Hearing that Professor Zhou personally played Nozomi Sasaki, Liszt's most famous show-off work "Seed", many people in the audience began to stir. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

At this time, even those parents who really took their children to watch the piano were curious to come over at this time.

Xingdong stood aside with his arms crossed, watching Nozomi Sasaki sit by the piano in a very masterful manner, and at the same time became interested in the so-called top ten most difficult piano pieces in the world.

Taking advantage of the free time, Xing Dong used Du Niang to check it, and he was startled when he didn't know if he didn't see it.

It turns out that in this piano piece "Bell", the dazzling playing technique of the violin was transformed into a more brilliant piano playing technique by Liszt, who transplanted the light and lively violin theme to the piano, and made various variations in various registers with various textures and techniques.

When he saw this, Xingdong couldn't help but sweat for Nozomi Sasaki, his knowledge of the piano was limited to knowing that there were 88-key pianos, including 52 white keys and 36 black keys.

The rest is to know that the piano is known as the king of musical instruments. It has a complex structure and a wide vocal range. It can be used for solo and accompaniment, and it is gone.

Such a profound music theory is a bit esoteric for a layman like Xing Dong for the time being.

However, at this time, Xing Dong took advantage of this time to have a general understanding of this piano piece.

At the same time, Nozomi Sasaki, who was sitting at the piano at this time, also started playing officially after debugging it.

Professor Zhou stood aside and listened carefully.

The beginning of the piece is a concise prelude, and Nozomi Sasaki sits gracefully, her slender fingers beating gently on the keys.

Wang Meiqin stood on the side and was still very contemptuous and disdainful, and the other onlookers, who understood or didn't understand, also held their heads high.

Soon the climax zone begins, and with the end of the prelude, the "bell theme" appears.

The crisp and melodious timbre and overtones of the piano's high registers form a short and powerful sound in Nozomi Sasaki's gradually accelerated articulation, forming a series of vivid and realistic small bell rings.

Since the timbre of a piano in the high register is easier to imitate a bell than a violin, the effect of a bell is more pronounced.

At this time, with Nozomi Sasaki's delicate and pure expression, the ten fingers of grace will beat up and down, left and right on the keys at a faster and faster speed.

Professor Zhou slowly and slowly, his face began to change from solemn to amazed, and then from surprise to amazement.

Wang Meiqin also began to panic, and looked at Nozomi Sasaki with straight eyes, and everyone in the audience, the so-called laymen watched the excitement, and the insiders watched the doorway, with different expressions.

But they have basically grown their mouths, and what the layman sees is that Nozomi Sasaki's god-like finger beating rhythm is simply a wonderful visual feast.

And the insiders are amazed that Nozomi Sasaki has grasped every bar and every note so perfectly.

Soon the following theme continued in Nozomi Sasaki's hands, using the timbre characteristics of the piano's high register, playing bells with different rhythms.

These two themes alternate to form a brilliant and ornate passage of high difficulty.

At this time, Xingdong, who checked and learned about the status of this piece, was also a little excited, he didn't expect Nozomi Sasaki to have such a level of piano performance and music appreciation.

The music gradually entered the climax, and at this time the whole arena fell silent, and even some naughty children obediently quieted down in this atmosphere, and went to Sasaki, who was playing in it.

With the image of Nozomi Sasaki, coupled with such a wonderful piano music, it is estimated that anyone who passes by can't help but stop here.

Soon, the performance time is about 4 minutes, and the end is about to come, and it is time to test the player's performance skills the most.

You must know that in this short 4-minute piano piece of Liszt's "Bell", there are constantly "rounds" (alternating between left and right hands), "rapid octaves" and "staccato of extremely large interval beats". One of the most difficult passages is the one that mimics the sound of a bell by jumping 4 8ths with one hand.

This kind of staccato and bow jumping that imitates the violin playing technique is very novel and has never been expressed on the piano before.

Fingers on the same note, long chromatic progressions, trills with melodic parts in one hand, continuous octave progressions, and long-distance octave jumps with the left hand were all shocking when the pieces came out, beyond the limits of the average pianist's abilities, and amazed the audience at the time.

What's more, now, you must know that there is a person in front of you who looks to be only about twenty years old, Nozomi Sasaki is playing.

At the end of the classic climax, which is also the most difficult place that has been bothering Professor Zhou, at the end of the classic climax of the song, there is a musical note that troubles many people who play this piece.

At this time, I paid special attention to Professor Zhou, who was in a mood that could not contain his excitement, and Wang Meiqin, who was waiting to see Nozomi Sasaki play and make a fool of himself.

One of the notes in the last section has to be pressed at the same time with eleven keys that are very far apart to be absolutely perfect, which is something that can only be barely achieved by people with particularly long fingers or very fast fingers.

At that time, few people knew what method Liszt used when he played, but now Professor Zhou, including Xingdong, and Wang Meiqin want to see how Nozomi Sasaki solves it.

You must know that people only have ten fingers, and there is a key that is very special, how to play, skipping this step is not a complete "Bell".

So just like that, when the three of them and even all the people who knew the industry held their breath and looked at Nozomi Sasaki with wide eyes to see how Nozomi Sasaki ended.

At this moment, it can be said that all eyes are on it.

I saw that when I reached the last step, Nozomi Sasaki suddenly crossed his hands and arms, suddenly leaned forward, and pressed his ten fingers at the same time, and the tip of his nose lightly clicked on the eleventh key...

Bang Bang Bang ~

"Good~Good~Good~!"

Everyone was stunned for a moment, and suddenly almost all of them burst into fierce applause, and in the last beautiful note, Nozomi Sasaki perfectly played Liszt's dazzling work.

At this time, even Professor Zhou, who had been standing and watching from the side, couldn't help but shout three times in succession, and applauded with incredible excitement on his face.

At this time, Wang Meiqin, Nozomi Sasaki, played Liszt's song so perfectly that even her mentor, Professor Zhou Lao, couldn't play it, and it made her more uncomfortable than slapping it in the face in front of her.

Originally, Wang Meiqin was extremely jealous of a girl like Nozomi Sasaki who was younger and more beautiful than her, but now when she saw Professor Zhou, she was so excited that she was talking to Nozomi Sasaki because Nozomi Sasaki played Liszt's "Bell".

Seeing that Nozomi Sasaki was wearing a skirt today, Wang Meiqin was jealous and quietly approached Nozomi Sasaki and wanted to make harm in secret.