Chapter 22: Exploring the Palace 1

The corridor naturally exudes the smell of time, flowing in the long river of time, and the strong sense of vicissitudes makes people instantly feel as if they have returned to ancient times. Pen & Fun & Pavilion www.biquge.info

Lu Shilan walked along, not daring to make a loud noise, for fear of destroying the vicissitudes of this tranquility.

Under the feet is the light floor, I don't know what kind of material it is, looking at the antiquity of this palace, the craftsmanship at that time must not reach such a level, it can only be a special natural stone, which is no longer available in modern times, so Lu Shilan can't recognize what kind of material it is.

The wall on one side of the corridor is carved with exquisite murals, from flowers, birds, insects and fish to flowers, birds, insects and fish, each carving is lifelike, even the tentacles of a small ant are vividly depicted, and it seems that touching it can bring it back to life from its slumber state.

Lu Shilan looked at this magical scene carefully, this carving skill is simply unprecedented in modern society, because at this moment standing in front of a peony picture Lu Shilan actually felt that the peony flowers in front of her were blooming, a touch of fragrance came to the nose, and then the peony flowers bloomed at a speed visible to the naked eye, and then slowly withered into mud and turned into nutrients of the soil.

This is like watching a silent micro-movie, Lu Shilan was shocked in her heart, and was about to look at the next picture but saw the peony flower break through the ground, grow into seedlings, pull branches and scatter leaves, flower buds appear, buds bloom, extreme bloom and then scattered into mud, this time the life of peony flowers is more complete.

Lu Shilan is such a smart person, since she sees it differently every time, is there something mysterious about this picture? At the moment, I calmed down, stood quietly in front of the carved picture and saw the life of the peony peanut again, but this time there was a pair of plain green onions and white jade hands to bury a flower seed in the soil, carefully digging the soil and watering.

Is it a little richer every time you see it? Is it possible to see who planted the flowers if you look at it any further? Lu Shilan's indifferent heart also has a faint expectation at this moment, is she the original owner of this magical space?

However, this time there is indeed more content, and a trace of figure appears, but except for the hand that can be seen clearly, there is a faint layer of fog everywhere else, making it impossible to see the appearance and specific outline, even if it is a man or a woman. Although these fingers are as white as jade, this person is a fairy-like figure, and it is not surprising that even a man has such hands.

There is no longer any superfluous content in the picture here, and Lu Shilan can't help but feel a little regretful.

Lu Shilan looked carefully at the carved picture of the ant, wanting to see the difference from the peony picture from above.

The picture is presented: the ants die shortly after mating, leaving a "widow" and the queen ant to live a lonely life. The queen ant sheds her wings and chooses a suitable soil and place to build her nest underground. She was "alone" and had limited strength, so she could only temporarily build a small room as a place to live and give her "conceived" body a delivery room.

After the eggs in the body mature and are produced, the small larvae hatch and are born, and the queen is busy. She feeds each larvae mouth-to-mouth until they grow into adults and can live independently.

When the first workers reach adulthood, they dig holes to find food and then expand the size of their nests to provide housing for more and more family members.

Since then, the queen ant has enjoyed the blessings and become the commander of the large family of this group. The work of tending the young ants and feeding the queen ants is carried out by the worker ants. But the queen ant also continues to mate, constantly producing fertilized eggs to reproduce large families.

Seeing this, Lu Shilan understood that these carvings were all about one thing, the transformation experienced by living beings in their short lives.

The long corridor is a little deeper, a look of thought flashed on Lu Shilan's face, each carved picture only occupies a very small position, just like the peony flower just now only occupies a palm-sized place, this dozens of meters high mural is densely carved with countless species, but from the place where the carving began, there has been no human figure here, this is everything before the appearance of human beings? Or is there no human at all in this mural?