The work "Garland Under the Mountain" is extremely successful in character building. The conflict and intensification of the contradictions www.biquge.info pen ~ fun ~ pavilion, and the light and darkness of human nature are clearly presented in front of the reader, with a heavy sense of reality.

This kind of literary work with a bloody atmosphere has become a major feature of Li Feiyang's works. He is always describing the suffering and struggle of human nature, and from time to time he also reflects the darkness and injustice of the real society, which makes people feel heavy after watching it, and drives readers to think about all kinds of unreasonable systems and regulations in the real society, and his works have such a kind of magic.

Of course, Li Feiyang will definitely say that this is the work of those writers in the previous life, and if there is magic, it is also their magic, and it has nothing to do with himself, a plagiarist. But in this world, who knows that this was not written by Li Feiyang himself? In their eyes, this is Li Feiyang's own work.

Because Li Feiyang has been in the works since his debut, not counting fairy tales, among the novels he has written, whether it is a martial arts novel, or the sensational "Red Sorghum" or "Divine Whip" or "Garland Under the Mountain", these novels have a significant feature, that is, there is a kind of iron-blooded tough guy atmosphere, and the works reveal a violent tendency. His martial arts novels are just that, the characters are not very obvious, and after reading them, the images of the characters are vague and incomplete, and they cannot be called real literary works. However, the two novellas "Red Sorghum" and "Garland Under the Mountain" are enough for writers in the circle to position Li Feiyang's writing style, and the industry unanimously believes that he is an iron-blooded tough guy writer who is good at describing blood and fire!

Many writers feel admiration and respect for Li Feiyang who was not a serious writer for An'an, but instead went to the battlefield to face the soldiers of the enemy country with real swords and guns. However, admiration is admiration, and people in the entire cultural circle do not agree with Li Feiyang's approach.

In the eyes of people in the cultural circle, going to the battlefield to participate in battles is the business of professional soldiers, and it has nothing to do with them, and their task is to do their own work well, write a few excellent articles, and enrich the spiritual life of the toiling masses, instead of carrying guns to the battlefield themselves.

The war happened, and they were only the characters who waved the flag and shouted, and it was impossible for them to go into battle in person.

Wang didn't know that Li Feiyang joined the army and went to the battlefield to sacrifice his life to fight, and he also had a lot of complaints, and scolded Li Feiyang many times in private, the old man really cared about Li Feiyang, when he heard that Li Feiyang had entered the battlefield, he was so anxious that he almost had a heart attack, and tried every means to pull the relationship to transfer Li Feiyang out of the army, although he did not succeed later, but Li Feiyang wrote down this intention. The old man scolded him, and he could only listen, the so-called deep responsibility of love, the king didn't know that he was too concerned about his safety.

For this matter, Wang didn't know that the evil spirit could not be eliminated, and he specially wrote an article, the name of the article is called "Bloody Head", which is dedicated to discussing a famous writer, in the case of sufficient soldiers, should he join the army and enter the battlefield to fight the enemy?

In this article, Wang Buzhi's point of view is to oppose the participation of literati in wars, especially the participation of literati in bloody battles with real swords and guns on the frontal battlefield.

In the article, he said that fighting is the business of professional soldiers, and it is the duty and duty of soldiers to participate in wars and defend the motherland and the people, and the obligation of writers is to use articles to propagate the patriotic spirit and show the patriotic feelings of the people, instead of joining the army to participate in frontal battles and making senseless sacrifices.

Finally, Wang Bubu pointed out in the article: Although kitchen knives can kill, killing people is not the mission of kitchen knives after all.

The best place to play with kitchen knives is in the kitchen, not the battlefield.

Regarding Wang's faint criticism, Li Feiyang shook his head with a wry smile. He knew his own family, and knew that with his own skills, although it was not said that he was walking on the ground, there were few things other than weapons of mass destruction that could threaten his life. This is also a big reason why he participated in the battle.

But in this case, the old man didn't know, even Mark and Zhao Chunjiang didn't know very well, only the ancestors of the Ma and Zhao families had some understanding of Li Feiyang's true skills. These old guys know what to say and what not to say, and they will never spread the word about Li Feiyang's invulnerability.

Li Feiyang didn't dare to refute Wang Zhizhi's critical articles against him, and found that the old man was so angry, and Li Feiyang didn't dare to touch his moldy head, since he wanted to nag a few words, then let him nag, listen to himself, who let himself be a little unparticular about doing things, so many people are worried about themselves, provoking Liu Xiaolu and Yang Xiaoyue to be in a trance all day long, and they don't think about tea and dinner, so scared that Huang Zhengnong has been begging Mr. Huang Shichang to go to the central government to find a relationship to transfer him out of the army, There are also many people who know that they are on the battlefield and are worried and afraid of themselves, and it is also appropriate for them to be scolded by the old gentleman, and there is nothing wronged or wronged, let alone angry.

When participating in the literary symposium, a reporter took Wang Buzhi's "Bloody Head" to ask Li Feiyang's opinion.

Under the reporter's repeated questioning, Li Feiyang just said: "For me, most literati are kitchen knives nested on the kitchen board, and I am a bayonet on the weapon rack, and the most suitable place for bayonets to play a role is the battlefield rather than the kitchen!" Among the writers, I am one of the more special ones, please note that I am not like them, I am a bayonet, not a kitchen knife! ”

As soon as Li Feiyang's words were reported by reporters, they caused an uproar in the cultural circle.

He became famous at a young age, always calm and sophisticated, and rarely spoke frivolous words. Today, he said that "everyone in the world is a kitchen knife, but I am a bayonet", which is not without irony for some writers in today's literary world.

Compared with kitchen knives, although bayonets are also knives, bayonets are a little more vicious and murderous than kitchen knives, and they also have a little more responsibility to defend the territory and protect the people, and there is no comparison between the two at all.

Li Feiyang described himself as a bayonet and the Han literati as kitchen knives, which means that the literati of the Han Dynasty have lost their spirit of sharpness and enterprising, and have no sense of responsibility and mission.

With this sentence, he scolded the literati of the entire Han Dynasty.

It's just this heroic spirit that is worthy of the words "young and frivolous".

He is a well-known writer, his reputation is louder than most writers, and his influence is amazing, his loyal readers have spread all over Hong Kong, Macao and Taiwan, and even have his readers all over the world, of course, readers outside the Han Kingdom are some children who read fairy tales, and most foreign adults only know about him only limited to fairy tales. His works other than fairy tales have been greatly reduced in the number of translations abroad.

But this is already a very remarkable thing, among the writers of the Great Han Kingdom today, there is no one whose works can reach Li Feiyang's influence.

Now that Li Feiyang said these words that faintly looked down on contemporary literati, he naturally caused a storm.

When Wang Buzhi saw this report, he scolded with a smile: "This stinky boy, why don't you know how to stop for a while?" It's only been quiet for a few days? I want to provoke right and wrong again! ”