"Sister Zihan. Pen ~ Fun ~ Pavilion www.biquge.info" Ye Lin greeted with a smile.

"Hehe, that's good." Looking Ye Lin up and down, Chen Zihan smiled and reached out to pat Ye Lin's shoulder, and then said with a smile: "It's a lot stronger." ”

"Heh......" Ye Lin smiled bitterly.

"Sister Zihan, take a closer look at Ye Lin." Su Youpeng reminded with a smile.

Chen Zihan was slightly stunned, then looked at Ye Lin suspiciously, and after carefully looking up and down, a pair of bright big eyes instantly stared to the extreme!

"You...... Bottlenecked? Chen Zihan asked stunned.

"Yes." Unlike Su Youpeng, who was just a general friend, Chen Zihan didn't take care of him less when he was in the crew, so Ye Lin nodded directly.

At the same time, Ye Lin also felt a little emotional.

He didn't expect that he would enter the legendary "bottleneck" so quickly.

Why is it in any entertainment industry to distinguish between first-line artists and those below them?

is because any actor, with his talent, can reach the top of the second line, but if he wants to become a first-line, even if he is at the bottom of the first line, he has to go through a special period.

This is known as the "bottleneck period".

During this period of time, the actor's acting skills have reached a certain limit, and they can no longer improve as rapidly as before, and there will even be a stagnation period that cannot break through the shackles for a long time.

At this time, personal talent becomes an extremely important factor.

When you are an actor, especially if you are an actor with extreme ambitions for acting, talent is really important!

As Edison said, genius is 1% inspiration and 99% perspiration, but that 1% inspiration is often more important than 99% effort!

It can be said that an actor who can become popular, and an artist who has been popular for more than ten years, must have a talent that ordinary people do not have!

Of course, this does not mean that people with ordinary talent cannot get outstanding acting skills, but ......

That path is too difficult.

Here's an example.

Among the Four Heavenly Kings, Liu Tianwang's acting skills are not as good as Liang's, his singing skills are not as good as Zhang's, and his idols are not as good as Li, but he and Liang are still popular after many years of debut!

Why is that?

Step up your game!

Far beyond the efforts of ordinary people!

Liu Tianwang has a lot of classic film and television dramas, but at the same time, there are more bad dramas and broken dramas!

But he has used step by step to break dramas and bad dramas to hone his acting skills that will completely belong to his personal image in the future, which is why some TV series themselves are rubbish, but when Liu Tianwang starred, they are still very popular.

So what is first-line acting?

This is a relatively empty word, generally speaking, when reaching the second-tier acting skills, the actor has reached the point of acting what he thinks, and the first-line actor is going further to this extent!

Create a temperament that belongs to its own personal characteristics!

For example, he also plays a butcher.

Second-tier actors, just look like butchers, but you will look a little awkward, as if the other party is just wearing a coat called "butcher".

Of course, compared with third-tier actors, this sense of abruptness among second-tier actors is almost non-existent, but it still exists.

But what about A-list actors?

When they pick up the butcher's knife, you'll be scared by one look!

This is murderous!

An invisible, intangible, but real killing temperament!

Of course, this is just one type of temperament.

For example, Liangkun in "Crazy Boy" is a kind of morbid and crazy temperament.

For example, Zhang Tielin, who is known as the "emperor's professional household", has a majestic temperament of a superior person.

In fact, as long as they are first-line actors, they must have their own strong logos!

Even if he is riding the "acting elf" Zhou Xun, his own temperament is also in that ever-changing temperament.

It can be said that first-line actors must have a personal temperament!

This is the sign that an actor has truly stepped into the front line!

But......

It's so hard to dig out your own personal temperament.

Man must first have self-knowledge.

Recognizing yourself is the most difficult!

Because it is easy for a person to see others, but it is really difficult to see oneself clearly!

Ye Lin didn't react at all at first, after all, although he was a professional student, but this kind of thing was really amazing, a student who had not yet graduated from college, suddenly entered the legendary "bottleneck period", not to mention himself, even his instructor didn't notice it.

And Ye Lin is not to mention, this life has just been in contact with it for a short time, although he has previous knowledge, but the knowledge in books is just knowledge after all, and in a situation like this, Ye Lin didn't know what happened to him at first.

Inexplicable irritability, whenever I recall the original scene in my heart, scenes of red-faced pictures emerge in my mind.

If it hadn't been interrupted by an unexpected call at that time, I'm afraid Ye Lin would definitely have an accident!

The bottleneck period is also the period when a person is most likely to have negative emotions.

Because he didn't know, Ye Lin didn't even read the book that day.

It wasn't until later, on the recommendation of Huang Bo, that he went to the instructor and figured out the reason for everything.

Although he was surprised by his state at this time, after the instructor explained the relevant knowledge, Ye Lin was relieved.

During this period, although it is easy to be disturbed by various external negative emotions, which leads to the failure of the bottleneck breakthrough, which doubles the difficulty of the next bottleneck breakthrough, this does not mean that it is the best choice to work behind closed doors at this time, on the contrary, at this time, the most important thing to do is to contact with the outside world.

Although there are risks of one kind or another, it is only through stimulation that the next step can be judged.

Otherwise, if an actor has been stagnant for a long time in this period, I am afraid that the success rate of wanting to break through will not exceed one percent!

And because artists who have been stagnant for a long time in the bottleneck period, once they fail to break through, they will not be able to break through again within at least ten years.

There will even be a regression in acting!

And how long can an artist's golden age be?

Female artists are only more than ten years old, while male artists are longer, but they are only twenty or thirty years!

Decade...... Too long!

Basically, once you have been stagnant for a long time in this period, it means that your acting career ends early.

How many entertainers are there in the country?

According to the latest survey of the Actors and Actresses' Union, not counting those who run the show, the entire industry is as high as hundreds of thousands of people above the fourth line!

But what about A-list actors?

It's only two or three hundred.

What is the ratio?

One thousand to one!

And what about those who failed to break through?

It's either that everyone is gone, or that they leave gloomily, which is really chilling.