Time passed, and the monster was still alive, but its heart was beating slowly, almost stopping, and hunger kept it from staying alive for long. Pen? Interesting? Pavilion wWw. ｂiquge。 info I couldn't sleep all night, although the monster was scary, but the thing, suffered. One morning, Su Xiangliu and Wang Zihao found it lying on the bed with stiff limbs, its body cold, and its heart no longer beating

Breathing, the monster died. We gave it a special funeral in the back garden of the house and threw it into a wet hole with Ben out of sight. I gave a plaster cast to the doctor who came to anesthetize, and the doctor kept it in the museum on the street.

Su Xiangliu was dealing with the supernatural events he encountered, and at the same time, in Japan, thousands of miles away, a girl named Song Jiajia went to an art museum in Japan after accepting the invitation of her sister Song Junxin.

After Song Jiajia came out of Musashi Koganei Station, she looked at the postcard in her pocket and found that the art museum was not far away

I plan to walk all the way and take a look at the scenery along the way. Halfway through, I saw a billboard that read "The World's Peerless Art Memorial Hall" with arrows on it. Song Jiajia walked according to the arrow sign. Unlike ordinary art memorials, what appears in front of you is an ancient residence. Originally, this art museum was converted from a private residence that is unique in the world.

Tianxia Musou was a very active Western painter from Taisho to Showa in Japan. He is a mountain girl Jiujiudao bead, inherited the aura of his father, and also became a painter. In order to commemorate her beloved father, Zhuzi found a way to renovate the house where her father had lived before and built an art museum, which is the "World Peerless Art Memorial Hall" in front of the letter. Jiajia walked to the reception and looked at the ticket price list on the window: 500 yen for adults, 1,000 yen with tea coupon. \ took out 1,000 yen from the gum wallet and said that she wanted a ticket with a tea coupon, and the long-haired woman who received her raised her head when she heard the sound, and was surprised that she screamed, it turned out that she was Song Junxin. Song Jiajia was surprised and delighted when she saw the letter to Song Junxin. I finally saw my sister.

Looking at the art museum, I really came. She hurriedly handed the admission ticket to Koichi and said modestly, "You have been interested in painting in the past. There should be more research in this area, and this horse is not as good as you think. Song Jiajia replied that it was okay. Actually, he didn't have much interest in painting, this time he mainly visited the art museum to visit Ah Cao, and he didn't care what the art museum was. Song Junxin was slightly disappointed when he heard his answer.

Later, the two chatted for a while, and Xinyi asked how the art museum's business was, and Ah Cao just smiled bitterly, saying that the teacher didn't build this art museum to make money, as long as someone came, it would make sense. There weren't many people here today, so I invited the letter to enter. Song Jiajia remembered that she should greet Kojima Zhuzi, so she asked Ah Cao's opinion, and Ah Cao replied that the teacher had gone out today and would come back in the afternoon.

It turned out that Ah Cao was a student of Kojima Zhuzi when she was an art teacher at a private girls' school in Tokyo, so Song Jiajia called Zhuzi a teacher. She has only been an art teacher for only five years, but she has received high praise and love from her students, and to this day, several of the students she has taught frequented her studio at Kokubunji Temple. That includes Garfield.

A few years ago. When Zhuzi plans to build her father's private art memorial, it is her students who help her. After the art museum was built, they all came to help.0 Ah Cao came to be an amateur docent. She originally worked in the verandah of Ginza, and she was an expert in this area, and she came to help accumulate every rest II, so she did slack, service, etc., a professional docent, but she was able to do it.

Song Jiajia asked Song Junxin if he wanted to stay here all the time, Ah Cao said that someone else would take over in the afternoon, and then Dao Xin went to the tea room together, Xin Yi looked at his watch, and found that it was already noon, and he agreed to go to the exhibition room again because he didn't have enough time to work. Passing by the exhibition room, Shinichi hurriedly glanced at the booth in the exhibition room. I found that the paintings were all arranged chronologically, from sketches from Kojima Moriei's elementary school days, to plaster sketches from art school, to landscape paintings when he was studying abroad, and still life paintings and figure paintings after returning to Japan. Among them, there are mostly paintings depicting children, sketches of children's faces drawn with pencils, and there are also oil paintings depicting children's whole bodies in the child's sleeping position, and the children in it are wearing beautiful clothes, which is extremely cute.

Although the children in the painting are of different ages, it can be seen from the temperament of the children that they are all the same person. In addition, some paintings are marked with "Bead 1 year old", "Bead 2 years old", and "Bead 9 years old" until "Bead 9 years old". It seems that these Weiwei are the ones who were beads when they were children. Her father, Kojima, used a paintbrush to record the growth of the beads. Zhen Yizhuzi's crying, laughing, tantrum and other vivid expressions fully express a father's love for his daughter, even for a person like Shinichi who doesn't know anything about painting, Den is moved by the true feelings of these children's painting brushstrokes, bright colors, and the difference between Kojimagawa's heavy paintings and those heavy paintings of Kojimagawa makes people feel a kind of continuous love. What an amazing power it is to draw! Xinyi couldn't help but catch a cold like this

In the exhibition room, Song Jiajia also found a girl who was learning to look at it, carrying a popular mountaineering canvas bag at that time, and looking carefully in front of a huge portrait in the center of the exhibition room. Xing is an oil painting of a young woman holding a baby in her arms. Due to the rush to go to the tea room to see Kato Cao. In addition, he didn't have much interest in painting and didn't know much about the painter village of Kojima Shousheng, so Song Jiajia took a quick look in the exhibition room and left.

In the teahouse, Ah Cao said that the Koganei city government had planned to set up an art museum, but the city's construction plan was too far from the pearl plan, so the teacher refused the city's support, and built the museum through bank loans, etc., because the house is old, has been relatively dilapidated, and it costs a lot of money to repair, Kojima Zhuzi did not flinch at all, but was very generous in terms of money, and tried to build this art museum perfectly. The reason why Kojima Zhuzi insisted on building this art museum may have originated from Shao's series of children's paintings. From those paintings, Zhu Zi felt his father's love for him, and at the same time he loved his father deeply, so, no matter how difficult it was

She also wanted to build the museum herself as a memorial to her dead father. When he returned to the exhibition room, the female college student had already left, and Shinichi walked to the center of the exhibition room to look at the oil painting of mother and daughter that he had glanced at hurriedly. The painting shows a young woman in a suit sitting on a chair with a higher back than her master's cup, and a child in baby clothes sitting on her lap. The painting seems to be created in the same period as the sketch of the child when he is asleep, but the brushstrokes are slightly different, there is nothing bright and relaxed in the children's paintings of the county series, and there is something that interferes with the painter's mood, and even exudes a kind of evil spirit; Let people not be born Our Lady and Son you religious paintings. But in any case, it can be seen that this is a side l serious creation will do.

The Virgin Mary, known in Japan as Mary Kannon, is the biological mother of Jesus ('Issa) in the New Testament of the Christian Bible and the Qur'an of ******. (maryām) means "bitter" in Aramaic, while the Chinese Qur'an translates it as "Mary" and the Nestorian translation as "Moyan". The Dead Sea Scrolls record young women, and the New Testament says that Mary was conceived by the Holy Spirit as a virgin. Some Christian denominations have honorific titles such as "Our Lady" and "Hail Mary". Mary's husband's name was Joseph. The Virgin Mary was the first of Jesus' relatives to recognize Jesus as the Son of God (God) and the first in the world to ask Jesus Christ to perform miracles for the first time. was present at the crucifixion of Jesus Christ and entrusted to the care of the apostle John; After the resurrection of Jesus Christ, Our Lady was one of the first to rush to the empty tomb.

That's it. This woman is holding a bead in her arms. But who is the young woman in the painting? It stands to reason that of course she is also the wife of Tsukikojima Shousheng. Why don't you call the mother and son angry and dare to open and close the mastiff honestly, but call it "my son's Xiao Gong", so that doesn't ignore the existence of his wife? Song Jiajia couldn't help but have such a question in her heart. Maybe the woman inside is just the babysitter of the beads, so it can be explained. However, judging from the clothes worn by the women in the painting, they were very high-end at that time, and not a nanny could afford to wear them, and the women in the painting were elegant, and their expressions and demeanors were everywhere revealing the demeanor of everyone's ladies. Shinichi dispelled such assumptions again. Who is this woman? Shinichi had a lot of doubts in his heart, and began to talk to Kojima Mamoru about this

The painter became intrigued. Next door is the artist's reference room, which contains the artist's supplies, photographs, and profiles used during his lifetime. Song Jiajia came to the reference room and looked at the biography of Mamoru Kojima posted on the wall. Mamoru Kojima was born in 1902, the 35th year of the Meiji era. He was the second son in the family, and his father ran a hotel in Kanazawa. At the age of eighteen, he went to Tokyo; At the age of nineteen, he studied Western painting at the Tokyo Art School; At the age of twenty-five, he went to France to study, determined to become a good Western painter. While in Paris, he met Junzo Okada, who was three years older than him. At that time, Okada was already married and lived with his beloved wife, Chizuru, in a simple apartment in Mombalunas. After meeting Mr. and Mrs. Okada, Kojima moved out of the hotel where he was living at the time and moved into this apartment in Mombalunas

Village.

He and Okada are called brothers and get along very well. Soon after, Kojima's father fell ill due to overwork, and the family was no longer well-off, and Kojima's study abroad career began to shadow. Just as he was thinking about his future studies and livelihood, Jun Okada extended a helping hand to him, so they had a very good relationship (to be continued.) )