Chapter 116 Types of Performances
After getting Wang Baoqiang, the filming progress of the crew will be much faster, not only Chen Hao is relieved, but everyone feels much more relaxed. Pen ~ fun ~ pavilion www.biquge.info
Chen Hao looked at Wang Baoqiang under the camera, but remembered something else, Wang Baoqiang's acting did not integrate into the role, and he felt that what he played was basically himself, with his character and characteristics.
Film and television performances are generally divided into two categories: true character performances and character performances, and accordingly two types of actors have been produced: true character actors and character actors, or true colors and character schools (also called character schools are acting schools).
The so-called true color performance refers to the performance method of using the actor's appearance, temperament and personality characteristics more to experience and embody the role, and focusing on letting the role move closer to the actor himself when performing, so that the "role enters the actor".
This kind of actor has few traces of performance on the screen, which looks friendly and natural, which is more in line with the requirements of film and television performance, so some people advocate that film and television performances should be "true color first".
However, relying too much on one's own inherent quality for performance can easily limit the performance scope and performance potential of actors, narrowing the acting path, and those who are inferior to each other will cause the adverse consequences of "a thousand people" on the screen.
Character performance attaches more importance to the actor's ability to "incarnate" into a role, emphasizes the exploration of the actor's performance potential, and plays various roles on the screen that are quite different from his own personality and temperament, which requires the actor's performance to have greater plasticity and adaptability.
Mary. O'Brien noted, "A character actor is the kind of actor who strives to create an image of a character. It was a mixture of his own psyche and a written image.
Character actors can purify their own characters and dress them up as perfect, natural, new characters rooted in reality.
Although the audience knows this actor, they still react to this new character image and forget about the actor himself for the time being. "Stage performances are about character actors, but character performances on the screen are often more difficult, so it is logical to hone those outstanding actors.
Of course, many character actors also have traces of their true performances, such as Ge You, he is very good at acting, which is not to be said, but he plays everything like himself, which is also a bad phenomenon, he is very suitable for playing small people, and most of his images on the screen are like this.
True color performances are people like Wang Baoqiang and Ge You, they can play small people, they can play characters at the bottom, but they can't play the kind of roles that are tall, such as emperors, business bosses, and so on.
Chen Daomin is different, he is a very representative character among the character actors, he can play the emperor, he can play the business tycoon, and he can also play some small people, Chen Daomin's performance is very role-playing in many cases, and the character he performs will not feel like Chen Daomin himself.
"Brother Hua, what do you say is the difference between true character performance and character performance?" Chen Hao suddenly turned his brick at Liu Dehua, who was sitting beside him.
"Ahh I think that the performance traces of the true color performance are small, and it is easy to show authenticity, and the performance of the character performance is a little strong, and sometimes it gives people a deliberate feeling. ”
Andy Lau was watching Wang Baoqiang's performance, and was surprised when he heard Chen Hao's question, and then explained his own understanding.
"What type of actor does Brother Hua belong to?" Chen Hao stared at Andy Liu again and asked.
"Me? I should have some of them, sometimes I can play well, sometimes I can't play well, that's the reason. In fact, this is the case for most actors, many times when they encounter a role that suits them, they are performing in their true colors, and if they are not suitable, they can only perform with their personalities. ”
Although Andy Lau said that his acting skills are not affirmed by most people, Chen Hao knows that Andy Lau's actor deserves his name, he is just too good and good, many people find him to film, he is a relationship or the attitude of bringing newcomers, so he also shoots many books that are very bad, which caused his bad acting skills.
After Chen Hao listened to Andy Lau's words, he fell silent again, he was thinking about what type he belonged to, although he had never learned acting in his life, but he really spent time studying it in his previous life, and he made a breakthrough in acting when he died.
Chen Hao has played several roles, although they are sometimes not brilliant because of the relationship between the book, but many times professional people know that this person's acting skills are very good at a glance, such as the role of Mike, Chen Hao's performance in the movie is very bright, in addition to Bao Shihong and Heipi, that is, Mike is the most impressive, and even Mike is more prominent than Heipi in the play.
Chen Hao's performance in Infernal Affairs is due to the role, only the last scene feels very outstanding, and the showdown with the two major actors, Chen Hao's momentum under pressure can become a three-legged momentum with the other two, which shows that his acting skills are really not bad.
Chen Hao himself knows that his acting skills are not very good, just because his soul is strong, and many times he can grasp the characteristics and personality of this role. Strictly speaking, Chen Hao is also an actor who combines two types of performance.
Filming at Labrang Monastery will soon be over, and the crew will be transferred back to Kyoto again, leaving the place where everyone stayed for several days.
The filming of the film was mainly carried out on a train, so Chen Hao had already contacted the railway company, bought a section of abandoned carriage from them, and after renovation, it was placed in a garden on the outskirts of Kyoto, waiting for the crew to go.
Chen Hao thought about this train and gave him a name of "out of nothing", this is originally fake, if someone is seated, Chen Hao will not have any trouble, it is originally made out of nothing, so it is called "out of nothing".
The "train" is about 40 meters long, and it is divided into 4 carriages: soft sleeper, hard sleeper, dining car, and hard seat.
It's only August now, it's the scorching summer season, but the play is the play of the Spring Festival in winter, as a last resort, everyone has to wear down jackets and military coats to film, in order not to suffer from heat stroke, Chen Hao found more than ten big fans to blow the wind on them all day long, and they must also drink Huoxiang Zhengqi water during filming, and prepare this ice water at any time, and it will be sent to relieve the heat when they are resting.
In this play, Chen Hao changed some image designs, such as Andy Lau's long hair is gone, and a thief does not have to have long hair, but can also be a board inch.
Everything else is fine, but Han Hao's gentle image is a little difficult to play, and Chen Hao simply didn't change, which is even more deceptive.
Jiang Xin needs to be sexy, so Chen Hao asked the makeup artist to make her sexy and put on a tight-fitting leather coat, which looks good, although the skeleton is a little bigger, but it is not required that she must be sexy.
On the third day of returning to Kyoto, that is, on August 10, the scene on the train officially started filming.