Brazilian football is free-spirited, and like their samba dance, there is no fixed rule, it is completely natural. Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

They have been running in the mountains and fields since childhood, and their bodies are strong and fast, like an antelope or elk, relying on instinct to survive in the laws of nature.

They are born with a sense of football. It is possible to accurately determine the direction and speed of the ball through the rolling speed and undulation of the ball. At the same time, according to the position and running of the players on the field, the next defensive formation can be predicted in advance, so as to occupy the favorable terrain one step ahead.

Their heads, shoulders, chest, abdomen, knees, legs, feet, and ankles can all be used flexibly as weapons to kill their opponents.

The long-term league training has created their strong self-confidence and bathed in the glory of the past, so they can play their best on the field without reservation and without scruples.

Both teams are speedy, technical teams, running and chasing tirelessly, like an animal race.

Brazil's midfielders are all young, fit, and delicate players, who are moving forward quickly with the ball, swaying left and right, and are about to open up the defense.

If it is an ordinary European type team, I am afraid that it has been broken by this group of young players.

The tall defenders, with their high center of gravity and slow movements, make it difficult not to be fooled by the Brazilian's subtle footwork and sigh at the wind.

But the Cameroonian player from Africa is naturally good at running, and is even better at catching prey, and he has a lot of experience in the way of pursuit.

It is not easy to shake, nor does it lose its balance, and always follows the left and right. Even if there is a gap, it can be quickly closed.

Several of the Brazilian's assaults were in vain, and both teams also exerted great physical energy in the chase, each with their vests attached to their backs, revealing the eye-catching number. Neymar, his handsome face covered with sweat, his brows furrowed, watching every move on the field, trying to find a way to break through the opponent's city.

Although he is in Barcelona, with Messi's aura and Suarez competing with him, he still can't hide the explosion of this football genius.

He is at home in Barcelona's system, he is Messi's right-hand man, his most reliable teammate, and he is a world-class football master.

In the football nation of Brazil, he is the undisputed ace.

He used his right hand to straighten his hair, so that he could see the road ahead. There is perseverance and ruthlessness in his eyes.

couldn't attack for a long time, so that Brazil and Neishao, who were superior to others, couldn't hang their faces on some faces.

The more anxious I was, the more I sweated, and today's Russian forecast for a thunderstorm will come, making the weather even more humid, and the 22 people in the audience are as if they were fished out of the water.

Their running speed was slowing down, and it was a little difficult to breathe, because they were covered in sweat and their clothes were sticking to their backs, which made it difficult to move.

You have to find a way to score and stay ahead to alleviate the situation.

Brazil's Alvaro Mora took the ball out of Mars and quickly swam on his left side.

This little man, like a leaping flame, flies through the crowd, and you know he's there, but you can't catch him.

He's always one step ahead of you, always able to make jaw dropping movements, and easily move the ball around you.

Dribbling is the best way to reflect a player's footwork skills, and it is known as a dance on the football field. There is no shortage of dribbling masters in Brazil either.

Ronaldo, Denilson, Ronaldinho, Kaka, Robinho, each of them has made countless defenders useless.

In particular, Denilson's "cycling" is amazing, which has amazed many teenagers with football dreams to enter the football world.

The sway of the center of gravity, the change of rhythm of stagnation or explosion at start, and the precise ankle plucking of the ball, so that in an instant, countless changes have evolved, destroying how many pairs of chasing footsteps, and how many heroes are powerless to fall, becoming the back of the king.

Although Mora does not have the unpredictable skill of his predecessors, he is no slouch in terms of speed, explosiveness and flexibility, lacking only experience and confidence.

Sometimes, you may try hundreds or thousands of times off the court without making a mistake, but on the field, in the face of a fierce defense, you are too timid to make a natural stretch.

Mora's legs are constantly protecting the ball in circles, and his body sways from side to side to confuse his opponent's judgment. This trick was the way Da Luo used brilliantly back then.

Using realistic feints and constantly changing rhythms, he constantly put pressure on the defenders, so that he had no choice but to choose one direction to shift his center of gravity.

No matter which side you choose, they react in a split second, shifting their weight to the best direction and using their ankles to turn the ball past defenders.

However, this technology has extremely high requirements for the comprehensive ability of dribbling, and the control of instantaneous body coordination is extremely strict, otherwise, once the control is not good, they will fall together, and at that time, it will be too big.

Mora didn't press it down very low, so that he could convert his power. He only shifted his weight on his upper body, but his feet swayed faster, and every step he took out seemed unwavering.

Left, or right? The defenders struggled to make their choices, and in the end, he pounced on the right.

The moment he moved the old man, Mora pulled back his body, hooked his right foot, and went with his left foot, and the ball quickly crossed the defender's body, and Mora's body shrank like a ghost, and he also flitted over.

The ball splits, and then, the ball merges, and continues to plunge into the heart of the enemy like a dagger.

At the same time, Neymar, Firmino, Raphinha and others also supported one after another, forming an offensive and defensive lineup to cut the hinterland of Cameroon.

Neymar wins the ball in the box, turns, and is held up by the player on the right, leaving no room to get up.

At this point, the left-hand player also formed a trap on him, making it difficult for him to pass the ball. He could only rely on his body to defend his right side and coil the ball with his legs on the left.

Suddenly, he supported the player defending on the left side with his arm, took a big step with his left foot, hooked the football with his right foot sharply, and spun his body back to the right.

A spin shook off the defender, with his face back to goal and a flick of his left foot that Firmino came on.

The ball is delivered face to face with great comfort and in place. Firmino just needs to shoot well.

Neymar immediately spread out to the left after passing the ball, creating an open field for Firmino.

Firmino struck a low ball with a slight spin with his right foot, which flew straight to the left corner of the goal at waist-high height.

Buzz, there was a loud bang, making people think that there was a thunder in the sky, a shocking shockwave that blasted through the invisible air and blasted open the gates of Africa.

1:0, in the 37th minute, the Brazilians finally broke the door to victory in the heat wave.

Neymar made a magical pass that broke open the jaw of the African lion.

Firmino's powerful shot from the sky brought this wonderful tango dance to a successful conclusion.

A gentle lover, psychedelic footsteps, fascinating.

But often in your most relaxed moments, let your vest cool, and you leave the world forever.

The more beautiful things are, the more terrifying they are, but many people love the thrill of dancing with snakes.

Snake players must either have extraordinary taming skills, or stay away from this poison, otherwise, one day, you will be poisoned by him.