, new anime works are released.

The name is Princess Mononoke.

The producer is called Studio Ghibli.

Forced, they had to get on a handle with a bearded man named Hayao Miyazaki.

And fools know that even if the beard is plucked, the beard will definitely not lose.