Qin Hua followed behind Ziyan, and when he saw a soldier looking at him, he raised his fist and grimaced.

"Hey—this girl. The soldier looked helplessly at his companions, who laughed.

"Qin Hua, you are fast, you go first, by the way, investigate the other party's situation, okay?" said Ziyan, who was walking in the front on the street.

"I'll go. Qin Hua reluctantly ran forward a few steps, and then, like a weightless ghost, leaped up to the roof and disappeared.

"Wow-" Yu Qianniao felt stunned: "She, she, she...... How do you do it, it feels so strong!!"

"Her speed is indeed very fast, and she has improved a lot compared to not long ago, and now it seems that she is one of the few light exercises in the empire. Ziyan nodded.

"Ahh Chidori sighed.

"Why don't I carry you?" Ziyan asked.

"I'm talking about tiredness. Yu Qianniao said speechlessly

"Oh. ”

"But if you want to carry me, you can ...... it."

"You don't have a chance. ”

“......”

The sword is a weapon. The double-edged body is straight and pointed, horizontal and vertical can hurt people, and the stab can penetrate the armor. Dangerous and abnormal, born to kill. The ———— sword has blades on both sides, with a straight body and a sharp tip. When dancing, it is lethal to both sides of the body, and can easily penetrate the armor with the tip of the sword. It is a very dangerous weapon, and it often makes people feel dangerous. It is a weapon that exists purely for the purpose of killing.

The sword, one of the ancient weapons, belongs to the "short soldier". He is the king of soldiers and is known as the "king of a hundred soldiers". The ancient kings all had the spirit of a gentleman, and there was also the saying that the emperor ruled the world, and was known as the "king of a hundred soldiers". Ancient swords were made of metal and were elongated with a pointed tip and a short handle at the back with blades on either side. Now used as a fencing sword, the sword has a slender steel bar with a small round ball at the top, and has no blade.

Swords, in the early days, were dagger-style short swords, swords and knives, the difference was only in the single-edged and double-edged. The sword is also known as: "Light Lu", "Path", "Chang Gong". At the end of the Spring and Autumn period, long swords became popular. The long sword is out, and the short sword is not wasted. The history of the sword goes back a long way.

The long sword is easy to fight, the short sword is good for protection, and can also be used for assassination, Jing Ke assassinated the King of Qin, and the knights Wang Yue and Shi A in the late Eastern Han Dynasty are typical examples. The sword is a long weapon with a sharp edge, and its size and length are based on the human body, and it is determined by the number of people. Zheng Ye also explained in detail about the sword, saying that "the shape of the human body is different in size and length, and the sword is made for its service, not to look directly at the beauty, but to make each suitable for its use." Therefore, it is a third-class system, so as to treat the third-class people, so that they can be convenient as they please. The stem of the sword is five inches long, and if the sword body is five times as long as its stem, it is three feet, weighing nine pounds, and it weighs three catties and twelve taels. Only the long and powerful one can then win it, so the sergeant obeys it. The sword body has four stems, the length of the stem is two feet five inches, the weight is seven pounds, then two catties and fourteen taels are also, the length is light and heavy, so it is called the middle system. Only those who have the middle are suitable to obey, so the sergeant obeys it. If the sword body stops three of its stems, then two feet of ears, heavy stop five qiang, then two catties of one two or three points of the middle ear, light and short, so it is called the next system. Those who are short in form and weak in strength can be served. ”

The above-mentioned sword system, probably used in ancient times, is still changed in the past dynasties, from Qin to Song, changed to especially Ju. Zheng Yiyun: "If you compare the sword of the Qin and Han dynasties with the sword of the Song Dynasty, the long sword of the Song Dynasty has twenty-one inches and three points, and the long sword of the Qin and Han dynasties is only seventeen inches and nine points. The short sword of the Song Dynasty was 15 inches and 2 minutes, and the short sword of the Qin and Han dynasties was only 10 inches and 5 minutes, so the sword of the Song Dynasty was longer than the sword of the Qin and Han dynasties, and the quality was better." That being said, there should be some evidence, but there is no disagreement. The purpose of the sword is not for killing, but also for the ornament of the scribe, but it is still mainly used to defend against the enemy, such as the long sword is inconvenient to use, the short sword is difficult to reach far, the short is light and not easy to hit, and the elder is heavy and slow to swing, both of which are not suitable for sword making. It is proved that there is a saying in ancient books: "Han Gaozu won the world with a three-foot sword", and the statement that the sword of the Han Dynasty was less than two feet long is wrong. If the comprehensive sword history records, the length of the ancient sword, ranging from one foot three inches to more than four feet, and its weight is two to three catties, which is in line with the person's design, and should be credible.

The sword is a kind of short soldier, born from the spear-shaped stabbing soldier and short dagger, originated before the Yin Shang Dynasty, the shape is extremely short, only a short flat stem, and no tube. The ancients used this sword to insert it into the waist, which can be cut and pierced to defend against bandits and wild beasts. In the Zhou Dynasty, especially in the Spring and Autumn Period and the Warring States Period, it has become the main short weapon, and the soldiers must be armed. Even Feng Tan and Han Xin in the early Han Dynasty, although they were so poor that they had no food, still carried them with them. The famous ones are Ganjiang, Mo Ye, Longquan, Tai'a, Chunjun, Zhanlu, Yugu, Juque and so on. In the Spring and Autumn Period, there is still a Longquan sword hidden in the Forbidden City, which is still very sharp, which proves that China has a long history in the manufacture and use of swords.

The sword can usually perform three types of attacks: interception, slashing, and stabbing. Chinese sword development

The sword, the holy product of the ancients, is also the supreme and noble, and the people and gods are worshipped. It is the ancestor of short soldiers, the weapon of close combat, and with profound Taoist art, it has entered the legend of Xuan. In fact, because of its lightness, wear, and swiftness, the princes and emperors of the past dynasties, the scribes and knights, and the merchants and the common people are all proud of their perseverance. Sword and art, since ancient times, often across the battlefield, dominating the martial arts, standing up for the country, doing benevolence and righteousness, so it has been passed down to this day, still loved by the world, but also with its glorious history, deeply rooted in the hearts of the people, Si Ke has been passed down through the ages.

The sword was founded in the era of Xuanyuan Yellow Emperor. According to the "Guanghuang Emperor's Chronicles": "The emperor picked the bronze sword of the first mountain, and inscribed it with ancient astronomical characters"; The above two words, like the Yellow Emperor and Chiyou, both made swords as soldiers.

According to the above, no matter who the founder of the sword is, there is no doubt that he was born in the era of the Yellow Emperor. The Yellow Emperor built a temple in 4615 BC (2704 BC), the country name is Xiong, and the fashion department has just entered the Bronze Age, but it can be deduced that the birth of the sword is extremely ancient and has a long history, so the descendants call it "the ancestor of short soldiers", which can indeed be deserved.

From the Yellow Emperor to the Eastern Zhou Dynasty, most of the swords were cast in copper, and the sword quality was quite good, and the refining technology gradually improved. During the Spring and Autumn Period and the Warring States Period, the sword system was determined, and the method of sword making was described in detail. Zhou Li's examination of the Gong Ji Yun: "Zhou Guantao's is a sword, two and a half inches of Laguang, two and a half, and its Laguang is for it. The stem is round and twice as long. In its stem, after the service, the body is even five of its stems, weighing nine Qiang (according to: Zhou Li six two halves for a Qiang), said to be the upper system, on the soil to obey it. The body is four stems long, weighs seven gongs, and is called the middle system, and the sergeant obeys it. The body is three stems long, weighs five gongs, and the corporal wears it." Another archaeological record: "The sword, the name of the ancient weapon, has two edges and a ridge, from the back to the blade, which is called wax, or the sword (that is, the sword body). Below the back blade, it is separated from the handle, which is called the head (i.e., the sword plate), and the place below the head is called the stem (i.e., the sword handle), and the end of the stem is called Duo".

In the Shang Dynasty, there were historical records of sword-making in China, which were generally in the shape of willow leaves or acute triangles, and were originally made of copper. At that time, it was usually used as an auxiliary weapon under the long weapon, but in areas with many rivers, such as Wu and Yue, the sword was used as the main weapon due to the many water battles, and most of the famous swords of the Spring and Autumn period came from these areas. The "Ordos straight-handled dagger-style bronze short sword" unearthed from the Zhukaigou site of Yijin Huoluo Banner in Inner Mongolia Autonomous Region is the earliest known bronze sword in China, about the 15th century BC in the early Shang period. This sword is 25.4 cm long, the sword body is approximately willow leaf shaped, thick ridge, double-sided blade, straight handle, there are two grooves in the middle, the handle is slightly ring-shaped, there are convex teeth on both sides of the junction between the handle and the sword body, the sword body is obliquely convex into a front, and the handle is wound with hemp rope.

In the Spring and Autumn Period and the Warring States Period, the sword was the main weapon for foot combat, and it was constantly lengthened. The sword of King Goujian of Yue unearthed from the No. 1 Chu tomb of Wangshan in Jiangling, Hubei Province has a total length of 55.7 centimeters. During the time of Emperor Wu of the Han Dynasty, there were more than 3 feet, with a sword blade

Yue Wang Goujian sword

Yue Wang Goujian sword (2 photos)

It is stretched by two degrees of arc and straight, and the angle of the blade is sharply increased. In the Eastern Han Dynasty, the sword gradually withdrew from the war stage, and was used to wear a guard of honor or practice martial arts to strengthen oneself. After the Han Dynasty, it tends to be stereotyped, that is, there is a ridge in the sword body, there are blades on both sides, there is a sword tip in front, there is a sword head, there is a stem in the back, and the end of the stem is called a ring, in addition to the sword scabbard, sword spike and other accessory ornaments. "Book of Sui Etiquette" contains: "Yipin, jade sword, Peishan Xuanyu." Second grade, gold sword, water jade. The third grade and the founding son of the man, the fifth class of loose (scattered) products are named Hou although the fourth and fifth grades, and the silver sword, wearing water and jade, the service has been down, Tong Zhilang has been up, and the companion is like a sword. Those with straight swords, enter the temple and ascend to the temple, if they are in the battle, they will all untie the sword. A product and scattered (scattered) county duke, the founding prince Hou Bo, are both double-wearing. The second-grade, third-grade and founding sons of the country, and the fifth-class scattered (scattered) product Hou, are all only worn. The same goes for ribbons. The sword of the Tang Dynasty was also regarded as an ornament by literati and artists, expressing the ambition of the clouds or the heroic posture of martial arts. Houjian has formed an indissoluble bond with Taoism and has become one of the magic weapons in the hands of Taoist priests.

Western sword development

The long sword of the West has also been passed down for thousands of years, has been tested by countless wars, and has a very good effect on both large corps operations and small-scale infantry wars. During the Viking invasion after the decline of Rome, the longsword began to be used on a large scale in skirmishers and raids, and then with the rise of the Franks and Holy Rome and the confrontation between England and Scotland, the lordship wars between castles created and verified the superiority of the longsword, and in the subsequent Crusader period, due to the excellent smelting technology of Arabia, the European sword experienced a learning and perfection in the middle of the year, due to the gradual emergence of heavy armor, the longsword gradually lost its practical value.

Ding An (Zhao Wenzhuo), the eldest disciple of the Lianfeng Knife Foundry Factory, was chosen by his master as his heir, and later he learned that his father died tragically under the knife of the horse thief and evil man Feilong (Xiong Xinxin), and the broken knife enshrined in the main hall was the relic of his deceased father. Ding'an ran away with a broken knife, and the master's daughter Xiang Ling (Sunny) pursued love, but was captured by horse thieves.

After breaking his hand, Ding'an thought that there was no hope of revenge, and wanted to retire to the rivers and lakes, but unexpectedly found half of the peerless knife book, so he decided to secretly practice the knife to avenge his father. But because of the incomplete knife spectrum, he couldn't practice, and finally Ding'an created his own one-armed broken knife knife method after thinking hard, whether he could save the Lianfeng in danger and kill his father's enemy Feilong with a blade. Narrative essays can generally be divided into several types, such as remembering people, narratives, writing scenes, and singing objects. To remember people, it is necessary to express the thoughts, feelings and character of the characters; Narrative should write the meaning of the event, which can be political, ideological, philosophical, or interesting; When writing scenes, it is necessary to show some personal feelings or deep feelings through the description of scenes; Yongwu may reveal a certain joy of life in the world, or express the emotion of a certain person and a certain phenomenon in society. Therefore, we always have a certain purpose in writing narratives, and we always have to express certain thoughts and feelings, which is actually the "theme of the article" that we usually talk about, and the theme is the soul of the article, which is like a red thread running through the whole of the article. A narrative without a clear theme can only be a running account, so in order to write a good narrative, it is necessary to clarify the "why", that is, the theme must be clear. In order to make the theme clear, we can pay attention to three points: First, it must have positive significance, that is, the determined theme, thoughts, and feelings must be healthy and meaningful.

B, to focus, an article can only have one topic, and the whole text should be written around this center. When some students write essays, they want to write both this and that, but the resulting articles are either uncentered or several, and multi-center is uncentered.

C, can be a little subtle, not necessarily explicit. The theme should be contained in the specific narrative and description, and it is generally not appropriate to reveal it in obvious words, such as showing the industrious quality of the characters, which should be expressed through specific events and vivid details, and it is not appropriate to stick the word "industrious" as a label on the characters. If we want to describe a meaningful event, we should not empty and abstractly explain its "meaning", but should naturally show it in a concrete plot. Engels said that the more hidden the meaning of events and the character of the characters are, the stronger the artistic charm of the work.